It may not quite hit the highs of the likes of Hyper Light Drifter or Dead Cells, but it's not far off and its zippy dungeon runs and slices of family drama feel like a perfect fit for Nintendo's portable console. If you're a fan of the genre this is certainly an addition to the Switch's library that's well worth checking out.

Headsnatchers is a cool premise let down by really poor controls. The multiplayer modes are pretty decent as a whole, with some of the more simplistic objectives providing the most frantic fun, for a little while. On the flip side, if you enjoy single-player experiences, avoid this one at all costs, because the one solo mode available is an absolute chore to play thanks to wonky movement and awful platforming mechanics.

The Lord of the Rings: Adventure Card Game offers up an unusual mixture of cooperative play and narrative-driven battles that flies in the face of more traditional digital CCGs. If you’re looking for a card game more aligned with the rules of a tabletop effort, with more of a role-playing focus, this is definitely going to appeal. The lack of proper support for online PvP is an odd omission considering how popular that feature is in other entries in the genre, but a refreshing lack of suffocating microtransactions does help soothe that wound.

Stay Cool, Kobayashi-san!: A River City Ransom Story is an interesting entry in a genre that is experiencing a revival of sorts on the Switch thanks to the ever-increasing number of re-releases and brand new experiences. Long-time Kunio fans will find this a rewarding and worthy experience, but newcomers – or anyone who wants to jump into this series – should opt for the far superior River City Girls instead. The time we spent with Kobayashi-san was fun, but a bit repetitive; the franchise can do much better than this, but it's a neat little side-story nonetheless.

With a polished, colourful visual style and an excellent, reactive soundtrack, Skybolt Zack is a game with a unique feel and rewarding gameplay for players who are up for the challenge. It can be brutally unforgiving, however – and, given the tight level design, the cost of making just one tiny mistake can often feel overly punitive. It’s not for everyone, then, but for those players who do get their heads around Skybolt Zack’s fast pace and colour-based mechanics, there’s definitely enjoyment to be had here.

Monaco offers a solid solo experience which benefits from some excellent storytelling and multiple perspectives, as well as brilliantly-constructed heist-based gameplay focused on putting each criminal's skills to the best use. However, it truly shines in multiplayer, whether couch co-op or online. As the servers are pretty quiet, grabbing a group of friends and forming your own motley crew is your best route into this explosive heist thriller.

We like Hello Kitty as much as the next guy, but unless the next guy's 7 years old they're not going to be able to squeeze much fun out of this one. Nothing it does is particularly terrible (other than its odd drifting mechanic), but everything's so slow and so easy that a huge proportion of the Hello Kitty fanbase will be bored to tears within the two short hours it takes to unlock everything.

Heavily pixelated graphics, aggressive resolution scaling, scenery pop-in and an unreliable framerate all ensure that there are just too many barriers in the way of you freely enjoying the top-notch rally action.

Sparklite is a fantastic rogue-lite adventure title that provides a nostalgia hit for 2D Zelda fans without feeling like a bad copy. The game’s rich world fuses mechanics and story without it feeling obnoxious, and the cast of characters are lovable and well-rounded, with each one standing out from the crowd. By the end, players will be begging for more, even if the final road is a little bumpy with some awkward difficulty spikes. Geodia is a world no one wants to leave by the end, but it’s one that’s enjoyable to return to again and again.

If you’re new to visual novels, and curious, then go somewhere else first; Root Letter: Last Answer could put you off the genre for life. But if you’re a visual novel fan, you’ve played all the other interesting ones on the Switch and you absolutely cannot wait for another – and if you’ve considered maybe just going outside or watching TV or lying on the floor and staring at the ceiling and you still can’t wait for another – then you could take a look at Root Letter and just hope you find it so bad it’s good.

Pokémon Sword and Shield succeed in bringing some new ideas to the table, but they’re also somewhat guilty of not pushing things far enough. What’s done right is done right, but what’s done wrong feels like it’s come from a decade-old design document. There are moments contained within that are best the series has ever been, but this joy is at times spoiled by contrasting moments that left us disappointed and did not match up to the rest of what the rest of these games can offer. What we've got here is an experience full of highs and lows, from the unadulterated wonder and joy of seeing a brand-new Pokémon in a stadium full of cheering crowds, to the monotonous and dragged-out dialogue we just wanted to skip.

Pokémon Sword and Shield succeed in bringing some new ideas to the table, but they’re also somewhat guilty of not pushing things far enough. What’s done right is done right, but what’s done wrong feels like it’s come from a decade-old design document. There are moments contained within that are best the series has ever been, but this joy is at times spoiled by contrasting moments that left us disappointed and did not match up to the rest of what the rest of these games can offer. What we've got here is an experience full of highs and lows, from the unadulterated wonder and joy of seeing a brand-new Pokémon in a stadium full of cheering crowds, to the monotonous and dragged-out dialogue we just wanted to skip.

Pokémon Sword and Shield succeed in bringing some new ideas to the table, but they’re also somewhat guilty of not pushing things far enough. What’s done right is done right, but what’s done wrong feels like it’s come from a decade-old design document. There are moments contained within that are best the series has ever been, but this joy is at times spoiled by contrasting moments that left us disappointed and did not match up to the rest of what the rest of these games can offer. What we've got here is an experience full of highs and lows, from the unadulterated wonder and joy of seeing a brand-new Pokémon in a stadium full of cheering crowds, to the monotonous and dragged-out dialogue we just wanted to skip.

Bubble Bobble 4 Friends is a great modern addition to the series. It offers a solid balance of fun and challenge with high replayability due to the three-tier scoring system and collectables, as well as the inclusion of the original game in the series. The focus on teamwork will be wonderful for families and friends looking for some co-op fun, but the lack of online play and the absence of any real competitive features could limit its longevity. However, given how much fun this is to play, these complaints seem a little spiteful; what we've got here is a quite brilliant reimagining of a stone-cold classic which understands that amazing gameplay is timeless and doesn't need totally overhauling to keep it relevant in the modern age.

