While Crisis Core’s remaster is a fantastic appetizer to the second entry in the Final Fantasy VII remake series, it falls flat in a lot of ways. Don’t get me wrong: I enjoyed my time with it, and having all of the narrative freshened up for me is a fantastic strategy on Square Enix’s part, but Crisis Core would have benefited from some substantive changes, not just a face lift. If you’ve never played Crisis Core and want to see what the hubbub is about, this is the definitive pick for you, but remember that this game was developed fifteen years ago.

In ways both positive and negative, Under Pressure is more of the same for Telltale's Guardians of the Galaxy. The relationship-focused decision trees continue to be interesting yet opaque, while the interactive aspects leave much to be desired in terms of quality and player engagement. I've knocked down the gameplay score (and thus the overall score) a tad to reflect both its stagnation and lack of creativity, but there's still room and time for improvement.

As I watched the credits of Emio role, my heart sank that I didn’t love the game as much as I’d had hoped and would need to convey as much in a review. I enjoyed both of the remakes and want to see Famicom Detective Club and other obscure Nintendo franchises thrive. Thus, I can’t overstate how elated I was with the barnstormer of a bonus chapter the game subsequently greeted me with, enough so that it single-handedly increased my opinion of the story and overall game. Still, it can’t overwrite how Emio’s bloat makes it a bit of a wet paper bag before that glorious final hurrah. Emio’s by no means a bad visual novel, but it’s also not worthy of waking its franchise from a 35-year hiatus.

Pillars of Dust reminds us not to take ourselves too seriously. The developers certainly don't, which is to the game's credit. If you can accept the style of storytelling and the snappy, simple gameplay and presentation at face value, you're guaranteed a good time. Retreaux Games has played it safe here, but they've also pushed boundaries in small, subtle ways to establish a foothold. They're in a good place with their first RPG, so the future bodes well for them and gamers alike.

Mary Skelter: Nightmares varies nicely from your typical turn-based JRPG. With a darker atmosphere than most games, the art and music is really what defines it. If you can overlook some of the repetitive combat and dialogue, this game has a lot to offer and provides an overall great experience.

A ridiculously compelling opening that turns into a tragic waste of potential.

Lag was an acceptable issue in games up until five or so years ago. At this point, most high-quality online experiences are relatively lag free. That's why I have to say that RMG is not a high-quality experience, but not just because of lag; Realm of the Mad God suffers in its simplicity.

In the wake of Labyrinth, The Eden of Grisaia is somehow able to end the series on a positive note, but it is still a disappointingly mixed experience in the grand scheme of things.

Some hardcore D&D fans will be disappointed by the things left out of the 3.5 ruleset, but any tactical RPG fan who doesn't know about what's been left out or doesn't care will enjoy Dungeons & Dragons Tactics.

Phoenix Springs is not for everyone, and I’d venture to say most people won’t care for it; that’s also the benefit of strong visuals, though. No one’s going to look at screenshots or videos of this game and complain that they got ripped off thinking this was Gears of War. If my rambling and the feeling you get looking at Phoenix Springs doesn’t get you licking your lips, then this might be a pass for you. Others: enjoy food for your artsy fartsy soul.

Maliki: Poison of the Past feels to me like a bouquet of flowers, with the occasional thorn hidden within its attractive exterior. With the air full of the enticing aroma of blooming petals, you easily forget the one or two moments of discomfort you suffer to appreciate its best qualities. Load it up, take a deep breath, and enjoy.

I can't really fault Duodecim for being what it is: a title that's meant to be played by longtime Final Fantasy fans who really just want to see all their favorite characters together. However, it's undeniable that the game is broken in many ways – incredibly uneven difficulty, obtuse systems, and control issues both in and outside of battle.

Mega Man Battle Network Legacy Collection Vol. 2 is overall the weaker half of the series, with Mega Man Battle Network 5 being the gem of the bunch. This collection is fine, offering more of the same excellent core gameplay from the first three games for those who can’t get enough. But none of the new additions are strong enough to make these games stand out individually. I’d still love to see Mega Man Battle Network: The Liberation Missions someday. But for now, it’s time to jack out.

Hero of Leaf Valley is by far the best offering on the PSP to date. It's too bad it is marred by some awful load times and another cookie cutter story without any novel ideas to keep even that afloat. Interestingly enough, the gameplay is tweaked in just enough ways to warrant this game an overall winner.

