Snack World serves up a beautifully presented helping of dungeon crawling, garnished with generous amounts of humour and charm. Its character is also its saving grace, because it helps keep your interest when the actual mechanics start to feel repetitive. Or, to milk the food analogy further: its outer shell is so endearing that you’ll still enjoy consuming it even when you can tell it’s starting to get a little stale.

If you’ve played the previous instalments and the series and you appreciate updated rider rosters, the introduction of female riders and the improved physics (for those that play on more realistic settings) then Monster Energy Supercross - The Official Videogame 3 will definitely appeal, but with a completely absent online community, this port is a tougher sell over those on PC and other console platforms. Still, despite its shortcomings, this is a solid two-wheeled racer that retains all the usual modes and extras and runs like a treat in handheld mode. Just don't expect it to feel massively different from the previous instalment.

If you’re a die-hard fan of the studio, then perhaps Code Shifter is worth a look if you find it on sale someday. Otherwise, there isn’t much to see here.

We were pleasantly surprised by EQQO. After a rather lacklustre opening segment, the majority of the game proves itself to be an engaging puzzle title with a surprisingly meaningful narrative to support it. If you’re after a challenge, you might want to look elsewhere, but for its price, EQQO is a lovely, relaxing experience that will keep you playing right to the end.

Ash of Gods: Redemption looks and sounds the part; it's a beautiful thing to behold, easily matches its most obvious inspiration in this regard and will obviously be very tempting to fans of the genre – and especially The Banner Saga – as a result. However, beneath this shiny surface, it's a mess. A combination of badly implemented and nonsensical mechanics, a poor story, terrible (and often juvenile) writing and a constant desire to stomp its players into the dirt make it a real pain to struggle through. It's a hugely punitive game, which would be fine if it played by the rules – but it doesn't. Combat here relies too much on luck and uncontrollable aspects which rob you of the opportunity to use actual skill and savvy to overcome the tough tests you'll be put through. If you want to make your game tough, fine, go for it, but you need to ensure the systems that underpin that toughness are up to serious scrutiny and, unfortunately, here they really aren't.

Games in the 'visual novel' corner of the industry can often leave you a little cold unless you’re happy to watch an anime with a small amount of actual player interaction, but with its unique premise and interesting take on a fantasy world (think Netflix's Bright, but actually good), Coffee Talk serves up a refreshing brew of angst, introspection and coffee beans. Its hand-crafted story mode is a tad too short for our liking, but with Endless mode you’ll have plenty of fun getting in touch with your inner barista.

With an imaginative world and equally imaginative premise, Skellboy is an admirable attempt to provide an alternative to your average Zelda title. If you can get past the sluggish gameplay and cringe-worthy technical performance, there’s plenty here to get to grips with, and you’re guaranteed at least a few laughs thanks to the hilarious writing and dialogue.

Arc of Alchemist is not worth your time. We’ll say it again just in case the people in the back didn’t hear: Arc of Alchemist is not worth your time. The story is barely serviceable, the gameplay is middling and uninspired at its very best, and the graphics often look like they could’ve been pulled from an early 3DS game. That would all be damning enough if it at least ran well, but Arc of Alchemist in fact runs at laughable framerates all the way through. That would be damning enough, but then the developers have the gall to ask you to pony up forty bucks (at time of writing) for this mess. The Switch library is packed to bursting with loads of fantastic RPGs that are each sure to deliver a great experience. This is definitely not one of them. Please, don’t waste your money on Arc of Alchemist.

The best way to experience Sinless is in handheld mode, with the game taking full advantage of the Switch’s touchscreen capabilities. You can, of course, also use the analogue stick to move a cursor around the screen, but this is incredibly slow and cumbersome. It’s a short game, and not a particularly polished experience, but Sinless is nevertheless a nice take on the cyberpunk genre that will intrigue you enough to see it through to the end.

The Turing Test is a solid first-person puzzler with an interesting and well-executed premise that provides a pretty enthralling backstory to its central gameplay. The tests you face here may not be quite as mind-bending as we might have hoped for, and they certainly don't force you to look at things from as many different angles as those found in this game's very obvious inspiration, Portal – or even The Witness – but overall, there's still plenty to like here for fans of the genre as long as they're prepared to blast through it all quite quickly and without too many major headaches.

The Dark Crystal: Age of Resistance Tactics is a pretty solid, if wholly unspectacular little tactical title. It does a decent job of incorporating events and characters from Netflix's spectacular TV series (and the 1982 classic movie on which it is based) into its gameplay, and fans of the franchise – as well as folk who simply can't get enough of this genre – will certainly find something to enjoy here, especially for the pretty reasonable asking price. In terms of presentation, we would have liked to see something more befitting of the spectacular source material and a few more flashy combos and opportunities to set your team up to blow enemies off the screen in style would have been nice. Overall, however, for such a strange (and somewhat late arriving) TV tie-in, this one really is quite a bit better than we expected it to be. Feel free to add one to the score below if you're a huge Dark Crystal fiend.

Prison Princess is an enjoyable puzzle adventure that combines invigorating brain-teasers with appealing characters, beautiful artwork and an intriguing narrative. While it’s pretty short – we cleared the game for the first time in four hours without having to resort to a walkthrough at any point – its multiple endings and unlockable features provide some replay value, and it’s worth bearing in mind that even classic adventure games from the genre’s “golden age” were only a couple of hours long at most. Here’s hoping we see more games of this type from Qureate in the future; they’ve clearly got a talent for them.

