An artistic, entertaining game that doesn't quite reach a necessary level of accomplishment and refinement. The adventure feels a little too repetitive and the extra moves don't necessarily add depth, as they feel more cosmetic than anything else. The control and camera can be iffy and even frustrating, and you may feel overmatched. But I urge those who enjoy the art style and presentation seen in available media to give it a try.

AMY lets you down in just about every possible category. The mechanics are bad, the Lana/Amy tandem is barely mediocre, the acting and writing is sub-par, the game design (from the ridiculous checkpoints/saving system to how the environment is laid out) is poor and immensely frustrating, and lastly, it just isn't scary.

NFL Blitz has all the personality and appeal of installments during the franchise's glory days. It can feel a tad thin due to a lack of options and customization – you can't change the quarter length, for instance – but I doubt the old-school fans will be disappointed.

Mindlessly repetitive, the control is smooth but somewhat loose (standing and aiming is the best way to progress, which seems silly), and a quest system that is hardly inspired. It's just too frustrating and underwhelming to be considered for a purchase, in my opinion.

A competent action platformer with an appealing persona and style. The music is fantastic, the voices are pleasant, and the diverse gameplay does manage to remain somewhat interesting throughout. Sadly, the pacing is off, too many of the segments don't hit home, and the designers come up a little shy when shooting for the stars.

There's a lot of fun to be had; the diversity of the gameplay is a bonus, the world is nicely designed, the bounties are almost always entertaining, and the control is competent. Nothing about this game is particularly amazing but nothing is especially bad, either.

Trine 2 is one of those stellar games that falls just shy of elite status due to a few minor eccentricities and drawbacks, but that shouldn't deter you from giving it a try. It's absolutely one of the most attractive and rewarding games available on the PSN; it's pretty, slick, challenging, and even addictive. For those of you seeking the quintessential side-scrolling action puzzler with plenty of great elements and loads of appeal, look no further.

Tekken Hybrid has the nostalgia fans will adore, I'm sure. For that reason alone, I suppose I can recommend it to the die-hard followers.

All in all, and as you might've expected, we have to recommend that you add this to your library. Rapidly.

The whole game trips and stumbles. The puzzles can be fun, control isn't bad, some of the story elements are decent, and the sound is better than average, but that's not enough. The animations and graphics aren't up to snuff, those puzzles are often too easy and even boring, and above all else the incredible spirit that drew so many to the movie theater is missing.

LEGO Harry Potter: Years 5-7 is yet another competent and fulfilling entry in the Telltale's successful LEGO series. It feels a little too similar to Years 1-4 and the control and camera can still be problematic, but the rest will be quite appealing to fans of J.K. Rowling's blockbuster franchise.

A great game. It just stumbles when it tries to implement strangely conceived new features that don't quite work. This includes Desmond's memory traversal ('snore') and tower defense, which is just unnecessary. Even the bombs felt unnecessary to me. But beneath it all lies the same stellar foundation that has allowed past installments to become beloved adventures in the eyes of millions.

All this hype about a story-driven racing game was unwarranted; with a few small exceptions, this still feels very much like any other racer you've played. On top of which, when it never seems to matter what car you choose (more in terms of speed and less in regards to handling), and the AI just sticks to your side no matter what, you never feel as if you're accomplishing much.

The speed is intense, the color and detail is really great, the level designs throughout are impressive, and the control is about as good as we've seen from Sonic.

A bona fide blast. It's shameless, vice-ridden, and insanely violent, but because there's nothing gritty about the production, it somehow feels almost lighthearted. You just have to take things with a grain of salt.

Familiar but hardly boring. The control remains top-notch, the audio is excellent, the developers should be commended for squeezing every last drop out of that engine, and the entertainment level remains high throughout. The campaign is too short (no surprise there), the AI is too erratic (and weird things can still happen when playing), and the story is a little uninspired. But when it comes to over-the-top thrills and plenty of "oh good goddamn" moments, the campaign brings the heat.

The diversity and pacing is appreciated, the control is spot-on, the weapons are great, and the campaign is completely satisfying. The multiplayer is crazy entertaining and the Mi6 Ops mode adds plenty to the experience.

This $10 package just feels a trifle light on content, that's all. Otherwise, PixelJunk SideScroller is nod to the golden age of gaming; for the most part, it moves right, the design and atmosphere is a big bonus, and the soundtrack continues to set the PixelJunk franchise apart. But with three stages, not a ton of gameplay options and variety, and a two-player option that seems too frustrating, I can't recommend this with as much conviction as I've done with other titles in the series.

I had some difficulty keeping the Move correctly calibrated and the adventure is all over in only four or five hours, but the game remains good clean entertainment...okay, not clean. But you get my point.

