It feels like it’s been a long time coming and thankfully, any concerns fans may have had ahead of a Switch release can be laid to rest by Death himself. Darksiders II Deathinitive Edition is a visual feast, offering little to those who have already played through elsewhere but holding nothing back for the purists and new players alike. Age-old camera issues remain, but if you’ve been waiting to get on board with Death and his Horsemen, this late-to-the-party package is an easy recommendation.

Contra: Rogue Corps has some good ideas. The twin-stick action could have worked if it hadn’t been so fussy and inaccurate, the choice of characters could have been great if they’d had a bit more variety and the deep customisation and online game modes could have added longevity if they hadn't been attached to such a drab and messy-looking game. In the end, nothing about this endeavour feels in any way related to the Contra games you know and love, and you’d do much better to grab the Contra Anniversary Collection at a much lower price – or try out one of the many excellent retro twin-stick shooters or side-scrolling action games already available on the platform.

Habroxia is a pretty bland and curiously straightforward little shmup with nothing about it that stands out as being worth recommending. The handful of little flourishes it introduces – such as switching between horizontal and vertical traversal or its three different fire modes – just don’t add any kind of fun to proceedings because the game hasn’t been designed in a way that makes them neither interesting or necessary. The Switch is absolutely drowned with fantastic old-school shmups with lots of unique little quirks and clever design decisions that make them deliciously moreish to play and really, and at the end of the day, you’d be much better off choosing almost any of them than spending time with a game that seems perfectly content to let you glide through it without providing any incentive, narrative or challenge whatsoever.

There’s nothing wrong with trying to emulate another game’s success, as long as it’s done effectively. Paper Dolls Original borrows every horror trope under the sun, but fails to implement them in any meaningful way. It’s painfully boring, and considering its price is comparable to other, more accomplished horror games on the eShop, you’d be best off leaving this ghost in its mansion.

Star Wars: Jedi Knight 2: Jedi Outcast has an opening five chapters that will test your patience to its absolute limit. In some ways, this is down to its age and in others it's just bad design coupled with the odd decision to hold back the game’s best aspects for such a long stretch. This poor pacing is the one thing standing in the way of us giving this a hearty recommendation. However, If you think you’ve got the fortitude to push on through to the good stuff – a trial worthy of Yoda himself – you’ll be handsomely rewarded with some top-notch Star Wars action. It’s a shame the multiplayer fun has been excised here and we did run into that save file bug but, all in all, if you can persist with the dark you’ll be rewarded with the light and – for at least half of its duration – this old classic is still just about as good as Star Wars games ever got.

Despite the bumpy setting and plot, Rebel Cops is a great game to take on the go for a little bit of tactical action. It stands up with stalwarts of the genre, and offers enough challenge and replayability to make you come back for more. Where the game falters is in its UI and quality of life options, but some instances of small text and slightly finicky menus do not take away from what is a solid turn-based tactics game.

It’s quite frankly a bit boring, and should you decide to control your character directly, there’s little more to the game than just moving around and automatically swiping your sword at enemies. We were admittedly rather impressed with the sheer amount of customisation options available, but this is almost rendered moot by such bland gameplay. We suspect it would work much, much better on mobile devices, but for Switch owners, this is an incredibly shallow experience.

The post-apocalypse schtick was worn out long ago, so any game using it as a thematic backdrop is always going to have an uphill struggle, but Overland attempts to set itself apart with its diorama-style maps and its McCarthy-esque road trip. While it lacks the more focused combat and systems of the very similar Into the Breach, there’s a lot to like about its bleak combination of fellowship and sacrifice. But with a procedural generation setup that doesn’t always play in its favour and a shallow inventory, its take on Armageddon can be more frustrating than fun.

As far as beat ‘em up brawlers go on the Switch, Castle Crashers Remastered is one of the finest titles available for the platform. Tight controls, many multiplayer modes, a great art direction and a wealth of replayable content make this an easy “ol’ reliable” game that you’ll surely be revisiting with friends for years to come. All the same, it’s also far from a perfect experience, as the repetitive nature of combat and the reliance on damage-sponges to pad out the runtime make for a title that can tend to overstay its welcome in extended sessions. Still, for a relatively cheap price at the time of writing, it’s pretty tough to argue against the raw value proposition being made here between the amount of content and overall fun factor; if you’re looking for another great co-op game to add to your Switch library, look no further.

Track & Field remains as endearingly entertaining as it was when it first appeared 36 years ago. It's a little on the pricey side considering it only has six events, one of which (the high jump) is a bit of a stinker, and is obviously a one-trick pony given its subject matter. But it still does that one trick better than most games that have succeeded it, so if you're looking for a quick button-basher this is a good choice.

Deadly Premonition Origins is chock-full of major issues that in any other series would be reason enough to be cautious of its upcoming sequel. Despite this, the characters and the world of Greenvale are more than enough to make you forgive its fundamental technical flaws, as you can’t help but fall for an absurdly fun narrative and a protagonist that keeps you invested throughout. You may play the game and utterly hate it, but we'd advise you at least give it a chance. It's such a strange and captivating experience that we wager many of you will become lifelong fans regardless of its myriad problems.

Untitled Goose Game boasts more inventiveness, creativity and charm than the vast majority of titles on the Switch eShop, and offers a believable game world that's a real pleasure to explore, investigate and – of course – cause merry havoc in. Superb physics, excellent controls, surprisingly robust AI and unique presentation all combine to make this a real highlight in the Switch's library – it's only the brevity of the experience that lets it down, but this really is a case of quality over quantity.

Golazo! is a competent love letter to '90s arcade football games, accurately capturing both their strengths and weaknesses. Playing alone against the CPU can be a frustrating affair, but get some pals involved and this one's got post-pub entertainment written all over it.

