New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,334 out of 8343
-
Mixed: 1,701 out of 8343
-
Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Lou Lumenick
The quirky High Fidelity really deserves being called the first must-see movie of the century.- New York Post
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Jonathan Foreman
Structurally flawed, occasionally shlocky, but written with unusual intelligence and subtlety.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Doesn't have the emotional heft of his "Children of Paradise," but it's still moving.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
An unusually well-written and satisfying multilayered drama that conveys the feel of urban India with more vivid accuracy than anything made in the subcontinent in recent years.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
First-time writer-director Mark Hanlon lands only glancing blows in this grim black comedy.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
You have to sit through 90 minutes that feel like three hours.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Ignore the furiously overplotted, headache-inducing story -- derived from a series of comic books -- and focus on the exquisitely drawn Japanese animation.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
An assembly-line high-school comedy that flunks miserably in all three subjects.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A cold, emptily stylish exercise -- and one that sorely lacks the speed and vigor that made "Lola" run.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The kind of stand-up-and-cheer movie Hollywood is supposed to have forgotten how to make.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Doesn't shy from the ugly side, though it's far from the no-holds-barred exposé being touted in the ads.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Writer-director Julian Henriquez does a great job staging the lively musical numbers.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
OK premise quickly deteriorates into a silly, badly acted slasher movie -- minus the slasher.- New York Post
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
-
Reviewed by
Jonathan Foreman
Part of the problem is that the Finbar character is both underdeveloped and unattractive - you don't get a sense of why anyone would miss him, let alone go searching for him in the snow. [17 Mar 2000]- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
It features well-below-par writing, acting, direction, special effects and music, while oozing a nauseating New Age sentimentality that undermines any tension in the underlying story.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A non-thrilling occult thrillersolame and unoriginal that it would be an embarrassment for any director, much less a talent like Roman Polanski.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Lou Lumenick
Might have made a tolerable five-minute "mockumentary," but it's apparently meant seriously.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Jonathan Foreman
So filled with amusing, idiosyncratic touches and unexpectedly charming characters that you mostly don't mind its excesses.- New York Post
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Jonathan Foreman
If the movie were funny, the implicit sermonizing would be more tolerable, but apart from four or five good one-liners, The Next Best Thing is a thudding failure as a comedy.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
-
-
Reviewed by
Jonathan Foreman
Visually gorgeous despite its low budget, The Terrorist is a haunting film.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
- New York Post