Death Note Killer Within is truly fascinating, even to look at from a distance. It’s a smart adaptation of a Shonen Jump manga that is famous for challenging what “Shonen Jump manga” could be at its moment in time. Seeing the characters pop up in games like Jump Ultimate Stars or Jump Force was always awkward, and the other games based on the series remain obscure. So it’s cool to see the folks who made this identify a trend and realize the IP is a good fit, then execute it in a way that both adapts Death Note and have fun with it at the same time. I think it has a pretty limited audience though, as you have to cross several barriers of entry to get what feels like the only way to have a good time. If the gameplay gave more time for its nuances to breathe and shine, was more adaptable to the inherent instability of online play, and was more approachable, there’d be something really special here.

I’ve lost a lot of time to Metal Slug Tactics during this review period, and I’ll lose countless more as the year goes on. It’s a game for sickos, and I love it for that. But more importantly, it nails the run-and-gun feel of Metal Slug, and somehow transforms that into a tactics game, and that’s a hell of an accomplishment. Now, if you’ll excuse me, I’ve got an itch, and the only salve is another run.

Batman: Arkham Shadow is the blueprint for how to do AAA VR. The game makes every effort to translate the franchise’s best features to virtual reality, with a level of detail that makes you feel like Batman himself. It’s all complemented by an original story that’s on the same level of quality as most games in the series.

I’ve avoided the Call of Duty franchise for years. Long before the gameplay outgrew me, I outgrew the gameplay. I came into BO6 with low expectations but was pleasantly surprised. Despite some faults, the campaign has more good than bad. Zombies is a fun mode, even if there’s nothing there for me personally. Multiplayer, however, is where the magic happens. The fact that I’m enjoying playing against people half my age who can kill me before I can squint to see them is testament to that. Okay, so I’m clearly exaggerating, but even when I’m getting rocked, there are always tools at my disposal that ensure I’m having a blast. Grenade away!

Mario has ventured to massive worlds before. He's even surfed the cosmos across different galaxies. Rarely has a world in any of his games felt this connected. Mario & Luigi: Brothership is a game about building bonds, the kind that Mario shares with his cherished brother.

Planet Coaster 2 is a fantastic second entry to Frontier Developments’ spiritual successor to one of gaming's greatest titles. I might be a little disappointed that the core behind these games' formula hasn’t changed in 25 years, but if it ain’t broken why fix it? Aside from little issues like guests' pathfinding being borked on occasion and my spiteful relationship with the way paths snap to each other, I’m overjoyed to share that this game will continue to consume my life in the near future. While the simulation sicko in the back of my mind wishes there was a little more depth to managing my parks, all the other voices fight over what to build next, and there are certainly worse problems to have.

I enjoyed New World: Aeternum as an action RPG with relaxed character-building and challenging content but was never motivated to stick around and grind out an insane amount of hours. This almost feels intentional, with the quickened road to endgame and retooling of the campaign. The game certainly feels more fleshed out than it did three years ago and has settled into being a perfectly decent online game that I can drop into and enjoy in short bursts when the MMO itch comes around.

All told, The Fear Business is a pretty solid homage to the horror games of yesteryear. It’s not particularly original, but the PS1 aesthetic, sharp design of Solomon Manor, and compelling puzzles work well enough to make up for its annoyances. It’s not a long game (your first playthrough will probably take between 3 and 5 hours), but there are several difficulties to complete and secrets to find, and it seems ripe for speedrunning. I just wish it controlled better and dealing with Goat Face wasn’t so bloody annoying. But if you’re looking for a horror game to spend an evening with, you could do a lot worse. Just… you know, try to be smarter than Sarah the next time you’re investigating mysterious disappearances, yeah? If a dude had offered me a ride to a cult-infested mansion, I would have just gone home.

Ambition that slightly misses its mark is my main takeaway with Ys X: Nordics. There’s still a rock-solid foundation here, as any fan of action-RPGs can attest to. Ys is a series that’s stood on business for decades and with good reason. The problems here are all in the efforts made to try something different, which isn’t the worst thing to happen with a long-running series. Instead of resting on its laurels, Falcom has tried some new things with Ys X and there’s credit due for those efforts. The story and characters are on point, and the way the core mechanics try to act as a mirror for the themes is fascinating! But there’s some connective tissue missing that could’ve made things really sing. Meanwhile, the ship customization and combat is cool and rewarding in the long run, but the agonizingly slow pace of progression there really hurts the drive to care and engage long enough to see the payoff. Will these systems see iteration and come into their own, or will Falcom try something else next time? I’m curious to see if Adol can become a talented sailor one day.