The Legend of Zelda: Link’s Awakening was a technical marvel when it first released back in 1993. Easily one of the great Game Boy releases, it was a first bash at a handheld Zelda that took the formula as perfected by A Link to the Past, jammed it all onto a tiny portable console and, somehow, managed to make it all work while adding a host of new features and concepts to the mix. This beautiful Switch remake rebuilds all of this from the ground up in fine style. It adds modern conveniences, a dungeon creator, amiibo support and lots of little quality of life improvements whilst infusing every single square inch of Koholint – every secret passage, Piranha, Pokey and Pig Warrior – with a level of detail and depth that totally reinvigorates both its timeless story and classic Zelda gameplay for a whole new generation of gamers.

With over 100 cars and more than 25 different racing venues set over five distinct disciplines (as well as bonus DLC ones like destruction derby and drag racing), GRID Autosport is that rarest of beasts: a jack of all trades that doesn't sacrifice quality as a result. The addition of all previously released paid console DLC – right down to the cynical XP boost – is extremely welcome, but the complete removal of all local and online multiplayer features means this a strictly solo affair, and that might be a turn-off for many. Still, that doesn't change the fact that this is one of the best racing games on Switch.

Sayonara Wild Hearts is the video game equivalent of Prince: it’s extremely short and its journey maybe ends a little sooner than you’d hoped, but it packs so many varied and beautiful ideas into its brief life and masters so many different styles that even though there’s a real disappointment it’s over so quickly, what it did give you will remain with you for an extremely long time. A true creative masterpiece.

While LEGO Jurassic World does nothing particularly ‘new’ or exciting to distinguish itself from other platforms (other than being portable, which it pulled off three years ago on PS Vita anyway), it’s impossible to not be swept up by its charming recreation of the Jurassic saga. With a greater focus on puzzle-solving than combat, even the youngest of players will find it a safe and engaging place to muck around with Danish bricks. Much like every other LEGO release, its relevance to you comes down to your connection to the franchise, but if you have a penchant for clever girls and staying out of the long grass (and you haven't played it already), this port is bound to sink its claws into you.

Jet Kave Adventure will be on nobody's Game of the Year lists, but that really doesn't matter. What it does do is provide a reasonably solid 2.5D platformer that will keep you entertained for a few hours (and beyond, if you want to try to beat all the optional objectives). At a little under $20, it's a bit steep for what's on offer, but if you've been craving a no-nonsense platformer that offers a decent selection of levels and looks pretty while doing it, you could do far worse – of course, you could arguably do a lot better, too.

Gun Gun Pixies is a bad game. It’s a terrible third-person shooter, a clunky platformer and an incompetent visual novel, all wrapped up in an embarrassingly puerile attempt at titillation. Usually, this type of game can be saved somewhat by at least having some humour about itself or some level of self-awareness as to how bonkers or puerile it's being, but Gun Gun Pixies can't even manage that. It’s hard to believe anyone would choose to offend themselves with this kind of thing but, if it is your bag, you should still be put off somewhat by the fact that everything it attempts to do, on a purely technical level, it does very badly indeed.

Ni No Kuni: Wrath of the White Witch is an experience unlike any other on the Switch, expertly blending standard RPG tropes with a heartwarming story, innovative art style, and an immersive soundtrack composed by some of the best in the business. In more ways than one, this is a ‘dream project’ that’s very existence is a gift to fans of the genre the world over; the privilege of experiencing it is something that shouldn’t be understated. Even so, it also notably falls short of being an undisputed masterpiece, as pacing issues and shoddy AI drag down an otherwise pitch perfect experience. Those issues aside, Ni No Kuni: Wrath of the White Witch still proves to be lightyears ahead of most other RPGs currently available on the Switch. If you consider yourself a fan of the genre – or even if you’re just looking to get your feet wet – you owe it to yourself to give Ni No Kuni: Wrath of the White Witch a shot.

Star Wars has finally come to Nintendo Switch. While it might not be in the form that appeals to everyone, that doesn’t make it any less accessible. With short and snappy missions, it’s perfect for bursts of short play on a commute or longer sessions in search of high scores and holocron shards. Switch-exclusive features such as the Career mode, the updated Galactic Struggle, an unlockable soundtrack and support for vertical play make this a fine addition to the platform’s growing pinball library, and a silly yet authentic ode to all things Star Wars.

From its opening moments upon a prison ship bound for Fort Joy to non-stop adventures that take you across the high seas to the Reaper’s Coast, Nameless Isle and beyond, Divinity: Original Sin 2 simply dazzles. In its seemingly endless parade of well-written characters, hilarious narration, deep and rewarding physics-based combat and the myriad ways in which it allows to you to engage and toy and with its systems, this is a truly epic RPG that revels in choice more than any other that’s come before it. It takes the old-school isometric style of Baldur’s Gate, layers it with an unparalleled level of attention to detail and fuses it with a thoroughly modern take on meaningful player decisions, resulting in one of the greatest role-playing games available on any platform; and it’s all here, present and correct on a portable console.

While it’s carried over its fair share of clunky elements in the transition to Nintendo's console, The Sinking City on Nintendo Switch is a fully-featured and mostly well-optimised port. The mixture of psychological horror and detective skills is a positive step beyond the developer’s previous work on Sherlock Holmes titles, and while its sanity mechanic doesn’t quite hold up to the likes of Eternal Darkness: Sanity’s Requiem, and it's not without bugs, it offers an enjoyable if not particularly scary descent into madness and delirium.

