New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. Swordfish
    It's a film that reeks of stupidity and cynicism, one that makes you feel soiled just to have sat through it.
  2. Dead or Alive
    I've seen three or four other movies by Miike, and I can tell you that he's one of the most exciting, versatile directors working today.
  3. Let It Snow
    James' character is a charmless, boring lump and it's very hard to care if he gets the girl or not.
  4. Evolution
    Somewhat refreshingly aspiring to be nothing more than a disposable summer popcorn movie, this is a flick that delivers more smiles than laughs and has some wonderful special effects.
  5. The Anniversary Party
    Energetic, often very funny comedy filled with sharp, vivid performances by a terrific ensemble cast.
    • New York Post
  6. Atlantis: The Lost Empire
    Disney's disappointing Atlantis, sadly, is a lot like much of the studio's recent animated output: eye-popping visuals and great vocal characterizations sunk by a dead-in-the-water script.
  7. Bride of the Wind
    Was Alma a masochist? Repressed? Neurotic? A pre-feminist? Don't look for insight here.
    • New York Post
  8. The Animal
    Isn't quite up to the comic standard of Rob Schneider's 1999 hit "Deuce Bigalow, Male Gigolo."
  9. What's the Worst That Could Happen?
    Dumbed down to the point where it's barely recognizable as coming from one of Donald Westlake's John Dortmunder novels.
  10. Farewell, Home Sweet Home
    Plot and dialogue take a back seat to a series of inventive sight gags that unspool with effortless charm. An ensemble cast of talented amateurs is in top form.
  11. A Real Young Girl
    A test of endurance, and not just because you need a rather stronger word than "explicit" to describe this long-unreleased, self-consciously provocative film.
  12. Rape Me
    Some may find it titillating; more will find it offensive and deeply disturbing.
  13. Big Eden
    But it's more than a crowd-pleaser shot at spectacular Rocky mountain locations -- it's almost revolutionary.
  14. A Love Divided
    Has precious little to add to the canon -- and does so in a highly melodramatic manner.
  15. Himalaya
    One of the most beautiful movies you're likely to see this year. And the cast members, all amateurs, are first-rate.
  16. The Road Home
    The lyrical The Road Home is less political and less flashy than some previous films by Zhang Yimou.
  17. Pearl Harbor
    Unfortunately, the bulk of the three-hour epic is third-rate schmaltz that pays only lip service to history.
  18. The Man Who Cried
    It's a thinly disguised lecture about intolerance, spotted with historical inaccuracies and groaning with dialogue so dreadful that it makes a fine cast look ridiculous again and again.
  19. Our Song
    A languid but refreshingly real depiction of female adolescence.
  20. Fast Food Fast Women
    Despite a script that occasionally calls for some embarrassingly awkward lines, Kollek's cast generally acquits itself well.
  21. Striporama
    Exploitation curiosity.
  22. Strange Fits of Passion
    The fresh-faced Noonan tries very hard to rise above the material, but it defeats her and her fellow cast members.
  23. Petits frères
    Disappointing.
  24. Angel Eyes
    During an endless, maudlin last act, it becomes more and more difficult not to laugh -- or barf -- as the protagonists tearfully come to terms with their issues.
  25. Shrek
    An unqualified triumph.
  26. Moulin Rouge!
    A sometimes glorious, sometimes disastrous folly.
  27. Startup.com
    An unforgettable portrait of a testosterone-driven era.
  28. The Trumpet of the Swan
    A brightly colored but terminally dull cartoon.
  29. The King Is Alive
    Tendency to pretentiousness.
  30. The Man Who Bought Mustique
    One of the more entertaining documentaries to come along in some time.
    • New York Post
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