It's regrettable that we have to be dismissive of a new shmup release, especially one inspired by Castle of Shikigami that does seem to be sincerely trying to offer up a fun experience. With that said though, when it comes down to the basic fundamental aspects of the genre – visuals, music, stage design, gameplay flow – Sisters Royale feels unfinished. It’s hard to care about the scoring system when the structure it is built upon doesn’t satisfy enough to encourage players to spend hour after hour routing and experimenting.

If you’re after a new addition to your social multiplayer pile, this is an easy sell. Sure, it’s a little old considering its long history on myriad platforms, but it’s hard to deny just how enjoyable and easy it is to pick up, even for younger Nintendo Switch owners. The support for local and online multiplayer is great, as is the ability to play through the story mode solo, but the intermittent issues with performance in handheld mode does put a few wrinkles in this hero’s costume.

A barbed look at today's society that lacks an end-product of sorts, Mosaic is a short experience that seems content with telling us what's wrong with our lives without really going any further than that. There's a vital message trapped within the game somewhere, but it never quite gets out, and the experience ends up being depressing rather than entertaining. That might have been what the developer was going for, but ultimately, it doesn't make for a particularly interesting video game.

While utilising the ruleset of a more traditional CCG system might put off some players, the on-brand approach to turn-based combat in Thronebreaker: The Witcher Tales is still a positive addition to the world. Because with such an involved and intricately designed story – and such an interesting world to explore beyond the confines of Geralt – Thronebreaker offers the opportunity to lose yourself in the Continent like never before.

Speaking Simulator is a great idea delivered in mostly the right way. It throws its android protagonist into some brilliantly awkward situations and, once you've unlocked his entire repertoire of facial movements, things get pleasingly hectic. However, a lack of polish with regards to the controls, zero replayability, a janky combo system and the fact you don't actually seem to be able to fail a level all conspire to hold it back from being really easy to recommend.

Aviary Attorney is well worth picking up, just so you can take your legal cases on the move and continue your cross-examination in handheld mode. Just be wary of playing on your commute – as you may be on the receiving end of some funny glances when you let out an inevitable chuckle at a stupid bird pun. And you might get even stranger looks if you try to explain the whole concept to the oblivious commuter who you disturbed.

There's an interesting and fun game buried somewhere deep beneath the surface of Warhammer 40,000: Space Wolf, but you’ll need to crack the tough, unintuitive armour that protects the core mechanics before you can find it. Unfortunately, you don’t have the privilege of a Thunder Hammer at your disposal – all you have is time, and you’ll need a lot of it to get any real enjoyment out of this rather disappointing title.

Even without comparing Super Tennis to the real Super Tennis, the game largely falls flat as a compelling sports title. Once you’ve mastered the gameplay (which you most certainly will after 2 or 3 matches), it becomes incredibly repetitive with little incentive to continue other than to see the cool unlockable costumes. If you’ve recently moved to the Switch from another console and wish to learn the layout of the controller, then this is a great way to do so, but if you’re after an actual tennis game, you’ll want to look elsewhere.

Kentucky Route Zero: TV Edition is the full and complete Kentucky Route Zero experience. A magical realist point-and-click adventure that takes you on a beguiling journey to a place that exists both below and beyond. It's a trip to be savoured, ruminated on; no need to rush. Each act here brings with it some new perspective, new places and people to forge deep connections with. You may be confused, even bewildered by your initial steps down into the subterranea that exists somewhere beneath this version of Kentucky but, by the end of your journey, you'll have made friends and memories and been escorted through a rich and beautiful experience that will stay with you much longer than you may expect.

Stories Untold is a chilling adventure that manages to draw us right into its world through the ingenious use of its UI and perfectly realised lo-fi aesthetic. Through the walls of old technology and complicated machinery, it creates a uniquely strong bond between player and narrative, giving you a real sense of place within its world as it slowly corrupts and twists from the comfortingly familiar to something else entirely. It's one of the best interactive horror stories we've ever played and a perfect fit for enjoying alone in the dark on Switch.

If its numerous areas didn't feel quite so empty, if it had some more variety to its quests and one or two secret areas to discover as you explored its world it would be much easier to recommend, but, as it stands, this one is an inexpensive but pretty generic experience that won't sit long in your memory once you put it down.

Fantasy Zone is a charming game which might not be as flashy as Space Harrier or Out Run, but is right up there where it matters: gameplay. It’s hard to recommend this over Shinobi, which also releases this week, but this is a perfect addition for anybody remotely interested in all things Sega.

Players looking for a classic 'Oddworld' game might be disappointed with Oddworld: Stranger’s Wrath. The game has its own identity while still remaining part of that unique universe, and that somehow makes it even more appealing – giving players a world to explore that feels much bigger than what you see of it. While the game has aged well for the most part, some imperfections have become more obvious with time. The stealth mechanics are nowhere near as fine-tuned as they should be, and can be ignored completely without compromising the player's experience. A lack of instruction in the latter part of the story could also cause frustration, and the slapstick drop of falling from a height will never be something that fits with the game's overall tone. Despite these rough edges, Oddworld: Stranger's Wrath is still a joy to play on Switch, and if you didn't experience it the first time around, it's well worth a look now.