AI: The Somnium Files starts out slow but once you've traversed a few of its delightfully surreal Somnium dreamscapes and got to an ending or two, working your way back through your flowchart and striking out in different directions, it becomes an engaging and tense affair. Fans of the Zero Escape games will feel right at home here, and director Kotaro Uchikoshi’s talent for putting the player into increasingly unsettling circumstances ensures everything takes flight in a very satisfying way as you work your way through the many strands of the loopy central mystery towards its various different endings.

As a standalone game, Super Kirby Clash holds up well to the Kirby series standard with its impressively diverse boss roster, straightforward RPG-lite mechanics, and deep potential for replayability. Though the online multiplayer is an unstable and unreliable mess, this hardly stands as a reason for you to not at least download the game and give it a shot. As a free to play release, Super Kirby Clash also manages to smartly handle its monetization and doesn’t hold back too much, offering you a fair amount of time-gated content relative to how much you feel like paying. We’d give Super Kirby Clash a high recommendation even if it was a low-price budget release at retail, but considering that it literally costs you nothing but your time, do yourself a favour and go download this as soon as you can.

None of it quite meshes together as effortlessly as the games from which it takes influence, and there are some minor frustrations to take note of. Primarily, unlocking new levels requires a set number of crystal skulls which are hidden among stone blocks – these can be quite tricky to find on your first visit, so you’ll likely need to replay levels two, or maybe even three times to unlock enough to progress further, which can prove irritating after a while.

At its core Daemon X Machina is a solid mech action game that controls well and gives the player a generous helping of customisation options. Its mission structure can get repetitive, and its plot is so difficult to grasp it may as well be soaked in grease, but as long as you’re willing to put up with these and get through its initially bewildering array of gauges and icons you should have a good time with it.

On the surface, NBA 2K20’s changes to its own formula might seem less substantial, but spend more than a few hours with its laser accurate recreation of modern b-ball and you’ll soon realise how refined it has become. Changes to Virtual Currency earning and progression take the edge off grinding, new additions to The Neighborhood and Pro-Am help bridge the gap between the two and a few welcome changes to MyTeam help facilitate move space for natural growth (even with the ever-present microtransactions). It’s not faultless, but those looking to play the full NBA experience on a handheld platform can do so with confidence and Visual Concept's approach to Switch is truly laudable. Simply put, there's no better basketball game out there.

Even in its relatively unfinished state, Risk of Rain 2 proves to be an exceptionally well-designed take on the gameplay that made its predecessor popular. The transition to 3D gameplay has been pulled off flawlessly, and the sheer diversity of gameplay options combined with the strong online multiplayer ensure that this is one you'll keep coming back to for quite some time. Even so, there are some issues that the developers will hopefully address in the lead up to the official launch, such as the frustrating navigational issues and the poorly optimized UI. Those matters aside, if you're in the market for a quality 3D roguelike action title for your Switch, Risk of Rain 2 is one of the finest purchases you can make; we'd give this one a high recommendation.

Hyperforma was well-received when it released on IOS last year and it's a genuinely inventive and stylish little puzzle game that adds enough to the tried-and-tested block-breaking format to make it worth seeking out, if this type of thing is your cup of tea. Unlocking skills as you progress does render a little of the challenge obsolete as you can choose to let tactics take a back seat and just blast away at blocks to brute force the victory but, if you play within the rules and try to clear all those tricky side challenges, you'll find a tasty little puzzler here that's well worth the small entry fee.

Blasphemous is a beautifully crafted Soulslike/Metroidvania action game set in a delightfully unhinged, deliriously gory world filled with well-designed enemies, satisfyingly meaty combat and some truly memorable and grotesque boss battles. Platforming sections are uniformly well-crafted and the whole thing comes together to create one of the most visually arresting and solidly enjoyable action titles currently available on Switch. Spanish developers The Game Kitchen have created a nightmare world in Cvstodia, one that will truly test your combat and platforming skills and leave you begging for more come that final bloody battle.

Considering its reasonable price, A Duel Hand Disaster: Trackher is a decent arcade title that introduces a unique spin on the genre. It’s got a good amount of depth, looks the part, and has a pretty funky soundtrack to boot. We can’t stress this enough, though – if you’re thinking of picking it up, do yourself a favour and watch the tutorial first.

Umihara Kawase Fresh! is presented smartly, if quite bizarrely. Its movement system is fiendish, sometimes frustrating, sometimes free-flowing. Unfortunately, it asks a lot of the player and manages to hide its best bits. The level and boss design are unlikely to inspire anyone, especially when already taken to wit’s end by the stuttering difficulty, but that’s not enough to undo the game’s unique charm. If you’re already an Umihara fan then Umihara Kawase Fresh! will give you your fix like nothing else. For anyone else, it’s harder to love – but not impossible.

It’s a shame, because the game looks quite nice, and with tighter controls and a bit more thought into the puzzle design, it could have been a decent alternative to the Zelda games. As it is, it’s merely a poor imitation.

Playing The Long Journey Home can often be rewarding as it is frustrating. The creativity of the writing, the whimsy of the soundtrack and vast number of cosmic variations you’ll encounter makes each new jump a leap into the unknown. But it too often airs on the unfair, with a careful and calculated set of jumps undone by a sudden and unpredictable calamity or a trip to a planet that cripples your lander, effectively ending your game. The resource management aspect really is a drag, but push past the constant need to spin those plates and there are some really wonderful moments to experience. The procedurally-generated nature of each jump warrants countless replays – you’ll just have to deal with a game that’s often doing its best to scupper its own best characteristics.

It looks fantastic too, with the comic book artwork really bringing the characters and environments to life. If we had one major criticism, it’s that the game suffers from pacing issues, particularly earlier on as you get used to how the pinball mechanics work.

