Truthfully, there isn’t anything Paper Perjury does that’s inherently negative. It’s a solid VN experience, albeit with a more straightforward and relaxed gameplay loop than the Ace Attorney games. The script is error-free, and I like how the plot is mainly self-contained but still manages to hint at further stories to tell in Azure City. For those craving another Ace Attorney-like experience, Paper Perjury delivers. Justina’s sleuthing makes for an entertaining adventure in its own right.

It’s disappointing to say that Neon Blood is dripping with unrealized potential. Clearly, the developers put effort into the impressive visuals and the quicktime events, but equal effort was not extended to the writing in a game that so heavily depends on its narrative. It’s not like there’s so much cyberpunk-style media that there isn’t room for more, so it’s too bad this one doesn’t come together. Maybe someday, someone will flesh out Neon Blood to make it as human as it is machine.

Flint: Treasure of Oblivion has many sound strategic ideas, and its commitment to pirate themes runs deep. The combat revolves around using the terrain and ganging up on folk in all the underhanded manner you’d expect from a rag-tag bunch of criminals. The comic strip storyboards work really well, and Flint and the main characters become real personalities throughout the journey, which is a credit to the story design and artists. It’s a shame the game combat and crew systems are not well-explained and that its difficulty and progression systems can be frustrating as they currently stand. For those who like a challenge and don’t mind taking the time to learn some obtuse systems, hoist the mainsail and raise the Jolly Roger: it’s a pirate’s life for you.

Serpentcoil Island, for all its systems and quality-of-life features, can feel stale after a while. At the end of the day, this is a roguelike on the simpler side. If you’re like me and love meaty, dense, and complex systems in your roguelikes, this isn’t it. That said, it’s still fun and engaging when played in spurts. I praise the developers for making an accessible yet strategic roguelike because this subgenre often has a steep learning curve and barrier for entry. While I’ve beaten the game, I can tell that I’m going to do my routine 90% completion on this game, even after investing 20 hours. The post-game is the game.

Fairy Tail 2 is a decent action RPG in many respects, though the game’s appeal will probably be limited to shonen anime fans and Fairy Tail fans in particular. It’s a shame that the game’s scope is limited, because the content here shows a lot of heart and appreciation for the source material and its colorful cast. I’d still argue there’s magic burning in Fairy Tail 2, especially for fans of the anime/manga, but one could say it feels more akin to a candle’s flame than a bonfire.

Whether or not you choose to invest time in Fantasian: Neo Dimension comes down to your priorities. Are you willing to sit or speed through a bland story to get to the meaty gameplay? Or is a more gripping narrative necessary to get you through a game that clocks in at a few dozen hours? It’s hard for me to say what I personally find more important, but I ultimately came out of Fantasian glad that I’d played it. And if I had to guess, I think that its flaws are forgivable enough to be worth it for most others.

Broken Sword – Shadow of The Templars: Reforged takes a game that has always deserved its status as a treasure and polishes its jeweled facets, making it ready to go on display once more. In a developing medium, we need to take the time to revisit our most important titles, so we can better know how our history informs our future.

VED deserves credit for its gorgeous graphics, workable combat, and underlying lore, but there are significant caveats. Although it proposes to take you on a journey between two worlds and at every point in between, the game makes staying on any path difficult, and trying to find the links between them takes more work than it should. You can find a dozen or so hours of playtime with VED, and many more to explore every possible route or action of consequence. (And if you’re on the fence, there is a free prologue, VED: Purification, available on Steam.) Perhaps with a few patches targeting the script and the wonkier translation, this could be something quite pleasant in the genre. But much like Cyrus, you just might find yourself struggling to understand what’s going on in either of its worlds.

Overall, when Farmagia succeeds, it does so in spite of itself. The story has its moments, though you have to do some digging to discover the best ones. Whatever the deal with combat is, it’s at least functional. It’s disappointing that farming, of all things, is treated as an afterthought. But the concept is a weird one. Marvelous may have been better off leaving sleeping monsters where they lie (in the ground, where they were grown).

When all is said and done, I thoroughly enjoyed Master Detective Archives: Rain Code Plus. Hearing my colleague Peter talk about Rain Code last year as he worked on his review made me want to play it, and I’m glad I was finally able to. Except for the mediocre music and some gimmicky gameplay elements, Master Detective Archives: Rain Code Plus lived up to my internal hype and is worth playing. I hope to see more Master Detective Archives games in the future.

World of Kungfu is the kind of bad game that wastes your time and makes even its best qualities hurt you in the end. As it stands, the only audience I can imagine for it consists of those actively seeking out janky messes. I thought I could occasionally find enjoyment in overcoming the broken parts, but doesn’t make the game good. Plenty of other great RPGs, new and old, will give you so much more back than this one. This is one fight that just isn’t worth it.

In a word, Horizon Zero Dawn Remastered is stunning. If you missed this title because you didn’t have a PlayStation 4, then this is a worthwhile purchase. Don’t expect this to be Forbidden West-caliber, but it doesn’t have to be. If you’ve already played Zero Dawn, this is much harder to recommend unless you’re a super fan. The remaster undoubtedly looks better, but I’m not sure this warrants shelling out the cash or investing precious time, unless you’ve been meaning to give this game another go.

When I finally beat the superboss, when I finally finished doing everything I wanted to in Dragon Quest III HD-2D Remake, I hesitated to turn it off. I walked around. I grinded. I tried to picture my grandparents playing through it, tried to replicate how they’d play it. I couldn’t, of course. They are gone. But what a treasure it is to remember them with this lovingly crafted, faithful, and pure remake of a game in a series we cherish so much. Square Enix got it right, and I’m excited for the families who get to share this experience for the first time.

