I can well imagine that when you're situated in a hydraulic miniature car attached to an arcade machine that is blaring out the audiovisual presentation of Fast & Furious: Arcade Edition at full tilt, that it's something of a compelling if not a mildly intoxicating quick fix of arcade racing goodness. At home however, and stripped of such performative trickery, Fast & Furious: Arcade Edition fails to impress and really needs much more meat wrapped around its bones to justify its existence away from the din of the arcade scene which birthed it.

Dead Reset has horror, it can gross you out, and the choices and their deviating paths encourage experimentation-but its low-budget thrills quickly decay into rot as it fails to hold your attention or invigorate you in surprising new ways.

Lost Records is a visually gorgeous game and proves that the team who pioneered Life is Strange still have the aesthetic nailed down. Unfortunately this and some smart adaptations of mechanics do little to hide a story that tries in vain to recapture the same energy, managing to totally lose itself by the end. I can see what they were going for here, but that vision is lost in a game that doesn't know what it wants to commit to. A deeply personal story is subsumed by what feels like an obligation to the supernatural. A story about the supernatural is lost in a story about the personal. Neither is done justice and both feel like they deserved more.

If this game came out in 2012 I'd probably have nicer things to say. It could potentially have been ahead of the pack back then. But now, in this day and age where developers have taken the formula and ran with it, having created racers in the same vein that are more impressive in almost every way, KT Racing have sadly finished in last place.

A novel concept is unfortunately lost in a muddle of confused mechanics and cheap presentation that makes me question exactly why this foregone Stadia game even made the jump to major platforms. Where I managed to have some small fun on the virtue of this still being the PAC-MAN we know and love, I found myself quickly wanting to reinstall other versions of the game. Given that this isn't even the first instance of a PAC-MAN battle royale, I'm sad that this didn't manage to emerge as a worthwhile competitor.

While Foamstars has a strong foundation in terms of core gameplay, I found myself quickly growing weary of the small annoyances that kept rearing their heads. Awkward navigation, ho-hum singleplayer offerings and egregious monetisation and design choices bring down an experience that is really fun if you can ignore those things, which is something that shouldn't have to be done. I hope updates are able to address some of these issues in the coming months, but for now this party has left me feeling exceptionally mixed overall.

Stray Souls barely works well enough to finish, but it lacks the kind of refinement and effort needed to bring together all of the ideas presented in this game. Doubly so, the technical issues make an already fragmented narrative feel even more disjointed. Even for people who enjoy bad horror, this is a hard sell.

The only interesting part of Quantum Error is the premise, hinting at some intriguing cosmic horror ideas. Unfortunately, it's buried underneath rubble filled with bad controls, janky performance, and humdrum gameplay. Unless a complete overhaul could be implemented, there's no way a patch could save this game from itself.

Enchanted Portals takes the foundations of a familiar game in both style and substance, yet fails to provide a compelling experience in either regard. There's clear effort being put into this game in terms of the art and animation, yet the gameplay feels far more unpolished than appearances would have you believe. Random level designs and frustrating enemy placement leads to a game that irritated far more than I would have hoped, with a good amount of my losses not feeling close to my fault.

There's a solid foundation to build upon here but far too many decisions feel contrived and confused for a strong recommendation to anyone other than the most diehard Touhou fan. Far too many mechanics can be borderline ignored, and the game hardly evolves throughout, leading to a game that struggled to keep my attention throughout its runtime with some nice visuals only doing so much to alleviate this tedium.

As Soulslikes go, The Last Hero of Nostalgaia certainly boasts a neat hook on account of its smugly cynical narrative and frequent bouts of cheeky humour. However, the occasionally imprecise combat, uninteresting enemies and worlds coupled with a raft of frustrating bugs and a general lack of polish all serve to commit The Last Hero of Nostalgaia to an oblivion of mediocrity.

If Crime Boss: Rockay City pulled off even one part of its package, it’d be passable. In reality, it doesn’t do a whole lot of anything right. So we’re left with a lot of wasted potential and a game that is about as pleasant and exciting of an experience as being stuck in a lift with Kevin Sorbo.

