New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. Fake-sounding dialogue, some over-deliberate performances and five amazingly trite linked stories.
    • New York Post
  2. A real crock.
  3. Spectacular special effects and sets.
  4. The static, claustrophobic movie is very much a filmed play.
    • New York Post
  5. Almost too creepy to be poignant, and generally funny only in an uncomfortable, squirm-in-your seat way.
    • New York Post
  6. It's Willis who delivers the goods in scene after scene, triumphing over a thin script, often bland direction.
  7. Infuriating grab-bag of a movie.
  8. Those with the stomach to sit through Decline will be rewarded with a lively, masterful documentary.
  9. Comes as close to perfect as any movie I've seen lately.
  10. There is probably an amusing movie to be made about camps that try to "rehabilitate" homosexuals - but this thuddingly stupid satire isn't it.
    • New York Post
  11. The gleeful teen-horror spoof that proves that the Farrelly brothers have no monopoly on outrageous, politically incorrect comedy.
  12. This is one perfectly terrifying movie, an instant classic.
  13. Works because they really are the focus - and they're excellently voiced .
    • New York Post
  14. It's so painful to sit through you eventually stop feeling sorry for the floundering cast.
  15. While the film contains some terrific, realistically bloody battle scenes, it has a distinctly Germanic feel, both in its epic heaviness and in the peculiar way it revises the history of the American Revolution.
  16. The film's earthy frankness is refreshing.
    • New York Post
  17. Doesn't quite reach the heights - though it does plumb the depths - of its hugely popular predecessor. But it will have an enormous, appreciative audience doubled over with belly-busting laughs.
    • New York Post
  18. Like many first films, Boricua's Bond is wildly uneven.
    • New York Post
  19. It is not only an amazing technical accomplishment, it's also the wittiest and best-voiced animated movie to come along in years.
    • New York Post
  20. In the end, it is inadequate, juiceless storytelling that deprives Titan A.E. of any dramatic force.
  21. Shaft is what summer action flicks should be... thanks to superior writing, acting and direction.
  22. Transcends ironic grunge-glamour and achieves a beguiling combination of dark comedy and genuine sweetness.
  23. If you go with the flow, there's seductive imagery and a terrific performance by John Malkovich as a decadent baron.
  24. It's a film noir spoof, replete with hard-boiled narration, lounge-music soundtrack and dramatic black-and-white photography.
    • 77 Metascore
    • 63 Critic Score
    Maddeningly pretentious and often slow to the point of tedium, Humanite is also hauntingly original and truly strange.
  25. Butterfly doesn't require much knowledge of history to appreciate, but it really isn't suitable for very young audiences either.
    • New York Post
  26. Calling Boys and Girls the year's worst movie makes it sound more entertaining than it actually is.
    • New York Post
  27. Contains too many weak performances and predictable lines to succeed, but it's probably the best rave movie so far.
    • New York Post
    • 62 Metascore
    • 38 Critic Score
    A self-indulgent chronicle of Chris Roe's whiny power struggle with his father over where to eat dinner in various exotic locales.
  28. It is often as powerful as it is elegantly shot. Unfortunately, Szabo tends to tell this rather predictable tale in an obvious yet uneven way.

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