All in all, LEGO Horizon Adventures is a cute and fun experience that I think both LEGO and Horizon fans will enjoy. The story is an amusing adaptation of Zero Dawn’s plot, the characters are often hilarious, the gameplay is entertaining — if a little repetitive — and it definitely nails the feeling of playing in a large Horizon-themed LEGO set. It is fairly short, and there aren’t a ton of things to do once you finish the main content, so your mileage may vary regarding how much you feel it’s worth the $60 price tag. But if you’re really into LEGO or Horizon, you will probably find plenty to like about this unexpected but welcome spin-off.

Aside from the bears, there’s little to recommend here on the game’s own merits. Great strategy RPGs aren’t hard to come by these days, but it’s generally a time-consuming subgenre, and Crown Wars comes across worse in their shadow. Bearing that in mind, even if you’ve exhausted all other options, you may be better off firing up another run of XCOM, Jagged Alliance, or Fire Emblem.

When all is said and done, the negative headwinds are too strong for Sky Oceans: Wings for Hire to navigate successfully. The earnest story and varied, if simple, setting assets can’t make up for the obtuse systems and vapid, repetitive combat. The raft of graphical glitches and plotting bugs only adds to the terminal altitude loss. For the very committed, there may be enough content and exploration for a week or so. But with many better retro RPGs available, from indie to triple-A, the turbulence on deck is too great to warrant a recommendation to hire Glenn and his crew this time.

Slay the Princess – The Pristine Cut is a work of video game art that should not be missed by anyone fond of this form of the genre. It takes you down the stairs, traps you in the basement, and forces you to confront yourself in a dark mirror that wears a tiara. Pick up the blade. You’re going to need it to face what’s down there.

Fans of The Case of the Golden Idol will find their itch for more demented mad libs scratched but not sated by The Rise of the Golden Idol. Despite my issues with the game, existing devotees of the Golden Idol will find something to like here. Everyone else should start with the first game and its two expansions, which are better and provide vital context for fully enjoying the sequel.

While Death of the Reprobate is not a perfect experience, this brief journey doesn’t overstay its welcome. I’m a Joe Richardson fan, and I can’t wait to see what he does next, even if it’s nothing like his previous works. Clearly, he’s a talented individual who deserves success. If unique experiences are your wheelhouse and you don’t mind some potty humor to go with your high-brow language, then please support this developer.

Metal Slug Tactics tends to play it safe while simultaneously encouraging players to not play it safe. With few bells and whistles, everything just feels slightly different, rather than a mind-blowing change in gameplay. Even in an old-school SRPG like Shining Force, characters feel starkly different from each other—except the centaurs—though in this title, everything just kinda runs together. It feels like Metal Slug because it looks like Metal Slug, and the sound effects help in that respect, but in no way does this game evoke frenetic joy like its forebears.

Dragon Age: The Veilguard has cemented itself as one of my favorite DA games and is easily the best BioWare outing we’ve had in a while. It has heart and plenty of emotion alongside a found family cast with some of the best personal character questlines I’ve experienced in a game. It’s evident that there’s a deep respect for the DA lore and titles that came before, and I love how The Veilguard takes vital points of so many BioWare games and builds upon them. Rook’s journey contains several devastating choices, but opting to give Dragon Age: The Veilguard a chance should be a surprisingly easy choice for RPG fans.

Life is Strange: Double Exposure is a game that fails to capitalize on its premise. Although the soundtrack and occasional moments of intrigue are commendable, they are overshadowed by poor character development, confusing plot choices, and a lack of polish. The technical issues, combined with the short length and unresolved storylines, make this entry feel rushed and incomplete. Longtime fans of the series might find themselves disheartened, as they may genuinely dislike the narrative choices that diverge from what they loved about the original. While some may find enjoyment in revisiting the world of Life is Strange, for many, this game could feel like a disappointing misstep.

It pains me to say this, but SINce Memories: Off the Starry Sky is a subpar Memories: Off game and a mediocre-at-best visual novel. Visual novels live and die by their storylines and characters, which fall flat here. Lovely graphics and Takeshi Abo’s stellar music are not enough to save SINce Memories: Off the Starry Sky from being one of 2024’s biggest disappointments.

In my eyes, Romancing SaGa 2: Revenge of the Seven is the ideal RPG remake. The game makes great use of the expanded scope and presentation afforded by more powerful hardware. However, the core tenets of the game and systems design remain largely unaltered, preserving the unique experience of guiding Gerard and his descendants across centuries of conflict against an imposing, interdimensional force. Square Enix has successfully delivered the definitive way to experience one of the best games the SaGa franchise has to offer, and in the process provided the best introduction for new players curious about the 35-year-old franchise. I know there are so many other RPGs releasing this October competing for player’s time, but Revenge of the Seven is a triumph, and I urge any fan of RPGs to give it a shot.

If you’re a fan of SRPGs and Arco flew under your radar, you owe it to yourself to correct that. It’s one of the better games I’ve played in that category in recent years, with a combat system that successfully tries something new, a setting that hasn’t been explored in any RPG I’m aware of, and a journey that leaves an impact in no small part thanks to the developers’ handling of its subject matter. There are some flaws here that the developers could fix to make this game even better, but don’t let those dissuade you from trying out this singular RPG experience.

Card-en-Ciel spoofs so hard, it spoofs itself, and doesn’t have much left to give after that. There’s plenty of entertainment to be found in the game, but it comes at the cost of not having much to offer as a game experience. While hints of cleverness pop up here and there, they’re scant cover for the emptiness in Card-en-Ciel‘s soul. There’s something to be said about self-awareness of one’s limitations, but that doesn’t erase the limitations themselves.

