Takes you on a fascinating and picturesque journey into a relatively unfamiliar culture.

Smug, often tedious, and comically crude.

To describe Love, Honor and Obey as a cross between "Duets" and "Snatch" doesn't begin to suggest how desperately unfunny this musical gangster comedy is.

Relentlessly dopey and vulgar.

Much has, and will, be made of the grisly scenes throughout the film.

Rapturously elegant and deeply sexy in a deliciously restrained way. One of the most romantic movies I have ever seen, right up there with "Brief Encounter"and "Casablanca."

An interesting - but very slow paced - thriller.

Yet another murky film about the 1970s that's watchable mostly for its cast rather than the story.

The screenplay by Zekri (based on Jorge Amado novel) is crude stuff, and director Ossama Fawzi gets such cartoonish performances from his cast, it's hard to care about the characters.

A movie more interested in shocking than in entertaining.

A slow-moving, dirt-dull narrative crammed with clunky expository dialogue and obscure Biblical references.

Pretentious and trite.

The dreary, direct-to-video quality of the script, acting and cinematography in this latest entry seemed to inspire more yawns than screams, and not a few titters.

The "Prinze" of terrible movies is back - in what might charitably be called "Rear Window" for morons.

It's perfectly entertaining (and well-executed) in its cute, undemanding way.

Should have gone straight to video. It'll be there soon enough.

The sort of heart-tugger a small group of people will love passionately.

Simply not up to the task.

A pointless, wincingly snide exercise.

Not a film for all tastes, but it's a considerable artistic achievement.

A soggy cannoli of a domestic dramedy.

A well-researched picture of how racism led to nine men being falsely accused and wrongly convicted. One only wishes that the filmmakers had more than 84 minutes in which to tell the story.

Although the jokes aren't as consistently funny as those in "Lock, Stock," once again writer-director Ritchie demonstrates a deeply pleasurable combination of verbal flair and visual wit while conveying the genuine, intimidating hardness of the English working class and its love of language.

Boasts some genuinely intelligent and funny sequences and some nicely painful scenes of domestic tension - as well as surprisingly strong performances from actors like Neve Campbell and Donald Sutherland.

The often difficult-to-follow plot is sort of "Traffic" for nitwits.

Both witty and poignant.

Fascinatingly, many of the interviewees disagree vehemently about Holmes' personality: some of his co-stars and colleagues found him repellently abusive and selfish.

Recycles every cliché of the genre to sleep-inducing effect.