New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. Me & Isaac Newton
    Makes for fascinating viewing.
    • New York Post
  2. The Legend of Bagger Vance
    So slow the movie itself seems to be suffering from a hardening of the arteries.
  3. Boesman and Lena
    Awfully poky, even for an art film.
    • New York Post
  4. Kippur
    Undeniably powerful, grimly fascinating.
    • New York Post
  5. The Weekend
    You rarely see movies as dramatically uneven as The Weekend, which has a dreadful, one-star first half - followed by an interesting, three-star conclusion.
    • New York Post
  6. Charlie's Angels
    The film's tongue is so firmly in cheek that, without being a spoof like "Dragnet" or "The Brady Bunch Movie," it has more in common with the "Austin Powers" films.
    • New York Post
  7. George Washington
    For those willing to work a bit at it, this is the sort of artistry many American independent movies aspire to - but rarely achieve.
    • New York Post
  8. Vénus beauté (institut)
    Slight but entertaining and occasionally touching.
  9. A Room for Romeo Brass
    Fairly shapeless story.
  10. Once in the Life
    Basically it's an acting exercise - a one-set rendition of that old stage and movie standby, the ex-convict struggling to go straight who's tempted to attempt one last score.
  11. What's Cooking?
    Lighthearted and smart enough to be one of the best Altmanesque ensemble comedies of the last couple of years.
  12. Lucky Numbers
    As lifeless and unfunny as a corpse on a slab.
  13. A Time for Drunken Horses
    Ghobadi (himself an Iranian Kurd) takes some gorgeous shots against the snow, but his storytelling is uneven and often slow.
  14. Stardom
    A glitzy and shallow satire about shallow people.
    • New York Post
  15. The Little Vampire
    A guaranteed crowd-pleaser for the whole family.
  16. Loving Jezebel
    Isn't as relentlessly vulgar or cartoonish as "The Ladies Man" - nor is it a whole lot more realistic.
  17. Sound and Fury
    Extremely well-made (and evenhanded) film.
    • New York Post
  18. Bedazzled
    It's like your appendix - you'll never even miss it.
    • New York Post
  19. Calle 54
    A film that fans of Latin jazz won't want to miss.
    • New York Post
  20. The Legend of Drunken Master
    Chan at his high-kicking best. Some sequences are simply amazing.
  21. The Yards
    Visually accomplished and wonderfully acted.
  22. The Wolves of Kromer
    Abysmal performances, limp direction (Will Gould) and a heavy-handed script drive a stake through a semi-interesting idea about the persecution of gay werewolves in a remote English village.
  23. Just One Time
    A smarmy, smirky but ultimately boring film.
  24. MVP: Most Valuable Primate
    Even parents might find themselves having fun.
  25. Pay It Forward
    Works unexpectedly well for its first three quarters.
    • New York Post
  26. Dr T and the Women
    Altman and Rapp skirt the fine line between satire and caricature, stopping just short of ridiculing the women who pack Dr. T's office.
    • New York Post
  27. The Ladies Man
    Painfully stupid.
  28. Whispers: An Elephant's Tale
    Probably would have yielded a more interesting documentary than this sugary feature.
    • New York Post
  29. Cleopatra's Second Husband
    One of those potentially interesting movies that takes its sweet time getting to the point - by which time many audience members will likely have bailed out or dozed off.
    • New York Post
  30. Animal Factory
    A wonderfully acted, strangely low-key prison movie.
    • New York Post
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