If you were late to the Supermassive Games train like I was, climbing aboard sometime after their success because you didn’t have a Playstation 4, then this is the perfect time to catch up on a classic. Some might say this is the progenitor of interactive cinema, at least in terms of commercial success. While not the perfect remaster, Until Dawn has made the leap to the modern era of presentation without falling to its death. Just a few scrapes and bruises.

Fate/stay night Remastered holds onto several 2000s trappings that may not appeal to contemporary sensibilities, but playing it most certainly brought me back to my younger days. The moment I saw the slick anime intro following the lengthy prologue, I knew this was the kind of game I would have absolutely devoured twenty years ago. Fans laud Fate/stay night Remastered for good reason and I am glad I finally got to play it.

Ys X: Nordics is a truly sensational adventure where the story, themes, characters, and combat are all individually strong and collectively transcendent. It is a worthy starting point and an excellent evolution for fans of modern Ys. It has singlehandedly reinvigorated my passion for both Ys and Falcom as a whole, and I regret having only so many words to recount all the reasons you should play it. 2024 is already packed with several more-than-worthwhile RPGs, but please do not let this one go unnoticed.

In Echoes of Wisdom, we have everything that I hoped for and more. New and old, revolutionary and yet traditional, it pulls you back to a place of long-treasured happiness without solely relying on nostalgia. More than a worthy entry in the series, destined to be held in affection for decades to come, it could introduce a whole new generation of Zelda fans to the magic that the best of this series delivers.

I’m pleasantly surprised by 9 R.I.P., especially considering I was initially somewhat wary of it due to my horror aversion. Yet I found it to be, at its core, an excellent tale of self-discovery and romance with a supernatural element that helps make it a perfect Halloween treat. Given some of its subject material, it might not be for everyone, but those to whom it does appeal should find a compelling game to play with the lights either on or off!

If you love Supermassive Games’ work, you’ll feel right at home with The Casting of Frank Stone, technical issues aside. For the uninitiated, expect to run around areas finding nick-nacks to read or look at and the occasional binary dialogue choice. Creepy at times, but fascinating throughout, I enjoyed my foray into Frank Stone’s debut. All I gotta do now is play Until Dawn’s remaster.

Metaphor: ReFantazio is Atlus’s crowning achievement—a culmination of the best elements from their past titles and across the RPG genre. The Press Turn system, combined with the genius of the Archetype and synthesis facets of battle, creates a thrilling, strategic, and well-balanced battle system as you face off against one incredible boss after another. The impressive moments never stop, never cease, and the utterly magnificent plot is paced perfectly, with no dull moments. A cast of wonderfully written characters carries us through a magical, cohesive, and alluring fantasy world lifted to dizzying heights by a bombastic score and stunning visual design. Atlus has shown that fantasy is not dead.

I’m still crying. I think I needed to play this one. It is telling that I, a therapist by day, still find something healing and therapeutic in the best narrative-based games. Just a To the Moon Series Beach Episode, through its title alone, undersells the promise of having one’s heartstrings pulled. This isn’t “Just” anything. Though it is short (approximately 2-3 hours to experience everything the game has to offer), this game is well worth the time.

I went into Reynatis with many expectations formed by the previously mentioned Crymachina and The Caligula Effect 2. I expected a jankfest that would narratively punch skyward, seeking to shatter the heavens with razor-sharp words like its predecessors. Instead, the result was middling, and I feel this is due to the dual protagonists having to split the story—and thus split the focus. Reynatis has a bit of an identity crisis, and rather than it feeling like clean cuts on where one ends and the other begins, it’s all blended up into a mess that is both fun and taxing to play, both narratively intriguing and vapid, and both exciting and mundane. My one consolation is that if The Caligula Effect 2 and Crymachina are anything to go off of, a sequel to Reynatis could be one of my favorite games of the year. With that hope in mind, I eagerly look forward to the next strange FuRyu collaboration.

As I watched the credits of Emio role, my heart sank that I didn’t love the game as much as I’d had hoped and would need to convey as much in a review. I enjoyed both of the remakes and want to see Famicom Detective Club and other obscure Nintendo franchises thrive. Thus, I can’t overstate how elated I was with the barnstormer of a bonus chapter the game subsequently greeted me with, enough so that it single-handedly increased my opinion of the story and overall game. Still, it can’t overwrite how Emio’s bloat makes it a bit of a wet paper bag before that glorious final hurrah. Emio’s by no means a bad visual novel, but it’s also not worthy of waking its franchise from a 35-year hiatus.

Yaaargh! Subtlety ain’t be whatcher expectin’ out of a tale about pirates, but even though the surface might look cheap, the value is in finding the gems hidden within. If ye be seekin’ the experience of bein’ a real pirate, Rogue Waters is a time of swillin’ rum and chargin’ at them scurvy dogs. Drink up me hearties, yo ho!

As eclectic as its soundtrack, Keylocker has much to love, though with an underlying narrative experience that can be lacking, I can’t recommend the game to everyone. But the superb musical performances and the compelling oddity of it all are good reasons to consider downloading yourself into this flawed but unique adventure.

The Nameless: Slay Dragon is an impressive indie RPG. Robust gameplay systems merge with a choice-heavy narrative that, at its core, is full of colorful characters and insightful messages. Throw in the game’s unique and creative visual presentation, and you have a traditional RPG/VN hybrid that’s well worth the curious giving it a try. While the game’s title is The Nameless: Slay Dragon for plot reasons, this is one fantasy adventure that begs to have its name remembered.