Shinobi as a game has aged extremely well – it’s still an absolute blast to play today – and that goes a long way to making this a worthy download. The excellent variety of stages and enemies complement the tight gameplay which still feels spot-on even compared with later entries in the series, and its rather fanciful representation of ninjas is difficult to get too upset about when it’s just so much fun. We’d frankly like to see some later Sega games appearing in the Sega Ages range at some point, but it’s great to see a return to the company's heritage after some of the other more questionable releases.

When one takes a step back to look at all that Puzzle & Dragons Gold has to offer, it’s rather difficult to say exactly who it’s for. Longtime fans of the series will no doubt decry the laundry list of cutbacks that the core gameplay suffers from, while newcomers will be paying cash to get a massive misrepresentation of what the series is actually all about. Sure, multiplayer proves to be mildly amusing for a time, but it lacks the kind of depth or longevity that previous releases in the series have had in spades, and the less said about the single-player content, the better. Puzzle & Dragons Gold feels in many ways like a free demo of a much better game that you could potentially buy, except no such game exists because this is it. Don’t waste your time or money on this poor approximation; go download Puzzle & Dragons for free on your phone for a much more enjoyable experience and save your money for much more worthwhile releases for the Switch.

With only 4 short chapters to play through, Lydia will only take you about 1 or 2 hours to complete, so those after more of a meaty experience might want to look elsewhere. We would, however, encourage you to experience it at least once, if only for its eye-opening message. It successfully tells a haunting story about abuse and heartbreak without necessarily shoving it down your throat, and that’s really hard to do. It’s one of the most emotionally impactful games to grace the Switch since its launch nearly three years ago.

Despite being late to the war-torn party, the Nintendo Switch version of Warhammer Quest 2: The End Times is still a robust and enjoyable turn-based dungeon crawler that benefits from having its roots in mobile gaming. Years of updates mean new players have access to a lot of content, but tactically it becomes a little stale once you learn to exploit its easily-manipulated levelling system. Still, if you're a fan of the Warhammer universe then this game does manage to tickle an itch that only dungeon-based loot drops can scratch.

A passionate love letter to a bygone age, 198X celebrates 2D, arcade-based gaming brilliantly and wraps it up in some of the best hand-drawn art we've seen in years. The soundtrack is also exceptional, and, in terms of pure presentation, it's really hard to fault what's on offer here. 198X's biggest weakness is its brevity; you can finish it in around an hour, but the experience will remain with you for long after the credits have rolled. While we're sure many people will consider the game's shortness a cardinal sin, we'd still recommend you give it a try if you're a fan of '80s and '90s gaming, appreciate lush 2D artwork and desire an experience which firmly lodges itself in your consciousness – even if it doesn't last all that long.

If you consider the fairly sparse selection of FPS titles on the Switch, Hypercharge: Unboxed is a genuinely tempting prospect, boasting solid gameplay that is an absolute blast with friends. There are a few issues with the gameplay that may need addressing with patches, and as a whole the game feels like a bit of a walk in the park for the most part, but otherwise it’s an impressive, unique title that you’d do well to check out.

To The Moon is a powerful interactive story. It deals with issues and situations we'll likely all experience in our lifetimes and does so honestly and within a brilliant narrative setup that allows us to watch a lifetime deconstructed, layer by layer, revealing the very human mistakes and unavoidable interruptions of fate that shape how our lives ultimately turn out.

There’s a genuinely brilliant game hidden away somewhere in AO Tennis 2, but you need to have the patience of a saint to put up with its horrendous frame rate issues and the impact they have on its already tricky stroke timing system. The Career mode is a joy and the level of customisation and user creations is unlike anything we’ve ever seen in a tennis game, so tennis fans may still want to give it a look, as long as they can cope with its infuriatingly erratic performance. It may not be a popular thing to say on a Nintendo site, but if you have access to another system, you may want to look into how it runs on that instead.

Whichever way you play, Vertex Pop has done it again. Not unlike Karen’s various food treats that power-up her move set, Super Crush KO offers short-term satisfaction but it's very sweet while it lasts. Despite the compactness of the experience, it looks great and plays even better – so what are you waiting for? Go forth and save your kitty.

The Atelier Dusk Trilogy DX edition rolls three very solid entries in the long-running franchise into a fantastic pack for fans of the series and for anyone who's interested in jumping into their addictive world of alchemy for the very first time. These DX versions pack a handful of quality of life updates that make blasting through these games a breeze if you're returning to them and just want to skip the narrative in favour of collecting, crafting and battling monsters and all three perform pretty much flawlessly – aside from some occasional stutter in Ayesha – in both docked and handheld modes. If you're a fan of the Atelier series you'll already know whether or not this trilogy release is for you, but, if you're thinking of jumping in for the first time rest assured this as solid a place as any to get acquainted with the Atelier franchise.

Tokyo Mirage Sessions #FE Encore is one of the most colourful, approachable and downright endearing RPGs you’ll find on the Switch. Its new story chapter, music tracks and character assists improve on the original to an extent, but not enough to greatly affect its overall quality. Thankfully, what was there was already fantastic, meaning those who missed out on it the first time around really have no reason not to get stuck in now.

Atelier Shallie: Alchemists of the Dusk Sea DX is the strongest entry in the Dusk trilogy. It adds a nice new camera, spices up the alchemy, strengthens the turn-based combat system and gives you two heroines to play through as, each with a journey unique enough that it's more than worth your while playing through the whole thing twice. World exploration is just as tightly controlled as in previous Atelier games and won't perhaps suit those hoping for a real sense of adventure or the desire to get completely lost in the wilds of the world presented here but, for fans of the series or those wanting to jump in and check it out, this is another solid entry in the long-running franchise that performs excellently on Switch and suits portable play perfectly.

