Soul Axiom is an incredibly uneven game that feels disjointed and unpolished. Moments of beauty in its futuristic overworld are only temporary, as half of the game looks completely out of place. It’s incredibly disappointing that the game isn’t able to come together since some of the puzzles are delightful to figure out.

It’s training tools raise the bar at which other fighters are measured to, and it’s a real triumph in that regard. Whether you’re a veteran or a newcomer, there’s a lot to learn here.

Atelier Sophie: The Alchemist of the Mysterious Book is a more relaxed entry in the series, and I enjoyed that particular aspect of it. Unfortunately, it’s also becoming clear just how little the series has grown over a whopping 17 entries, a condition likely due to the annual nature of its sequels.

The chaotic action really pops with sketchy cartoon visuals — I especially loved the visceral satisfaction of knocking my opponents into background objects and watching the debris fall. This isn’t as tight or polished as some of the other stuff out there (Naruto Shippuden’s latest installment comes to mind), but it’s well-worth a look if you’re a One Piece junkie or just a fighting game fan looking for a little anarchic fun.

If you loved the original Mirror’s Edge, you will likely love Catalyst as well. On the other hand, the same issues that some people had with the first game are still present in Catalyst. This doesn’t feel like it’s going to win over any non-fans of the franchise. Yet, I wouldn’t say that is a bad thing. Mirror’s Edge Catalyst knows exactly what it is, and more importantly what it is not. It is a stylish platforming game that just so happens to be in the first-person perspective; it is not a shooter, and it is not for everyone.

Oxenfree deals with some heavy topics in just a few hours, and manages to do something genuinely interesting with them. A phenomenal conversation system anchors most of the experience, but there’s many mysteries for dedicated players to solve. Oxenfree is a game that rewards players that go the extra mile, and how much you get out of it is directly tied to how much you put in.

Odin Sphere Leifthrasir is an outstanding remaster of a game many JRPG fans missed on PS2. Perhaps its most striking feature is the refreshing availability of information that comes with its fantastic interface, from easy-to-read maps to detailed descriptions of each item that comes your way.

For those of us that have played Dead Island before, there’s not much in the Definitive Collection to drag us back. Lack of adding previously missing features like split screen and the inability to import last gen character saves make playing Dead Island again feel more like a chore than an enjoyable experience.

With good presentation, deceptively easy to pick up combat, and great team mechanics, SMITE will be one to invest time and money into.

It’s not perfect, but SOMI gets major points for trying something new and exploring mechanics that other games don’t. Maybe it’s time to look a little deeper into the mirror that Retsnom offers and reflect on your own reasons for avoiding indie games.

Anima: Gate of Memories is a crushing disappointment.

Another huge issue is that Mutants in Manhattan just generally lacks polish.

With accessibility to spare, a real commitment to diversity and an infectious sense of innocent fun, Overwatch feels like an important game — the sort that can bridge boundaries in the oft-segmented gaming community. I don’t think I’m exaggerating when I say that this may just be the project to revitalize lapsed or disheartened gamers’ interest in the medium, or the one to bring new players onboard the FPS wagon.

Homefront: The Revolution fails to stir any real revolution of its own in the genre of first-person open world games. It still has a unique premise with the notion that a unified Korea could ever overtake the United States, but the game is simply adequate. Couple uninspiring gameplay with occasionally broken physics and stupendously idiotic AI, and this is a purchase for fans of the franchise only. Otherwise, just go play Far Cry.

Shadwen makes a lot of smart decisions, and I’ll definitely miss its rewind system in other stealth games, but it never fully comes together as a whole. There’s just not enough enemy variety, and the 15-level campaign grows tiresome as the end nears. Throw in one of the most anticlimactic endings in recent memory, and a lot of the initial goodwill is used up. While far from perfect, there’s still enough ambition here for stealth fans to appreciate, but Shadwen isn’t Agent 47.

Shadow of the Beast hits many right notes for that old-school difficult feeling, even with infinite lives.

Defying the odds, id Software has made DOOM not only a relevant series in 2016, but a great one. They’ve also managed to create three distinct modes that all have their own appeal and feel to them. It’s an amazing package, and one that I’ll continue to come back to.

I absolutely adore VEV: Viva Ex Vivo‘s concept, which only serves to make me more disappointed in the final release. Exploring these different microscope slides should be exciting, but instead players are left frustrated due to awkward controls and bored by how little there is to do.

If you’re playing it for the first time, this is as good a version as any to get a taste of the excellent blend of turn-based strategy and real-time action that made the game such a hit on PS3; if you’re a returning fan, on the other hand, you might be slightly disappointed to learn that this “remastering” doesn’t look much different from the original version (or offer any new content, for that matter).

If you’re a massive fan of the Hyperdimension Neptunia series, or not at all picky about your hack-and-slash titles, you might get a kick out of MegaTagmension Blanc + Neptune VS Zombies. Unfortunately, there’s not much I can say is worth the investment for anyone else; outside of a decent multiplayer mode, the game only has a mind-numbingly dull campaign to offer.

If Borderlands and the MOBA genre could have a baby, I imagine it would look something like Battleborn. Gearbox Software’s signature style shines here, even if the humor falls flat most of the time.

In some ways it feels like I’m playing Uncharted for the first time again, living that sense of incredulity and adventure as we join Nathan Drake and his charming half-tuck for one final adventure rooted in love and sacrifice. It’s a bittersweet feeling, but they’ve gone all in to make sure that A Thief’s End is the Uncharted finale that the fans deserve.

Ray Gigant doesn’t play like your average dungeon-crawler, and that’s refreshing, but it also doesn’t do enough to warrant more than a hesitant recommendation.

There’s a lot of interesting ideas, but very few are capitalized on in any captivating way.

The Magic Circle will appeal to anyone who can laugh at themselves.

Chapter 3 had me smiling the entire way throughout, and sometimes even laughing out loud. As Graham matures and makes more meaningful connections during his time in Daventry, it seems like the tale being told deepens too, and I can’t wait to see what part of Graham’s life we get to be a part of next.

The stealth gameplay is satisfying, but a game can’t be this difficult while also being unfair to the player. The technical issues that bring down publisher tinyBuild’s latest game are disappointing and really tarnish a solid base.

An incredible eleventh-hour treat for fans who have invested their time and money into the handheld. If you enjoyed Guacamelee!, you’ll find a lot of what you loved in that game has returned. Vibrant colors with a unique “diorama” artstyle really pop off the screen, and its inventive gameplay successfully combines touch-twitch antics and old-fashioned role playing.