The Stretchers is an unexpected delight, dropping on to the eShop without warning and perfectly timed to brighten up the long, dark winter days ahead. Tarsier has taken all its experience working on the likes of Ragdoll Kung-Fu: Fists of Plastic and LittleBigPlanet and brought it together to deliver this ridiculously OTT ragdoll puzzle riot that works well in solo but is on another level when enjoyed with a friend in co-op. Missions are varied and lend themselves perfectly to moments of hilarious slapstick, and there's a couple of real standout moments scattered across the course of proceedings that will have you laughing all the way to the way to the end.

While this 'second trilogy' compilation offers diminishing returns in terms of quality, Resident Evil 4 still shines brightly, even if the Switch port deserved a little more care and attention. The real draw here will be that game in physical form, and as always it is very disappointing to see that the other two titles must be downloaded. If RE4 is all you care about, getting the fifth and sixth entries as downloadable 'extras' isn't a bad deal and there's fun to be had in the latter two games, although you'll arguably need a friend to get the most out of them. Even Resident Evil 6 - much maligned as a series low point - can be fun if you’re after a straight-up co-op action shooter. As a collection of the 'action' branch of mainline Resident Evil games, this isn't a bad offering at all; just make sure you've got the necessary memory space for the downloads.

Resident Evil 6 will always have its fair share of naysayers, and that’s completely fine. It’s easy to disregard it thanks to its blatant effort to appeal to as many gamers as humanly possible, and in doing so largely losing its identity in the process. But it’s certainly not a bad game, and in terms of pure gameplay, it’s arguably far more accomplished than its immediate predecessor, albeit with a more disappointing story-line. If you’re after a straight-up action shooter, you could do a lot worse than Resident Evil 6, but if you’re looking for an experience similar to the earlier games in the series, then you definitely won’t find that here.

We always knew Garfield was something of a rebel, but taking a bad six-year-old game, making it even worse to play, pretending it’s a sequel and charging Switch owners more than double the price to suffer it is some pretty subversive stuff. The original Garfield Kart is extremely cheap on Steam: considering this is a more broken version of the same game, you might as well buy that instead. Even if you don’t have a PC, you’ll have wasted less money.

Just Dance 2020 is a celebration of the series’ tenth anniversary in more ways than one, with years’ worth of releases all leading up to a formula that has truly been perfected and a decent new song list to boot. You’ll want to be subscribed to Just Dance Unlimited to get the most out of your purchase, however, and a combination of your needs, budget and access to previous titles makes the decision much more difficult than it should be. Newcomers to the series won’t find a better experience out there, but seasoned players might want to think about saving some cash and sticking with their current setup.

New Super Lucky’s Tale is a solid port of an underrated platformer with a greatly improved camera. It's a little on the short side and may not provide much of a challenge to more hardened gamers – and if you already own it on Xbox One there really isn't enough new here to warrant a second purchase – but what makes it worth a look is its uncanny ability to make you smile, and this is something that can't be overlooked, especially in modern times.

Corpse Party: Blood Drive is the very definition of a mixed bag. Its 3D exploration aspects never quite work and just when you’re finally able to settle into playing the game, it suddenly switches back over to another visual novel stretch. Combined with poor pacing in the game’s early hours and a lack of any options to help explain the events of the prior games to new players, it feels like Corpse Party: Blood Drive struggles to decide what it wants to be, and despite the occasional show of strength in its writing and characterisation, it ultimately results in a frustrating, inconsistent experience.

A strong puzzle game in its own right, although compared to the highs of its predecessors, it doesn’t nearly hold up as well. Even so, the pleasant visuals, wonderful writing, and (mostly) strong puzzle design make this an easy sell, even if the occasional missteps in some of the puzzle answers and the lack of compelling new features for this re-release prove to be drawbacks. We’d give this a recommendation to anybody looking for a slower-paced game that still demands lots of attention. It’s an excellent ‘winding down before bed’ sort of game, and though it might not fully live up to the series legacy, we’re still excited for whatever Level-5 is planning next for Kat.

Mistover follows too closely in the footsteps of a game that overshadows it in every possible way. Its combat is unspectacular and its dungeon-crawling suffers from a lack of atmosphere and a bunch of harsh gameplay systems that ensure you never really feel like you're relaxing into a rhythm, getting any sort of foothold or extracting any real or lasting joy from proceedings. If you're going to studiously pay homage to a game as expertly-crafted as Darkest Dungeon you'd best bring your A-game, and, unfortunately, in this instance, developer Krafton has failed to do that.

Putting our opinion on the cynical Ryan phenomenon to one side, the resulting game is nevertheless a slightly below-average kart racer that handles reasonably well but generally underwhelms, from the pitifully small number of tracks to the uninspired, floaty-light weaponry. Give your kids a Mario, Sonic or Crash racer instead; they may be young, but they aren’t stupid.

Ritual: Crown of Horns is a challenging yet hugely rewarding western-horror themed action game which will go down well with veterans of the ‘horde’ genre. The difficulty bar may be set a tad too high for casual play, and some people will never get used to the mechanics, but everybody else will have a gun-slinging blast with this one.

Its 34 events provide welcome variety and there are far more hits than misses in its line-up, but once you're finished with Mario & Sonic at the Olympic Games Tokyo 2020's four-hour Story mode it becomes notably less enticing for solo players. With no real incentives or unlockables to aim for, this should be considered a strictly multiplayer affair if you want to still be playing it by the time the actual Tokyo 2020 Olympics roll around.