Atelier Escha and Logy: Alchemists of the Dusk Sky DX gets off to a pretty turgid start with exposition-heavy scenes punctuated with lots of tutorials; however, once it gets its bearings, it's another satisfying tale with two strong lead characters to choose from, a great cast of supporting characters and that deep and satisfying alchemy sat right at the centre of it all, pulling the weaker strands of its gameplay together into a satisfyingly unified whole.

Atelier Ayesha: The Alchemist of Dusk DX is a great jumping-in point for newcomers to the series. It's a welcoming start to the Dusk trilogy which hits the ground running whilst dialling back the traditional time limit aspect of the game, gently easing players into its core alchemy as well as firmly establishing the gameplay loops and systems which are carried on throughout the two follow-up games. It's never really going to satisfy the most ardent RPG fan as its exploration is too contained and controlled and its combat not ferocious or engaging enough for battle-hardened players. For everyone else, its alchemy is a thing of depth and beauty which creates a satisfying core to which all these lesser elements feed into in a satisfying manner. With a strong – if rather small-scale – story backing the whole thing up, Atelier Ayesha is an easy recommendation for those looking to get invested in a light and breezy, warm-hearted JRPG series.

If you’re after a cheap and cheerful fighting game, Drunk-Fu: Wasted Masters more or less ticks the right boxes. At its low price, you shouldn’t expect anything close to the level of depth seen in more well-known examples of the genre, and its potential online longevity will likely suffer as a result. Play it locally with a few friends, however, and you’re almost guaranteed to get a few laughs out of it.

There are far worse mech-based efforts on the Switch than Gigantic Army, and we can’t deny the endearing, nearly “kusoge” appeal of this title. The potential is certainly here, yet it is never truly fulfilled. There are quite a number of better options out there within the same price range. We can only recommend this half-hour generic mecha blast-fest curio to the most dedicated hardcore fans of the genre. The passage of time has not been kind to Gigantic Army, but we do hope this is won’t be the only Astro Port game to see a Switch re-release.

If you're a fan of the Princess Maker series you'll already know whether or not Princess Maker - Faery Tales Come True is your bag. You'll probably be able to overlook the complete lack of tutorials, abysmal translation job, sometimes backwards attitudes towards women and repetitive nature and get down to enjoying a strange little sim/management game that's unquestionably suited to the portable nature of the Nintendo Switch. However, newcomers should beware that this really is a careless and sloppy port of a very old game that doesn't show any real effort on the part of its developers to reward you for parting with your cash.

Overall, Blacksad: Under the Skin is both a faithful adaptation and a frustrating example of modern adventure game pitfalls. Fans of the original comics will enjoy seeing Blacksad himself brought to life so accurately, but some inconsistent performances in the voiceover department and some frustratingly unresponsive controls make it a far less enjoyable experience. There’s a really intriguing mystery to unfold and solve, but with some technical problems and a little too much blurring for our liking, you’ll have to grit your teeth if you really want to crack this case on the go.

It's difficult to determine who Brain Training's audience is. The casual audience who would have happily bought a cheap DS for the original won't buy the far more expensive Switch, and existing Switch owners can find a slew of other brain games that may not be better, but are certainly cheaper. What's here is entertaining enough, but you're likely to have lost interest within a month; if ever there was a series that Nintendo should have turned into a mobile game instead, it's this one.

Top-down racers, whilst never boasting the same level of depth as their 3D counterparts, are reliably accessible. They tend to put a playful spin on what is otherwise an often daunting gameplay experience for newcomers, allowing almost anyone to dive right in immediately. Ultimate Racing 2D succeeds in this respect, boasting simplistic gameplay that is incredibly easy to get to grips with. The problem, though, is that it isn’t much fun – at all.

Princess Maker Go!Go! Princess has a reasonable enough idea at its core, taking the central gameplay elements of the Princess Maker series and adapting them to a four-player board game. However, in reality, this shift only results in removing all of the narrative interest, skill and strategy from the main games and leaves you with a very simple experience which quickly becomes tedious and repetitive. Rounds are much too long, everything is 100% dependant on dice rolls and really, once you've spent about thirty minutes with this one, you'll have seen everything it's got to offer and more.

LastFight lifts the classic gameplay of Capcom's Power Stone series and dumps it into an established comic book universe which it then entirely fails to utilise. It's sorely lacking in game modes and inexplicably fails to provide any online co-operative gameplay options. The AI here is pretty dumb, stages are bland and the central gameplay aspects are hampered by a lack of polish, from attacks that don't feel satisfying to long loading times between every bout. If you've got a bunch of pals who like to get down and dirty with a party brawler you may be able to knock more than a handful of hours of fun out of this one, but if you're playing solo, you'll genuinely struggle to stick with it for any reasonable amount of time.

Despite everything it does right, Rush Rally 3 does stumble along the way, particularly in the graphics department. This isn’t a good-looking game, unfortunately; there’s no getting around that. The visuals are GameCube level at best, and we’ve no doubt that this can be vastly improved for future games without compromising on performance. Elsewhere, the menu system can be a tad confusing for newcomers, and the customisation screen, in particular, is a bit of a nightmare to navigate.

