New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. Big Eden
    But it's more than a crowd-pleaser shot at spectacular Rocky mountain locations -- it's almost revolutionary.
  2. A Love Divided
    Has precious little to add to the canon -- and does so in a highly melodramatic manner.
  3. Himalaya
    One of the most beautiful movies you're likely to see this year. And the cast members, all amateurs, are first-rate.
  4. The Road Home
    The lyrical The Road Home is less political and less flashy than some previous films by Zhang Yimou.
  5. Pearl Harbor
    Unfortunately, the bulk of the three-hour epic is third-rate schmaltz that pays only lip service to history.
  6. The Man Who Cried
    It's a thinly disguised lecture about intolerance, spotted with historical inaccuracies and groaning with dialogue so dreadful that it makes a fine cast look ridiculous again and again.
  7. Our Song
    A languid but refreshingly real depiction of female adolescence.
  8. Fast Food Fast Women
    Despite a script that occasionally calls for some embarrassingly awkward lines, Kollek's cast generally acquits itself well.
  9. Striporama
    Exploitation curiosity.
  10. Strange Fits of Passion
    The fresh-faced Noonan tries very hard to rise above the material, but it defeats her and her fellow cast members.
  11. Petits frères
    Disappointing.
  12. Angel Eyes
    During an endless, maudlin last act, it becomes more and more difficult not to laugh -- or barf -- as the protagonists tearfully come to terms with their issues.
  13. Shrek
    An unqualified triumph.
  14. Moulin Rouge!
    A sometimes glorious, sometimes disastrous folly.
  15. Startup.com
    An unforgettable portrait of a testosterone-driven era.
  16. The Trumpet of the Swan
    A brightly colored but terminally dull cartoon.
  17. The King Is Alive
    Tendency to pretentiousness.
  18. The Man Who Bought Mustique
    One of the more entertaining documentaries to come along in some time.
    • New York Post
  19. About Adam
    Thanks to Hudson and the other women, it's a moderately beguiling date movie.
  20. Ice from the Sun
    Every possible film student visual cliché (plus quite a few from the world of music video) gets a thorough workout.
  21. Pavilion of Women
    It's loaded with -- scenery-chewing melodrama, cornball pidgin dialogue and syrupy music.
    • New York Post
  22. Eureka
    Special note should be made of real-life sister and brother Aoi and Masaru Miyazaki, who give beautiful performances as the children.
  23. Time and Tide
    It proves once again that it doesn't matter if the camera is dancing a jig on the ceiling if the storytelling is no good.
  24. Under the Sand
    A sensitive and subtle meditation on aging, loss and bereavement.
  25. The Young Girl and the Monsoon
    It's a shame, because the actors are so much better than the threadbare material.
  26. The Mummy Returns
    Perfectly enjoyable swashbuckling, eye-catching entertainment.
  27. Deuces Wild
    Sort of "West Side Story" set in 1958 Brooklyn -- minus the music or competent storytelling -- is clearly not dealing from anything close to a full deck.
  28. Green Dragon
    Director Timothy Linh employs a delicate - but never sentimental - touch which, combined with strong performances from the principals and Kramer Morgenthau's vivid cinematography, makes for a transporting experience.
  29. The Forsaken
    Writer-director J.S. Cardone's low-budget mishmash offers precious little in the way of thrills and chills, much less coherent storytelling.
    • New York Post
  30. One Night at McCool's
    A strong, early candidate for the worst movie of the year.
    • New York Post
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