Greyhill incident is an unpleasant and downright laughable attempt at a sci-fi survival horror game. Rancid dialogue, shonky game design, wafer-thin substance, and a complete lack of cohesive storytelling are just the tip of a very large iceberg of problems.

Much like the namesake character himself, The Lord of The Rings: Gollum couldn't be saved from what it became. Frustrating platforming coupled with boring gameplay and cheap ways to die make any experience hard to play. Unfortunately, the intriguing setting and lore exploration can't come close to overshadowing the game's fundamental issues.

The formula that Across the Valley tries to present is a decent one, simple enough to make a decent time. Unfortunately, the lack of polish on top of navigation issues make this game hard to stick with. Even after the first update, it's in a rough place.

Less a continuation of the Postal series and more of a congealed glob of memories from it dumped into a lifeless sandbox litter tray. The biggest crimes Postal 4 commits are being boring and bland.

Very little about Samurai Maiden makes the game appealing. When you combine overtly simplified and imbalanced combat with slow attacks, fast enemies, and an incredibly humdrum storyline, a bad time is unavoidable. Unless you want something with mindless anime girls and half-baked gameplay, Samurai Maiden is not the game for you.

Destroy All Humans! 2: Reprobed might be a brutally honest remake of the original game, but that doesn't make it any more pleasant to sit through all its rough parts. Few elements of the core gameplay remain as fun as they were on the PS2, but it's far too shallow to be worth it, especially when it is still riddled with performance issues that can seriously effect your experience.

Between the poor, blocky visuals, the array of glitches and bugs, the sub-standard UI and lack of any attention given to making the game more accessible to a contemporary audience, it saddens me to admit that Blade Runner: Enhanced Edition should be avoided at all costs. Tragically, this is because under all of this scarred and badly implemented design, there's a roundly excellent and atmospheric detective yarn just bursting to come out, but is now seemingly condemned to be lost to time, like tears in the rain.

Dolmen attempts to add some potentially good ideas into the Soulsborne formula. Unfortunately, it misses the mark far too many times in important areas to make it worth the effort you need to play it. Great level aesthetic and enemy design are wasted on far-too-flawed combat. With so many other Soulsborne clones available, Dolmen can easily be passed up.

There is almost nothing good about Outbreak: Contagious Memories. From the terrible controls to the lack of simple quality of life issues that were found in previous games in the franchise, Dead Drop Studios want you to believe that all the horrible design decisions were done on purpose. Sadly, it's impossible to actually believe that someone can make something this horrible in hopes of entertaining anyone.

Babylon's Fall flat out needed more time. The graphics make the experience just horrible at times, with the filter even giving me headaches. The combat can be enjoyable, though there is a grind to it, it's something I still enjoy along with the music. Beyond that however, there are still just too many aspects of this game that can make your time with it headache-inducing more often than not.

There's no doubt that White Shadows has something to offer in raw artistic spectacle, but there's far too many issues with the game to be celebrated. It comes across as a game that has its priorities completely upside down. While it's commendably brave that a brand new studio would explore delicate themes on their debut game, this preoccupation has apparently left no mind toward the fundamentals of what makes a gaming experience rewarding. Furthermore, these themes have not been handled in a very sophisticated manner. Social commentary aside, unoriginal level design, a forgettable narrative and poor frame performance sadly render White Shadows as one you can miss.

Aragami 2 could be a good stealth game, with a good foundation of stealth gameplay and even an intriguing story, but it is plagued by constant bugs, performance issues, poor level design, pacing, rough implementation of gameplay mechanics and a visual style that only further serves to make its flaws even more evident then they already are.

The Plane Effect tries its best to be interesting but unfortunately fails to provide any entertainment value in what's ultimately a pretentious, self-centred affair. Gaming is supposed to be a form of escapism, yet this one simulates the depressing tedium of a 9-5 cubicle job a little too well.

Bus Simulator 21 offers a cathartic toy box for the most dedicated of bus fanatics, with dozens of hours of gameplay hidden beneath its flaws. Unfortunately, it misses the mark too often and in too many ways to warrant a recommendation to anyone outside of its extremely niche audience.

