New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. About Adam
    Thanks to Hudson and the other women, it's a moderately beguiling date movie.
  2. Ice from the Sun
    Every possible film student visual cliché (plus quite a few from the world of music video) gets a thorough workout.
  3. Pavilion of Women
    It's loaded with -- scenery-chewing melodrama, cornball pidgin dialogue and syrupy music.
    • New York Post
  4. Eureka
    Special note should be made of real-life sister and brother Aoi and Masaru Miyazaki, who give beautiful performances as the children.
  5. Time and Tide
    It proves once again that it doesn't matter if the camera is dancing a jig on the ceiling if the storytelling is no good.
  6. Under the Sand
    A sensitive and subtle meditation on aging, loss and bereavement.
  7. The Young Girl and the Monsoon
    It's a shame, because the actors are so much better than the threadbare material.
  8. The Mummy Returns
    Perfectly enjoyable swashbuckling, eye-catching entertainment.
  9. Deuces Wild
    Sort of "West Side Story" set in 1958 Brooklyn -- minus the music or competent storytelling -- is clearly not dealing from anything close to a full deck.
  10. Green Dragon
    Director Timothy Linh employs a delicate - but never sentimental - touch which, combined with strong performances from the principals and Kramer Morgenthau's vivid cinematography, makes for a transporting experience.
  11. The Forsaken
    Writer-director J.S. Cardone's low-budget mishmash offers precious little in the way of thrills and chills, much less coherent storytelling.
    • New York Post
  12. One Night at McCool's
    A strong, early candidate for the worst movie of the year.
    • New York Post
  13. Town & Country
    The film is clearly an unfinished work and one that feels like a ragged assemblage of parts from at least two entirely different movies all with the same cast.
    • New York Post
  14. The Golden Bowl
    But it is Thurman who stands out, with a marvelous, full-blooded performance, her best in some time, as tragic Charlotte.
    • New York Post
    • 35 Metascore
    • 75 Critic Score
    The End of the Road
    While this is ultimately a tragic film, Meeske captures the joy in the paradise these Deadheads lost. Jerry would have liked this movie.
  16. Driven
    Embarrassingly bad - the kind of slapdash exercise that gives even Hollywood formula a bad name, while doing little justice to the sport.
    • New York Post
  17. Pie in the Sky: The Brigid Berlin Story
    This wacky former Andy Warhol superstar more than holds your interest in an offbeat documentary.
  18. Harry Is Here to Help
    Often darkly funny and very well acted, it's a pleasingly subtle, Hitchockian thriller with dark comic overtones.
    • New York Post
  19. The Charcoal People
    Raises an interesting question. Do you clamp down on corporations in order to protect the environment or do you let them go about their business because they help feed countless families.
    • New York Post
  20. Crocodile Dundee in Los Angeles
    The lackadaisical pace of CD3 is a disappointing surprise.
    • New York Post
  21. The Luzhin Defence
    One of our best actors, Turturro surpasses his past fine work as Alexander Luzhin.
    • New York Post
  22. The Low Down
    The whole thing is shot in an irritating, self-conscious way.
  23. The Hidden Wars of Desert Storm
    This crude, deeply dishonest documentary does no such thing. David Russell's fictional "Three Kings" does a much better job.
  24. Freddy Got Fingered
    So awful it qualifies as cruel and unusual punishment.
    • New York Post
  25. The Center of the World
    It certainly has its moments (erotic and otherwise), but there just aren't enough of them.
    • New York Post
  26. Lakeboat
    Though Mantegna can't quite lick the essential staginess of Mamet's adaptation of his play, even with lots of scenic shots of Lake Ontario, the performances are what one would expect with such a consummate actor in charge.
    • New York Post
  27. Brigham City
    Tries, with much less success, to do what "Witness" did in exploring an Amish town.
  28. Bridget Jones's Diary
    Warm and charming and often witty, it's as good a romantic comedy as has come out for some time, with an endearing, perfectly pitched central performance that's a four-square triumph for Zellweger.
    • New York Post
  29. The Body
    Antonio Banderas is unintentionally hilarious as Father Matt Gutierrez, a sort of Jesuit James Bond.
    • New York Post
  30. States of Control
    A sluggish and prototypically earnest little indie on the not exactly fresh theme of a woman undergoing a midlife crisis.
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