Ashen doesn't try to hide the fact that it's a Souls clone through and through. However, where many before it unwisely try to out-do FromSoftware in terms of difficulty or obtuse systems and lore, A44 has taken its game in a more refreshing, community-focused direction. This is a slightly more relaxed take on a Souls-like; it gets you into its action and gameplay rhythms quickly, isn't interested in punishing you particularly unduly and doesn't outstay its welcome. Its story and setting are enchanting and the sense of togetherness and companionship that it creates as its plot unfolds sets it apart in a genre much better known for relentless loneliness and isolation.

It’s remarkably refreshing to get a game that not only requires the strict cooperation of two players to beat, but actually encourages as much verbal communication as possible. You don’t need an online connection to play, and you’re not necessarily restricted to playing just on Switch, which makes it even more accessible. Those who prefer to game alone will get nothing out of this experience, but if you’re up for a unique take on the puzzle genre – and have a likeminded friend to game with – then look no further than Tick Tock: A Tale for Two.

Because of the nature of the Steins;Gate series, the overarching plot points may result in a bit of tonal whiplash from the fairly lighthearted tone of this game, so while it might seem like the characters are not quite acting like they would in the main games, it's a fun distraction from the heavy themes of the original Steins;Gate games, and for fans looking for what it’s offering, you can’t really fault it. With high production values and the quality of writing that you’d see in a mainline Steins;Gate game, this one is definitely for the hardcore fans looking to see their favourite characters again and see them in silly situations.

While the game is incredibly gripping, be prepared to read through thousands of words to get to the heart of it. While some visual novels often deliver other elements like fanservice or a quasi-dating simulator baked within the game, Steins;Gate 0 is focused and delivers an immensely fun and gripping visual novel experience that’s not marred by any trashy dating-sim elements that so many in the genre are littered with.

There’s a lot of potential within Space Pioneer that is unfortunately largely squandered by its repetitive nature. Once you’re done with one chapter, it really feels like you’ve seen it all, despite another eleven lying ahead of you. Its core gameplay really is a lot of fun, and our hope would be that if a sequel is developed, this is backed up by an engaging story and meaningful objectives.

At its core, Tools Up is very endearing in its premise, and for the most part, it works pretty well. Sadly though, the controls just aren’t quite as responsive or intuitive as you’d hope, and you’ll find yourself slipping up – quite literally in some cases – frequently. Additionally, objects in close proximity cause confusion, and you’ll often pick up the incorrect object, resulting in a lot of wasted time. Nevertheless, if you’re after an alternative to Overcooked, then Tools Up offers up enough incentive to take the plunge, even if it doesn’t quite match up.

Phoenix Labs has done a great job with Dauntless, designing a game that takes the better parts of Monster Hunter and pares them down into a rapid-fire and easily accessible action experience that’s sure to demand dozens of hours of your time once it gets its hooks into you. On top of this, you’re never hit over the head with microtransactions and it’s easier than ever to play with friends on other platforms. Though this Switch port mightily struggles from a performance perspective, it’s still enjoyable on a consistent enough basis that such issues can be mostly overlooked. It literally costs you nothing more than time to give Dauntless a try, and we’d highly recommend you give it a shot.

The third Football Manager on Switch is a relatively minor upgrade to an already entertaining and compelling game. The controls are still unwieldy and the new features, while welcome, aren't exactly transformative: as such, we'd usually recommend you consider buying last year's game for a slightly lower price. However, since Sega's pulled the 2018 and 2019 editions from the eShop, you don't have much choice but to pay full price for this one.

With its single table, often obtuse mechanics and sometimes brutal difficulty, Demon's Tilt isn't going to be to everybody's tastes, but if you have even the slightest interest in pinball games then you really should check this out. While more tables would have been welcome and it's a shame that some of the visual effects have been toned down on Switch, what we have here is a game of stunning depth and complexity which rewards methodical players who aren't afraid to invest a lot of time learning all of the secrets and hidden tactics. The ability to play the game in portrait mode makes this Switch port even more appealing.

Gensou Skydrift is one of the few karting games on Switch to come even slightly close to Mario Kart in terms of its racing mechanics, and when it all comes together it's a fun time. Unfortunately, the lack of meaningful single-player content and the fact that the online is dead on arrival means this should be strictly considered a local multiplayer game if you want to get your money's worth.

Somewhat overlooked and underrated when it was first released, Call Of Juarez: Gunslinger's second rodeo on Switch doesn't really bring anything new to the table that it didn't already bring before. It's still an entertaining adventure, though, which does clever things with its story structure.

Croteam, the creators of The Talos Principle, were previously known primarily for their silly (but fun) Serious Sam titles. The Talos Principle shows a remarkable maturity and depth of scope that's perhaps surprising, but in a very good way. It poses interesting questions, allows the player to progress at their own pace - mostly in a non-linear fashion - and is a hugely satisfying piece of game design. Utterly entrancing and highly recommended.

Big Pharma has a lot to offer for players who want a deep management simulator. There are a lot of systems to learn, and they take a long time to master if you want to succeed in the hardcore scenarios. The game goes further than the factory floor, bringing research, originator ingredients, and the min/max specification usually reserved for MMOs to the normal management experience. On Nintendo Switch the game suffers a little from awkward controls and text size, but the fact that a game of this scale works as well as it does on the platform eclipses its flaws once you're invested. In truth, running a global drug corporation on-the-go has never been more enjoyable, unless you’re losing money because all of your drugs cause headaches. Good luck.

