New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. A crass, mechanical attempt at a thriller that should have gone straight to video.
  2. Features less than 10 minutes of music in its mercifully brief 83-minute running time.
  3. Initially amusing but finally sour sex comedy.
    • New York Post
  4. Well worth seeing for Walters, whose comic and dramatic gifts are showcased to very entertaining effect.
    • 79 Metascore
    • 75 Critic Score
    The late Akira Kurosawa's shamelessly sentimental last film is a fond and fitting farewell.
  5. Shapeless, tedious, hopelessly bad sequel.
    • New York Post
  6. Androgynous Clea DuVall's performance shines through a foggily told, vaguely acted coming-of-age tale.
  7. Fascinating, beautifully photographed portrait of a vanished community.
    • New York Post
  8. A 21st-century equivalent of the early James Bond flicks.
    • New York Post
  9. Essentially a feature-length commercial for both the growing sport of competitive cheerleading and ESPN2 .
    • New York Post
  10. Tepid tale of star-crossed lovers in 1910 Wales.
  11. Mostly an unfunny, rather dull affair.
  12. Much less a satisfying movie than an intermittently funny 90-minute acting audition.
    • New York Post
    • 47 Metascore
    • 63 Critic Score
    Fans will love this quick flick by director Todd Phillips, but it better serves as an introduction for the uninitiated.
    • New York Post
  13. Has an unusual intimacy and lack of condescension.
    • New York Post
  14. Difficult but rewarding.
  15. Fails to deliver the dramatic punch.
    • New York Post
  16. Generally rises above the easy clichés you find in most such movies.
  17. Sometimes hilarious but mostly sitcom-esque geezer comedy.
    • New York Post
  18. A vast improvement over Schenkman's previous effort, "The Pompatus of Love."
    • New York Post
  19. Its intriguing subject matter is diluted by too many bland performances.
    • New York Post
  20. Heavy-handed, predictable and almost completely unbelievable.
    • New York Post
  21. Bittersweet and often funny but overlong.
    • New York Post
  22. Unashamedly vulgar and exuberantly politically incorrect.
  23. Vincent D'Onofrio does capture Hoffman's charisma and nuttiness - and he's the only reason to resist the temptation to skip this exasperating movie.
  24. Generic variation on the overworked serial-killer genre.
    • New York Post
  25. Heck, it's great to have the big guy back.
    • New York Post
  26. Mostly ludicrous, but occasionally effective.
    • New York Post
  27. Disappointing and surprisingly crude.
    • New York Post
  28. Formulaic but surprisingly charming.

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