New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
This inferior sequel is doomed by a lousy - and extremely vulgar - script.- New York Post
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Reviewed by
Lou Lumenick
Leconte turns up the erotic heat in the most gorgeously photographed black-and-white film since Wim Wenders' sublime "Wings of Desire."- New York Post
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Jonathan Foreman
Its superb performances, music, photography, dialogue, its rhythms of tone and theme all complement each perfectly.- New York Post
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Lou Lumenick
Ranges from exquisitely sensitive to crass, but overall, it's an interesting effort.- New York Post
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- New York Post
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- New York Post
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Jonathan Foreman
Under the direction of Allan Moyle ("Pump up the Volume"), Nairn, McCarthy and Balaban give confident, believable performances but overacting plagues the rest of the cast.- New York Post
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Lou Lumenick
It's highly entertaining, even if it's almost entirely one-sided.- New York Post
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Jonathan Foreman
It's fascinating and moving all the same, both in its depiction of Iranian daily life and in its powerful portrait of female oppression.- New York Post
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Jonathan Foreman
The film is only 91 minutes long, but it seemed to stretch out for days.- New York Post
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Jonathan Foreman
Best watched while doing a crossword or reading the paper.- New York Post
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Lou Lumenick
If you're able to check your brain at the popcorn stand, you'll stand a much better chance of enjoying this crowd pleaser.- New York Post
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Jonathan Foreman
Francois Ozon, perhaps France's hottest director of the moment, is often better creating stylish visuals than dramatically credible situations, but Criminal Lovers is never boring.- New York Post
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Even duller than the original, but will fulfill its function as a feature-length commercial for Pokemon merchandise.- New York Post
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In spite of (its) flaws, Fear of Fiction is an intense film with many touching and funny moments.- New York Post
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Reviewed by
Hannah Brown
There's enough wit, intelligence and theatrical intensity at work in Larry Kramer to overcome an occasional tendency toward politically correct smugness.- New York Post
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Jonathan Foreman
Fake-sounding dialogue, some over-deliberate performances and five amazingly trite linked stories.- New York Post
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Reviewed by
Hannah Brown
The static, claustrophobic movie is very much a filmed play.- New York Post
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Jonathan Foreman
Almost too creepy to be poignant, and generally funny only in an uncomfortable, squirm-in-your seat way.- New York Post
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Lou Lumenick
It's Willis who delivers the goods in scene after scene, triumphing over a thin script, often bland direction.- New York Post
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Hannah Brown
Those with the stomach to sit through Decline will be rewarded with a lively, masterful documentary.- New York Post
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Reviewed by
Lou Lumenick
There is probably an amusing movie to be made about camps that try to "rehabilitate" homosexuals - but this thuddingly stupid satire isn't it.- New York Post
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Jonathan Foreman
The gleeful teen-horror spoof that proves that the Farrelly brothers have no monopoly on outrageous, politically incorrect comedy.- New York Post
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Lou Lumenick
This is one perfectly terrifying movie, an instant classic.- New York Post
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