New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lou Lumenick
English-language remakes of foreign films are usually suspect, but Tortilla Soup is the exception that proves the rule - a flavorful comedy about a food-centric Latino family in Los Angeles.- New York Post
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Lou Lumenick
Free love, vegetarianism and lack of personal property are the rule.- New York Post
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Jonathan Foreman
A deep disappointment to fans of sci-fi and the once great John Carpenter.- New York Post
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Lou Lumenick
This would be a stultifyingly incestuous affair even if all the jokes about fertilization weren't so tiresomely lame and predictable.- New York Post
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Reviewed by
Lou Lumenick
This is an overlong film interesting chiefly for its performances.- New York Post
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Jonathan Foreman
The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.- New York Post
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Reviewed by
V.A. Musetto
For one thing, it goes on too long. But it looks good, the cast is perky.- New York Post
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- New York Post
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Jonathan Foreman
Fitfully funny at best, it's a sophomoric, facetious road comedy.- New York Post
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Lou Lumenick
Woody Allen's most purely entertaining film in years.- New York Post
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Jonathan Foreman
It turns into something that is much smarter, and in a gentle, low-key way, tougher and funnier than you expect.- New York Post
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Lou Lumenick
This is a beautifully acted chamber piece --especially by the magnificent Blake, who is married to Norris in real life.- New York Post
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Reviewed by
Lou Lumenick
The acting is, at best, serviceable; the sound track is too often unintelligible; the direction is often over the top; and the script relies heavily on stereotypes.- New York Post
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V.A. Musetto
This poorly done, digitally animated work, directed by Hiroyuki Kitakubo, might be of interest to die-hard fans of anime. Others should pass it by.- New York Post
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Jonathan Foreman
Intelligent, moving and often beautifully photographed, Aberdeen boasts superb performances.- New York Post
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Lou Lumenick
We began this dismal movie season with one lethally bad World War II romance -- "Pearl Harbor" -- and now we're wrapping up with another howling dog.- New York Post
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Lou Lumenick
Repackage clichés and stereotypes with attractive young performers in a simple-minded script that panders to the teen audience.- New York Post
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- New York Post
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Jonathan Foreman
You can tell this is a smart take on Hamlet from the first wordless opening shots.- New York Post
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Jonathan Foreman
In general, it's a confusing, rather shapeless disappointment.- New York Post
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Lou Lumenick
Indulges in some of the crudest Jewish stereotypes seen in a recent movie, right down to the crack about every Jewish girl having a nose job.- New York Post
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Jonathan Foreman
Very, very funny, albeit inferior in a number of ways to the original.- New York Post
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Jonathan Foreman
It's no funnier than your average grade-school biology lesson and less pedagogically useful than your typical Farrelly brothers comedy.- New York Post
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Lou Lumenick
It's in the teenage section where the film goes seriously wrong and veers from an absorbing family story.- New York Post
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Lou Lumenick
The film isn't remotely scary. That's a shame, because it has top-notch performances by Peter Mullan and David Caruso.- New York Post
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Lou Lumenick
What Amenabar offers here is an unconvincing, pretentiously artsy pastiche of just about every hoary old gothic thriller you can think of.- New York Post
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Lou Lumenick
An intelligent, extremely well-acted thriller about a mother's endless love for her son.- New York Post
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V.A. Musetto
The faint of heart might want to leave early. If you elect to stay, remember: You were warned.- New York Post
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Jonathan Foreman
Even the lovemaking scenes between two of Hollywood's most attractive stars -- often shot from above, like Cinemax soft porn -- are so unerotic, they make your skin crawl.- New York Post
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Jonathan Foreman
The contrast between Chan's charm and physical prowess and Tucker's lack of same is even more dramatic in this tiresome, leaden sequel.- New York Post
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