Torchlight II proves to be a wonderfully well-polished ARPG that’s sure to provide dozens of hours of fun, all at an incredibly low price point when you consider what’s all being offered. Rewarding, loot-heavy gameplay, an expressive art style, and oodles of replayability come together to make for an impressively charming and addictive experience, even if it’s let down by the occasional technical hiccup or glitch. We’d give Torchlight II a strong recommendation to anybody who’s interested in seeing what the ARPG genre is about, as this proves to be an accessible adventure that sacrifices none of the unique qualities that set the genre apart. Genre veterans may want to pause and think before buying, as there isn’t a whole lot here you haven’t seen before, but it’s tough to argue that you won’t enjoy the time you spend with this one.

As the credits roll on this brief but powerful experience, you'll realise a lot is left open to interpretation. For some, that's to be expected. For others, it'll be infuriating. Prospero rarely seems to be in a hurry – even when he bloody should be – and as such, his plodding pace is very much a gamer's Marmite; you'll either love it or hate it… but good grief is this a mystery worth solving.

It’d be easy to look at the bobcat’s resumé, look at this and dismiss it out of hand. Unfortunately, although Bubsy: Paws On Fire has the foundation of a decent runner and developer Choice Provisions knows what it’s doing in terms of creating levels with an engaging flow, less than stellar performance, bland and repetitive stages, superfluous gameplay additions and long loads combine to drag the experience down. It’s not awful, it’s just nowhere near as good as the Runner series and ultimately we’d recommend ditching the bobcat and spending time in the company of Commander Video instead.

Not since Scott Pilgrim vs The World was released nine years ago have we played such an entertaining, satisfying beat ‘em up. Whether you’re playing alone or teaming up with a friend in co-op mode, River City Girls is a visually superb, aurally fantastic, out-and-out love letter to the genre. Fans of River City Ransom and other Kunio-kun games will adore how it respects the past but makes it relevant today, while those new to the series will simply find a hugely enjoyable and infectiously cheerful scrapper.

Bulletstorm was positively received by critics on its initial release all the way back in 2011 but it didn’t sell anywhere near as well as it really should have – a wrong that should hopefully be corrected with this Switch version. This is easily one of the most inventive and straight-up fun shooters of the past ten years; its fantastic Skillshot system, tight combat and ludicrously OTT levels of violence effortlessly make up for any problems it has in the cheesy dialogue or story department. Yes, it’s missing its multiplayer component here and we’d love to see gyroscopic controls patched in pretty sharpish, but overall this is a technically top-notch port of a stellar first-person shooter that you should really check out – especially if you missed out on it the first time around.

Spyro Reignited Trilogy is a wonderful love letter to a classic series, keeping everything that made the original games what they were, but slapping on a fresh coat of paint for the HD era. There are a few creaking bones showing their age here and there, but only due to the developers’ desire to keep things as accurate as possible. The Switch version looks absolutely stunning and runs surprisingly well, so if you’re looking for a classic 3D platforming experience, you should definitely give this a look-in.

There’s no doubt that Yu-Gi-Oh! Legacy of the Duelists: Link Evolution has a few problems of its own – the delays between actions and the randomness of card deliveries still rankle – but that doesn’t stop this from being the best version of the game yet. Hardcore devotees will notice that its 9,000+ card archive is missing a few key special cards, but as a virtual representation of the long-running TCG, this is a formidable beast. With no microtransactions, a constant stream of cards to unlock and a streamlined recreation of all six seasons of the anime, this ranks as one of the best CCGs on Switch – if you can overlook its somewhat irksome issues.

Nearly twenty years later, Final Fantasy VIII proves to be just as weird and polarizing a release as it was when it first came out. Cool new ideas like Guardian Forces and Triple Triad are hamstrung by an absolutely wack story and the tedium of the Draw system, making for an experience that’s great in some regards and not so great in others. Taken as a whole, however, Final Fantasy VIII Remastered proves to be a fun and enjoyable romp through the weirder side of the Final Fantasy series, notably bolstered by the new HD presentation and the inclusion of helpful quality of life features. This is easily the most skippable entry of all the mainline Final Fantasy games on the Switch right now, but if you find yourself to be a fan of either the Final Fantasy series or the JRPG genre, Final Fantasy VIII Remastered proves to be a release that’s certainly worth your time.

Pokémon Masters is a solid mobile release, and perhaps one of the most well-realised Pokémon mobile titles to date – especially in terms of presentation Sadly, the lack of any competitive element and little to do other than grind between events and story addition mean that it’s not entirely clear if the game will have the staying power required to keep people interested beyond the first few months. Still, the potential for character crossover in this game is unparalleled, and hopefully, it won't be squandered.

As a melee-focused, multiplayer experience, Boreal Blade is sure to be a divisive experience. Some players will love the nuance of its freeform combat, revelling in the joy of the moment-to-moment swordplay. Others will be turned off by the steep learning curve which comes with mastering even the simplest of weapons. However, either group won’t appreciate the connectivity and matchmaking issues that affect one too many matches. Every online game has its problems at launch, but if Frozenbyte can address them early on, Nintendo Switch has a Scandi-themed alternative to For Honor on its hands.

Heave Ho doesn’t quite reach the lofty heights of Snipperclips, but it’s still one of the best couch co-op titles to hit the Switch. It encourages communication and careful planning, but remains utterly chaotic and achingly hilarious, with a fantastic selection of unique costumes to unlock as you progress. The fact that you’ll face the same stages whether you’re playing multiplayer or single player is undoubtedly a big disappointment, but it’s great fun whatever way you decide to play it.

AER: Memories of Old may be a short game, it may have zero combat with light puzzling and platforming that isn’t going to set any sort of great challenge for players, but that isn’t really what this adventure is about and it's great to see a developer realise its vision without relying on comforts that gamers so often expect to pad out their playing experiences. Developer Forgotten Key has crafted an enchanting world here, with a fantastically fun and fitting means of traversing it; a splintered land full of melancholy memories in which you soar, a singular source of hope in flight above a world that’s relying on you for salvation. It’s a trip, a meditation on the nature of man and his fractured relationship with the natural world around him, a beautiful journey that's well worth taking.