Trover Saves the Universe is a surprisingly fun little game. The humour will not be to everybody's tastes, and while the core gameplay is extremely strong by itself, your appreciation for their style of comedy will ultimately determine whether or not you see this one through to the end. But for us, this was a hilarious twist on the puzzle-platformer genre which we can highly recommend for anybody looking for something a bit more weird and twisted.

Buried deep within Neverwinter Nights' loins remains an entertaining, engrossing and lengthy RPG adventure, bundled with oodles of extra campaigns and one-off adventures. But to enjoy that you're going to have to put up with some of the most stuttery, bug-riddled nonsense we've seen on the Switch. Fun and frustrating in equal measure.

Heroland is very much style over substance. The graphics, while initially a bit off-putting, are actually quite charming in their own way, with the characters and environments bursting with personality. But the writing and dialogue are the true stars of the show. Make no mistake, this is a very funny game, and you’ll soon be agonising over which of the delightful main characters is your favourite. Unfortunately, it’s not quite enough to hold up the entire game – some folks will automatically gravitate to what is admittedly a unique approach to the RPG genre, but a lot more will likely desire something a bit more hands-on.

In the Hunt is an excellent shoot-'em-up and a great fit for the Switch. It offers something comfortingly familiar in the genre but shockingly, joyously different in execution. Here's hoping we see even more high-quality deep cuts fill out the already outstanding Arcade Archives line. How about R-Type?

Yet another fantastic rhythm game to add to the Switch's ever-growing repertoire. It may be a tad on the expensive side, but its core mechanics are rock solid, its minimalist visuals are a treat to behold and the fact it's got to much to play through and unlock means you'll be happily tapping your toes to this one for months.

Jamestown+ is another brilliant addition to the Nintendo Switch's ever-expanding library of excellent shmups. Easy to pick up for newcomers and with the ferocious difficulty expected by aficionados of the genre, it's a slick and stylish shooter – just as much fun in solo mode as it is in four-player co-op – with a unique and zany setting that gets its hooks into you quickly and keeps them there. It may not add anything revolutionary or particularly new to the genre and the omission of online co-op play is a shame, but what's here is supremely engaging and polished stuff that's pretty much essential for Switch-owning shooter fans.

Five Nights at Freddy’s never presumed to be an in-depth and all-encompassing horror experience, and as limited as it may be, Five Nights at Freddy’s 4 does a good job of building a tense atmosphere and keeping you at the edge of your seat. The short length and simple concept keep it from having much staying power, but it’s a thrilling experience if you’ve got a night to yourself and feel like giving yourself a good scare.

Riverbond isn’t the most in-depth game on the Switch this year, nor is it the best looking. It does, however, boast an interesting art style, and its gameplay is simple yet engaging enough that almost anyone of any skill level can give it a good crack. There are plenty of unlockable skins and weapons to try out, and although there’s little incentive to replay once you’re done and dusted, it’s a decent way to spend a few hours during the quieter winter months.

Shovel Knight Showdown proves that Yacht Club Games is capable of making more than just platformers, as it’s delivered an entertaining and content-rich multiplayer brawler that’s sure to be a house favourite to many. Plenty of game modes, a long cast of characters, and a bevvy of unlockables ensure that this is a release that you’ll be playing for quite some time – although we would add that it’s a game which is best enjoyed with others on hand. Though single-player options are present, they fail to provide enough of a reason to justify this release as a standalone product, and we’d sooner direct you to one of the other Shovel Knight campaigns if you intend on mostly playing alone. Either way, Yacht Club Games continues to impress with its support for Shovel Knight, and we’d highly recommend you experience Shovel Knight Showdown one way or another.

It’s impossible to go wrong with King of Cards, and whether standalone or as part of Treasure Trove, we’d recommend you make a point to play it as soon as possible. This is likely the last we’ll see of the ‘core’ Shovel Knight series for some time, and King of Cards acts as a worthy swansong for a now-legendary platformer. Bravo.

Translating a set of revered gamebooks from the ’80s into video game form was always going to be something of a challenge, and while the version that’s made the jump to Nintendo Switch under a new name doesn’t bring anything particularly different to the tabletop party, developer Asmodee has retained the evocative world-building of Ian Livingstone’s books while adding in some helpful features. It’s a little lacking in the looks department, but if you fancy taking a trip back in time to RPG questing of old, Deathtrap Dungeon Trilogy certainly offers plenty of retro adventures of its own.

What’s most baffling about Simulacra is why more wasn’t done to make it a more authentic mobile experience. Touch controls are available, but bizarrely there’s no option to play the game in TATE mode. Instead, the phone display is slap bang in the middle of the Switch’s (or TV’s) screen, with a bland background surrounding it. We guess it's a neat way to make it more of a straight-up horror title, but if you’re playing handheld, some aspects may be a tad small for those who are a bit more long-sighted. Still, with multiple endings, this is a horror game that's worth a look if you're after a quick fix.

Pine could have been a lot better. There are genuinely impressive systems at play here – for example, the other creatures inhabiting this world are gathering resources in much the same way as the player, and will even snatch up crops and objects that you were making for. But its smarter touches are totally obfuscated by the shadow of absolute technical unsuitability to the Switch hardware. When you look at ports like Doom and the recent Alien: Isolation, you'll wonder what exactly went wrong for Pine to be so disastrously sub-par in purely technical terms. We can only imagine how cool it looked on the design document; it's just such a shame about almost literally every single aspect of the execution.