This game isn’t entirely for me. I don’t have the patience to grind out tools, nor do I have a static group of homies to become virtual Syfy (or whatever it is now) Channel ghost-hunting superstars with. But Phasmophobia’s intricacy and malleability that offers both kinds of experiences is super impressive. I love that I can have an intense, singleplayer horror survival game, then invite some friends and have that same game morph into something else within its framework. And then, theoretically, have it turn into another different kind of game once the training wheels are off. It’s fascinating in its ambition and complexity, and even if every aspect of it isn’t perfectly fine-tuned, it’s still compelling to engage with. Since Phasmophobia's in early access despite coming to consoles, I can see that fine-tuning continue to take place over time, as the developers keep hammering their clever systems into shape. With a little more clarity and maintenance, I can see Phasmophobia being the horror game to return to year after year.

The original Life is Strange was enough to cement Max Caulfield as one of my favorite modern video game protagonists, and Double Exposure offers a beautiful continuation of her journey. She’s still the deeply goofy and empathetic artist that we fell in love with nearly a decade ago, and this new adventure further explores her personality and beliefs. Jumping back into her story all these years later felt like catching up with an old friend. On the other hand, it’s impossible to make your way through Life is Strange: Double Exposure without performance issues interfering with the experience. It’s ironically right in line with the game’s theme of duality, with the Living and Dead worlds serving as metaphors for what it’s like playing through the newest Life is Strange game.

This is formulaic BioWare set in a fantasy-fiction story with the feels of a summer movie, and while we think it’s a very well put-together game, we ultimately couldn’t find the oomph that could push it over into greatness.

While A Quiet Place: The Road Ahead makes for a decent adaptation of the breakout horror franchise, it ends up falling short due to a slow, uninspired narrative and frustrating sneaking sections. That said, it's still an engaging, tense romp through the world of A Quiet Place and fans of the movie will get their fill here.

It’s been fascinating to see what Drecom has done with Wizardry since getting a hold of the rights in the middle of the pandemic. There’s a sense of reverence for the series’ history, as well as a fresh interpretation of what Wizardry can be with the new game and other materials in the pipeline. There’s a renewed sense of horror and urgency, that acknowledges the gamey adrenaline rush of risking it all for some sick loot while wanting to push how getting killed by goblins in a pit dug out of reality by flesh-eating demons shouldn’t be a cheerful hobby. Wizardry Variants Daphne is an expertly crafted mix of old school mechanics and distinct, modern presentation that takes advantage of the mobile platform as much as it is inherently expected to exploit it. I’m curious to see what kind of long-term prospects Daphne can muster, but for now I’m having a blast.

Not every party has to go all night long. The Jackbox Survey Scramble is less of a party pack and more like a lunchtime activity. There's room to play and you'll still have time to finish your sandwich.

Zero Sievert might use a lot of familiar genre descriptors, such as roguelike and extraction shooter, and it might not do a whole lot different from other, similar games that came before. However, everything it does, it does just right. It rewards you enough to make the steep challenge worth putting up with. It pushes you to explore and experiment by making both goals feel achievable with the right plan and a bit of luck, and eventually, it gives you the tools to make some fantastically detailed weapon builds and take on even bigger challenges with bigger rewards on offer. It's all recognizable, sure, but when Zero Sievert is this fun, innovation doesn't really matter.

As one of games media’s self-described SaGa Sickos, I had one question on my mind coming into Romancing SaGa 2: Revenge of the Seven. Could a SaGa be rebuilt, explicitly for approachability, and still feel like SaGa? Or would sanding it down and making it friendlier turn it into a less daring and bold RPG that’s harder to distinguish from Final Fantasy or Dragon Quest? While some parts did have me feeling a little curmudgeonly, at the end of the day the answer is yes. Romancing SaGa 2’s remake is a fulfilling journey, giving fans of the original plenty to sink their teeth into, while simultaneously offering something that’s a lot more palatable for curious parties to finally set their fears aside and try something new. If it clicks, though, I implore you to dive into the deep end afterwards. Don't sleep on SaGa!

While I’d love to live in a world of Shadow Generations being the whole thing, there’s fun to be had with Sonic Generations as well. It’s just like putting a $200 collectible figure on the table next to an action figure you picked up at Walmart for a fraction of the price. The action figure is fun to play with, but you can just sit and stare at the collectible in admiration every time you walk past it. While it’s relatively short, Shadow Generations feels like someone took Sonic Frontiers and retroactively applied its secret sauce to an older 3D Sonic platformer, elevating it to heights previously unseen. Sonic Generations is a respectable remaster of a decent game, but pales in comparison. Thus, Sonic x Shadow Generations is definitely a masterpiece in the eyes of someone already on board with the series, but might feel noticeably uneven to newcomers or folks aiming to cautiously dip their toes back in feeding off hype for the latest movie. It’s over for everyone when that Keanu Reeves DLC drops, though.

This is another one of those old school remasters with which part of the fun is simply experiencing it if you haven't already. You won't be seeing Killing Time in any "best of all time" lists, because it simply isn't that. It's rough around the edges, teetering on the bad end of schlocky, and the huge maps make finding your way around exhausting. But at the same time, being a 3DO game so fully committed to its era of FMV gimmicks and the overall strange vibes only a 90s shooter on obscure hardware can provide makes this the perfect subject of earnest digital archaeology. Is Killing Time a banger? Nah, not really. But Killing Time: Resurrected absolutely is.