Xeno Crisis feels like a lost classic from a bygone era of gaming – a brilliant twin-stick arena shooter which wears its influences on its blood-drenched sleeve. The stern challenge may prove to be off-putting for casual players, but it rewards dedication with some of the most intense and addictive blasting action you can find in the genre. Convince a fellow player to join in and you've got the makings of a co-op classic.

Let’s Sing 2020 works as a karaoke video game and the point-focused levelling-up system and subsequent unlockables add a sense of satisfaction as you beat your score, unlock avatars and the use of songs in other play modes. Aside from all this, Let’s Sing 2020 has a real sense of fun. Mediocre singers aren’t punished by crowd boos or negative sound bites, the easy to follow on-screen prompts are vibrant and the colour schemes, as well as the full music videos playing behind each track, definitely give off a party vibe. Admittedly the game at release is clearly aimed towards teenagers with its dance-pop heavy tracklist, but some well-chosen DLC packs should allow players to tweak the game to their own preferred styles.

Dusk Diver is a solid Musuo-style hack-and-slash action game that throws you into some massive battles with a fun and flexible combat system at your disposal. Its narrative is fairly derivative but it's bolstered by a strong, wise-cracking cast of highly likeable characters that we really hope we get to see more from in the future. It's a shame that it's let down somewhat by a pretty but very empty setting in Ximending and, outside of combat missions, much of what you do is simple padding and busywork. However, if you're a fan of this type of action game, there's plenty to enjoy here taking on endless hordes of chaos beasts, unleashing the powers of the Kunlun gods and stringing together screen-filling attacks until that combo counter explodes.

Override: Mech City Brawl is a solid port for Nintendo Switch. Any graphical downgrade isn’t noticeable in handheld mode, and the action of the game distracts from anything that would stand out. Single-player and local multiplayer can provide hours of fun, but the online multiplayer lets the game down massively. The choice not to implement cross-play harms its long-term appeal, rendering what should enjoyable game modes almost entirely irrelevant. This is still a neat little title, but if you're keen to take your skills online, you might want to look elsewhere for your kicks.

Atelier Ryza lifts the series to new heights with a reinvigorated, newcomer-friendly alchemy system and an excellent combat overhaul. The new graphics engine looks glorious and runs beautifully on Nintendo’s console, the story is thoughtfully paced and heartfelt and the traditionally slow early hours do a fantastic job of detailing Ryza’s journey from complete beginner to master alchemist. Gust has done a brilliant job of taking this long-running franchise and making it appeal to the mainstream more than ever here and, if you’ve ever been tempted to give the world of Atelier a try, this is a perfect jumping-on point.

If you’re looking for a new fighting game experience and you’ve somehow managed to avoid Skullgirls over the last seven years, then Skullgirls 2nd Encore is as good as any opportunity to do so. It doesn’t bring anything new to the table to distinguish it from the other iterations of the update that dropped back in 2016 – and some new characters would have really helped sell its arrival on Switch – but with its catchy jazzy soundtrack and memorable character animations, it’s still one of the most underrated fighters to emerge in recent generations.

Hamster's done the very best with what it had to work with, but the reality is that VS. Castlevania, while still essentially the same fantastic game at its core, is more frustrating to play than the NES version. You’re better off buying Castlevania Anniversary Collection, unless you’re a diehard fan of the series.

With incredibly linear and sometimes confusing levels, painfully tedious combat and bland, dated-looking visual design, Beast Quest is a crushing disappointment when you consider the rich source of inspiration that the famous book series supplies. Speaking of the books, this game was only ever going to appeal to those who have love for the kingdom of Avantia, and it's a real shame that after such a long wait for a video game adaptation of the series, those same dedicated fans have to endure this unflattering and lifeless adaptation. Put aside your affection for Adam Blade's novels and just play one of the many other amazing RPGs on Switch instead.

An unfortunately tough release to recommend. Though Digital Eclipse did a fantastic job of emulating these releases and throwing all manner of extra features in to sweeten the deal, the hard truth is that the two games that lie at the core of this package just haven't stood the test of time all that well. Aside from the excellent presentation quality, the years have not been at all kind to these releases, and given the wealth of similar retro content available on the Switch eShop now, it’s tough to recommend that a newcomer pick them up. If you played these games as a kid and want a nice walk down memory lane, this is by far and away the best way you could possibly experience them – and that’s not something to be dismissed out of hand. Bearing that in mind, we’d give this release a light recommendation to those who are willing to shell out some cash for pure nostalgia. If you don’t fall into that camp, you should probably steer clear.

Taking clear inspiration from the seminal BioShock series, Close to the Sun promises much but delivers a somewhat lacklustre exploration of a world 'enhanced' by Nikola Tesla’s fascinating vision. The horror is ramped up with a tense and unsettling atmosphere, but cheap and repetitive jump scares lower the tone and the rudimentary puzzle sequences provide little in the way of real challenge. To make matters worse, the Switch is far from the ideal system to contain such a visually striking game; while the Helios remains a sight to behold, there’s little here to warrant jumping aboard.

Resident Evil 5 is a natural progression of the gameplay mechanics seen in its predecessor, with classic survival-horror tropes taking a backseat to more over-the-top action. That said, it’s not necessarily a bad thing, as it’s actually a really fun experience with a story that long-time fans of the franchise will absolutely adore. Performance takes a hit on the Switch, with noticeable frame rate drops and a decrease in texture quality, but it more than makes up for this with the introduction of gyro aiming, which works much better than we could have hoped for. One can only wonder that if Capcom had managed to keep the performance on par with other consoles, the Switch version could have been the definitive way to experience Resident Evil 5. As it is, it’s a perfectly serviceable port that serves as a nice reminder that Resident Evil’s so-called ‘action phase’ really isn’t as bad as some think.

