New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. America's Sweethearts
    Surprisingly funny and sweet, despite some missed comic opportunities and curious casting choices.
  2. Hedwig and the Angry Inch
    It's a positive hat trick by John Cameron Mitchell.
  3. Ghost World
    As hip, funny and truthful a sleeper as has ever flown under Tinseltown's radar.
  4. Jurassic Park III
    The "Jurassic Park" movie franchise does not evolve. Quite the opposite: It degenerates at great speed.
  5. Downtown 81
    Amateurish in the extreme, the film is a feast of bohemian cliché, bad writing and worse acting.
  6. The Score
    Except when Norton is playing retarded, he and De Niro basically compete to see who can under-act the other. It's positively mesmerizing.
  7. Made
    It's often hilarious, and there is lots of the zippy, apparently improvised dialogue that made "Swingers" such a pleasure.
  8. Legally Blonde
    Merely a watery, poorly directed update of "Clueless."
  9. Bully
    A truly repulsive piece of trash that says far more about the absence of values from contemporary filmmaking than the waywardness of teens.
    • New York Post
  10. Waiting
    Writer-director Patrick Hasson whips up a surprising amount of fun.
  11. Adanggaman
    Well-acted and nicely photographed, and has good action sequences, even if the screenplay (by M'Bala, Jean-Marie Adiaffi and Bertin Akaffou) is simplistic and there are slow stretches.
  12. Final Fantasy: The Spirits Within
    What makes Final Fantasy a final failure is a predictable, nonsensical plot, laughably lame dialogue and a surfeit of cloying environmentalist piety.
    • New York Post
  13. Everybody's Famous!
    Light summer fun with a Flemish accent.
    • New York Post
  14. Kiss of the Dragon
    Li is powerless when the film slows to a crawl to provide a little drama.
  15. Off the Hook
    Overlong and not well-acted.
  16. The Vertical Ray of the Sun
    For all its virtues, this is not a film to see on less than a good night's sleep.
  17. Lost and Delirious
    Perabo gives a fairly impressive and flashy performance, even when the script descends into melodrama.
  18. Jump Tomorrow
    Quirky and good-natured, it makes the most of an unknown but able and refreshingly international cast. And for a low-budget indie, it looks remarkably good and moves along with real snap.
  19. Cats & Dogs
    Every good joke in the movie is to be found in those trailers.
    • New York Post
  20. Scary Movie 2
    Desperately unfunny.
  21. The Crimson Rivers
    Two things make this film slightly more interesting than its American B-movie equivalents. There's the artless way it shows the French state exercising its power and the charisma of French stars.
    • New York Post
  22. Pandaemonium
    Pandaemonium plays like a bus-and-truck version of such Ken Russell's '60s classics as "The Music Lovers."
    • New York Post
  23. The Closet
    Hilarious French farce.
    • New York Post
  24. Pootie Tang
    One bad movie -- in the original sense of the word.
    • New York Post
  25. Crazy/Beautiful
    Courageous, convincing performance by Dunst.
    • New York Post
  26. A.I. Artificial Intelligence
    Audiences may find that the deliberate, Kubrickesque pacing -- without his intellectual rigor -- causes them to tune out.
    • New York Post
  27. Come Undone
    One of those French films whose makers won't lower themselves to tell a story in a way that is entertaining or compelling.
    • New York Post
  28. Lumumba
    Never much more than hagiography that lets the context of its hero's death remain confused.
  29. Baby Boy
    Sometimes gets repetitive and is slightly overlong. But it's got solid performances.
  30. Jin Roh: The Wolf Brigade
    Its plot and political symbolism manage to be both over-familiar and confusingly muddled.
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