The sad truth about Cruz Brothers is that we've played far superior games in this genre that were made over thirty years ago.

An impressively realised branching adventure game where your choices carry genuine weight. The first episode of The Council is well worth playing and we look forward to subsequent episodes.

Perhaps the most manic twin-stick shooters on the system, Tesla vs Lovecraft is bold, interesting and lots of fun to play.

Hex Tunnel is an unoriginal idea barely executed and then utterly ruined by some of the worst graphics we've seen in the last three generations of gaming.

Hakuoki: Edo Blossoms finishes the story started in Kyoto Winds. There are plenty of characters to fall for, though each individual story is shorter than average. The pace feels a little rushed and Chizuru feels like passenger a lot of the time but if you're already invested then you'll want to see how things turn out.

Drunkn Bar Fight is a very silly game that barely holds together as you swing punches, stools and beer bottles at bar patrons. It's these unexpected moments that make the game fun however, especially if you have other people to play with locally. There's not a huge amount of content though and the joke struggles to hold your attention for too long.

Knowing parody of classic side scrolling brawlers. The joke wears a little thin after a while unfortunately. Something of a stiff challenge that might deter all but the most masochistic gamers.

Scribblenauts: Showdown is great fun and sure to amuse you and the younger members of your household. This is how you make learning fun. Recommended.

Detention weaves a fantastic story and wraps it in intriguing aesthetics. The historical setting provide a unique and interesting backdrop and the mix of Asian influences bolster a compelling experience. Whilst there's very little dread, the narrative and the pace at which it's delivered give you plenty of reasons to stay absorbed. This is a well-crafted package that remains memorable, despite a short runtime.

There are moments where this game hits it stride as you ride in concentrated silence. Clean laps and new records are accompanied with a great sense of satisfaction. It's a pity the riding model and animation contain some omissions that limit your ability to read the bike under you. The environments are greatly detailed and the sensation of speed is fantastic. I wish this felt more comprehensive as a package and the AI was smarter but there's an enjoyable core to TT Isle of Man – Ride on the Edge.

Metal Gear Survive replaces the personality and heart of the Metal Gear franchise with plate spinning survival mechanics and a story that simply does not excite. There are some serviceable moments to find within the game, however the sense of tedium unfortunately overpowers the whole experience.

Midnight Deluxe is a relaxed puzzle game that doesn't demand too much of the player but offers an enjoyable challenge.

VRFC does a okay job of representing football in VR. The lack of single player, for now, is disappointing but running down the pitch with the ball at your feet and the goalmouth in your sights is thrilling. It's the infancy of VR itself that stops this becoming a true football experience but there is still fun to be had if you can find a game.

Blasters of the Universe asks you to weave your head through a barrage of bullets. It works great on a technical level and the gun customisation is a strong point, but at only four levels it's over too quickly and despite being 'bullet hell' it doesn't feel too different to what you've probably played already.

With two good tables and one that we really don't like, this collection of Jurassic Park themed tables represents fairly decent value for money for Pinball FX 3 fans.

Immortal Redneck offers plenty of shooting and upgrading based fun that will appeal to fans of rogue-like titles. However, progress feels like it comes from putting in the time rather than improving your actual skills.

SEUM: Speedrunners from Hell is a well executed platformer with a heavy emphasis on speed and player skill. It has some devious moments but I can't deny the feeling of self-improvement is a gratifying one. Its simple and functional hellscape might bore with time but there is a tricky challenge within the many levels for players to endure and enjoy.

GRAVEL is a refreshing arcade racer that delivers a fun handling model within a package that can't visually hold up. If you can look past that, there's some charm with the cheesy presentation, reckless AI and surreal crash physics. It's a budget title that sadly carries a full price but there's a level of creativity here that makes it stand out from Milestone's licensed work.

Symmetry is a challenging survival game. The gameplay is one-note and never changes or evolves but the struggle to finally escape can become addictive.

Defenders of Ekron may not be the most exciting shoot 'em up on PSN but its thoughtful take on the genre definitely works. Unfortunately, technical issues with the game really spoil the party.

The Station is an atmospheric mystery adventure set on a space station. However, the game is disappointingly slight and over just as it starts to get interesting.

There's a simplicity and rhythm to Tiles which makes it an enjoyable, cheap puzzle experience. The reliance on the player's dexterity can lead to some frustration but not at the game's expense. Whilst the challenge does ramp up, the swiftness that new mechanics are introduced leave the majority of the game's levels feeling increasingly stale. A lot of the early momentum starts to dissipate and, whilst the level creator helps foster a community and longevity, I'm feeling a little worn out.