Vambrace: Cold Souls is one of the best-looking games we’ve seen on Switch – it really is a stunner – but in terms of gameplay, it's a pedestrian affair. Dungeons are boring and difficult, combat is bereft of any real strategic depth or flair and it thinks nothing of wasting hours of your time for zero reward. The story gets off to a cracking start and it's obvious that an amazing amount of artistic talent has been channelled into creating the City of Icenaire and its surroundings, but, in the end, it's all rendered a little pointless by the fact it’s attached to such a monotonous and dreary plod of an RPG.

RAD doesn’t do anything particularly new for the roguelike genre, but it doesn’t necessarily need to in order to be an enjoyable game in its own right. The over-the-top '80s neon aesthetic is consistently charming, the level-to-level gameplay is both rewarding and nail-bitingly intense, and there’s a good amount of ‘meta’ progress to be made beyond the limits of a single run. On the other hand, the RNG can be brutal in how it distributes power-ups between runs, and overall performance on the Switch (especially in handheld) leaves something to be desired. Even given these shortcomings, though, we’d give RAD a cautious recommendation. If you find yourself drawn to the likes of Dead Cells, Risk of Rain, Ironcast, or any other release in the massively popular roguelike genre, RAD could be right up your alley – assuming you can look past its annoying problems.

On paper Whipseey is a lovely tribute to the days of the Kirby games, but when the entire game is shorter than just the first world of Kirby's Adventure – which is already available as part of the Switch Online NES collection – we just can't recommend you spend your money on it. If this was a free demo teasing a full adventure we'd be demanding you play it, but if this is really all there is that's incredibly poor.

With its amazing visuals, fantastic presentation, varied gameplay and deep, rewarding combat, Astral Chain could well be PlatinumGames' most accomplished game yet. It mixes detective work with exhilarating battle sequences that are inventive, challenging and – perhaps most importantly – breathtakingly cool. The complexity of the game's myriad systems may prove intimidating for some players, but the inclusion of a co-op play and the ability to automate many of the mechanics via the 'Unchained' mode means that even complete newcomers can still enjoy the ride. Astral Chain isn't just one of the Switch's stand-out hits – it's one of 2019's best video games.

It genuinely feels like there's something for everyone here, whether you prefer to go it alone with the puzzle rooms in single-player or take on your friends in the superb multiplayer. Heck, even if you're a bit averse to playing online, you can create your own matches with bots to get a little flavour of what the main mode would be like.

It both succeeds and fails for entirely different reasons. The timeless quality and fun factor of the two games included make it unfair to give this one a low score, yet the shoddy work done on the porting and remastering holds it back from being worthy of a high one. On the whole, we’d give Grandia HD Collection a light recommendation, as it’s a great way both for newcomers to see what the fuss is about and for veterans to take a trip down memory lane. However, we say this with the caveat that you should probably wait for a sale and for the developers to deploy some patches to fix all the broken parts. The Grandia games deserve a much better remastering treatment than they’ve been given here, but Grandia HD Collection is nonetheless a respectable release.

While time has somewhat diminished the freshness of Hotline Miami’s creative violence, both games still offer some of the most addictive and rewarding experiences you can play. Sure, the Nintendo Switch versions don’t bring anything particularly new to the table (even the touchscreen aspects were present on PS Vita), but if you’re looking to experience these games for the first time (or again) on a portable platform, this is the place to do it. The pixel art visuals and synthwave soundtrack have aged incredibly well – especially in the seven-year-old original – and while the lack of a map editor stings to this day, its brutal story missions are as engaging as they day they were released. Hotline Miami Collection still kills the old way.

Sports simulators continue to raise the bar of quality on Nintendo Switch, and Snooker 19 keeps that upward curve moving with an officially licensed recreation of all things baize-based. With an impressive number of facially-scanned pros and real-world snooker halls, and an incredibly precise simulation of striking the ball and setting up future shots, you’re treated to one of the best snooker games of the last decade. While still very rough around in the edges in terms of animations, commentary and accessibility, this is a must for snooker devotees who want an officially-licensed sim on Switch.

Without saying a word, FAR: Lone Sails conveys a poignant tale of hope and perseverance, masterfully balancing style with substance for an experience that feels every bit as sublime as it looks. Sure, you could grumble about the shortness of the experience, the occasionally obtuse puzzles and the very, very minor control issues, but these problems dissolve away once you're invested in the journey. We highly recommend that you give this a spin.

The Sega Ages version of Puyo Puyo does the best it can with the source material it has, but that offered fairly slim pickings in the first place. A few optional tweaks to the controls make it a little less frustrating to play, but the reality is that compared to other Sega Ages offerings this has probably had the least work put into it. Puyo Puyo devotees will want it because it’s where the series all began, but everyone else should look into alternatives if they want to keep coming back for another one of those blob-dropping feats.

It looks lovely, sounds superb and offers an interesting new assist for newcomers, but at its core Space Harrier is still Space Harrier and M2 is only able to do so much with it. This isn’t one of Sega’s masterpieces and therefore isn’t a must-have: it’ll have to settle for being merely ‘pretty good’ instead.

Superhot offers a first-person shooter experience unlike any other, and although the main campaign is a little bit on the short side, once you’ve made it through you’ll have dozens of new ways to replay it should you wish. We’re not entirely sure why this particular phrase comes to mind, but Superhot is the most innovative shooter we’ve played in years.