Playing through Unknown 9: Awakening left me with a cocktail of emotions when I finally rolled credits after 13 hours. I usually pride myself in my ability to see eye to eye with a game’s vision and try to find even footing even if I didn’t have a good time with it, but this is different. The experience of playing Reflector Entertainment's debut title is akin to watching a bunch of trailers for those Phase 1 Marvel movies alongside the opening act of the first Avengers flick. It felt like proof of concept for a multimedia franchise that doesn’t want to give away too much but hasn’t figured yet out what it’s even about. All of this is skinned onto the early 2010s cinematic video game experience which aside from a few fun, if janky combat encounters doesn’t know how to set itself apart. It's heartbreaking because there is a much better experience in between the in-between that didn’t work.

UFO 50 is like stumbling across a time capsule and discovering a wealth of lost knowledge inside. And yet, it’s entirely a singular work of fiction. That by itself is deeply fascinating and makes this thing worth playing. Even if you pass over most of the games and only find a few that stick with you from a fun perspective, the depth on a conceptual level is absurd and gratifying to simply think about. We’re living at a time in which older games are vanishing from both physical reality and our sort of collective cultural well at an increasing rate, when remakes are seen as replacements for original work and curiosity to seek out history is dwindling unless there’s a purchasable remaster. UFO 50 is fun to play and take at face value, but it also highlights how age really isn’t a detriment to having a great time and engaging with games.

Super Mario Party Jamboree disproves the idea that if you've seen one Mario Party game, you've seen them all. Nintendo went out of its way to create something heads-and-tails above what came before. It doesn't always work, but there are far more winners than participation trophies in this package. The Jamboree Buddies, in particular, make this the ideal way to play Mario Party. It'll still wreck friendships. At the end of the day, it is still Mario Party. But, now those friendships will be wrecked in a more interesting way.

Neva, as a symbol of life itself, mirrors the inevitability of change, making the journey feel like a personal allegory for parenthood and the passage of time. In many ways, Neva ends just as it begins, with a poignant reflection on the cycle of life. Although the experience is brief–credits roll after about 5-6 hours–the impact of Neva lingers long after, making it a great choice for those looking to get emotionally gut-punched by a visually stunning and mechanically concise platforming adventure game.

I went into The Axis Unseen hoping it would be my jam, and it was. It even made me okay with not having a map (well, after a while), and as someone who has a terrible sense of direction on their best day, that’s no mean feat. I just wanted to explore its world, fight new monsters, and see what I could find. Mostly, though, I think about the stories I got to tell while playing it, like that bit with the Elder Horned Beast I told you about at the beginning here. A little while after I got the fire arrows, I realized I could probably kill a Tree Golem with them, and when I finally ran into one, I finally took it down. It was incredible. And there are so many stories like that in The Axis Unseen. I hope the technical issues get fixed, but even with them, I think Just Purkey Games has made something special. Just... be careful if you venture into this realm between realms? You’re off the edge of the map. Here be dragons. But if you play it right, the scariest thing in this world might just be you.

Narrative games sometimes struggle with balancing the flow of gameplay and storytelling. For Europa, the team at Novadust Entertainment has managed to keep the pacing tight throughout the entire experience, ensuring that the gameplay doesn’t detract from the story, and the tale doesn’t stop you from taking to the skies. Even if the journey has a few rough edges, Europa is an immersive and thought-provoking game that nails the Ghibli sense of wonder.

I was always going to pick up Amber Isle, so I was very happy to review it. Even though it has a few bugs related to the camera and UI, as well as some progression issues to be worked out, I know I'll be spending a lot more time in my shop crafting items to sell to my dinosaur customers. There’s a lot to like about Amber Isle and the team at Ambertail has tried its best to create a wholesome experience. All of these adorable dinos will be my friend before I’m through here, even the grumpy mayor.

Much like Danganronpa before it, despite its problems my time with Master Detective Archives: Rain Code Plus will be hard to forget. I’m thankful I waited until this updated version to give it a whirl; with a silky smooth frame rate and high resolution, the visual elements really get to sing. Even when I wasn’t fully on board with where the story was going, Rain Code made me think, which is high praise for a game about a deadly goth girlfriend puking rainbows and shooting heart-shaped laser beams from her face as a means of exposing criminal conspiracies.

I ended my time with Dragon Ball: Sparking! Zero much the same way I started it: really excited to play more of it. I’ve already dumped a lot of time into Sparking! Zero, but there’s still a lot more to see. I have more alternate paths to complete, more costumes to unlock, plenty of other mechanics to master, more Capsules to play with, new teams to build… I could be here for a while, now that I think about it. The greatest compliment I can pay to a game is to say that I want to keep playing it after I’m done covering it. I want to keep playing Sparking! Zero. It’s been a long, long time coming, but Sparking! Zero is worth the wait. That little kid who grew up loving Dragon Ball would love that. I’m really happy for him.