It’s the style and feel of Beyond Galaxyland that kept me interested to the end of Doug’s journey. Though many of the supporting systems are pretty familiar and some are in real need of reconsideration, the thematic narrative has enough mystery to engage. Exploring the intricate graphical detail of the world, and its original worldbuilding, is fun for most of the runtime, and the efficient combat doesn’t bog this down. If a key element of the genre is exploring new worlds, then Beyond Galaxyland puts its best foot forward. It’s just a bit wobbly in how it gets there. Prepare to give it some slack on the journey, and you’ll have a decent time.

If you’re on the fence about whether The Case of the Golden Idol is for you, I highly recommend giving its demo a shot. You may be surprised at how engrossing this off-kilter take on Mad Libs crossed with point-and-click adventuring is. It’s the perfect example of a game that takes established ideas and creates a unique identity for itself by frankensteining them together.

So, yes, Igarashi is a genius, and the brilliance of his Castlevania games still holds up. Is this collection perfect? No. Each game has different flaws, and there are some minor issues with the overall presentation. Nonetheless, the DS trilogy in the Castlevania Dominus Collection are all clean, tight experiences with just enough experimentation to make each of them excellent and unique, even in a market flooded with Metroidvanias. Put simply, even 16 years later, Castlevania is still a genre giant.

Overall, I found this nine-hour jaunt to be superior to Cat Quest II, which already wasn’t a bad game. As I suggested earlier, all the developers had to do was beef up the game slightly, which they did. This is the definitive comfy game that you can play with a spouse, friend, or child. If this trajectory is any indication of what the developers can accomplish with the series, I’m eager to see what they do next.

The story intelligently explores themes of grief and maturity while offering some valuable insights into its characters but is told too piecemeal to justify a playthrough alone. With that said, if you’re simply itching for more of Persona 3 Reload’s dungeon crawling or closure for its cast, there is a compelling 30 hours to enjoy behind this expansion’s flawed construction. For anyone curious enough, The Answer awaits.

Monster Sanctuary has been out a while, but if you missed out on its original release, it’s worth revisiting. The combination of light 2D platforming and turn-based combat is too good to ignore, and the vast number of monsters, skill combinations, and equipment options make it a strategist’s dream. The fact that the whole thing is presented in gorgeous spritework alongside a popping soundtrack only makes this an easier recommendation. Apart from a few minor quibbles around monster organisation and the endgame grind, there are very few weaknesses to the overall package. Do yourself a favor and make house with these cute guys for a while; they’ll give you an awful lot of enjoyment in return.

Celestia: Chain of Fate is a surprisingly detailed visual novel with more depth in its light fantasy tale than one might initially give it credit for. Plus, it provides a nice dose of romance on the side. Visual novel and otome fans willing to give the game a chance will find an enjoyable time if they stick with it, despite any initial hesitations with the game’s earlier chapters. I hope that “Book 2” releases sooner rather than later, and that’s a telling sign to me as to how much I ultimately enjoyed Celestia: Chain of Fate!

Entertaining for what it is, I don’t think Veritus is going to knock anyone over, but it doesn’t have to. The world was built for sevens, and if you want an old-school game that is reasonably fun, that’s what you get here. I love that the team made such an attempt to change up the formula from most games we see, but I wish more of it felt fun or engrossing. Storytelling’s tricky because going through the motions and delivering a ham-fisted story certainly feels tired, but if it lacks clarity, it’s going to be hard for earnest individuals to buy into your world. Still, Veritus charms, and those chasing nostalgia may actually be met with a tight, creative adventure.

The Legend of Heroes: Trails of Cold Steel – Northern War is a mobile game with mindless, monotonous fun in short gameplay bursts. I wouldn’t recommend playing it for long periods simply because you start feeling the drag pretty quickly. It’s disappointing that the entertaining Northern War side story is such an average game. Lavi and company’s journey deserves the proper treatment of getting a mainline The Legend of Heroes: Trails game. Given the script’s lackluster translation, it’s difficult to recommend this title to anyone because, aside from the Trails fanservice and high-quality new character art, this story has been presented better in another media format. I suggest watching the anime adaptation first, as you’ll get the same story but with actual subtitles that make sense! It’s still the ideal way to experience The Legend of Heroes: Trails of Cold Steel – Northern War.

With the Ace Attorney Investigations Collection, Capcom has finally run out of old Ace Attorney games to put into modern packages. And as a final hurrah, the Ace Attorney Investigations Collection is a massive success. Not only do we get a polished remaster of the solid AA Investigations, but we also get a “brand-new” game that might offer the best-written story in the series. Despite some control issues, this collection is the best version of these games we’ll likely ever play. And after 14 years of Collection releases, including Phoenix Wright: Ace Attorney Trilogy, Apollo Justice: Ace Attorney Trilogy, and The Great Ace Attorney Chronicles, I am delighted that the entire series is fully available on modern consoles (barring a crossover game with a certain top-hat-sporting puzzle solver).

Date A Live: Ren Dystopia is an engaging visual novel that series fans will enjoy. What Date A Live fan wouldn’t want to experience hijinks with their favorite characters and meet a new one who could potentially become a favorite? The game is hollow without prior exposure to the Date A Live light novels, anime, and especially the Rio-Reincarnation visual novel (with all its included extras), so I recommend Ren Dystopia to established fans only.

At the end of the day, no matter how many glossy coats of paint you put on it, this is a game from another time. It feels old, outdated, outmoded. However, within this game is an amazing history lesson or two about game design and excellent storytelling, something that Brian Fargo and his inXile team have been offering up time and again for all of us to enjoy. Does war never change? Wasteland Remastered doesn’t use the trademarked phrase explicitly, but there is certainly something timeless about this game. It may only be valuable to hardcore Fallout fans or gaming history nerds like myself, but the journey is still worth it. Good luck, rangers!