Kingdom Come: Deliverance is rough around the edges but offers an adventure worth taking for those who prefer a more realistic, slower pace to their open world RPG.

If you can handle a challenge, Deadbolt's mix of stealth, shooting and strategy is well worth checking out.

A wonderfully atmospheric 3D platformer that you need to play right now. Go on, jump to it.

Pop-up Pilgrims may not be the best showcase of VR technology but there is no doubt that the aesthetic style benefits from the perspective. It is not only gorgeous to look at, but beneath the graphics is a simple yet genuinely inventive game with some great ideas.

Schacht's cold presentation and inconsistent levels conspire to spoil what is an otherwise technically solid game but is sure to be a favourite for those players who master its mix of platform jumping and racing action.

Xenon Valkyrie+ makes its way to PS4 with little in the way of changes. What you do get is an enjoyable 2D rogue-lite that's not overly reliant on luck which ensures that as long as you're paying attention you'll get used to the loose controls and make progress.

Dynasty Warriors 9 moves into an open world and suffers because of it. The world itself is lifeless, the hunting gimmicky and missions design repetitive. Wiping out armies single-handedly is still enjoyable however, with plenty of characters to unlock, it's just a shame the game doesn't do more with its obvious potential.

Bluepoint have done a fantastic job of remastering Shadow of the Colossus from the ground up. Taking down giants has never looked, sounded or felt better. Some niggling issues remain from the original such as the controls and pacing, however this does not take away from the sheer cinematic spectacle that more than makes up for it.

Has a steep learning curve that should keep fans involved. It retains some of the technical woes of Milestone's previous work but the racing is involved and competitive. The track editor is a welcome inclusion that should extend the life of what is probably going to become a yearly product.

An accomplished love letter to the ‘80s in action game form which is only slightly hamstrung by a few issues that stop it being an instant classic.

StarDrone offers some competent puzzle action on the cheap but never really feels at home on PSVR.

Strikers Edge provides a cheap, small bundle of fun that offers something quick and enjoyable to those that want a bite-size scrap. It's simple to understand with little moments of nuance to give some more experienced players an edge. It's unfortunate the community hasn't quite formed around launch but, couch combatants might find entertainment from what is a bright, if slim offering.

Bleed 2 improves on the original in almost every way. It's still short but the gameplay is well designed and the controls are tight meaning you will want to replay it again and again, much like the arcade classics it draws inspiration from.

Dragonball FighterZ is the first truly essential video game based on the classic license. It bridges the gaps between fan service, accessibility and complexity incredibly well, while looking fantastic in the process. Ark System Works have not only demonstrated their technical prowess in the gameplay department, but have also shown an immense love and understanding for the franchise in terms of attention to detail. If you love Dragonball Z, then you will love this. If you don’t, then you will find a great fighting game here despite that.

Marooners is a party game that has moments of potential but is all too often let down by a general lack of polish and creativity.

I came out of Wulverblade feeling broadly positive. The historical aspects add a lot of context. Combat can be simple but frustrating as you charge through Caledonia's woodland. Some curious design choices undermine battle but it does provide something different. It's worth a look if you want a little more substance to your beat 'em ups.

EA Sports UFC 3's ability to stand and bang is unparalleled but its weak ground game is definitely a concern this time around.

Cold Iron takes the waves out of VR shooters and pits you mano a mano against a variety of enemies in a quick draw contest. It's a little short and the feedback on your shots could be improved but while it lasts it's an enjoyable game that offers some replayability and a well told story.

Out of Ammo is a great example of how to mix RTS and FPS gameplay into a viable package. It may be showing its early VR age now, but the gameplay is still as simple and fun as ever.

There are very few games that live up to their name better than Defunct. The experience is short lived, marred by gameplay issues and is generally unworthy of note.

Beholder: Complete Edition initially impresses with its strong style and theme. The challenge and multiple choices, although welcome, require you to repeat the same actions to get to those interesting moments and if you want to succeed the game forces your hand to play a certain way. A great concept that stutters slightly on the execution.

Under Night In-Birth:Exe Late[st] is a game showing its age but the complexity of its systems continue to shine. A diverse roster should hopefully be complimented by a burgeoning online community. As it is, there's plenty of single-player content, even if the AI is a touch predictable. There's a likeable game at the heart of this with enjoyable combat. I just wish more was put into the presentation.