Oninaki is certainly the biggest and most innovative release from the studio yet, but we wouldn’t exactly call it the best. Though the premise is certainly interesting, we felt let down by the story in this one, and the combat is less generally enjoyable than the turn-based affairs that came before. That being said, we also loved the depth offered by the Daemon system, both in terms of what it offers in character progression and combat variety, and the art style of the dark world is truly something to behold. We’d give Oninaki a recommendation to anybody who loves RPGs; although it isn’t the best, this is another solid showing from Tokyo RPG Factory.

Pandemic: The Board Game is a perfectly functional version of the popular board game, now available for you to play on-the-go in solo mode or with some friends in local co-op. If this version had included an online component - bringing the co-operative strength of the game to the fore - and perhaps some more engaging means of getting to grips with its rules it would be a much more worthwhile and easy to recommend package. As it stands just now however it feels like a very basic edition with little in the way of options that coasts on the strength of its central component just a little too much.

It's not a game for everyone, that much is obvious. But what it does, it actually does quite well.

Sword Art Online: Fatal Bullet is one of the stronger outings for the series in a video game format. However, it’s still bogged down by heavy-handed and often thematically troubling melodrama that’s delivered at a glacial pace and prefers to eschew the potentially interesting aspects of the world it depicts in favour of stereotypical male heroics, teenage matters of the heart and questionable attitudes to its female characters. Beyond this, and judged solely as a game, the combat of Gun Gale Online itself is a rather bland, clunky and repetitive experience – albeit one with a ton of customisation options and modes of play to engage with. Fans of Sword Art Online will already know whether they’re into this or not; for everyone else, it’s a pretty tough sell that doesn’t really manage to do anything it attempts well enough to earn a recommendation.

When you consider its low price, Gravity Duck is a genuinely fun little game with a simple premise that works, and works well. It won’t last long, and you may want to pop some of your own tunes on whilst playing it, but taken on its own merits as an addictive little time sink, this is definitely one to keep an eye on.

Ittle Dew is a lovely, endearing title that will undoubtedly appeal to Zelda fans thanks to its birds-eye view and heavy focus on item-based puzzles. The bothersome combat remains unchanged from the Wii U version, which is a shame, but the game is technically much more impressive on Switch. If you're after something to keep you busy for a while while you wait for the next big Zelda title, this is the one to go for.

Vasara Collection jumps from obscurity into the top tier of bullet hells on the Switch by offering both original brilliant titles without any technical hiccups and supporting the ever popular TATE option along with a whole new game that proves to be one of the few proper four-player options of the genre on the system. The zany characters and plot just make things sweeter, and make up for the somewhat derivative origin of the series. Considering the relative obscurity of the original releases, for a reasonable asking price you might just end up with three quality, 'brand new' manic shooters in your collection.

Mutant Year Zero: Road to Eden is one of the best additions to the tactical RPG genre years; a well-written and rewarding experience that combines the creative use of stealth found in the legacy of its ex-Hitman developers with a world that’s full of interesting characters and ideas. Almost every game in this genre lives in the shadow of XCOM, but Mutant offers enough new ideas to set itself apart. The visual downgrade on the Switch version can be a little hard on the eye, but considering how this sacrifice has preserved the quality of the game within, we’d call that a worthy trade-off.

DC Universe Online is one of the older MMOs on the market, so while it’s benefitted from quite a few updates and DLC packs, it still looks and plays like a game on PS3. If you can look past the dated visuals and repetitive gameplay, there’s a decent amount of content to be accessed as a free player. The customisation options are deep, although the need for a premium membership does gate some of these options off. However, with a solid server, a high population of players and enough content to keep you flying around Metropolis, Gotham and beyond, this is further proof that practically any genre can work on Nintendo’s latest hardware.

Exception is, by and large, a great game that introduces a unique and compelling twist to the platforming genre with its transforming levels. There's plenty of incentive to play for the long haul with a good focus on speedrunning and simply stunning visuals, but those looking for a good story driven experience may be disappointed. There's room for improvement, though, specifically with its sometimes cumbersome jumping and relatively poor boss fights. Its short overall length might put some people off, too, but if you're after a slick-looking action platformer, this is a virus you'll want to catch.

It's not quite fluid enough to stand toe-to-toe with Super Meat Boy, but Never Give Up is nevertheless a solid platformer that offers up highly inventive, ludicrously challenging levels along with a smattering of dry humour that's well suited to the style of the game. Add to that a collection of unlockable costumes that only become available after gathering a certain number of collectable, and you've also got a hefty amount of replay value.

During the sixty to seventy hours it takes to make your way through the main story and DLC on offer in Pillars Of Eternity (much more should you choose, quite rightly, to meander), you’ll meet a cast of unforgettable travelling companions, fight your way through labyrinthian dungeons, explore deserted Dwarven fortresses, become Lord of your very own stronghold and undertake quests as varied as they are beautifully-written and acted. Obsidian has created a heartfelt tribute to the classic 'Infinity Engine' RPGs of old; one that takes the best of those games, delicately updates them and – in the process – becomes something of a classic itself. For RPG fans, this is a must-buy.

You can never really go back – the game is still there, but the magic of that time mixes the memory up to something more intoxicating than it really was. Go back to the SNES Ninja Warriors now and it’s still fun, but it’s stuck in the square box of a 4:3 screen, the animation doesn’t stand out like it did and one-player-only looks weak alongside the other Final Fight tribute acts of the day. But when you see The Ninja Saviors, it’s somehow exactly what you remember: huge, lush backdrops, silk animation, and tight, mob-levelling ninja moves. It’s like being a kid again, and stands as yet another essential Switch release you really should own.