Thank Goodness You’re Here isn’t for the faint of heart. At this point, you probably know if this game is for you or not; it really comes down to your sense of humor, and if you’re not into this sort of potty humor, then this isn’t for you. If it sounds entertaining, though, then there’s absolutely no doubt the game is worth a purchase. For sheer quality reasons alone, this is an experience worth having, and I enjoyed nearly every second of it.

Detective noir has rarely felt so authentic in a video game; I can’t even think of a title that does it more genuinely. If that’s your bag, then this is an easy recommendation, but the journey can feel rocky, disjointed, and dissatisfying. Regardless of grievances, I fell in love, though briefly, with James and Sara. I wish they had a better go of it.

A wonderful return to form for the Mana series. Visions of Mana will have longtime fans grinning from ear-to-ear.

I can’t help but wonder how much better Gestalt would have turned out with a couple more months in the oven. From the story to the combat to player progression, every aspect of actually playing the game feels more than a couple of iterations short of reaching the magnificent polish of the visuals. That being said, for scratching the occasional Metroidvania itch, Gestalt: Steam and Cinder is a worthwhile eight-hour investment.

It wouldn’t be wrong to label Fairy Tail: Dungeons as Baby’s First Roguelike, though that might be selling the surprisingly crunchy gameplay experience short. Veterans have plenty to dig into, even if they might ultimately breeze through it. It can also be an entertaining entry point into the niche roguelike genre, which can be an acquired taste. I wish there were more of it, so here’s hoping there will be someday.

If you have the slightest interest in Journey to the West, Asian philosophy, or want to broaden your horizons, then this is an easy recommendation. Aside from being an exceptional, accessible game to play, the references to works you may not be familiar with will instill an appetite to learn more. I know it has in me. All of this coming from a studio I had never heard of before (GameScience), though I hope it finds great success after their effort here. If this is an example of what they can achieve, I can’t wait to see the next project.

It’s a little bit tough to discern where Teenage Mutant Ninja Turtles: Splintered Fate lands. It delivers on replicating much of the Hades experience game in the TMNT universe, to the point where it’d be surprising if Marvel? Disney? Star Wars? other huge IPs aren’t looking into producing their own. But it also feels like Splintered Fate falls short, teasing so much that it doesn’t follow through on.

Sam & Max: The Devil’s Playhouse shows just how good a remaster can be if handled with love by the original people who made it (along with the previous two remasters). At first glance, the game seems exactly as I remembered it, but in reality, it’s way better. It plays smoother with a much-improved control scheme. The graphics are sharper and prettier, with markedly better lighting. The result is the most playable version of The Devil’s Playhouse imaginable and one I was delighted to experience.

Dustborn is a game with a lot going for it, especially if you’re a fan of choice-heavy narrative adventures with a core cast of likable characters who develop a genuine and touching found family dynamic as they travel. It isn’t a perfect game, especially with its limiting combat component, but its strengths make it compelling. I came to care about Pax and her merry band the more I played, and that’s reason enough for me to recommend the game to those interested in it. The power of language and words can be frightening, but the tales they sometimes tell can also be wondrous and moving. Admittedly, Dustborn might not be for everyone, but it provides an enjoyable ride for those it does resonate with.

Dream Tactics is an enjoyable journey, and the tactical nuances and the promise of new cards and equipment kept me interested throughout. The aesthetics are pleasant too, and the little details and animation really bring to mind the glory of its retro inspirations. The dream does begin to fade with the boss battle difficulty, and over time, the sheer number of cards and equipment becomes difficult to sort and a frustration to manage. For those of you who like card-based systems and aren’t afraid of a clunky UI and spotty difficulty spikes, this pixel adventure might be just the thing to spend the evening with. Sleep well!

Overall, there isn’t much critical I can say; Hakuoki: Chronicles of Wind and Blossom combines the series’ two “most complete” titles into one lengthy adventure, easily making it the definitive edition of Hakuoki. Newcomers and those who’ve only played the PSP port of Hakuoki should try this version of the groundbreaking otome VN. Still, those who’ve played Kyoto Winds and Edo Blossoms in their entirety might not find enough new content here to warrant a second purchase unless they want to play on the Nintendo Switch. As it stands, Chizuru’s adventures with the Shinsengumi remain powerfully compelling.

Dawntrail’s story itself is a bit of a letdown, but the foundation has been laid for future expansions, and I know Creative Studio III can make the most of it. Meanwhile, the gameplay is fantastic, the graphics update is lovely, and the music continues to impress. Dawntrail may not reach the bar set by Shadowbringers and Endwalker, but it’s still a lot of fun to play.

For me, I wish the game had a bit more bite to it. The optional content was more my speed in terms of puzzle solving and felt satisfying to crack. Most of the game felt a touch on the easy side, and while easy isn’t the same as bad, I was left wanting. That said, Arranger’s story, chill atmosphere, and unique art style make it an adventure worth trekking.

SteamWorld Heist II continually impressed me throughout my roughly 30-hour playthrough. Thunderful has done a wonderful job carrying over the immediacy of the engaging sidescrolling combat mechanics while expanding upon the design in meaningful ways. The addition of character classes adds a new dimension to building your crew, and the expanded approach to the world design had me exploring every nook and cranny for more secrets. Captain Leeway’s seafaring adventure is a must-play for any turn-based strategy fan.