A promising adaptation of H.P. Lovecraft's novella is squandered with illogical solutions, childish humour and too many unsatisfying endings. Completists may enjoy finding all the content, but old school 'choose your own adventure' fans should look elsewhere for their fix of interactive fiction.

Madden is a billion dollar franchise that has grown content. Thanks to its exclusivity deals, EA takes zero risks and fumbles each year providing us rehashed versions of previous entries. Madden NFL 22 is no different. Meager improvements are outweighed by series fatigue. Instead of focusing on giving us polished gameplay mechanics and an improved Franchise Mode, EA's focus is divided into unwelcome modes like Face The Franchise and The Yard leading to an overall incomplete and broken experience.

Antab Studio provides living proof that style should not come before substance in an eye-catching albeit below average shooter which would've felt at home on the PlayStation 2.

Blue Fire had all the potential to become a top-notch Zelda clone for PlayStation's audience, but misses the mark significantly with dated level design, unwieldy controls and an unforgiving checkpoint system.

King Of Seas ultimately suffers through a lack of visual polish, some frustrating gameplay mechanics, and dull pacing and sequences, which when all combined together create a thoroughly unremarkable experience that doesn't manage to hold its own against even some of the most average of pirate games on the market.

Protocol is an unfocused, directionless mess of a game that tries to give too much without grasping the basics. The gameplay is frustrating, the dialogue is terrible, and the number of technical problems renders it almost unbearable to play. There are a few positives here, but they are so few and far between that they don’t even come close to being worth going through this experience. Stay away from Protocol, and you will indeed have a nice day.

The side scrolling side of Smelter has a lot going for it. It has a welcome execution that doesn't demand much effort and doesn't bog you down with much, even if it is overly simplistic. The tower defense side of Smelter contradicts this simplicity, however. Bad control choices coupled with halfhearted explanations makes it a hard sell for the entire package. Smelter has something unique, but that's nowhere near enough to warrant your time.

Very little of Neptunia Virtual Stars makes it a franchise entry worth playing. Simplicity here lacks the success of other entries, instead offering something clunky and dull. Consider this a Neptunia title barely meant for die-hard fans and no one else.

An utterly pointless spiritual successor to Crazy Taxi which adds nothing new to an ageing arcade game and somehow manages to remove what made the original so playable in the first place. A missed opportunity to improve or update the gameplay renders this instantly moribund.

Don't be fooled by the impressive visuals. This dated and deeply unsatisfying arcade shooter manages to make space combat feel flimsy, boring and anything but immersive. Perhaps on a mobile phone, its limitations can be overlooked but on a console it's not worth bothering with.

Waves Out! manages to suck all the fun out of its own potentially enjoyable concept of magnetising balls in order to score goals with fiddly play areas, sluggish gameplay and no sense of competition whatsoever. Stir in a missing four player option and some truly dated visuals and you have a recipe for disaster.

Empire of Sin is a poor and skeleton-thin management game at its core with complicated systems, menus, and tutorials that do a poor job at getting you acclimated to the experience. Add on top of that a library worth of bugs that force you to restart, ruin pivotal moments of the game, and just make the experience more frustrating and you have a game that is not worth even worth a slight bit of consideration. Empire of Sin is a massive disappointment.

Already highly polished and nailing the essence of the monster catch battler RPG subgenre, Temtem looks set to go from strength to strength on PlayStation 5 if the surprisingly robust state of its early access debut is any indication. [Early Access Score = 85]

XIII is a disastrous remake that probably never should have been made. The franchise's cult classic status officially has a major blemish in this remake. It's almost impossible to find anything positive to say about it because every aspect is just so broken and bland. If you want to get into the franchise, read the graphic novel but do yourself a favor and avoid this remake at all costs.

Remothered: Broken Porcelain should have been a good game but instead ends up as one of the year's biggest disappointments. The great soundtrack and atmosphere can't save it from terribly broken enemy A.I., an overly complicated and confusing story, and the plethora of bugs and glitches that plague the title. This final release is here, but it feels like Broken Porcelain needed at least six more months of development time.