Overall, Battlefield 3 is a winner. It just isn't quite the massive elite shooter that outstrips all other FPSs in every category. If you can deal with that, I'm sure you'll be happy.

The developers did put a large amount of effort into creating an appealing world for all ages, there's a surprising amount of depth and longevity, the technical elements and control are good, and the humor is a nice touch. There are a few obvious problems but it could be a real gem for the intended audience.

All that can be remains to be said about Uncharted 3: Drake's Deception is that it both defies and defines everything a videogame is and should be. In that order.

But I have to say, despite a solid attempt at cooperative entertainment, Ratchet & Clank: All 4 One seems to sacrifice a few too many elements for the sake of the multiplayer boom.

A worthwhile multiplayer-oriented shooter that is diverse, intense, and offers plenty of depth…provided you can find it. The endless streams of foes, the stark presentation and lack of instruction, and the mediocre AI brings it down a notch, but the fun factor remains relatively high.

The control and responsiveness is perfect, the open-ended exploration is immersive as all hell, the stunning visual display and on-point voice performances are gigantic highlights, and the combat mechanic is second-to-none.

We still have the same mechanical problems, Frank's photography skill doesn't add much, the frame rate issues are still there, and in the end, it's just "Dead Rising 2+."

You've never really seen a game like Sideway: New York before, which is the biggest compliment I can bestow for SOE's latest.

Eufloria is a great concept that just feels a little undercooked.

The fun factor absolutely cannot be denied, as the Dogfight Mode will bring you hours of white-knuckle, ultimately rewarding entertainment. The control is tight and accessible to all, the variety of two distinct flight types adds plenty of flavor, and the challenge is just about right.

A competent action game with lots of flash and some interesting and contrasting art styles across two time periods. But the repetition of the environment hinders that art style, the triviality of our objectives gets tiring, and the overemphasis on time-shifting stuff in combat gives us an excuse to ignore combos.

Yeah, the frame rate isn't quite where it needs to be, there's some pop-in, and it just doesn't look downright amazing due to today's standards and this slightly lesser port. The vehicle control is loose and the AI is stupid, but this remains a lot of fun, and the campaign speaks for itself.

X-Men: Destiny trips and stumbles out of the gate, and never gets going. Way too many problems hold it back; the shortcomings range from control to story to presentation to technical elements, etc, etc, etc. It's just a really disappointing production and one that isn't even worth a rent.

What it DOES do is pretty damn incredible. It features an excellent FPS mechanic, surprisingly solid (if a bit loose) driving control, competent and diverse foes, unbelievably detailed environments, great audio, and an overall combination of multiple gameplay elements that gels into a cohesive, riveting production.

Dark Souls tests you. It puts you in an absurd situation and asks you to not only survive, but to conquer. You have to be careful but at the same time, you can't remain idle.

A relatively lengthy, challenging, satisfying adventure that requires us to use our heads as well as our fingers.

It has a few drawbacks – the story isn't great, it takes too long to progress, and some of the battle can feel a little underwhelming – but for RPG fans, it's a winner.

If you're willing to spend the cash on a relatively short adventure, you'll experience something totally energizing.

Burnout Crash is well presented and encourages a lot of replay. It's not technically accomplished but it's visually attractive in my eyes, the combination of great sound effects and licensed music works nicely, the longevity is high, and for a fair amount of time, the game is just wildly entertaining.

A captivating, nicely put-together game with tons of content, a great online component, a streamlined battle mechanic that is faster and more fluid, and some interesting characters.

For those who require a hardcore simulator and are willing to put in the time, this is the game for you.

Unique, entertaining, surprisingly diverse, and quite addictive. There's a lot of ingenuity and creativity here, and Laughing Jackal should be applauded for the effort.

But it's all just so… Just pick your favorite synonym for bland or flat. The control is fine, some of the backdrops are cool, and particularly hectic firefights can deliver the energetic goods. But the skill shot system clashes badly with the overall theme, the campaign is way too short (and quite boring), the multiplayer is lackluster, and the AI isn't bright.

What surrounds these upgrades is an air of amazing accomplishment; it pervades every second of your journey and continually reminds us why we love originality in the world of interactive entertainment. The only other downside is this- after playing, you'll probably cry at the thought of a long wait for The Last Guardian.

In short, the game has more ups than downs but it's impossible to ignore the downs.

It hits you right between the eyes from the start and never lets up. The control is tight, the variety (fueled by different enemies, upgradeable weapons, and gigantic bosses) is absolutely essential, the atmosphere has a large impact, the story and characters are compelling, and the pacing and technical style is second-to-none.

It can be immensely frustrating, the story is insane, and the Shift feature really does feel overused in the campaign. At the same time, the inherent diversity and versatility is excellent, the graphics are pretty and presents great detail, the soundtrack is awesome, and the control is reliable (if a little weird).

