New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,334 out of 8343
-
Mixed: 1,701 out of 8343
-
Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
-
- New York Post
-
-
Reviewed by
Lou Lumenick
Actually more entertaining than its 1994 predecessor.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
In fact, for long stretches, especially during the first hour, it's as soporific as watching a bank of security cameras.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Hard-core chick shlock, weakened by odd shifts in tone and a slack pace, but elevated by a luminous performance by Natalie Portman.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
-
- New York Post
- Read full review
-
-
Reviewed by
Hannah Brown
Feels like a Greek version of "My Own Private Idaho."- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A formulaic and predictable movie that combines minimal characterization with some irritating implausibility.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
It's hard to remember a film that mixes disparate, delicate ingredients with the subtlety and virtuosity of Sofia Coppola's brilliant The Virgin Suicides.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Strong cast is defeated by a labored, screenplay in this overlong, clunky love story.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The ideal date movie for the Passover-Easter season and beyond, guaranteed to keep audiences rolling in the pews.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Despite inadequate editing and overreliance on bad background music, The Girl Next Door doesn't disappoint.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Tells its story so effectively through pictures it's barely necessary to read the subtitles.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Hannah Brown
It's a worthwhile film both for history buffs and people who are still learning.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
The acting, camera work and writing are all crude and amateurish, even by the standards of student films.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A misfiring black comedy oddly reminiscent of all those bad 1990s movies about strippers getting killed at bachelor parties.- New York Post
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Lou Lumenick
The Coen brothers might have done something inspired with this, but director Kanievska... turns out a more modestly entertaining little low-budget movie.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
East Is East is "The Full Monty" of 2000, a fresh, funny and poignant film filled with sparkling performances.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
The movie that deserved to win the Oscar for foreign-language film, and one of the best movies ever made about life behind the Iron Curtain.- New York Post
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Jonathan Foreman
This bizarre, original and brilliantly crafted documentary about the Sex Pistols is funny and at times moving -- despite all the ugliness and stupidity it depicts.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
An elegant, quietly comical but slightly constricted period piece whose stately pace is all but offset by several impressive performances.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
As mechanical and predictable as a cuckoo clock, it shouldn't work half as well as it does.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The cinematic equivalent of meat loaf -- comfort food that's reassuring in its utter lack of sophistication and surprises.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Has its moments of interest, including two excruciating vocals by Arquette and Caan -- and a George Clinton score that contains a theme eerily similar to that of "American Beauty."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
At heart a cliché-strewn melodrama about a bunch of white, upper-class Manhattan kids who aspire to ghetto culture.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Price of Glory isn't an embarrassment on the order of the last major boxing movie, "Play It to the Bone," but it's not especially worth intercepting on its way to the video racks.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Ends up taking enough detours to keep DreamWorks' latest animated epic from striking cinematic gold.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
So minimalist in characterization and dialogue that the plot all but evaporates -- and so does any dramatic power.- New York Post
-
Reviewed by