It’s a testament to the quality of Turok 2: Seeds of Evil and the great enhancements made by Nightdive Studios that this remaster is still an essential chapter of FPS history – more so than its rough-around-the-edges predecessor. Every gun still feels incredible, every level still looks unique in its design and the bosses and enemies are still a riot to hunt down and slay. But the bizarre amputation of the game’s multiplayer modes renders the Switch version painfully incomplete. Until support for multiplayer is patched in or addressed in some shape or form, we’re forced to give this N64 classic a score it doesn’t deserve.

Hamsterdam is a mobile title through-and-through. It's got all of the tropes normally associated with mobile games, such as limited gameplay mechanics and a heavy focus on purchasing cosmetic items, with none of the depth you should come to expect from your average Switch title. There's a lot of potential in the game's premise and presentation that could well be capitalised on for any future games, but here it feels like a bit of a wasted opportunity. Add to this the lengthy load times and technical issues, and this is game you'd be best off avoiding.

The Forbidden Arts feels like a game from the early GameCube era, but not a particularly good one. Whilst the dungeons are vast and varied, and the platforming mechanics competent enough, the combat really brings the whole experience to its knees thanks to poor enemy AI and half baked elemental mechanics that make the entire experience feel very repetitive. Add to that the lacklustre graphics and empty overworld, and this is a game that only the most ardent of fantasy enthusiasts will enjoy.

Subdivision Infinity DX is a decent space dogfighter that makes the transition from mobile to console without feeling like a cheap port. Controls are tight and responsive, but they are let down by an auto-targeting system that makes engaging in combat a little too easy. Missions do get a little repetitive after a while, but those involving battles with much larger ships (including the enjoyable boss fights) really help redress the balance. Presentation is a little inconsistent, but the visuals and performance really show a) how far mobile games have come, and b) how a little extra processing power can go a long way.

Omega Labyrinth Life is a Whopper of a game – delicious and juicy on the poster, but it's really just salt and stodge. If you’re after some decent dungeon-crawling filler, it certainly does the job and there’s pleasure to be had, but there are far cheaper, more adventurous meals on Switch eShop that are ultimately more satisfying and won't leaving you feeling mildly guilty. If you’re a curious onlooker whose interest is piqued, we’d wait for a sale; fanservice isn’t enough to justify the asking price at launch for anybody but diehard Omega Labyrinth devotees.

Friday the 13th: The Game - Ultimate Slasher Edition serves up a bloody feast that’s a treat for schlock horror fans who want an authentic Jason experience while taking that tricky asymmetrical multiplayer template and making it truly enjoyable. With a ton of extra skins, weapons, signature kills and more this complete edition couldn’t be any more stacked with DLC. Sure, it’s still a little janky, but with servers that are seemingly holding and two years of refinements straight out of the box, this multiplayer gem still knows how to make an entrance on Switch. Mrs Voorhees will be pleased.

A stuttery frame rate isn’t enough to derail one of the most memorable FPS campaigns of yesteryear. Doom 3 still has the power to unnerve and while elements of it may be showing their age now, the overall package – complete with the BFG Edition improvements and expansion packs – still guarantees value for money.

FIA European Truck Racing Championship does offer an officially-licensed way to race some of the biggest motorsport vehicles around, and with its unique brake cooling system, there’s a really rewarding balance between traditional racing tactics and resource management. However, the problems with performance on Switch - both in the framerate and the poor optimisation of trucks and track assets in handheld mode - really cause an already unwieldy racing experience to veer off the track. It's not without positives, but there are far better options for race fans on Switch right now, and far better examples of multiplatform optimisation.

Redeemer: Enhanced Edition is something of a misnomer. Yes, it’s the same two-year-old top-down brawler/twin-stick shooter, but there’s very little that’s been enhanced here. Local co-op is technically a new feature for the game but considering its woeful performance on Switch that’s not much of an addition. There’s an attempt to divide skills between two different paths, but with such a barebones approach to stealth, you’ll often just run in, pull limbs off and start dealing death loudly. If these issues can be addressed then those looking for Mortal Kombat-levels of gore will slake their thirst for blood, but until then, its performance remains as battered as your unfortunate enemies.

Every now and then, a game comes along that captures our hearts and reminds us why we love the medium in the first place. Forager is the latest in a line of stellar independent games to grace the Switch, featuring wonderfully designed crafting mechanics, addictive progression systems and more charm than you can possibly handle. It has very minor drawbacks, and its longevity will ultimately depend on how comprehensive its upcoming DLC will prove to be. Nonetheless, there's enough good stuff present here for us to confidently declare that Forager is a game all Switch owners should look into adding to their collection.

So, throw away the dud story, the awful presentation and the violence-and-shame-based soft porn and haven’t we got a great little shoot-em-up here? The fact is that this mechanically competent shooter in a classic style from a proven team comes with all those crummy decorations attached. It’s up to you if it’s worth overlooking all the ugliness for the sake of a good game that isn’t particularly world-changing.

Much like the port of the first game, Doom II on Switch delivers a solid rendition of a classic FPS with only a handful of audio and visual issues preventing it from being perfect. It holds up just as well the original Doom does, and its price is similarly reasonable: as a result, we naturally recommend this one just as much as we do its predecessor.

Given that we’ve only had SNES and GBA versions before, this new Switch port of Doom is the best version ever released on a Nintendo system by a country mile. That doesn’t mean it’s perfect, though: its annoying still-to-be-fixed DRM and its smattering of small technical issues does dampen the entertainment somewhat. That aside, if you’re looking to slay hordes of Hellspawn on the move, there’s no better way.

Trine 3: Artifacts of Power is by no means a bad game. It’s visuals are exemplary, the characters charming and delightful, and the overall tone of the game is very well suited to the Switch. Unfortunately, in transitioning over to fully 3D environments, the poor depth perception and limited sense of progression really hurts the experience. If you enjoy collecting items, there’s just about enough here to warrant a purchase, but everyone else would be wise to hold off until the upcoming Trine 4.