Assassin's Creed: The Rebel Collection has come as something of a surprise to us after the disappointment of Assassin's Creed III Remastered. Here are two excellent swashbuckling epics ported to Nintendo's console in fine fashion. Black Flag is a revelation in portable mode and looks and performs almost flawlessly as you blast your way around the Caribbean on Edward Kenway's captivating pirate adventures. Rogue, although it struggles to keep up slightly here and there, is always eminently playable and together with the excellent Freedom Cry, they give Assassin's Creed fans something they've wanted for a very long time now – this is handheld Assassin's Creed at a standard we weren't particularly sure we'd ever see on Switch.

Going into it, players might find the humour in SuperEpic a tad too cutting for their taste, but once a few floors have gone by, the laughs start to seep through in almost every aspect, including the way that Regnantcorp employees seem to constantly sleep at their desks and do no work. The tone of the game breaks up how grueling some of the combat can be when faced with a long corridor full of enemies that are incredibly annoying to fight, making for a much more well-balanced experience that feels more than at home on the Nintendo Switch. While it makes a point of poking fun at the state of the games industry, SuperEpic is also a lot of fun to play.

Luckily, the visuals remain just as creepy and unsettling as they’ve ever been, perhaps a little more given that the place you’re watching over is explicitly designed as a horror attraction. Dingy corridors, empty-eyed animatronic heads, and flickering lights are all par for the course here, and though you only really have to worry about one figure lurking through it all, this layout is still effective at building an uneasy atmosphere. On the other hand, the audio design is a little less impressive, with the ‘sting’ sounds played during jump scares lacking that kind of sharp punch necessary to get you to leap out of your seat. Five Nights at Freddy’s 3 isn’t bad by any measure, but neither is it particularly good; this is easily the most skippable entry so far.

There's certainly still some fun to be had for sure, the mixing of fantasy and sci-fi on offer here is an endearing one, and it's noteworthy for the handful of novel features it introduced to the genre back in the day but - with a story and gameplay that were pretty average at the time of its release and haven't aged particularly well in the interim - it's definitely an experience recommended specifically for fans and those of us who wish to see the superlative second game in the series get the chance of a Switch re-release.

EarthNight stands as a shining example of what an auto-runner can be, combining rewarding feedback loops, fun gameplay, and excellent presentation into one compelling package. Though it isn’t a particularly long experience and performance hiccups can occasionally hinder gameplay, these issues are mostly ignorable when compared with the impressive quality of everything else on display. If you consider yourself a fan of platformers or are looking to buy a game for your Switch that’ll be easy to get into regarding the time investment, we’d highly recommend EarthNight. Auto-runners don’t get much better than this, and it’s a blast to play through.

The abundance of ‘no win’ scenarios like this leads to plenty of jump scares, but more than anything, they tend to wear out the horror element that much quicker. Having to juggle multiple defensive options at once removes a lot of the breathing room and tense anticipation, making the jump scares more of an expected consequence than a genuine shock. It’s still stressful, sure, but not necessarily in the same wonderfully dreadful way that you’d expect.

Farming Simulator 20 won't be for everyone, but if you're after high-octane, instant gratification, why are you sniffing around something called 'Farming Simulator 20'? It requires time and devotion – if you're not one to enjoy the long, languorous journey you'd be better off sticking to more abstract farming sims. Once you get into its low-key repetitive groove, though, there's a wealth of wholesome, calming work to get lost in and a satisfying flow to cultivating a field, sowing seeds, harvesting, repeating and watching those numbers go up.

This Switch port performs just as well as one could hope, although we found the experience to be hampered a bit by iffy controls – an issue that disappears in portable mode, where you can navigate by using the touchscreen.

Alien: Isolation is a survival horror masterpiece and straight-up one of the very best horror video games ever released. It's a nerve-wracking affair – a slow, methodical game of cat and mouse against a brilliantly clever recreation of one of cinema's most infamous killers – but if you're up to the task you'll find one of the most satisfying gameplay experiences in the genre; a brilliant and beautiful homage to one of the greatest Sci-Fi movies of all time. Feral Interactive has done a stellar job with this Switch port and the excellent motion controls and inclusion of all previously-released DLC only go to sweeten the deal. This is essential stuff for survival horror fans.

There's a pervasive sense of disappointment to When the Water Tastes Like Wine. For all its invention and forward-thinking, there's a profound feeling that the mark has been missed. In truth, it does very little to justify itself as a video game in the first place, given that most of the player's time is spent moving painfully slowly across a monotonous, samey map of America with no clearly defined goal. It's a failed experiment through and through, but all the more painful because it could have been so much more. There is space in gaming for narrative output like this, but they need to be carefully tailored to be games first and experiences second. You don't even want to know what this water tastes like.

Monkey Barrels is a great twin-stick shooter that perhaps plays it a little too safe at times. There's a fantastic selection of unlockable guns and grenades, with some providing excellent visual treats and strategic advantages, but the level design leaves a lot to be desired thanks to its repetitive nature. The unlockable multiplayer mode is a decent distraction that's fun for a while but ultimately lacks the same depth as the main story mode. There are stronger twin-stick shooters available on the Switch, but this is nevertheless a welcome addition.

Decay of Logos is a mess. It looks bad, has some crippling performance issues and is stuffed full of nonsensical and overly-punitive gameplay systems that make every minute you spend with it feel like a slog. The world that Amplify Creations has created here does occasionally feel like it could be an interesting and worthwhile place to explore, but there are just far too many bugs and problems that get in the way of you settling down to enjoy this game in any way whatsoever. Avoid.