Foregone is a mix of ideas that don't mesh well. The name of the game is simplicity, but Foregone contradicts itself with randomized loot, an immense difficulty spike, and a hard turn away from "play as you like" after committing to that formula. Foregone is a copycat title through and through with a couple good ideas that are encrusted with careless execution.

A highly unsatisfying and directionless tennis game, with an abysmal character creator and career mode. Steer well clear and buy AO Tennis 2, bizarrely made by the exact same team responsible for this monstrosity.

For the double pack - having two classic strategy games on console for the first time should be a cause for celebration. Unfortunately Praetorians and Commandos 2 have received incredibly lackluster remasters that only serve to highlight just how much both have aged. With this double pack, War is (Disappointing as all) Hell.

A dry, unchallenging game that needed a proper remake far more than an underwhelming remaster. While it is refreshing to have a game like Praetorians on PS4, it’d be a bit more refreshing if it was a good one.

A poor console port, a massively underwhelming remaster of a classic RTS game, and a game that really shows its age. Commandos 2 is a disappointment on multiple levels. What could have been a great opportunity to introduce modern audiences to a classic instead desecrates the memory of it.

A broken mess in almost every way. Sword Art Online: Alicization Lycoris doesn't deliver on it's promised product. With so many technical issues it's hard to imagine anyone with the patience to get through the game. Alicization Lycoris should have been the crowning achievement in a beloved franchise but instead, it ends up being the worst title in the Sword Art Online franchise.

Element Space looked like such a fun game to play but ended up being a nightmare. In 2020 your game shouldn't be crashing every hour of playtime Element Space simply isn't optimized and need a lot more time in the testing stages.

There's really no way to gild this filthy lily - Overpass is an infuriating and deeply unsatisfying experience which should be given a wide berth by anyone who values their sanity.

Dawn of Fear tries to bring back the nostalgia of classic survival horror but fails in almost every way. The poor controls lead to most of its problems and a lack of necessary mechanics creates problems that shouldn't exist in this day and age from the simplest of games.

Arc of Alchemist is not technically broken, which is the best thing I can say about it. Combining the most basic combat, the most complicated menu system, the weirdest economy, some pretty poor PS2-era graphics, and the densest, most indecipherable tips section, Arc of Alchemist is indeed reminiscent of a work of alchemy – if said alchemist was attempting to turn your valuable time into dust. Avoid at all costs.

Despite having to rustle up the occasional cup of coffee or tea, this is one of the least interactive games to grace the PS4. A little more effort on the part of the developer with character interaction could have made the storytelling more enjoyable and given the game some depth. Otherwise if you're happy relaxing and reading the dialogue for a few hours, it could be for you.

An otherwise robust combat system is summarily undone by dunderheaded AI, repetitive grinding, a lack of modes and uneven presentation. We've wanted to return to Ancient Rome for years now on PS4, but not like this.

Zombieland Double Tap Road Trip completely strips away the charm and wit which makes the films so endearing and replaces it with cheesy mind-numbing dialog sprinkled with dull gameplay. It's basically an overpriced two-hour promo for the movie that has very little to offer unless you are a hardcore fan of twin-stick shooters or Abigail Breslin.

Between the game breaking bugs, the glitches, the recycled moves, grating commentary, stale presentation and now the unneeded content barriers and paywalls, I have exhausted my patience with this series. WWE 2K20 is the worst wrestling game to come along in a decade and is in desperate need of a ground up rebuild.

Ghost Recon Breakpoint is a game crying out to be more straightforward, more-focused, but instead it’s added one more wafer thin gameplay mechanic after another, flying in the face of common sense, and now its bloated frame has exploded because it simply can not hold all that mess in and still function. A dull, frustrating misfire.

A dated and niche license receives the game that it deserves - shallow, simplistic and unsatisfying. Turn left before you get to the checkout.

