New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lou Lumenick
Story of Tobias Schneebaum, a gay New York artist famous for living with, sleeping with - and, gulp, eating with - cannibals in New Guinea.- New York Post
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Lou Lumenick
Enemy at the Gates, is no "Saving Private Ryan" - but thrilling, bravura stretches make it consistently entertaining, if less than profound, filmmaking.- New York Post
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Jonathan Foreman
Despite some genuinely funny scenes, American Desi turns out to be inferior to the as yet unreleased "ABCD" and even last year's "Chutney Popcorn."- New York Post
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Lou Lumenick
This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.- New York Post
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Lou Lumenick
Cannily weaving cross-cultural comedy with we-can-do-it humor in the spirit of "The Full Monty," the film builds to a rousing climax.- New York Post
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Lou Lumenick
Delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels.- New York Post
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Lou Lumenick
A too-cute-by-half Irish romantic comedy that's overloaded with movie references that begin with the title.- New York Post
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Jonathan Foreman
Boring and irritating, and also mildly offensive in its ignorant depiction of both Judaism and Catholicism.- New York Post
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Jonathan Foreman
Works just fine as a generic but fast-paced - and rather ugly - cop buddy flick.- New York Post
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Lou Lumenick
Holds less water as a mystery because its plot holes - and choppy pacing - make it seem as disconnected from reality as its hero. But Jackson is so frighteningly effective, and affecting, as Romulus that you're sucked in anyway.- New York Post
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Lou Lumenick
The most devastating spoof of reality TV since Albert Brooks' 1978 "Real Life."- New York Post
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Jonathan Foreman
Hardly a deep examination of gender relations or character, but in its unsentimental way it's a tender and charming story of friendship and tolerance.- New York Post
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Lou Lumenick
Do your kids a favor - and take them to see something more worthwhile than the relentlessly vulgar and stupid See Spot Run.- New York Post
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Jonathan Foreman
Anyone interested in this remarkably prolific author would be better off visiting a library or bookshop.- New York Post
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Jonathan Foreman
A shame that this indie's willingness to trade in stereotype leaves a sour taste in your mouth.- New York Post
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Lou Lumenick
Gandolfini, who skillfully fleshes out what's written as a one-joke character, comes close to pilfering The Mexican from the stars. Under the circumstances, that's not a huge accomplishment.- New York Post
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Jonathan Foreman
Feels much more like a very, very long, music video, albeit one made for an audience that gets off on high-tech firepower rather than nearly-naked babes.- New York Post
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Lou Lumenick
Less grim than it sounds, Southern Comfort ends on a note of triumph for its endearing, gender-bending hero.- New York Post
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Lou Lumenick
Has its sluggish stretches, but the superb level of acting is more than ample compensation.- New York Post
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Lou Lumenick
A joyful celebration of Louisiana music in all its permutations.- New York Post
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V.A. Musetto
Veteran stage, screen and TV actor Moshe Ivgi gives a sturdy performance as Moshe, a supposed tough guy who sobs when confronted by bank robbers.- New York Post
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Lou Lumenick
The Price of Milk, which boasts a lush classical score recorded by the Moscow Symphony Orchestra, has a few more twists that make this a Valentine's Day delight.- New York Post
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Jonathan Foreman
Plays to none of Rock's strengths (even though he co-wrote the film with members of his HBO team) and intensifies his tendency to mug and shout.- New York Post
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Lou Lumenick
The sort of movie that seems to exist for no good reason except to keep the studio's pipeline filled with filmed product.- New York Post
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