Back in the day, we gave the Wii version a crushing 4/10 score and said ‘if the controls were good then you could double the score’. Little did we know that over a decade later, our words would ring (almost) true. With more usable controls you can finally enjoy this batch of 100 levels for what they are, but the wider game is let down by weird leaderboard decisions and those lacklustre mini-games. The best monkey-in-a-ball game since Super Monkey Ball 2, sure, but not quite a return to the series heyday.

Vampyr is a brilliant take on the vampire fantasy, focusing more on drama, relationships and inner conflicts than on sucking blood. The temptation at its core can lead to frustration, as the challenging boss fights feel designed to urge you towards killing more innocent NPCs. Anyone attempting a no-kill playthrough may struggle unless they’re willing to invest the time, but if you’re enjoying the story and characters, it’s time well spent.

Luigi’s Mansion 3 is not only a graphical powerhouse and showcase for Next Level Games’ unrivalled mastery of video game animation, it’s also an immense helping of spooky fun as well. The amount of care and consideration poured into every facet of the game is abundantly clear, and it all results in one of the most enjoyable and attractive Switch titles of the year. It's also the undisputed high point of a franchise which – following this sterling release – will hopefully get even more love and attention from Nintendo fandom, and the gaming community as a whole.

Doraemon: Story of Seasons is an enchanting, relaxing romp through a world that is so much simpler than ours. With gorgeous visuals and a never-ending list of things to do, it’s unlikely that you’ll get bored while playing it. While its slow-pace might turn off some, it’s incredibly welcome to play a game where the fate of the world isn’t at stake, and you can instead just sit down and decide what plants you might want to grow for the upcoming year.

It’s hard to recommend a game such as Disgaea 4 Complete+, as it’s the sort of game that you either love or hate – there really is no in-between. On one hand, you have a mountain of engaging content, oodles of complex gameplay systems to learn, and a refreshingly irreverent tone to keep it all interesting for dozens of hours. On the other hand, these things are presented to you in an overwhelming and difficult to digest manner that will only appeal to a small subset of players. All that being said, we’d give Disgaea 4 Complete+ a high recommendation to veteran fans of the genre who are looking for something specifically geared to them. For newcomers, we’d still recommend it, but we’d also encourage you to do your research and make sure you’re prepared for what will likely feel like a demanding experience at first.

Destiny Connect: Tick-Tock Travelers is very much a "My First JRPG" type-affair. Its story is overly-schmaltzy and safe, the game world is small and disappointingly sterile and its cast of bad guys won’t give you too much trouble over the course of its short running time. However, the combat here is entertaining stuff, intuitively laid out and clearly explained, it’s filled with fun skills and makes light and breezy work out of systems that more grown-up JRPGS tend to get bogged down in. It has a likeable central cast of characters and, although there are many more exciting games of its ilk available on Switch, it does do a commendable job in providing a safe starting point for younger players looking to sink their teeth into the genre for the first time.

AeternoBlade II is a mess of overly-complex mechanics and ill-fitting systems that struggles at all times to keep up with itself. Its core combat is solid but it's marred by input lag, slow animations, messy enemy placement and a struggling framerate. The time-based mechanics are far too numerous, confusing and tedious, while its long and winding storyline – delivered by some of the worst voice-acting we’ve ever heard – is almost totally nonsensical. Somewhere under all of the technical problems and confusion here there’s a solid game, but there’s just far too much jank for players to be expected to wade through to get there and it's impossible to recommend that you commit yourself to trying.

Digimon Story Cyber Sleuth: Complete Edition is a content-packed RPG with plenty to see and do. Its evolution system feels wholly unique when compared to another monster-breeding game series you might find on Nintendo hardware, and while the grind may be too much for some, it’s comfortably one of the best creature-catchers on the Switch – although Pokémon still holds the crown, of course.

Anthill may be several years old at this point, but it’s still a fun little game that showcases Image & Form’s talents before the Steamworld series gathered, er... steam. There’s a decent amount of depth here as you explore various strategies to defend your anthill, and there’s good replay value with the delightful Infinity mode. It falls down a bit on graphics, as it can look a bit overly simplistic at times, and we would have at least liked the option to play on the TV, perhaps with pointer controls.

A Hat in Time is a hugely enjoyable take on the classic 3D platformer. The tight, familiar controls and varied, innovative levels result in one of the most fascinating and entertaining games out there. The issues with performance and the camera do little to wipe the smile from our faces while playing through this; if you adore the likes of Super Mario 64 and Banjo-Kazooie, then you'll fall utterly in love with A Hat in Time.

Return of the Obra Dinn lives up to the hype, and then some. It’s a beautifully crafted and intricately constructed detective mystery unlike anything you’ve played before with a harrowing narrative at its centre. Unravelling its secrets takes time and requires patience, but you’ll be glad you allowed the story to play out at its own pace. What we have here is a thoroughly unique experience that will stay with you, and is among best this genre has ever had to offer.

Spirit Hunter: NG is a fascinating, dark and brutal game which is hugely gripping thanks to its strong plot, spooks and protagonists. Sadly, the Switch version of the game is scuppered by crippling technical problems which make it borderline unplayable at times. The core game is strong enough that it is still worth a look if you can endure these issues, but you should play this on something else if you can – or hope that the developers can fix the issues in a future update.

Freedom Finger is a completely unexpected retro shooter banger. Its unique hand-drawn style, amazing soundtrack, highly offensive humour and various unique and clever gameplay mechanics all come together to deliver a beautifully anarchic ride through a madcap campaign that backs up its brash stylings with solid and challenging gameplay. The humour and difficulty absolutely might not be for everyone, but if you love a properly tough shmup – and don’t mind a constant stream of politically incorrect filth and abuse being hurled in your direction by some of the biggest names in video game acting – this one comes highly recommended.

