New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
Fake-sounding dialogue, some over-deliberate performances and five amazingly trite linked stories.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Hannah Brown
The static, claustrophobic movie is very much a filmed play.- New York Post
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Reviewed by
Jonathan Foreman
Almost too creepy to be poignant, and generally funny only in an uncomfortable, squirm-in-your seat way.- New York Post
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Reviewed by
Lou Lumenick
It's Willis who delivers the goods in scene after scene, triumphing over a thin script, often bland direction.- New York Post
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- New York Post
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Hannah Brown
Those with the stomach to sit through Decline will be rewarded with a lively, masterful documentary.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
There is probably an amusing movie to be made about camps that try to "rehabilitate" homosexuals - but this thuddingly stupid satire isn't it.- New York Post
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Reviewed by
Jonathan Foreman
The gleeful teen-horror spoof that proves that the Farrelly brothers have no monopoly on outrageous, politically incorrect comedy.- New York Post
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Reviewed by
Lou Lumenick
This is one perfectly terrifying movie, an instant classic.- New York Post
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Reviewed by
Lou Lumenick
Works because they really are the focus - and they're excellently voiced .- New York Post
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Reviewed by
Jonathan Foreman
It's so painful to sit through you eventually stop feeling sorry for the floundering cast.- New York Post
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Reviewed by
Jonathan Foreman
While the film contains some terrific, realistically bloody battle scenes, it has a distinctly Germanic feel, both in its epic heaviness and in the peculiar way it revises the history of the American Revolution.- New York Post
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Reviewed by
Lou Lumenick
Doesn't quite reach the heights - though it does plumb the depths - of its hugely popular predecessor. But it will have an enormous, appreciative audience doubled over with belly-busting laughs.- New York Post
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Reviewed by
Jonathan Foreman
It is not only an amazing technical accomplishment, it's also the wittiest and best-voiced animated movie to come along in years.- New York Post
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Reviewed by
Jonathan Foreman
In the end, it is inadequate, juiceless storytelling that deprives Titan A.E. of any dramatic force.- New York Post
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Reviewed by
Jonathan Foreman
Shaft is what summer action flicks should be... thanks to superior writing, acting and direction.- New York Post
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Reviewed by
Jonathan Foreman
Transcends ironic grunge-glamour and achieves a beguiling combination of dark comedy and genuine sweetness.- New York Post
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Reviewed by
Lou Lumenick
If you go with the flow, there's seductive imagery and a terrific performance by John Malkovich as a decadent baron.- New York Post
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Jonathan Foreman
It's a film noir spoof, replete with hard-boiled narration, lounge-music soundtrack and dramatic black-and-white photography.- New York Post
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- Critic Score
Maddeningly pretentious and often slow to the point of tedium, Humanite is also hauntingly original and truly strange.- New York Post
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Reviewed by
Lou Lumenick
Butterfly doesn't require much knowledge of history to appreciate, but it really isn't suitable for very young audiences either.- New York Post
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Reviewed by
Lou Lumenick
Calling Boys and Girls the year's worst movie makes it sound more entertaining than it actually is.- New York Post
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Reviewed by
Jonathan Foreman
Contains too many weak performances and predictable lines to succeed, but it's probably the best rave movie so far.- New York Post
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A self-indulgent chronicle of Chris Roe's whiny power struggle with his father over where to eat dinner in various exotic locales.- New York Post
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Reviewed by
Jonathan Foreman
It is often as powerful as it is elegantly shot. Unfortunately, Szabo tends to tell this rather predictable tale in an obvious yet uneven way.- New York Post
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