Plox Neon is an okay option for some Qix-style gameplay for PS4 owners but a lack of difficulty and some technical issues mean it's not the best one.

Little Red Lie is a well-written think-piece that takes the economic strife of the middle class and lays it bare. There is an unrepentant nihilism to it that makes some parts hard to stomach. Persistence is key and, whilst this game doesn't use the medium's interactive nature to its fullest, it does provide a story that will linger and gnaw at you.

Graceful Explosion Machine is a cerebral shoot 'em up that offers some good action but isn't as exciting, varied or dynamic as its best contemporaries.

It's not big and it's not clever but if VR is going to be mainly used for this type of shooting gallery game, we're glad to see it being used for games like Shooty Fruity that put the fun first and have one or two good ideas that we've not seen before.

Energy Invasion does a good job of bringing together two distinct genres into a cohesive game engine but doesn't do enough to keep it interesting beyond the first few screens. After that the game's samey level design and visuals make you feel like you saw everything the game had to offer in the first few minutes but there is definitely the potential here for a more compelling experience if a sequel ever comes.

Aaero is the mixture of Amplitude, Rez and Gitaroo Man that we never realised we wanted. Taxing gameplay, bold visuals and a bombastic soundtrack combine to make this the best rhythm action title in years.

Ultrawings offers players a chance to fly in VR. It achieves that but although there are a lot of individual jobs to take on it doesn't give you much variety as you fly around a rather simple set of islands. Using two Move controllers things feel great it's just a shame there isn't a little more to it.

Fans will certainly enjoy what Battlestar Galactica: Deadlock has to offer. Despite the slight offering, there's a faithfulness to the source material that's appreciated. The tough race against time that is the campaign will keep players enthralled for hours. It's hard to justify the price, particularly with the lack of multiplayer, but what's here is executed well.

Xenon Valkyrie+ is an ok game and I've found myself going back for one more go, hoping for a better run, which is always a plus for these rogue-lites. Unfortunately the high level of difficulty ends up just being frustrating. As a quick pick up and play game you'll find fun here for a bit, but in the end it never really does enough to stand out in the crowded rogue-lite genre.

The question of whether Accounting+ is for you comes down to how much you like Justin Roiland’s brand of humour and whether you are willing to support this monetarily. It is no doubt a hilariously entertaining game and a great start to Squanchtendo’s aspirations on PSVR, but you are simply not getting enough for the money with the minimal length and stunted translation to the PSVR platform.

Lost Grimoires 2: Shard of Mystery is another solid entry into the hidden object genre. The story is maybe a little weaker than in other Artifex Mundi games, but there is a decent range of puzzles and activities on display here. If you’re a fan of the genre, like us, then you’ll be happy to go along with the ride, and despite this being a sequel it is a perfect jumping on point. If, however, you dislike these games this entry will do nothing to change your opinion.

From a purely gameplay point of view Papers, Please is repetitive, dull and complicated.But to judge this game on this alone would be to miss the point. As an art piece or as a social experiment Papers, Please is a very interesting proposition. Just don't come here for fun times.

Super Hydorah isn't aiming to be the greatest shoot 'em up ever. Instead it just wants to be authentic to the spirit of the '80s coin-ops that inspired it and it does that exceptionally well. Fans of classic arcade games will enjoy the old-school visuals and gameplay but the hardcore difficulty will alienate anyone who isn't prepared for it.

One More Dungeon doesn't do anything well enough to justify the tired graphical and gameplay style choices it has. The core gameplay isn't great and the roguelike elements don't give you much of a reason to keep playing.

Tokyo Tattoo Girls promises a lot but delivers very little. It appears to be a strategy game but it basically plays itself with only minor input from the player. Some strong artwork at least makes the short playthroughs relatively enjoyable, just don't expect it to tax you.

99Vidas appeals to a very specific market and manages to accurately recreate the scrolling beat ‘em ups of yesteryear, both positive and negative. If you have fond memories of these kinds of games this will fill a space for you, but wont necessarily leave you satisfied. I really like the games style and overall sense of fun, but in aping the games of the past it has failed to offer an enjoyable modern experience.

Star Ocean: The Last Hope – 4K & Full HD Remaster brings a last gen game almost up to modern graphical standards and for a reasonable price. There is a lot of game here and it's not without its good points but the basic structure hasn't been improved which makes this a hard one to recommend.