Cat Quest II is a charming little action RPG. Its simple mechanics result in a game which is hugely enjoyable for literally anybody to pick up and play, all backed up by some fantastic design work and infectious humour which never fails to bring a smile to your face. Diehard RPG fanatics might find it's a little on the easy side, but that doesn't take away from the fact that it's genuinely good fun to play.

Tangle Tower is an exemplary addition to the point-and-click genre, providing superb puzzles and very well written dialogue, backed up by some of the finest voiceover work in recent memory. A few of the character interactions may drag on a bit too long in places as you try and uncover every piece of evidence available to you, and there’s little reason to play through the game multiple times. But to be honest, these are very minor gripes considering just how much fun we had in the company of Detectives Grimoire and Sally.

Zombieland: Double Tap - Road Trip is everything you’ve come to expect from a lazy movie tie-in. Its gameplay is mechanically competent but it’s bland beyond belief, short, cynical and lazy. It has the most tenuous of links to the actual film it portrays and is ultimately a very basic twin-stick shooter with a tired-looking Zombieland skin tossed carelessly on top – it also costs far more money than it has any right to. If this was a free mobile game you might get an hour or two of braindead time-wasting out of it, but as an almost full price console release, it’s pretty much indefensible.

If you're a gym addict you probably shouldn't throw out your membership card just yet, but for everyone else looking to get fitter, this is a fantastic way to do it that won't bore you senseless. Play it properly and you'll definitely feel it the next morning – a sure sign that it's at least doing you some good – while the compelling adventure mode with its RPG elements will ensure that you'll keep coming back for more.

Instead of being a brand new platformer, Ice Age: Scrat’s Nutty Adventure feels like a remaster of a game from the early 2000s, and not a very good one either. On the positive side, the level design is pretty good, with areas connecting to one another in a way that feels large-scale, but remains comfortably linear. Otherwise, Ice Age: Scrat’s Nutty Adventure completely lacks challenge, is extremely repetitive and runs on the Switch about as well as Manny the Mammoth runs after gorging on a bunch of peaches. In short, it's exactly what you’d expect from a licensed game of this type.

Killer Queen Black does for Nintendo Switch what TowerFall Ascension did for PS4, offering up a 2D multiplayer extravaganza that’s easy to pick up but devilishly tricky to master. The support for local multiplayer (through split Joy-Cons and/or wireless play) really sells this as a crazy couch play experience, while the inclusion of online play and a Spectate mode gives room for a potentially vibrant competitive scene. The learning curve is steep, and it's chaotic to track when playing on anything other than a massive TV, but with cross-platform support it’s likely to become a cult mainstay for indie multiplayer aficionados.

Dragon Quest III might be slightly more expensive than its two younger brothers on the Switch eShop, but it stands tall as a great way to explore the world of Dragon Quest for the first time. Even when compared to modern JRPGs, Dragon Quest III still stands tall as one of the best in the genre. If you had to pick just one of the three rereleased Dragon Quest games, pick Dragon Quest III – we can promise that you won’t be disappointed.

There’s a lot to be desired for Dragon Quest II, both as a game and as a port. Considering the final stretch of the game, it’s a difficult one to recommend and spend your time on when Dragon Quest III and Dragon Quest XI are on the same system. While it's great that Switch fans now have access to more Dragon Quest goodness than ever before, this one is a reminder that even the best franchises experience growing pains, and is only suitable for diehard Dragon Quest fans only.

If parachuting onto an island with 99 other people (or, alternatively, staring at a black hole for hours) is your exclusive definition of Battle Royal(e), we can be fairly certain that you weren't around at a time when Kunio’s 8-bit, 4-player multitap-enabled Famicom rumbles coined the expression. If you're a fan of Kunio and want the most up-to-date entry of the series' fight-and-exploration games, WayForward’s utterly brilliant River City Girls should be your first port of call. If, however, you grew up with the Famicom Kunio games and are lucky enough to still have your friends around from those simpler days, River City Melee Mach!! is a reasonably priced nostalgia trip that's worth going on.

BDSM is a perfectly fine example of the twin-stick shooter genre, but it falls down a bit thanks to its rudimentary graphics and overall lack of polish and fluidity. It’s much more fun on higher difficulties with an increased number of enemies, but the boss battles can feel a bit unbalanced and you’ll often find yourself dying without really knowing what actually killed you (and be prepared for some lengthy load times before you’re back in the action). Still, it’s worth a go if you’re in need of a decent run-and-gun title after the intensely disappointing Contra: Rogue Corps.

Into the Dead 2 is a pretty fun, well-made auto-run zombie survival game that arrives on Switch at a ludicrous price point that makes it very hard to justify picking up. The central gameplay loop is satisfying enough for a few minutes but it’s as deep as you’d expect to find in a game that originated as a free-to-play mobile experience. It’s been padded out with a bunch of extra modes, and they’re all perfectly serviceable, but you can never escape the core truth that it’s just the same thing over and over again in slightly different settings. If you’re an absolutely massive fan of running through endless waves of zombies whilst very slowly unlocking weapons to make it seem as though you’re somehow changing that experience, fill your boots, but everyone else should maybe check this out for free on a mobile device first instead.

At its heart, Overwatch on the Switch was always going to be a bit of a tough sell. Those who somehow haven’t played it yet could easily buy a better-performing version on other platforms, while those who have played it to death may be put off by the weaker performance and the lack of shared progression. Even so, having the capability to play a match of Overwatch while using the restroom is 2019 living at its absolute finest, and the kind of flexibility offered up by the Switch’s portability is not something to be understated. We’d give Overwatch a recommendation, but with the caveat that you should consider first why you’re buying it. If you intend on playing it plenty when undocked, we can’t recommend it enough, but if you intend on mostly playing on the TV, consider first buying it elsewhere.

