New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. English-language remakes of foreign films are usually suspect, but Tortilla Soup is the exception that proves the rule - a flavorful comedy about a food-centric Latino family in Los Angeles.
  2. Free love, vegetarianism and lack of personal property are the rule.
  3. A deep disappointment to fans of sci-fi and the once great John Carpenter.
  4. This would be a stultifyingly incestuous affair even if all the jokes about fertilization weren't so tiresomely lame and predictable.
    • New York Post
  5. This is an overlong film interesting chiefly for its performances.
    • New York Post
  6. The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.
  7. For one thing, it goes on too long. But it looks good, the cast is perky.
  8. Summer Catch is the sludge at the bottom of the barrel.
  9. Fitfully funny at best, it's a sophomoric, facetious road comedy.
  10. Woody Allen's most purely entertaining film in years.
  11. It turns into something that is much smarter, and in a gentle, low-key way, tougher and funnier than you expect.
  12. This is a beautifully acted chamber piece --especially by the magnificent Blake, who is married to Norris in real life.
  13. The acting is, at best, serviceable; the sound track is too often unintelligible; the direction is often over the top; and the script relies heavily on stereotypes.
    • New York Post
  14. This poorly done, digitally animated work, directed by Hiroyuki Kitakubo, might be of interest to die-hard fans of anime. Others should pass it by.
  15. Intelligent, moving and often beautifully photographed, Aberdeen boasts superb performances.
  16. We began this dismal movie season with one lethally bad World War II romance -- "Pearl Harbor" -- and now we're wrapping up with another howling dog.
  17. Repackage clichés and stereotypes with attractive young performers in a simple-minded script that panders to the teen audience.
  18. A cheesy affair with no big winners. Especially the audience.
  19. You can tell this is a smart take on Hamlet from the first wordless opening shots.
  20. In general, it's a confusing, rather shapeless disappointment.
  21. Indulges in some of the crudest Jewish stereotypes seen in a recent movie, right down to the crack about every Jewish girl having a nose job.
  22. Very, very funny, albeit inferior in a number of ways to the original.
  23. It's no funnier than your average grade-school biology lesson and less pedagogically useful than your typical Farrelly brothers comedy.
  24. It's in the teenage section where the film goes seriously wrong and veers from an absorbing family story.
  25. The film isn't remotely scary. That's a shame, because it has top-notch performances by Peter Mullan and David Caruso.
  26. What Amenabar offers here is an unconvincing, pretentiously artsy pastiche of just about every hoary old gothic thriller you can think of.
  27. An intelligent, extremely well-acted thriller about a mother's endless love for her son.
  28. The faint of heart might want to leave early. If you elect to stay, remember: You were warned.
  29. Even the lovemaking scenes between two of Hollywood's most attractive stars -- often shot from above, like Cinemax soft porn -- are so unerotic, they make your skin crawl.
    • New York Post
  30. The contrast between Chan's charm and physical prowess and Tucker's lack of same is even more dramatic in this tiresome, leaden sequel.

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