We really like Son of Scoregasm. It's one of the best twin-stick shooters on PSN and has some excellently designed gameplay mechanics. Unfortunately, the game's difficulty eventually leads to frustration and spoils the party a little.

Boiling Bolt is a very ordinary PC shoot 'em up ported to PS4. Badly.

Let Them Come is an easy game to like with a simple, but strong, idea of blasting aliens out of a corridor. The visual flair and humour really make this an enjoyable game to play. Unfortunately the punishing bosses make for a harsh difficulty curve which will bring many up short. Whilst it may not be the longest of games, what is here is bags of fun.

Despite a decent setting and story the actual act of playing Black Mirror just isn’t enjoyable. As a result the many flaws stand out all the more for it. For adventure game fans this is maybe one you’d want to look into if it ever goes on sale, but for anyone else there are far better places to start your adventure.

DOOM VFR makes its way to PSVR but doesn't do so without compromise. The graphics are great and it certainly feels like DOOM but every controller option has a downside and it feels like it's been dumbed-down to compensate.

Slayaway Camp: Butcher's Cut offers a wealth of content for those who like puzzles. The '80s horror film aesthetic adds a lot of character to the huge amount of cleverly built levels but some may find it a little too repetitive before they reach the end.

Equal parts shoot 'em up and rogue-lite, Sky Force Reloaded feels like a deluxe version of the previous game and that's no bad thing at all but don't expect anything revolutionary this time around.

Big Ant have managed to enhance last year's effort with some official licensing and, whilst the presentation feels familiar, the player animations look improved and authentic. Fielding remains something of a worry but the batting and bowling experience remains thoroughly engaging and satisfying to succeed at.

Road Rage is a lemon. Execution is poor at almost every step with only the bike handling coming out with any positives. Even for the budget price tag, I can't recommend this faltering, frustrating ride.

Sonic Forces may have impressive elements such as high-speed spectacle and graphical fidelity, but it completely falls flat in just about every other area. It fails to better 2011's Generations and to learn from past mistakes in the franchise. Stick with Mania.

Max: The Curse of Brotherhood offers a charming adventure for those looking for a puzzle based platformer that is neither too difficult or condescendingly easy, nor too brief or overly long. The physics engine may throw up the odd problem but the checkpoints are forgiving enough to not cause too much concern.

LEGO Marvel Superheroes 2 is one of the better LEGO games. The range of characters available is staggering and the attention to detail is to be applauded. Whilst the range of actions and movement abilities may cause problems for younger players, the ever present co-op is a wonderful addition to help younger players out.

On the road, where it matters, Payback is the most fun we've had with a Need for Speed game in a long time and while there are some questionable design choices and shady things going on regarding player progression and customisation, the developers do seem to be reacting to the negative feedback.

Demon Gaze II offers a friendlier introduction to the first person dungeon crawler than most. More story and less customisation will upset some but the colourful characters and enjoyable gameplay loop will win over new players.

Ace of Seafood isn’t a great game, but it is sort of ok. There is enough absurd action here to ensure the game doesn’t get boring, and it is particularly interesting to watch. However the low quality graphics and poor controls mean that more often than not this is a game which isn’t all that enjoyable to actually play.

Call of Duty: WWII trades on the familiar and, whilst its campaign suffers from some weak characters and a few safe bets, the multiplayer component remains compelling and rewarding. It's a throwback rather than a revolution but it's still fun. There's not a lot here that's new but you'll be occupied for another year, providing you haven't already tapped out.

Cat Quest is a good game which is easy to pick up and play offering an enjoyable and idiosyncratic cat based RPG. It has done a great job of offering a streamlined humourous RPG Which is accessible for all. Where it falls down is when the simplicity goes too far, resulting in samey combat and repetitive quest structures. But these faults are easily overlooked as the rest of the game is so darned cute and fun to play.

The fact that Sony allowed this to be on PSN, the fact that the developer thought he deserved money rather than punches for it and the fact that games media in general haven't told you this is awful should tell you something about the low esteem gamers are held in these days.

The Count Lucanor is a delightfully quirky game. The excellently designed, and odd, characters make for gentle scares throughout, and some memorable set pieces. With a great script and some interesting puzzles there is a lot to like here. It is only let down by some technical issues, and whilst this stops the game scoring higher, it remains great fun to play.

