New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. The Claim
    Aside from an uninspired script by Frank Cotrell Boyce, is that none of the assembled actors really has enough star presence to compete with the sheer spectacle.
    • New York Post
    • 79 Metascore
    • 63 Critic Score
    Chunhyangdyun
    Beautifully filmed, and the star-crossed lovers, both played by first-time actors, are a match made in art-film heaven. But I must admit, the pansori singer got on my nerves about halfway through.
    • New York Post
  3. Shadow of the Vampire
    A clever, funny, extended joke about ruthless directors, method actors and the power of the cinema.
  4. Traffic
    Atriumph on almost every level. It is breathtakingly stylish, wonderfully acted and its three interrelated tales of the "war" on drugs are brilliantly structured to form a cohesive, powerful whole.
  5. Malèna
    Too often seems like a slightly silly film.
    • New York Post
  6. Thirteen Days
    Plays like a very good TV movie. Short on visual flair and starpower, Thirteen Days is not the definitive story of the Cuban missile crisis, but it's an engrossing historical lesson nonetheless.
    • New York Post
  7. All the Pretty Horses
    Never really gets out of the starting gate.
    • New York Post
  8. Vatel
    Although Vatel is trying to say something about freedom and gilded cages, it feels more like a behind-the-scenes look at the high-end catering business.
    • New York Post
  9. An Everlasting Piece
    A laugh-filled comedy that might be described as "The Full Monty" meets the Three Stooges.
    • New York Post
  10. Before Night Falls
    Anyone expecting a hard-hitting biography will be disappointed by Julian Schnabel's soft-edged, dreamy and relatively nonpolitical film.
    • New York Post
    • 59 Metascore
    • 75 Critic Score
    Come te nessuno mai
    No one will mistake But Forever in My Mind ("Come te Nessuno Mai") for something by Fellini or Visconti. But it is, in its own way, skillful and most entertaining.
  12. The House of Mirth
    Anderson, in her first major non-Scully film role, is lethally miscast.
    • New York Post
  13. Cast Away
    A really classic adventure yarn with one of Hollywood's great actors hitting one out of the ballpark. If you're seeing only one movie this season, this is the obvious choice.
    • New York Post
  14. O Brother, Where Art Thou?
    The film is worth seeing for George Clooney's performance. More than ever he seems like a Clark Gable for our time.
    • 26 Metascore
    • 0 Critic Score
    Dracula 2000
    Bloody awful movie.
    • New York Post
  16. The Family Man
    Beyond the cliched diaper-changing scenes and the oh-so-predictable romantic complications, the film inadvertently insults its presumed target audience.
    • New York Post
    • 55 Metascore
    • 88 Critic Score
    Injeong sajeong bol geot eobtda
    The entire film is a feast for the eyes that brings to mind the work of Hong Kong ace Wong Kar-Wai.
  18. Miss Congeniality
    Has some entertaining moments, thanks mainly to Bullock herself, who is surprisingly glamorous as well as endearing.
  19. State and Main
    Hilarious sweet and sour David Mamet comedy.
    • 43 Metascore
    • 50 Critic Score
    Exhuming Mr. Rice
    An earnest, well-meaning film.
    • New York Post
  21. Finding Forrester
    It feels less predictable and derivative than it is, thanks to Gus Van Sant's deft direction and two fine central performances.
    • New York Post
  22. What Women Want
    Adequately funny but predictable sitcom
  23. The Visit
    Marred by sappy fantasy sequences and a sentimental finale that's out of step with most of the rest of the movie.
    • New York Post
  24. Pollock
    Masterful acting.
  25. Dude, Where's My Car?
    An almost chuckle-free mess, so amateurish and lame that the cast often has that embarrassed look you see on dogs given ridiculous haircuts.
    • New York Post
  26. The Emperor's New Groove
    Refreshingly flirts with a very un-Disney political incorrectness.
    • New York Post
  27. Chocolat
    A bittersweet confection that few holiday filmgoers will be able to resist, thanks to melt-in-your-mouth performances by Juliette Binoche, Alfred Molina and Judi Dench.
    • New York Post
  28. Vertical Limit
    One of the most thrilling - and authentic - mountain-climbing films in recent memory. Unfortunately, it's also burdened by one of those every-line-a-wretched-cliché Hollywood screenplays.
    • 70 Metascore
    • 75 Critic Score
    Hillbrow Kids
    In disturbing detail, we see these aimless kids, who often appear to be 10 years old - or younger! - as they beg for money and food, sniff glue, sleep under bridges in cardboard boxes and fight off predators.
  30. The Art of Amália
    It's hardly a dramatic story. You learn absolutely nothing about her personal life. But there is plenty of drama in that amazing, soulful voice and the songs she sang.
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