Tengoku Struggle is a good, but not outstanding, game. It plays with all manner of expectations, with some successes and missteps, resulting in an above-average experience. Its memorable high points don’t reach the same heights as other otome titles, so it doesn’t feel quite like a must-play game. But it’s a good enough experience for those interested in its core concepts, which feature a fun blend of lightheartedness and earnestness with modernity and tradition. Playing with expectations and mixing together unlike elements can have a great payoff when done right, but Tengoku Struggle -Strayside- falls just short of greatness. It doesn’t leave you disappointed so much as it leaves you wishing the story had followed its own inclinations a little more. If it had either balanced out the romance and action or went all-in on the romance, it could have risen above the sum of its parts. Despite its shortcomings, it’s still an enjoyable experience as unique as the disparate elements it tries to unify.

Vay‘s 2024 incarnation is far from perfect and still rather old-school in many regards, but has enough modern quality-of-life features to offer a rosy nostalgia trip. I’ve always had a soft spot for this often-overlooked title and am glad to see it nicely updated like this. Vay is not a game for everyone, even those nostalgic for Sega CD RPGs, but seeing a solid version of it readily available and easily accessible is a wonderful thing.

Ultimately, Stellar Blade met most of my expectations, though it did fall short with the story and pacing. The combat, music, and world design are something special, and the monster design feels straight out of a cosmic horror game. While Stellar Blade is heavily influenced by NieR: Automata, it fails to take its crown. To end on a painfully unoriginal pun, Stellar Blade is ‘NieR enough‘ to tide fans over until Yoko Taro manages to extort more money out of Square Enix. It may feel unfair to constantly compare Stellar Blade to NieR: Automata, yet with such blatant influence, it would be a disservice to ignore the developer’s clear and beloved inspiration.

Dungeons of Hinterberg is a celebration of recreation and an assertion that video games can be not only a fun escape but a chance to dream of something outside of our routine spheres of life. It’s wonderfully imaginative, beautiful, and sometimes trippy to look at, and it is thoughtful about its subject matter. If you need a break from life, Dungeons of Hinterberg is here for your slaying needs.

It took me roughly fifteen hours to play Flintlock: The Siege of Dawn, but I could see it taking someone else either longer or shorter, depending on how they approach the game world, battles, and quests. I enjoyed every moment I played it and was astounded whenever I uncovered something new about one of its massive areas or thrilled when I came up with a winning strategy for a tough fight. Regardless of your thoughts on soulslite games, I think Flintlock: The Siege of Dawn succeeds at being an engaging action RPG. Nor and Enki are fantastic characters with whom I immensely enjoyed traveling. There’s more than enough black powder charge left in this pistol to make a spark happen if you decide to pull the trigger.

Minor quibbles aside, System Shock is a bonafide classic any way you play it, especially if you play it on consoles for the first time through this remake. If you are looking for compelling horror, a good first-person shooter, or science fiction RPG goodness, look no further. If you want a retro-fitted videogame that retains its original’s mazey philosophies, with keycards, corridors, and zero tutorials, you’re in for a treat. If you want to support game preservation through abandonware resuscitation projects like Nightdive’s, there are certainly worse ways to spend your money. After all, without the historical context of important works such as System Shock, without even simple access to it, we might be doomed to wander the maze of modern videogames blindly.

Atelier Resleriana is a solid game through and through and proves itself to be more than one of the cynical cash grabs that we’ve seen time and time again. It has the heart and charm of the series and serves as a love letter to longtime fans. The biggest problem with Atelier Resleriana being a gacha game, however, is that it will ultimately go end of service one day and become permanently inaccessible. Such is the nature of live service games, yet it feels counter to Gust’s recent efforts to remake and localize previous games. However, there is hope that all the effort in creating new 3D models for such a wide array of characters is an indication that fully-fledged remakes may be around the corner. While Atelier Resleriana isn’t exactly what I wanted out of the next mainline Atelier title, it serves as a celebration of all things Atelier and the best crossover game in the series by a country mile.

Despite my stance on how ATLUS chooses to sell their games, I’m glad that this version exists. I’m a big fan of Shin Megami Tensei V: Vengeance and would highly recommend it to anyone looking for an in-depth turn-based game. The game’s atmosphere and themes are unlike anything anyone else is doing, and its brand of post-apocalyptic melancholy juxtaposes masterfully with its serene catharsis.

Stray Gods: The Roleplaying Musical is a creative, choice-heavy game focusing on interactive music at the root of a murder mystery involving ancient myths in the modern day. Stray Gods: Orpheus is a genuinely compelling DLC addition to that mythos centered around one person’s quest for self-discovery long after they thought their story was over. Ultimately, I love the hopeful possibility inherent in the plot as this DLC proves to be a welcome return to an enjoyable game.

Overall, I’m thoroughly impressed by Trails through Daybreak. I love the Trails series, but I did not expect to enjoy the start of this new story arc nearly as much as I did. The more mature and complex storyline, handled with surprising thoughtfulness and filled with believable characters, really drew me in. Given how enjoyable previous games were, most gameplay aspects are polished to a shine I wouldn’t have thought possible. Trails through Daybreak is easily one of the most robust starter games of the series and an almost perfect entry point for newcomers if they don’t want to start with Trails in the Sky FC. It might even be my new favorite game from the series, at least until Trails through Daybreak II comes out! I can even easily say without a shadow of a doubt that it’s by far the best game I’ve personally played this year. Fans should pick up Trails through Daybreak, as should anyone simply craving an excellently made and wonderfully written JRPG experience!

I’ve often marveled at an idea as familiar as “books transport you to other worlds” transforming into narrative game experiences where you rarely encounter another soul, but a rich tapestry of actions, consequences, and interactions unfolds through your exploration. Yet, Riven has always accomplished this. I’ve been fortunate to replay most of the series with a newcomer, and that sense of wonder absolutely survives as the games age; this new version is worthwhile and definitely the most beautiful way to experience it.

