New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. A non-thrilling occult thrillersolame and unoriginal that it would be an embarrassment for any director, much less a talent like Roman Polanski.
  2. A triumph of low-budget filmmaking.
    • New York Post
  3. Might have made a tolerable five-minute "mockumentary," but it's apparently meant seriously.
  4. It's still easily the funniest movie of the year.
  5. So filled with amusing, idiosyncratic touches and unexpectedly charming characters that you mostly don't mind its excesses.
    • New York Post
  6. Tasteless but sporadically uproarious black comedy.
    • New York Post
  7. If the movie were funny, the implicit sermonizing would be more tolerable, but apart from four or five good one-liners, The Next Best Thing is a thudding failure as a comedy.
  8. A criminally slow, all-but-laughless blaxploitation comedy.
    • New York Post
  9. Visually gorgeous despite its low budget, The Terrorist is a haunting film.
  10. Goes down as smoothly as a pint of Irish ale.
  11. Annoying.
  12. Simply not as involving or moving as it should be.
    • New York Post
  13. A delightful, fresh dark comedy.
  14. The smartest movie to come out this year, and it could hardly be better cast.
  15. Without any believable characters or situations, Reindeer Games is about as appealing as leftover Christmas fruitcake.
  16. Boasts several fine performances and some elegant, eerie black-and- white photography.
    • New York Post
  17. By far the best thing about Pitch Black is the cool-looking lighting and photography.
  18. Inside Beautiful People, . . . there's a terrific film trying to get out.
    • New York Post
  19. A lame, glossy and disastrously misconceived film about three ditsy sisters dealing with the death of their horrible father.
    • New York Post
  20. Hits one out of the park.
    • New York Post
  21. An offer you shouldn't refuse: It's laugh-out-loud, side-splitting funny.
  22. A sweet, lushly photographed but occasionally slow film.
  23. Pays off with emotional dividends well worth the time investment.
    • New York Post
  24. The kind of sentimental, upbeat and inoffensive children's entertainment parents always hope their kids will like.
  25. Uncommonly well-acted and beautifully shot on location in southern India, but it's not exactly riveting.
    • New York Post
  26. Makes the most of its wintry settings and never insults the audience's intelligence -- no mean feat for a family film. It's a real crowd-pleaser.
  27. What could have been an intriguing look at a bizarre and complex woman plays like just another cog in the Annabel Chong publicity machine.
    • New York Post
  28. Cinematographer Darius Khonji does a superb job of conveying both the sensual beauty (there's a spectacular moonlight-on-the-water sex scene with Leo and the lovely Ledoyen), and the darkness of Richard's paradise lost.
    • New York Post
  29. This low-caliber Gun Shy has singularly ugly cinematography by Tom Richmond that at one point shows off Bullock's facial hair.
    • New York Post
  30. A talky, pretentious soap opera about Spanish intellectuals.

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