Decay Of Logos is the worst game I have ever played. It is filled with poor design decisions and mechanics that don't challenge the player and instead decide to punish them for no reason at all. The game actively tries to make your experience worse. The list of issues with Decay of Logos is long: a bad and jarring camera, no meaningful connection to the world or characters, framerate issues, pointless mechanics. I could go on. Just save yourself twenty dollars and don't buy this game.

An admirably niche racing game which gets the look and feel of truck racing just right, but manages to get the single player career experience all wrong.

The Blackout Club is what happens when a concept isn't executed well. Everything about the setting and lore should lead the game to be a surefire hit. But, with the lack of a main story path, painfully repetitive levels, and a torturously grindy progression system, The Blackout Club feels unbalanced, unpolished, and immensely unrewarding. The only thing saving it from being a complete waste of time is that communicating and working as a team, planning out your strategy can be enjoyable, although only in short bursts.

Wolfenstein Cyberpilot will be remembered as a curiosity; a failed side project with cool mechanics and no gameplay. Released without the Wolfenstein name, this would be a slight, middle-of-the-road title with little to recommend it. But with the Wolfenstein name attached, Cyberpilot becomes a debacle. Wolfenstein fans should not play this game. Neither should anyone else.

A hollow, crude experience with very little to do or see. I found it quite boring and unrewarding. Its saving grace was the fact it was free and a small amount of fun can be found when playing online with friends. There are far better games within this genre, even if it means spending a small amount of cash on them.

A sadly failed tribute to one of the greatest RPGs of all time, Underworld Ascendant is simply far too flawed to recommend to either fans of the original Ultima Underworld, or in-depth RPGs in general.

Whether you are a fan of Ark, voxel-based construction games, or survival games in general, you will find something to hate about PixARK. A wild mess of a game, PixARK is one of the most off-putting experiences on PlayStation 4. Avoiding PixARK is imperative.

Dollhouse takes good ideas and puts them behind clashing mechanics. The randomly-generated landscapes all look the same, causing many issues with navigating and retrieving much-needed items. This pool of ideas lacks cohesion, and the minuscule payoff makes the tedium feel like a complete waste of time. Very little works in Dollhouse's favor.

Sword and Fairy 6 is an unfinished broken mess that should probably be avoided at all costs. What should have been a triumph for Chinese game development is instead a massively wasted opportunity.

Ultrawings Flat is one of the most repetitive and dull games I have played. Offering up tired and simplistic mini-games, poor controls, and a bland environment it isn't worth taking to the skies, even for just a few minutes, especially given the price charged.

Eternity The Last Unicorn is a hot mess of a game with old school graphics and game mechanics that feels more dated than a launch title from the original PS1.

Where The Bees Make Honey is a frustrating and boredom-inducing puzzle game that suffers from an unthinkable amount of technical issues, poor controls, unclear objectives, and bad level design. Any heart that is put into the narrative is wiped away by these issues and made me want to quit playing, minutes after starting the game up.

The sort of crushing disappointment that only comes around once in a while, Left Alive feels like an emaciated, innovation bereft meditation on Metal Gear Solid and in matching up so poorly with its inspiration, provides the Front Mission franchise with arguably its weakest entry in years.

Though the setting is evocative, the poor combat, raft of bugs and meagre duration all conspire to ensure that Fimbul fumbles its setting and results in disappointingly poor roaming brawler.

NightCry goes beyond the usual borders of broken games and into new nightmarish territory. I have frankly never played a game as rife with issues as this one. If ever there were a game that could be labelled "unplayable", NightCry is the game. Outside of not loading at all, I can't think of another way this game could fail. If NightCry were the last game on Earth, I would not play it. I mean that literally. It's that bad.

A voxel based console RTS that tries to simplify things for the platform but comes up short. There is a whole lotta game here but the simplistic controls and poor AI end up making the whole experience hard to enjoy unless you really love the RTS genre.

Though it boasts a resoundingly striking aesthetic, a haphazard save system coupled with a raft of glitches and a misjudged waypoint system all manage to tarnish what should have been one of the first major indie darlings of the year. Vane is simply too frustrating to recommend in its current form.

