New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. To paraphrase that old quip about slow-paced art films, it literally is watching paint dry.
    • New York Post
  2. Unpretentious and often witty, it's emotional punch is weakened by spotty performances, especially from Karin Viard in the lead role.
  3. There are a few interesting moments, but basically Up at the Villa is dangerously short of sympathetic characters.
  4. Ends up a nightmare of a star vehicle.
    • New York Post
  5. Just as spectacular as seeing the view from Everest or other natural wonders caught by the IMAX technology.
  6. Would be solid family entertainment if it weren't for the funereal pacing, which may kill its appeal among young audiences.
    • New York Post
  7. An exhilarating, sweeping epic that begs to be seen on the largest possible screen.
  8. A witty and quietly charming road comedy.
    • New York Post
  9. Comes off as nothing more than a TV soap opera, with overwrought acting, simplistic dialogue and a generic plot.
    • New York Post
  10. A flawed labor of love that's definitely worth a look.
    • New York Post
  11. Graham is funny and adorable in this endearing little romantic comedy.
    • New York Post
  12. Had me watching through misty eyes, at least for the first half.
    • New York Post
  13. Isn't great. But I had fun watching.
    • New York Post
  14. Actually more entertaining than its 1994 predecessor.
    • New York Post
  15. In fact, for long stretches, especially during the first hour, it's as soporific as watching a bank of security cameras.
  16. Hard-core chick shlock, weakened by odd shifts in tone and a slack pace, but elevated by a luminous performance by Natalie Portman.
  17. A glossy, shallow thriller where not a single scene rings true.
    • New York Post
  18. Overall, The Last September is a real snooze.
  19. Feels like a Greek version of "My Own Private Idaho."
    • New York Post
  20. A formulaic and predictable movie that combines minimal characterization with some irritating implausibility.
  21. It's hard to remember a film that mixes disparate, delicate ingredients with the subtlety and virtuosity of Sofia Coppola's brilliant The Virgin Suicides.
  22. Strong cast is defeated by a labored, screenplay in this overlong, clunky love story.
  23. The ideal date movie for the Passover-Easter season and beyond, guaranteed to keep audiences rolling in the pews.
  24. Despite inadequate editing and overreliance on bad background music, The Girl Next Door doesn't disappoint.
  25. Tells its story so effectively through pictures it's barely necessary to read the subtitles.
  26. It's a worthwhile film both for history buffs and people who are still learning.
  27. The acting, camera work and writing are all crude and amateurish, even by the standards of student films.
  28. A misfiring black comedy oddly reminiscent of all those bad 1990s movies about strippers getting killed at bachelor parties.
    • New York Post
  29. Much less mawkish and predictable than you might expect.
    • New York Post
  30. The Coen brothers might have done something inspired with this, but director Kanievska... turns out a more modestly entertaining little low-budget movie.

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