Picross: Lord of the Nazarick certainly proves to be an odd addition to the Picross canon, but it proves itself worthy through the consistently excellent puzzle design and rewarding gameplay, which is every bit as great as that which has come before. That being said, there are also some notable shortcomings in this release, such as a shoehorned and useless ‘story’ and a notably smaller number of overall puzzles. Despite the Overlord elements, this in some ways feels like a sloppier and lesser release than the remarkably focused entries that preceded it. Fans of Picross that are rabid for more puzzling action can’t go wrong here, but if you’re looking to dip your toes into this series for the first time, we’d recommend you take a look at Picross S3 first.

Mighty Switch Force! Collection is a great way to bring Wayforward’s 3DS series to the Switch that will undoubtedly appeal to both fans of the series and newcomers alike. The decision to separate the first game and its HD remaster is one we’re not fully on board with, and we’d love to have seen some extra content like concept art and soundtracks. Nevertheless, every game included features superb gameplay and level design, making this a collection that every Switch owner should experience.

Raiden V: Director’s Cut quietly lands on the Switch with little fanfare, and yet feels right at home along with all the numerous other bullet hell shmups currently available on the system. It pays homage to the classic series while also introducing several welcome new features that manage to outweigh its few unfortunate shortcomings. We recommend it for both newcomers to the franchise or the genre itself; those looking for a game to experience all the thrills that a bullet hell blaster can offer. Veteran players need not feel left out either since you can easily customize the difficulty within the game’s options and getting to fight the last true boss of the game will require a super-human level of skill. A great package for a great price; can we have the rest of the Raiden series now, please?

Wolfenstein: Youngblood is an odd little thing that evokes the smaller scale approach given to Far Cry: New Dawn earlier this year. Like New Dawn, Youngblood is a spin-off that focuses more on gameplay freedom while losing the focus on story. In some ways, it takes the series forward in the way it tries new ideas and mechanics - such as co-op and more open-ended level designs - and we hope a number of these features return for the next full sequel, but without the mind-bending twists and turns of its narrative, Youngblood pales in comparison to The New Order and The New Colossus. A fun and enjoyable co-op shooter (and another porting masterclass), but one that both improves and diminishes its own winning formula.

If you’re a Nintendo Switch owner and a baseball devotee then the deep mechanical options and customisation levels of Super Mega Baseball 2: Ultimate Edition mean that it's the ideal tonic to ward off the lack of MLB The Show on the platform and the perpetual disappointment that is RBI Baseball series. With support for all manner of local and online setups for co-op and competitive multiplayer – and lots of extra DLC content bundled in – this is a rewarding yet potentially intimidating simulator that’s only really diminished by a lack of official licensing and a proper training mode.

If you're not a fan of multiplayer games, then once you've beaten Lethal League Blaze's story mode and arcade mode, there's little to entice you back into the fray. Nevertheless, the gameplay itself is remarkably versatile, allowing newcomers to get stuck right in whilst more seasoned players can tinker with the game's many intricacies. Throw in an amazing soundtrack and some fantastic cel-shaded visuals, and you've got a competitive game that's engaging in terms of both its presentation and its instantly accessible gameplay.

Unless you’re a fan of the anime, Kill La Kill: IF is not the game for you. While the story mode is beautifully presented, it’s not as lengthy or engaging as the hours-long experiences offered by other arena fighters. While the potential of an Arc System Works arena fighter sounds promising, this 3D fighting game ends up being a bigger disappointment than many of its contemporaries. The visuals are pristine, the animation is gorgeous, but everything else feels barren. Kill La Kill: IF feels like a budget title – too bad it costs $50.

If you haven’t played Skulls of the Shogun in any form over the past six years, we still can still heartily recommend the single-player campaign as a generous and devilishly fun slice of turn-based strategy action that perfectly suits the Switch, particularly in handheld mode. However, the fact its online multiplayer seems to be a complete bust here certainly knocks a fair amount of the wind out its sails and it's something we've sadly got to penalise the game for. If you’re only in it for the single-player or have a bunch of pals interested in the fantastic local multiplayer action, then this is still a pretty easy recommendation. Anyone else should take note that this particular version arrives on the shores of this afterlife sans a pretty important part of its overall package.

There was a lot riding on it, but we can confidently say that Fire Emblem: Three Houses has managed to live up to the hype and will stand as a highlight in the series for years to come. The expanded gameplay styles, retooled combat, lovable characters, and in-depth character customization hook you fast and are almost guaranteed to keep you engaged for dozens, if not hundreds, of hours as you come to understand this enormous game in its entirety. Fans both new and old won’t want to miss out on what Fire Emblem: Three Houses has to offer; this sets a new standard for what a strategy RPG can be and most certainly proves itself to be the next must-have release for the Nintendo Switch.

Pawarumi is a tough-as-nails shmup with a unique central mechanic that takes time to master. Stick with it though and you’ll be rewarded with a slick, fast-paced shooter that looks and sounds amazing and will test your skills to the max. There’s really nothing else like it out there right now and, even with slight reservations over the difficulty, a lacklustre story and paucity of game modes, this is an easy recommend for fans of the genre looking for a proper challenge.

Fantasy Strike isn’t going to blow anyone away aesthetically and its arcade mode is a little barebones. However, in terms of gameplay, it absolutely achieves what it sets out to, offering fun and accessible fighting action to newcomers whilst at the same time possessing enough technical depth in its roster of characters to keep more seasoned fighters interested. Online ranked team matches and Boss Rush modes are an absolute blast and, in stripping away many of the complex layers that have built up around fighters over the years, this is a game that’s rediscovered the simple pleasures that lie at the beating heart of the genre.