Visually, the game looks pretty nice for the most part, and runs really well. It’s hardly the most detailed of games, and indeed some of the textures are pretty poor, but the environments are very well stylised, and the objects within the levels are mostly the correct size and proportions. There’s a charm to the visuals that harks back to more retro titles (you can’t deny the similarities to Micro Machines), and it will no doubt appeal to both mature and younger gamers alike.

The Touryst is a joyous little adventure that sinks its blocky little hooks into you and doesn't let go until it's done. It's got a perfect balance of atmospheric puzzling, leisurely exploring and minigame madness that'll keep you thoroughly entertained from start to finish, and its collection of tiny little voxel islands are a joy to discover, bursting with surprises to uncover and presented in a truly dazzling art-style that's achieved whilst performing flawlessly on Nintendo's console. The puzzles might not be the most taxing you'll ever come across and you'll blow through the whole thing pretty quickly, but overall this is a top-notch – and perfectly priced – little gem.

Construction Simulator 2 is a celebration of the mundane; a relaxing game that reassures you with every repeated action as you patiently build your construction empire. And it achieves that with brilliance. It would be harsh to say the unpredictable driving ruins the reassuring regularity, but when every other nail has been hammered with such precision, this slight misstep sticks out like the sore thumb that the hammer hit instead. Still, this is a highly recommended way to spend a few weeks, despite that rather odd issue.

Visually, the game looks more or less as it should, albeit with very little additional flair. There are several characters to choose from, and their background images are decent enough, but there’s actually no incentive to choose one character over another, other than personal preference. Overall, it lacks a lot of personality, and with nothing to really set it apart from its contemporaries, there’s very little to recommend here unless you’re a huge fan of the genre. On the flip side, the music is pretty great, offering catchy tunes that really stick with you.

Yaga has bags of personality and benefits greatly from being steeped in superbly atmospheric Slavic folklore. It's well-written, features lots of excellently-delivered dialogue and has a fantastically kooky sense of humour, all of which helps to carry it along in spite of its bland level design and run-of-the-mill combat. The choices you make as you play through Ivan's adventure do actually affect proceedings enough that the whole thing warrants more than one playthrough and, if you can make peace with that pretty nonsensical bad luck mechanic and uninspiring gameplay, you'll find a fun little adventure here featuring a cast of characters who are well worth spending some time with.

Ultimately, Zumba Burn It Up! knows its audience, and thankfully there’s really nothing much to complain about with this new iteration; it’s a perfectly fine addition to a series that continues to truck along relatively painlessly. A bit more variation with the songs would have been nice, and whilst we appreciate that this is targeted to people who likely already have a certain degree of fitness, the game could do a much better job at easing in newcomers. Look, we’re not getting any younger...

Considering how integral the back-and-forth tussle between El Patron and DEA is to the show, recreating such a violent game of chess in 'tactics' form seems like a match made in heaven. But even with some welcome gameplay twists – namely those real-time Kill Shots and Counteractions – the slow nature of its single-unit turn mechanic and the totally unremarkable AI makes this generous offering of missions far less exciting than it should be. As a genre, a turn-based tactics setup really suits the cat and mouse nature of this real-life-inspired cartel war; it's just a shame certain elements let it down.

An inoffensive mini-game collection that tries to deliver a little of that Disney charm, but it feels like the type of lacklustre Wii title that was abundant during that console’s golden era. With the availability of Super Mario Party or even Carnival Games, it’s hard to recommend this – unless you’re a really big fan of Tsum Tsums. Not Disney, just the Tsum Tsums.

If you’re more experienced with RPGs, we’d give it more of a recommendation, but with the caveat that this is a game that will demand patience and careful study to fully enjoy. Either way, Square’s done a great job of prettying up this delightfully obscure RPG for western audiences, and we hope that this isn’t the last we’ll see of SaGa for the Switch.

Black Future ‘88 is an intriguing, challenging but also supremely fun and rewarding game. It may be an audio-visual feast, but the tight gameplay, high degree of replayability and the sterling effort that has gone into overcoming many of the criticisms levelled at the genre mean it’s not just a pretty face. If you’re looking for a dose of intense cyberpunk action on your Switch, you can’t go wrong with this one.

Animus: Harbinger is a good idea; a boss-rush-style Dark Souls mobile game that could have been a perfect fit for the Switch if its combat, levels and enemies had received a higher level of polish. As it is, for the budget price, massive fans of FromSoftware's brand of action may find some enjoyment here, but overall the stuttering performance, unreliable hitboxes, bland levels and shoddy AI all add up to make this one a pretty hard recommendation for anyone else.

Thief of Thieves is an awful video game. It's tedious and clunky, has broken AI, awful dialogue, miserable characters and a boring story that has absolutely nothing of interest to say or add to the heist genre. Its cel-shaded, comic-book style graphics are a strong point, but they're compromised here by a weak Switch port that's too blurry in handheld mode and horribly pixelated when you dock it to play on a big screen. There are also a handful of unforgivable technical issues; noticeable framerate problems, a bug that crashes you back to your console's homescreen and overly long loading times that break up the gameplay far too often. In short, this is a crime-heist caper that's out to rob you of your time and money and is, in every conceivable way, much more of a snore than a score. Avoid.