Rabi-Ribi is a fantastic Metroidvania that injects a whole heap of originality into a genre that's arguably a bit overdone at this point. The bullet-hell boss battles are thrilling, the soundtrack is absolutely superb, and the RPG mechanics are really useful without being overwhelming. On the negative side, the storyline fails to excite, and we would have liked a bit more variety with the character design, but overall this is a great, 'feel good' game that deserves to be played if you're after a different flavour of Metroidvania.

StarBlox Inc. is a fun and unique little experiment of a game, let down only by the results of that experiment that don’t quite come together. At the same time. the sheer satisfaction that comes from victory helps overcome some of the fundamental flaws in the concept and the net result is an original, if convoluted, puzzle-fighter. Ultimately, this is a still an enjoyable title that gets a qualified recommendation.

Stranded Sails offers some terrific farming simulation which does the majority of the game's heavy lifting, but it’s held up by middling RPG-esque mechanics. Mixing things up and throwing a selection of genres into a pot to see what comes out is arguably commendable, and there’s an awful lot to like about Stranded Sails, but some frustrating and bizarre choices in regards to recipes and the energy meter system hamstring the game for those hoping for a less taxing castaway experience.

In an era where every RPG - and every genre that’s assimilated roleplay mechanics into their DNA - have used grinding and oversized maps to extend their playtimes into figures only a select few can truly undertake, Little Town Hero has confidently opted for a shorter experience that’s more akin to the pace, style and sedate pace of Animal Crossing than a traditional RPG or JRPG. However, with a battle system that trades XP levelling for a purer sense of tactical planning and experimentation (albeit with an unpredictable spike difficulty), Game Freak proves that a ‘casual’ game can still have plenty of imagination, even on a smaller scale. It's far from essential, but if you love CCG-style combat and can't stomach another 100-hour RPG, there's much to like in Little Town Hero.

Unfortunately, the technical issues and art do take away enjoyment from playing this otherwise fantastic retro throwback. While diehard fans of the series may enjoy it, a more casual player might be a little bit lost when faced with its 30-year old design.

Aside from performing your day (night?) job to the best of your abilities, the game also has an overarching plot involving Lina’s best friend Savy, and her mysterious disappearance. This dark shift in tone almost feels at odds with the nature of the gameplay, and whilst that plotline is visited periodically throughout the game, we never felt that much urgency in resolving her disappearance. We were far more content with simply meeting and conversing with the wonderfully endearing inhabitants of Los Ojos.

This is another strong showing from Beamdog that sees a real odd couple of classics in the best shape they've maybe ever been, coupled with a control system designed for consoles that makes them as effortless to play on the move as they are sat at a keyboard and mouse. Icewind Dale is probably as good as old-school combat ever got and is still an absolute gem for fans of epic dungeon-crawling who don't mind the brutal difficulty involved in getting the hang of its action. Planescape: Torment, on the other hand, is a narrative masterclass which still feels fresh as a daisy and is as bizarre, funny and endlessly replayable as it's ever been. Together, these two make for a pretty essential addition to your Switch's RPG library.

The Witcher 3: Wild Hunt remains a masterpiece, and being able to take such a grand and engrossing adventure on the go is something well worth celebrating. The Switch's Complete Edition is a truly impressive achievement, and although performance isn't perfect, it's still an incredible and impactful role-playing experience. The Witcher 3 set the bar for modern RPGs back in 2015, and this port is a startling reminder that it has yet to be bettered.

Baldur’s Gate and Baldur’s Gate 2: Enhanced Editions aren't magical ground-up reworkings or spectacular remasters; these are games that are showing their age in many ways and there’s no doubt that some of the more recent tributes to the glory days of the Infinity Engine – games such as Divinity: Original Sin or Pillars of Eternity – are, in many ways, more readily accessible and appealing to modern audiences. However, these are still classics of the genre that are absolutely worth persisting with. Once you get to grips with some of their more antiquated ways you’ll be handsomely rewarded with some of the deepest combat, best writing, voice-acting and characters you’re likely to find in the genre. The Switch really is turning into an RPG-lover’s dream machine.

It’s such a shame Mable & The Wood can’t back up its interesting premise and impressive visuals with engaging gameplay. It’s a unique take on the shapeshifting concept, to be sure, but navigating the environment is more frustrating than it is fun. There’s a nice variety of boss encounters that keep the experience feeling relatively fresh, but overall, this is one Metroidvania that fails to live up to the hype.

Call of Cthulhu manages to deliver a game that’s ripe with atmosphere but is built upon tried-and-true tropes of the genre that never really manage to evolve beyond the scope of what’s already been seen and heard before. Paired with some technical hiccups, we can say that Call of Cthulhu is only really for truly dedicated fans of Lovecraft; everyone else is advised to look elsewhere for their entertainment.

The Bradwell Conspiracy offers an intriguing take on the first-person puzzler formula, even if its USP lacks the simple creativity of other similar puzzle games. The story itself has some real potential, but it ultimately fails to really flesh out some of the more interesting beats hinted at in news reports and audio logs. More interactive than Firewatch but far less challenging than The Witness, this is a puzzler that’s ultimately more style than substance. And with so many issues with performance in its launch state, The Bradwell Conspiracy on Switch doesn’t prove itself to be the ultimate portable version it really should be.

Nearly two years on from its initial release, The Alliance Alive HD Remastered proves to be a perfectly competent port of an already fantastic handheld game. A well-written story, a smartly interwoven and complex system of gameplay mechanics, and a distinctive visual style makes this a no-brainer for anybody looking for a consistently high-quality RPG experience on their Switch. It may feel a little simple, given its origins on the 3DS, but don’t make the mistake of passing up on The Alliance Alive HD Remastered, it’s well worth your time.