Holiday Star is possibly the only game that contains a pheasant weaponizing the delusional fervor of otaku. Established birdie lovers will find a lot to love in Holiday Star, but fledglings should start with the prequel.

It's very unfortunate that everything in Baten Kaitos did not come together to create a truly great gaming experience. The shallow battle system becomes boring quickly, and the voice acting's poor quality drops the game to a simply average level.

The story is tragic and hopeless at times, only to turn around and become hopeful and positive seconds later. The combat is exciting, and I never thought I would be so engaged with the DRPG subgenre after years of not clicking with it. It’s a game that I’m certainly glad that I played, but I do find it difficult to recommend without a few caveats. If you decide to take the dive, be prepared for a notable time investment.

Uncanny Valley doesn't always get it right, but still manages to be an effective horror adventure well-worth your time.

Solasta: Crown of the Magister takes the mantle of the “most” Dungeons & Dragons video game out there, if not quite the best. Though the game has a modular adventure setup that strongly suggests there will be more stories, this one falls too flat for its 40- to 50-hour length. However, the combat system is merely a few tweaks short of perfection, so I’d still be interested in sending my heroes on another adventure in the realm of Solasta.

7'scarlet is an enjoyable otome work that provides an intriguing mystery, but it isn't the strongest visual novel offering on the Vita or PC.

Despite my complaints, Outriders makes for a solid, if slightly underwhelming, experience. Several elements left me scratching my head, and there are some bizarre glitches. But going god-mode with your abilities is good fun, even if battles can feel repetitive. Your enjoyment of the game will stretch further if you have a buddy or two to bring along with you for the (out)ride. People Can Fly threw a lot at the wall, and some of it definitely stuck. With DLC and updates surely to come, the Outriders crew will hopefully hone its focus on the parts that work. There is a solid core already, but I hope Square Enix and People Can Fly will take steps to freshen up the gameplay and story so the momentum doesn’t die out the way humans did back on Earth so long ago.

At the end of the day, no matter how many glossy coats of paint you put on it, this is a game from another time. It feels old, outdated, outmoded. However, within this game is an amazing history lesson or two about game design and excellent storytelling, something that Brian Fargo and his inXile team have been offering up time and again for all of us to enjoy. Does war never change? Wasteland Remastered doesn’t use the trademarked phrase explicitly, but there is certainly something timeless about this game. It may only be valuable to hardcore Fallout fans or gaming history nerds like myself, but the journey is still worth it. Good luck, rangers!

Dreamfall is relatively short, about ten hours, but chances are you'll play through it a second time to get some of the references you missed. Quite simply, if you like an excellent story in your games, go out and pick up a copy of Dreamfall for the PC or Xbox.

A slump in a promising series, Episode 2 still contains emotional highs and thoughtful choices.

There are some circumstances where I wouldn’t hesitate at all to give Iron Danger a strong recommendation, and others where I would advise to wait for more in the series or another entry from the same team. For people who have a strong appreciation for SRPG gameplay and love to overthink challenging battles, this is your game. If you really need a game with the sparse, bleak feel of a Norse epic, you’ll find that here. And definitely, for anyone who knows the Kalevala or spends inordinate amounts of time discussing different representations of mythology or old folklore in games, this is especially your game, and I’ll be wanting to talk to you about how the game represents Lowhee and Ilmarinen.

Mass Effect: Andromeda presents plenty of great ideas, but these tend to be either aped too closely from its predecessors or buried under issues that are surmountable, yet frustrating all the same. It excels most keenly at crafting environments that drip with atmosphere, suffused with rich color and ambient, spacey sound. Though this new setting lacks the depth and texture of BioWare's Milky Way, would-be explorers and romantics will find their odyssey to Andromeda sufficiently enjoyable.

While flawed, Pathfinder: Wrath of the Righteous is a grand and ambitious adventure and an impressive adaptation of a popular tabletop RPG. The eclectic characters feel alive, though the thought of that literally being true is terrifying. In some ways, it feels like too standard a CRPG; in others, it stretches the conventions of that subgenre in fascinating directions. The amount of writing here (and pretty good writing at that) is astounding — it’s a rare case where the sheer quantity is a positive, each quest another strand in your character’s tapestry, even if they don’t always hit. As such, if you only play one game you missed out on from last year, it might be this one, as it might be all you have time for. But that decision is less appealing in the shadow of the abuse accusations.

Despite its shortcomings, Shivah is a worthwhile exploration into religion and one's convictions.