New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. Story of Tobias Schneebaum, a gay New York artist famous for living with, sleeping with - and, gulp, eating with - cannibals in New Guinea.
    • New York Post
  2. Enemy at the Gates, is no "Saving Private Ryan" - but thrilling, bravura stretches make it consistently entertaining, if less than profound, filmmaking.
    • New York Post
  3. Despite some genuinely funny scenes, American Desi turns out to be inferior to the as yet unreleased "ABCD" and even last year's "Chutney Popcorn."
  4. This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.
    • New York Post
  5. Cannily weaving cross-cultural comedy with we-can-do-it humor in the spirit of "The Full Monty," the film builds to a rousing climax.
    • New York Post
  6. Delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels.
  7. A too-cute-by-half Irish romantic comedy that's overloaded with movie references that begin with the title.
  8. Boring and irritating, and also mildly offensive in its ignorant depiction of both Judaism and Catholicism.
  9. An intermittently interesting drama.
    • New York Post
  10. A lame teen comedy.
    • New York Post
  11. Works just fine as a generic but fast-paced - and rather ugly - cop buddy flick.
    • New York Post
  12. Holds less water as a mystery because its plot holes - and choppy pacing - make it seem as disconnected from reality as its hero. But Jackson is so frighteningly effective, and affecting, as Romulus that you're sucked in anyway.
    • New York Post
  13. The most devastating spoof of reality TV since Albert Brooks' 1978 "Real Life."
    • New York Post
  14. Hardly a deep examination of gender relations or character, but in its unsentimental way it's a tender and charming story of friendship and tolerance.
    • New York Post
  15. Do your kids a favor - and take them to see something more worthwhile than the relentlessly vulgar and stupid See Spot Run.
    • New York Post
  16. Anyone interested in this remarkably prolific author would be better off visiting a library or bookshop.
    • New York Post
  17. A shame that this indie's willingness to trade in stereotype leaves a sour taste in your mouth.
    • New York Post
  18. Gandolfini, who skillfully fleshes out what's written as a one-joke character, comes close to pilfering The Mexican from the stars. Under the circumstances, that's not a huge accomplishment.
    • New York Post
  19. Feels much more like a very, very long, music video, albeit one made for an audience that gets off on high-tech firepower rather than nearly-naked babes.
    • New York Post
  20. An occasionally delightful mess of a movie.
    • New York Post
  21. A little gem.
  22. Less grim than it sounds, Southern Comfort ends on a note of triumph for its endearing, gender-bending hero.
    • New York Post
  23. Has its sluggish stretches, but the superb level of acting is more than ample compensation.
    • New York Post
  24. A joyful celebration of Louisiana music in all its permutations.
  25. Veteran stage, screen and TV actor Moshe Ivgi gives a sturdy performance as Moshe, a supposed tough guy who sobs when confronted by bank robbers.
  26. The Price of Milk, which boasts a lush classical score recorded by the Moscow Symphony Orchestra, has a few more twists that make this a Valentine's Day delight.
    • New York Post
  27. Plays to none of Rock's strengths (even though he co-wrote the film with members of his HBO team) and intensifies his tendency to mug and shout.
    • New York Post
  28. A skin-crawlingly unfunny riff on Woody Allen's "Bananas."
    • New York Post
  29. A reasonably entertaining cartoon feature.
    • New York Post
  30. The sort of movie that seems to exist for no good reason except to keep the studio's pipeline filled with filmed product.
    • New York Post

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