A Knight’s Quest brings a much needed light-hearted take on the action-adventure fantasy genre, with a genuinely funny sense of humour running throughout and plenty of world to explore. It’s marred by a poor navigation system, inconsistent visual quality and an overall lack of polish. There’s plenty of fun to be had on this quest, but there’s very little to write home about when the Switch is full to the brim with similar titles that provide superior experiences.

Valfaris is a much better game than its predecessor, introducing new systems and ideas to help keep its action-platformer formula engaging and interesting. The hand-crafted pixel art style and the brutally joyous soundtrack really elevate the whole experience, even if it ends up falling back into some bad habits. An unpredictable difficulty curve mixed with an occasionally messy approach to enemy spawning can make some levels a blood pressure-spiking experience, but when it’s not trying to undo its own achievements, you’re left with a linear side-scrolling shooter that delivers a mosh pit of monsters, mayhem and metal.

Trine 4 had a lot riding on it given the effects of its predecessor, but we can confidently say that the course has been corrected and the series’ reputation restored. From start to finish, Trine 4 is a remarkably absorbing and beautiful experience that’ll keep you challenged and interested right through to the finish, while also offering a fair bit to keep you coming back for a couple hours after the credits roll. Though the combat needs some work, any failings here are easily rectified by the strong puzzle design that manages to stay both dynamic and challenging. If you’re looking for an easily accessible game to play in co-op or a game that’s a bit more reliant on brains than reflexes, Trine 4: The Nightmare Prince is just what you’re looking for. We’d give it a high recommendation, especially if you enjoyed some of Frozenbyte’s earlier work.

When it gets on with the bun-lobbing antics of classic BurgerTime, this is a great reminder of an arcade gem. But too many co-op cooks spoil the broth, and the recipe is overstuffed with extras that detract from the core flavour. That said, any game that lets you leave a trail of murdered pickles as you fight up the online leaderboard can’t be all bad. Just a tad overcooked, perhaps.

Enjoyment of Ghostbusters: The Video Game Remastered depends almost entirely on your affection for the movies – we love 'em, but if you don’t then knock at least one point off the score below (and perhaps take a long hard look in the mirror). For the rest of us, this is a wonderful form of time travel. It has no business calling itself a remaster and is best approached as a straight port of a ten-year-old game, but it’s a fine one. Mechanically-speaking, there's little you haven’t seen elsewhere, but it’s a good-looking, fun third-person romp dripping in slimy nostalgia, and the chance to spend time in the company of these old friends – some of them dearly departed – is too good to pass up if you've ever strapped on your school backpack and gone out to catch ghosts in the garden.

Asphalt 9: Legends is a free and surprisingly fun arcade racing game with mobile microtransaction free-to-play gubbins that could potentially ruin the experience for you, unless you’ve played enough mobile games to know how to ignore it. The reasonably priced Starting Racer Pack significantly lessens their impact, making it feel more like a ‘normal’ premium product, so if you try the free version and enjoy it, this – and this alone – is the sole purchase you should consider.

One Night Stand is a very unique experience that will likely feel quite close to home for some folks. It’s a very honest, almost heartwarming glimpse into the lives of two complete strangers brought together by a heavy night of drinking. The presentation may be a bit lacking overall, and some may be put off by the short length of the game, despite its many endings, but if you’re after a visual novel that’s a bit different from the norm, then this is it.

With gameplay and visuals are not too dissimilar to Little Nightmares, Candleman could almost pass as a horror title, but this isn’t quite the case. There’s nothing to really threaten your life other than the odd trap and bottomless pit, and whilst it’s certainly dark, it’s filled with brilliant flashes of vibrant light and abstract shapes, making the game really quite beautiful to behold at times. Unfortunately, however, it’s also an incredibly easy experience, and despite the various puzzles you’ll find scattered throughout the game, there’s very little here that will prove too strenuous. But if that’s the kind of experience you’re specifically after, then Candleman is a worthy addition to your Switch library, offering a relaxing gameplay experience with ethereal visuals that will keep you busy for several hours.

It’s a straightforward and repetitive online affair that, if you're lucky enough to be matched with the right bunch of randoms or happen to be playing a custom match with friends, can deliver the goods in terms of frights and tension from time to time. However, it has also always been a pretty clunky affair, a fact which is amplified further here by the noticeable graphical downgrade, laggy menus and the exclusion of a bunch of DLC that we really feel should have been included for the steep asking price. Still, if you're a fan who wants a portable version to play on the go, this should satisfy your needs as long as you're happy to grind yourself back to where you were at and fork out for your favourite killers. For everyone else, this is the least impressive version of the game available to buy at its highest price.

Galaxy Champions TV is a delightful little tribute to Smash TV that perfectly recreates the hectic feel and relentless challenge of that classic while adding a nice little XP and unlock system that freshens things up and gives you something to work towards as you make your way through the forty levels on offer. It's just a shame it lacks any real personality and fails to deliver on its dystopian TV show premise in any fun or clever ways; it's also missing any sort of leaderboard system to give it a bit more longevity. As it stands, for a budget price, this is a still a slick little twin-stick shooter that nails the basics and is well worth your time if you're a fan of the genre.

More than a decade after its initial release, Puzzle Quest: The Legend Returns is a worthy upgrade of a solid match-three RPG. It adds new quests and new classes for both veterans and newcomers to enjoy, and manages to resist the ‘freemium’ business model that plagues a lot of games in the genre these days. It falls down a bit on graphics and presentation, with the artwork particularly showing its age, but if you’re after a surprisingly deep puzzle adventure to get lost in, then look no further.