The Baconing is a competent, fun, and mostly diverse title with plenty of kooky humor. It's a decent option for those who never played DeathSpank, and if you did play the first game, you'll probably like the similarities found in the sequel.

Just isn't a significant upgrade by any stretch of the imagination, despite some noted enhancements. They ignore things like crazy ball physics and collision detection problems, and opt for changes that are just plain bizarre. I liked the increased AI, the strategic demand, the cool animations and sweet visuals, and better tackling mechanics. I really liked all that. But the rest feels either dated or uninspired and in the end, I just don't have much fun with this year's entry.

It can look a little too dark in places and there's a strange halt or pause at particular points, but overall, this is a package that absolutely cannot be missed. If you never got a chance to play either title on the PSP, you have no choice; get it now.

Exactly what it should be: an upgrade of a recognizable game that plenty of fans have adored. It's very pretty, the audio is borderline amazing, the captivating, addicting gameplay is back in full force (with even a little extra force), and player choice and customization immediately gives us a sense of purpose.

A fun, delightful, challenging romp through a beautifully designed world. It can really get on your nerves due to minor control and camera issues but it's also quite rewarding.

The camera and control can be a little iffy, the maze-like quality of certain districts can get annoying, and the AI and technical presentation feels somewhat dated. But the gameplay is absolutely stellar. It's a pleasure to play such a COMPLETE experience. The depth is there, the style and atmosphere is there, the action is there, and the story is there.

The only big problem is that our sense of accomplishment is greatly diminished due to a lack of a challenge. It's really just too easy, even for the younger crowd.

A competent action slash-fest, loaded with tons of great enemy and character design, impressive animations, and an accessible, moderately rewarding combat system. But the backdrops are just too bland and uninspired, the repetitive nature of the gameplay gets tiresome, and that accessibility borders on tedious simplicity.

Catherine is like nothing else but it doesn't succeed on originality alone. It features a spectacular puzzle concept, fast-paced and very rewarding gameplay, interesting characters and an effective story, and an atmosphere and style that's second-to-none.

The style, attitude, and ideas are all good, and the graphics aren't too bad. But the game is way too slow for a shooter, the faceless enemies never miss a shot, the AI is terrible, collision detectiion is iffy, and the extra features designed to let the game shine fall flat.

Limbo is one of those games that just begs to be played.

A solid, well-presented game that features a lot of creativity, great sound, and an action/racing style that really can't be found anywhere else.

It's just extraordinarily surprising how much fun this game can be, despite all the glaring problems.

A decent puzzler that is humorous, relatively well written and presented, and plenty challenging. The spiking difficulty due to puzzles that simply seem bizarre and obscure can stop you in your tracks but hey, isn't that a common trait of the genre?

Quite simply a high-definition version of an established classic. This version enhances the good and diminishes the bad; although we should probably admit that time itself works to exaggerate the low points.

The design, style, attitude, and bearing of the game is great; it's loaded with a certain swagger that is to be expected from Shinji Mikami and Suda 51. There's even a fair amount of genuine comedy...your gun's name is "Johnson," after all.

The controls are tight and responsive, the story is well-written and intriguing, that continuous fear factor is a huge bonus, and the Challenge system for ranking up forces you to experiment.

The pacing takes a hit because I think the developers went a little overboard in terms of character depth, the camera can be problematic, and a few too many of the abilities seem pointless, but in the end, DSIII is a dungeon-crawling winner.

Nobody wanted to love DNF more than me but I just couldn't get any enjoyment out of it.

Why such a focus on action when the control scheme can't really handle that emphasis? Why not do a lot more with the atmosphere and storyline? Why does it take the story so long to get anywhere? These are questions I didn't want to ask.

Loads of fun. There's a great deal of ingenuity here, and the power we feel wandering about is almost unparalleled in third-person shooters. The package really is quite solid and well worth a look…provided you're done playing the elite AAA titles out there.

It's the chaotic frenzy of the exploration and combat that cements inFamous 2 as a no-holds-barred winner.

When all is said and done, DiRT 3 is a robust, in-depth and almost sparkling package that is immensely appealing to racing fans of all kinds. The realism combined with great accessibility is quite possibly the biggest draw.

It's above mediocre. But it's just…blasé.

L.A. Noire is unique. Strangely enough, however, it isn't unique in the most literal sense of the word, as half of it utilizes a familiar – even outdated – gameplay mechanic, while the other half pushes the envelope and pours a strong foundation for the future. Despite the inherent clash of old and new, we can't get enough of it.

But with a slew of little problems, a bunch of repetition, a campaign that isn't anything like a campaign (let's face it; this is a multiplayer game only), and lacking environmental variety, it's tough to recommend. There are other games out there.