Small worries aside, Wuppo's character and style has managed to disarm me with some cheeky writing and a surprisingly dense world. The pace does bog down in two particular parts but I was intrigued enough to persevere. Combat is engaging and exploration is usually rewarding. This is a staggering effort from such a small team and their passion shows. This is very, very well crafted.

It's not that Bubsy is terrible, it's that it never ever tries to be anything other than average. For this kind of price, we expect so much more.

Oure is a mixed bag of a game. The overall experience of playing it is a tug of war between beautiful dreamy vistas and frustrating controls and camera issues. If you're willing to just go with the flow and get used to these issues there is a lot to like here, but if you get frustrated by imprecise controls this isn't for you.

.hack//G.U. Last Recode is a generous package with the three original PS2 episodes plus a new closing chapter. The modern improvements help make it more palatable for today's tastes but there is no doubt that this still looks and plays like an old game. How much of a negative that is will depend on the player.

Part driving game, part menial labour simulator, Mudrunners may well be the least fun we've had on our PS4. This isn't a game that sends the mud flying everywhere, it's one where the mud bogs you down until you feel like you are drowning in it. However, if you're looking for a challenging trucking simulator that is genuinely different, this may be well up your street. Do your research before you buy though.

Butter & Friends: Babysitter Sim is a throwaway party game. As a solo experience it doesn't really have any legs, but if you've got friends who'll be willing to play locally with you, there is fun to be had here.

This is the Jackbox team doing exactly what they always do but if you can get a few players involved, a good time is pretty much guaranteed.

Wolfenstein II: The New Colossus brings together great storytelling with satisfying gun play in a unique package. You'll come for the Nazi killing but stay for the likeable characters and scenes that will constantly surprise you.

Assassin’s Creed Origins manages to breathe new life into an old franchise. By going back in time it has found a way to reinvent itself and move forward. The shift to a more action RPG style suits the game well, but the reduced emphasis on stealth may well upset some.

On paper, the battle engine should provide an interesting scrap with a varied, albeit small, roster of characters. Unfortunately, the AI feels brutal to fight and the lack of a manual means you're fumbling in the dark until you figure out what works. It's needlessly uninviting with the slim choice of modes and the lack of an online community meaning this game really underwhelms.

Yomawari: Midnight Shadows is a terrifying game with a claustrophobic and oppressive atmosphere. Whilst the moment to moment gameplay may be repetitive the overall style of the game does more than enough to drag you in. If you're looking for a real fright then this could be the game for you.

Raw Data offers more than your usual shooting gallery VR game. The ability to move around makes the game feel far more substantial, with the four different characters and their abilities offering plenty of gameplay nuance. The lack of enemy and location variety is a shame, as are the technical limitations brought on by the hardware but if you're a fan of shooting stuff in VR then it's definitely worth checking out.

Whilst a change of developer has produced something much improved and playable, Rugby 18's rendition of the sport lacks a flow and cohesion which I find problematic. Set plays are focused whilst the open play is unbalanced and frustrating. There's a foundation there but the lack of modes and teams make the price tough to justify. There's fun to be had but, those wanting something more robust might await a drop or hold back a year.

South Park: The Fractured But Whole is strictly for fans of the show but the turn-based combat is even better than before and the game tells a good story. It might not be the best turned-based RPG but it is definitely the most entertaining one.

Middle-earth: Shadow of War still has a great mechanic in the Nemesis System but struggles to find the perfect game to fit around it. The missions are straightforward and repetitive and the fortress attacking and defending is stretched to breaking point. It just about manages to keep you entertained, but if every element was up to the quality of the Nemesis System then it would be amazing. Instead it's just good.

Abyss: The Wraiths of Eden isn’t going to change opinions about these kind of hidden object games, and in many ways this doesn’t matter. Aimed squarely at fans of the genre this game tells a decent spooky story. Whilst it isn’t the best hidden object game I’ve played, it is another perfectly fine example and one which will please fans.

As beat em ups go, Bloody Zombies is about as standard as its name. Outside of VR it isn’t much to write home about. But the unique diorama aesthetic with the headset donned made for a great arcade-like experience.

Expand is a decent game and one with a bold, vivid style. Some of the mazes are wonderful to experience and the way the moving pieces just always work together at the right time is very satisfying. I enjoyed my time with it even if it was short lived. It's hard to peg a genre to Expand or even to be totally convinced that it isn't some kind of art installation, but whatever it is doing, it does it well.