Chalk down Hexagroove: Tactical DJ as one of the year's biggest surprises. A wholly unique take on the rhythm genre, it’s challenging and enormously rewarding. The feeling of creating your own music for a virtual crowd to respond to is addicting, and while the multiplayer ultimately offers very little to the package, the single-player and the seemingly endless Freestyle mode will have you coming back to best those scores again and again. This is definitely one for headphones or a very loudspeaker system, and a must for rhythm action fans.

Yu-No: A Girl Who Chants Love at the Bound of this World was clearly once an incredibly daring visual novel, but some of that sense of mystery is done a disservice when revisiting the concept via this remake. Games like Steins;Gate or the Danganronpa series have since eclipsed it. That said, there’s nothing as expansive or daring as Yu-No’s branching timeline system, which still comes across as impressive even today. Despite all of its archaic design elements, cringeworthy perverted dialogue and now-bland characters, you can’t refute the fact that the modern visual novel genre would simply not exist without Yu-No. It's just a shame that this remake feels like it has lost some of the soul of its original release, with nothing but bland character designs to refresh it for a modern audience.

Donkey Kong Country fans rejoice: this is the spiritual successor you’ve been waiting for. The worst thing you could say about it is that the overworld exploration may prove to be too involved for those who are in it purely for the runny-jumpy stuff, but those who are happy to mix platforming with top-down adventuring and don’t mind adapting to the constantly changing pace will find the best of both worlds here. Yooka-Laylee and the Impossible Lair is a fantastic sophomore effort that pays tribute to Rare's past and establishes Playtonic as one of the UK's most exciting studios.

There are a surprising amount of variables to keep track of when you embark on your journey around the world, but ultimately this doesn't get in the way of the sheer joy of discovering a brand-new location and seeing what potential choices it might present to you. It's not going to be to everyone's tastes, but if you're a fan of Jules Verne, travelling, or culture, then you really need to check this out.

Its surprisingly deep and satisfyingly weighty combat engine combined with three strong and varied player characters and a host of cleverly-designed enemies elevate it above the usual button-mashing experience perhaps expected of entries in this genre. It’s got an excellent arcade mode that branches off in various directions as you make your way to the final boss battle, as well as a ton of unlockable modes and extras to keep you coming back for more. Whether you’re a learned fan of old-school beat’em ups or you just like pummelling the life out of mutant punk pussycats and monkeys dressed as Bruce Lee, you owe it to yourself to experience what Sebastian Garcia has created here; it’s easily one of the best beat’em ups we’ve played.

While the stealthy, ranged formula is still intact, those far more open maps allow for greater player agency and more systemic moments as you unleash hell from up close and afar. Improved stealth, an unoriginal yet satisfying XP system for cheap rewards and some ridiculously fun multiplayer modes make this a real series highlight that runs like a dream on Ninty’s hardware, but dumb AI, a rather boring storyline and a rather worrying focus on gratuitous gore all conspire to sully the experience somewhat. Having said that, there are few things in modern video gaming that are as perversely satisfying as popping a Nazi's testicles from halfway across a battlefield, so break out your M1 Garand and get reducing the Reich’s virtual headcount, because this game is well worth a look, despite its shortcomings.

Despite being a set that includes three entries in the same series, the Amnesia: Collection actually offers three very distinct experiences. The Dark Descent is a milestone for the genre that belies its own mechanical issues by offering some good, old-fashioned scares. Justine is a brief but experimental foray into gruesome puzzle-solving that’s well worth the detour, and A Machine for Pigs takes a more stripped-down approach to the original’s systems, but introduces a much more immersive story as a result. It’s a proper little time capsule that’s perfect for those who’ve already exhausted their fear glands with Outlast and Layers of Fear and want another means to chill their blood in the run-up to Halloween.

What we have here is a flawless port of a game which absolutely deserves all of the praise it has received. From start to finish, Ori and the Blind Forest is a real joy to play. Challenging yet never feeling unfair or discouraging, and almost relaxing to control. The mesmerising art style and musical score are the icing on the cake that makes the player actually care about the protagonist and want to keep playing to the game’s conclusion. It is a bit of a surprise to see this game make its way to the Nintendo Switch, but we’re glad that it has. The only shame is that the sequel seems unlikely to make the same journey, but this original outing is still an unmissable experience.

FIFA 20 is a cynical attempt from a publisher to completely cease support for the Switch while still having the gall to suggest it deserves to be rewarded with a near-premium fee for its lack of effort. If you want to pay good money to get insulted, go heckle a big-name comedian instead: at least you'll get a smile out of it. If you don't already own a FIFA game on Switch and aren't bothered about having the latest kits and team rosters, just get last year's version on the cheap.

It’s a perfectly fine platformer that will quite easily keep you occupied throughout its relatively short length. It’s not going to win any awards and it probably won’t become your favourite game of the year, but if you’ve exhausted all other stellar platformers available on Switch, you could do a lot worse than this.

Devil May Cry 2 is quite rightly regarded as a misstep for the now storied franchise; a confused and oddly bland game with a nonsensical story, boring level design, terrible enemy AI and a central protagonist who has seriously lost his mojo. There’s some fun to be had here and there by virtue of the fact it is a Devil May Cry game; that signature combat still intact, despite the fact it never really attempts to put your skills to the test. Still, there's no escaping the reality that this is one entry in the series you can absolutely skip without feeling like you missed anything. Roll on Devil May Cry 3.

Get used to Mario Kart Tour’s unconventional control system and ignore its overpriced and unnecessary subscription service and you’re left with a fun, free mobile take on the series. It was never going to replace Mario Kart 8 Deluxe, but by not including an energy system and promising regular new content Nintendo is at least offering a decent alternative to pass the time when you’re out and about without your Switch.