Wizardry: PGotMO is one of those games where every step could be your last, but you’ll be entertained making those steps. Despite being a foundation of the genre, it does not provide an easy entry point for new players. It requires a high degree of patience, and this slow approach won’t be to everyone’s tastes. The graphics, sounds, and overall user experience are detailed and well thought out, with some lovely homages to the original in both setting and the number of OG player options. For a game that laid the blueprint for so much videogame history that followed it, taking a step back into the Proving Grounds felt like entering hallowed ground, like remembering a dream in vivid, modern detail. Just know that such a dream can become a quivering nightmare without warning. Be prepared to possibly lose everything in a single run, or a single combat, or even a single fudged combat round, and it’s a grand old time.

I came away from Adore extremely disappointed. While I still believe that combining monster-collecting mechanics in an action roguelike framework could be effective, this title has too many missteps that prevent it from being enjoyable after a couple hours. Furthermore, the control and presentation issues on Nintendo Switch exacerbate these core design flaws, making for an overall frustrating gameplay experience.

Little-Known Galaxy is like the neglected spaceship you’re given command of. It has a ton of potential and a crew with heart but is a fixer-upper requiring time and patience. The developers are very responsive to user feedback; even as we speak, they’re in the process of making quality-of-life adjustments. As it stands now, the graphics, sound, and character interactions are my favorite parts of Little Known Galaxy. On the other hand, I dislike the excessive grinding and being unable to save whenever I want. Little-Known Galaxy is a game that its target demographic will enjoy, but it won’t win over those uninterested in cozy games like Stardew Valley.

Once again, would-be designers should take note of what the developers have accomplished here, especially in terms of world and map design. To sleep on Shadow of the Erdtree is akin to depriving oneself a potential Game of the Year contender. Can DLC be Game of the Year? If it has the size, quality, and feeling of independence the way this DLC does, I say “Why not?”

I enjoyed playing the first Monster Hunter Stories on the Nintendo 3DS and found it a cute diversion. I expected similar from its successor, but Wings of Ruin‘s narrative surprised me with its hidden depth. It’s easy to lose yourself in Monster Hunter Stories 2: Wings of Ruin‘s monster-collecting world, and you can become invested in the plot more than you might initially expect. I’m glad I finally had the opportunity to play it! To channel my inner Navirou, Monster Hunter Stories 2: Wings of Ruin is pawsitively clawdacious!

As a follow-up to Monster Hunter: Generations and a precursor to Monster Hunter: World, Monster Hunter Stories keeps the essence of Monster Hunter‘s older style while also forging ahead, mainly in streamlining inventory management and revamping something as fundamental as travel. Ironically, the only way MHS falters is by, much like Monster Hunter, producing a game that’s all about its dynamic gameplay, deviating from the pack with fantastic combat that’s turn-based but failing to do so with a meaningful story. Still, if Monster Hunter Stories was overshadowed by Monster Hunter because of its parent’s reputation and its deviation from the well-established series, then it’s deserving of a second life. In this JRPG resurgence, it’s a reminder that there’s still plenty of room to reinvent the classic style. Ride on!

From showtime ‘til curtain call, Paper Mario: The Thousand-Year Door is an unpredictable adventure that kept me hooked. If you’ve been interested in trying this game like I was, you’re probably not going to be disappointed. Wrinkles like the excessive backtracking and restrictive partner swapping in combat hold back the game from its true potential, but its witty writing and arresting art direction make this a singular entry in Nintendo’s RPG lineup. Hopefully, Nintendo’s taking note and course corrects for their next Paper Mario entry.

SKALD is one of those games that brings a smile to your face when you’re playing it despite the dark and mature content. The design evokes fond memories but also adds enough modern sensibilities and systems to make playing comfortable and approachable. The graphics and sound take root in your psyche and you are drawn to the title in much the same way the main character is drawn into the island’s mysteries. It’s not perfect; the frustrations with the combat and technical bugs preclude that, but it’s still a wonderful reminder that sometimes the old ways are best. Just like the Great Old Ones promise.

Geneforge 2 – Infestation brings to life comfortable RPG memories of clustering around your CRT monitor in the small hours, deciding to investigate one further map area for that clue or NPC you are looking for. The game provides an engaging world with a unique setting and outlook despite its graphical and UI foibles. Slipping back into this level of retro comfort will be easy for a core part of the game’s audience. For the rest, the frayed edges and old holes might just be enough to put you off committing to this particular brand.

Capes offers a fresh theme in the TRPG market, with a story of flawed superheroes fighting for justice in an oppressed city. The turn-based combat is sleek and well-balanced and the unique Team-Ups offer a bevy of approaches to address mission challenges. The UI is clear and concise, and the game does a great job of presenting key information to make effective tactical choices. It’s a pity that a few hindrances, both graphically and in the repetitive combat, hold the game back from being truly epic, but if you want a little bish, bash, and boff with your tactical, turn-based RPG, you could do a lot worse than playing superhero with Capes.

Horizon Forbidden West is the complete package across all aspects any player will care about. Stunningly beautiful, audibly beatific, challenging yet accessible, and frequently cinematic, I adored my time with Forbidden West the way I rarely do in any other game. Often, a game will excel in one area in particular and falter in others—and that’s okay. Here, I struggled to find criticisms to make, and the ones I did, while real, did not meaningfully impact the whole. If more AAA titles conducted themselves as such, I could see myself one day converting.