Despite being successful as something to joyously mock for its absurdity, The Quiet Man is a catastrophic failure on every level. It’s perhaps telling that the nicest thing you can say about it is that everybody involved got a lovely selection of clothing out of it.

A wholly unenjoyable experience, completely devoid of any fun and intrigue. Fishing Sim World couples that gameplay experience with ugly character models and environments, leading to a game that quite literally has nothing going for it.

Though pretty to look at, and maybe fun to play for a bit with some friends, the combat system here just isn't meaty enough for any long-term or tournament worthy enjoyment. Really only just for people that still don't have an internet connection, or are just really into this sort of thing.

Earthfall is a hard pill to swallow. Almost everything it does will lead to frustration. Your money is better off spent elsewhere unless of course you constantly love to scream in your friend's ears.

Football Nation VR Tournament 2018 contributes about as much to football as Piers Morgan does, and is only slightly less odious.

Agony is not a good game. It feels as if the developers just gave up after such a long development cycle. Filled with bugs, boring and infuriating stealth and chase sequences and repetitive puzzles it's very hard to find anything to enjoy in Agony.

A great concept that summarily misfires on all cylinders, Milanoir is an admittedly stylish retro shooter that is simply too frustrating and poorly designed to recommend.

Dead Land may be an endless runner, but you'll definitely want it to end. It's cheap and far from cheerful.

AO International Tennis does not have any competition in this current market when it comes to tennis games, but AO Tennis lacks both refinement and variety that a good sports game should have.

Extinction is a frustrating mess that has problems that in this day and age shouldn't exist. Camera problems, repetitive missions and frustrating climbing mechanics will have you rage quitting before you get halfway through.

It may be relatively cheap, and alluring to trophy-hunting fiends, but is losing a portion of your humanity really worth playing a game as despicably dire as Little Adventure on the Prairie?

A poor PSVR shooter, given the pedigree behind its development Bravo Team, should have been much better. As it is, there are much better alternatives worthy of your cash and attention.

There's no denying that Past Cure is born from lofty ambitions. Regrettably, those ambitions are not joined with the necessary skill or understanding needed to make Past Cure anything close to a competent, coherent experience. A messy bore of a game that vomits its incoherent nonsense on your shoes as it rambles on mindlessly for ten minutes about why that's important.

Kerbal Space Program is a fascinating educational tool. There's a childlike joy to be had in experimenting with your space-faring efforts. You'll find it hard to appreciate that on PS4 though, as this version is a mess on multiple levels. A genuinely good game is spoiled by a terrible port.

A promising premise and some well-executed puzzles aren't enough to save The Station from the dull nature of its story and characters.

Timothy vs the Aliens is a sub-mediocre platformer shooter whose own tragedy is that, for anyone except for the youngsters, nothing of any real substance lurks under its frequently formidable and beguiling veneer.

ELEX is bad in almost every way. It’s a poor attempt and impossible to enjoy anything outside of its interesting setting and backstory.

A flawed take on the survival adventure template, The Solus Project's subpar execution ultimately undermines the few moments of true enjoyment that it occasionally provides.

There’s a lot of potential with Archangel, but when so much potential is unrealized, then the end product loses its luster. Archangel is exactly that, starting off with a bang and tapering off too quickly to maintain its level of initial intrigue.

This rather short expansion can be fun for fans of Little Nightmares, but lacks content and isn't as impactful as the main game.

With finicky controls and oversized maps, it’s hard to recommend this game to anyone other than those who love the franchise and the two series themselves.

Unfortunately, Micro Machines World Series has been forced into a corner where its online multiplayer only nature, buggy online play, and less than half features of the content of its non-licensed predecessor makes this a hard purchase.

Funny in small doses, the concept of Oh Sir…! The Insult Simulator is sound but the execution is lacking. Some great character voice work and the occasional witty retort isn’t enough to keep you laughing for long with the game’s scoring system and nonsensical dialogue dampening the humor.

For the amount of staff that worked on this game, they do have a good base to work from, but unfortunately there are so many issues that it detracts from being an enjoyable affair. Its sub three-hour gameplay has no replayability at all, and the consistently harsh frame rate dips heavily impact the game.