New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. The Circle
    This film is fighting the good fight, albeit in a rather heavy-handed way.
    • New York Post
  2. Joe Dirt
    Little more than a series of sketches, tied together by Joe's on-air interrogation by a nasty shock jock played by Dennis Miller.
    • New York Post
  3. Josie and the Pussycats
    More fun than you'd expect from an adaptation of a '60s Hanna-Barbera cartoon that was in turn derived from a comic book.
    • New York Post
  4. Kingdom Come
    The characters are tired stereotypes, the sentimentality nauseating and the situation comedy way below the standards of the very worst WB or UPN shows.
    • New York Post
  5. Chopper
    Pulls no punches - blood flows very freely (including the ear-cutting scene) and black humor abounds.
    • New York Post
  6. Zombie! vs. Mardi Gras
    Unwatchably bad.
  7. Blow
    Rarely since the tale of the Corleones has a movie presented such a compelling, sympathetic portrait of a criminal lowlife.
    • New York Post
  8. Along Came a Spider
    But even that talent (Freeman) isn't enough to distract you from the general predictability of Spider or the absurdity of its elaborate last-minute plot twists.
    • New York Post
  9. Mau Mau Sex Sex
    Entertaining, if maddeningly superficial.
    • New York Post
  10. Beautiful Creatures
    Moves at a swift clip with pungent performances.
    • New York Post
  11. The Day I Became a Woman
    Slight but affecting triptych.
  12. The Girl
    May be the steamiest lesbian romp in recent memory.
    • New York Post
  13. Booye kafoor, atre yas
    Deadly dull.
  14. All Access: Front Row. Backstage. Live!
    More impressive than the sight of these acts on an eight-story screen is the excellent six-channel IMAX sound system.
    • New York Post
  15. Just Visiting
    Don't even think of visiting this French fiasco.
    • New York Post
  16. Pokémon 3: The Movie
    Mind-blowing and headache-inducing. But the kids loved it.
    • New York Post
  17. Shadow Magic
    Often charming and sweet, and always prettily photographed.
    • New York Post
  18. Faat Kiné
    A youthful, and often funny, piece of filmmaking. You might never expect that its director is 73 years old.
  19. Butterfly
    The folks on "Survivor" have nothing on Julia Butterfly Hill.
  20. The Tailor of Panama
    Overall, it's a hand-tailored job in a marketplace filled with off-the-rack movies.
    • New York Post
  21. Amores Perros
    A sophisticated, stylish, fast-moving piece of work.
    • New York Post
  22. Spy Kids
    The most delightful family movie since "Stuart Little."
    • New York Post
  23. Tomcats
    Much of Tomcats is actually boisterously, crudely entertaining.
    • New York Post
  24. Someone Like You...
    Could hardly be more predictable.
    • New York Post
  25. Too Much Sleep
    Perfectly captures the cultural and emotional wasteland that is suburban Jersey.
  26. The Brothers
    Basically a Lifetime movie that somehow found its way into theaters.
    • New York Post
  27. Friendly Persuasion: Iranian Cinema After the 1979 Revolution
    I was pleased by the forthright defense in Friendly Persuasion of Iranian cinema's use of children.
  28. Heartbreakers
    Despite its talented and/or attractive cast, Heartbreakers is an ugly movie: The kind that makes you feel slightly soiled afterwards.
    • New York Post
  29. Say It Isn't So
    Unfortunately, this version of the familiar formula lacks the inspiration, genuine wit and raunchy charm of 1998's outrageous "There's Something About Mary."
    • New York Post
  30. Exit Wounds
    This movie, cynically and patronizingly aimed at Seagal's predominantly "urban" audience, is sad, tedious proof that even violent exploitation isn't what it used to be.
    • New York Post
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