Few games have left me feeling as uncertain as Read Only Memories: NEURODIVER has. I liked the game and think it’s good, but it left me noticeably unsatisfied. The characters ES88 meets are pretty cool, but their development stopped before their storylines gained any traction. Once the credits rolled, my reaction was, “Huh? That’s it?” I completed the game multiple times, doing everything there was to do, but still felt like something was missing. I hope there is more content in the future to flesh out what Read Only Memories: NEURODIVER started.

I also wager that ten years from now, Sand Land will be a slam dunk video game in “hidden gems” lists and “underrated games” essays. Once its price crawls below $25 and its bafflingly pointless “Deluxe Edition” content is packed in (or, better yet, deleted altogether), the game will be value caviar for hungry backloggers. Partially in honor of you future value seekers (hello from 2024, if so), I don’t want to outright pan the game for being an inconsistent and unnecessarily SaaS-ified jumble as it is now. It has plenty going for it, especially in its visuals and its vehicles. Just don’t give Bandai Namco your hard-earned ten extra dollars for shit they probably forced ILCA to shovel (the Deluxe Edition content) right as they were wrapping up development. Better yet, wait until Sand Land is on sale. That is, unless the 8 to 16-year-old in your life asks for it, in which case I guarantee they’d get sixty bucks worth out of the game.

Cryptmaster does what it sets out to do capably. Monotony never strikes in this nearly fifteen hour jaunt since the gameplay always changes, though always vocabulary-based. If words are your thing, I cannot think of a single game that does what this game does better. This isn’t a type-as-fast-as-you-can first-person-shooter. Thoughtful, patient play drives success, so sate that frenetic itch you have elsewhere.

While I think The Rising Tide has a lot to offer, my statement for the previous DLC applies: if you didn’t like Final Fantasy XVI, this isn’t going to change your mind. But this time, I think anyone who enjoyed Final Fantasy XVI even a little should give The Rising Tide a shot. It offers an excellent fight, new Eikonic abilities, and side quests that lean into the strengths of the best ones in the base game. Granted, nothing is going to match up to the base game for me, but it comes closer than I dared hope, and, for me, that’s the best I could ask for.

I was quite pleasantly surprised by the fun I had with Terra Memoria. I found it thoroughly entertaining from start to finish, mostly based on how snappy the game felt to play and how joyful it was to look at and listen to. As a fan of RPGs, it’s put the development studio, La Moutarde, on the map for me, and I will eagerly anticipate any future projects of theirs. I could tell that the game’s director, Francois Bertrand, had a clear vision for what he wanted the game to be. I can excuse that this title isn’t a romping deep epic because it never tries to be. It is the studio’s own take on classic JRPGs, and it’s surprisingly rare to see such a successful attempt. They’ve avoided creating a stale rehash by designing a modern game that neither wears the clothes of an old game nor stumbles over the mistakes of its senior games. Terra Memoria is a taste of something great and wraps things up before it loses momentum.

Opening the time capsule that is Baten Kaitos reveals a hodgepodge of gameplay ideas, story beats, and even visual styles from island to island that reaches for the stars but doesn’t land among the clouds. Instead, it crashes back into the earth with the rest of the mortals. Although it is more fallen angel than god, there are definitely parts that shine, such as Mizuti meeting with her family—but they would have shone even brighter if they weren’t lost amidst the game’s weaknesses.

SaGa Emerald Beyond isn’t what I expected. The initial trailers made me think it would be SaGa Scarlet Grace with more of a budget and the return of many beloved series elements. I thought it might even end up being the most SaGa game to ever SaGa. Instead, it feels more like SaGa Scarlet Grace done differently. I am happy to see many of the wackier elements of SaGa make a return, but I still very much miss being able to traverse dungeons, go to shops, and talk to the townsfolk. Despite the ways SaGa Emerald Beyond doesn’t click for me, it is impossible to deny the sheer genius of its addicting combat system or the creativity of its developers. I don’t think SaGa Emerald Beyond will convince anyone who didn’t like the series to give it another go, but it is worth playing for fans and potential fans alike.

Indeed, Eiyuden Chronicle: Hundred Heroes is a JRPG through and through. But does it live up to its most obvious inspirations? Absolutely not. It lacks the heart and soul of the series that most obviously inspired it, and it’s messy around the edges. But it’s not all bad. The base building, character recruitment, and vibes, as the kids say, are right on. So, while Hundred Heroes might not have lived up to my admittedly sky-high expectations, if you’re looking for an old-school JRPG experience with some modern conveniences, this is the place to go. Just don’t expect greatness like I did. You’ll just be disappointed.

Rhapsody III is a fun and breezy musical RPG that is both cute, simplistic, and amusing. While it’s not the best of the trilogy, it serves as a solid capstone to the Marl Kingdom trilogy. It gives a peek at the often unnecessary and over-the-top mechanical insanity that Nippon Ichi Software later became synonymous with. I can only hope the recent remasters are a teaser for a new entry in the Rhapsody series.

Love and Deepspace is a surprisingly solid and enjoyable mobile game if you like action RPGs and have a soft spot for sci-fi and otome titles. I wish there were a way to have a full-length single-player experience without the interrupting gacha elements, but that’s the unfortunate nature of free-to-play titles. Despite that, I feel Love and Deepspace is an experience well worth trying if it seems intriguing to you regardless of those weak points. This is not something I can say for similar games I’ve played of this ilk before, save perhaps Another Eden: The Cat Beyond Time and Space and Genshin Impact. That’s a testament that what works well in Love and Deepspace ultimately surpasses what doesn’t.

Overall, the ways Broken Roads challenged me were fascinating and frustrating, sometimes simultaneously. It definitely won’t be everyone’s cup of tea, though I suspect some will adore it. If you’re the reflective type, it’s sure to get the gears turning. If nothing else, it’s much cheaper than taking Philosophy 101 at a university.