A boatload of fast-paced fun, infused with an energy that almost seems insurmountable. This energy alone is worthy of your attention.

Seemingly inaccurate platforming, a lack of direction pertaining to progress and puzzles, mediocre AI, and sluggish pacing. There's a lot of fun to be had and the longevity is high but we have to tolerate more issues…drop that "group" mentality for the next one, Traveller's.

Like the Frankenstein's monster of every straight-up action game you've played in the past few years. It has all the basic parts and it's kind of sewn together properly, but the end result is a broken, half-retarded thing that's a little unsteady on its feet.

Final Fantasy IV: Complete Collection is exactly what the long-time followers desire, even if the control shows its age and The After Years isn't the timeless classic FFIV will always be.

Mortal Kombat, sans a few irritating slip-ups, is exactly what the fans desire. Good control, the 2D winning formula, the great backdrops and settings, the huge roster (Kratos rules, by the way), the new strategy awarded by the super gauge, the many various modes; it all comes together in a very appealing package.

Portal 2 is a memorable, challenging, beautifully designed sci-fi story.

Perhaps the best way to describe this game is to say the campaign is worthy of no more than a 7, while the multiplayer is around an 8. But if you're more anal and susceptible to the problems I outlined in this review, you'll find the single-player element even more tiresome, and if you're one of those veteran fans I just mentioned, you may have other reservations.

Has a ton of potential and promise but doesn't really deliver.

It's accessible and sort of amusing for a little while, but the instant you realize the single-player element is extremely short and ultimately disappointing, you might regret the purchase.

StarDrone is one of those well-conceived, nicely produced downloadable games with a lot of simple flash and a ton of accessibility…at first, at least.

Lots of great stuff but this raucous attempt at racing needs some settling and organization.

Moon Diver is at its best when playing with others, and all the positives really shine: the great effects and animations, the constant hack 'n slash adrenaline rush, and that addictive "let's-keep-going" element. But even then, things get way too repetitive, there isn't a ton of inspiration in regards to basic enemy design, and the overall repetitiveness of the entire production becomes painfully obvious.

Mayhem 3D is a fun, stable, entertaining game with more than enough content to satisfy.

Rango is a worthwhile experience for everyone who loved the movie. The length is sufficient, the presentation, gameplay, and atmosphere is all quite good, and the lighthearted style remains entertaining throughout.

The 3rd Birthday has a lot going for it, but it falls short of being a top-notch production due to significant control issues, a high level of frustration, and a main character that looks and sounds great, but doesn't contribute much.

A lot of great concepts…too many great concepts, in fact, and the charming exterior and good control can't save it. And what's this about no online multiplayer? Really?

It's a technical tour de force for portable productions, the cast of characters is satisfying, the combat can be mega-satisfying once you've wrapped your head around all the systems and mechanics, and there's a boatload of content.

It's a darn good package and one the die-hard fans will undoubtedly have to own. As for those who remain a little iffy, just bear in mind that aforementioned longevity and bang for your buck, as well as the prospect of traversing much prettier environments with a much prettier Lara.

The campaign is long and involved, the intensity, emotion and immersiveness continues to get better and better as time goes on, the technical achievement cannot be overstated, and the multiplayer is a rewarding bonus.

The control is beautiful (and I'm pretty sure the momentum physics have been ramped up), your opponent AI is intelligent and challenging at higher levels, the presentation and atmosphere is immersive, and the Career Mode never ceases to be entertaining.

It's one of those instances where if you go in with high expectations, you're bound to be left feeling a tad empty, but if you're more moderated in your anticipation, you'll be better off. The campaign is worth playing; there's no doubt about that...But there are extenuating circumstances…

The fighting is about as refined and diverse as it has ever been, the city of Kamurocho is more detailed and immersive, the story has plenty of highlights, and becoming immersed in urban Japanese culture has never been so entertaining. However, it's held back by one slightly disappointing fact: the series is starting to show its age.

The AI has gotten better but there are still obvious instances of stupidity, and while the visuals don't shine with unparalleled brightness, the detail and animations are markedly better.

The depth in terms of gameplay and control is here, and if you wish to fully immerse yourself in yet another top-quality BioWare adventure, you won't be disappointed. However, I just can't figure out the need for words like "streamlining" and "accessibility" when it comes to extraordinarily niche titles designed specifically for hardcore fans.

It takes winning ideas and simply builds on them without sacrificing anything essential.

Includes most every feature, strategy, tactic, and gameplay element any die-hard fan could ask for. It's all here and really, I could go on writing and explaining for a very long time. But here's the point- the game attempts to put our nation's pastime at our fingertips, and it succeeds wonderfully.