New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. The Trench
    There isn't a line you haven't heard or a stock character you haven't encountered before.
    • New York Post
  2. How the Grinch Stole Christmas
    By far the best and cutest thing about How the Grinch Stole Christmas is the dog Max.
    • New York Post
  3. Bounce
    The most depressing date movie since "Random Hearts."
    • New York Post
  4. Sasayaki
    Newcomer Akihiko Shiota shows talent as a director, but he allows Sasayaki to go on too long.
  5. La bûche
    Engaging in a soap operatic, rather glib way.
    • New York Post
  6. Lies
    When all is said and done, Lies is just good, dirty fun.
    • New York Post
  7. The 6th Day
    This otherwise undistinguished thriller about cloning is the most entertaining movie from the aging action star for some time.
    • New York Post
  8. Rugrats in Paris: The Movie - Rugrats II
    Seems more like a merchandising ploy than a successful attempt to entertain kids and their parents.
  9. One Day in September
    A gripping reminder of a brutal chapter of 20th-century history.
  10. Little Nicky
    It's funnier than "Bedazzled," which isn't saying much.
  11. Non-Stop
    Fresh, fast and funny movie.
  12. Restless
    Boasts exceptionally attractive locations, but its painfully amateurish plotting, dialogue and acting -- combined with slack pacing -- make this Beijing-set indie romance something of a trial.
  13. You Can Count on Me
    Visually flat and uninteresting and too often feels like a (leisurely paced) filmed play.
  14. Rebels with a Cause
    Even if this film may irritate some people who remember "the movement" differently, it's nevertheless a fascinating and often moving document of recent history.
    • New York Post
  15. Looking for an Echo
    Well-meant but rambling little indie melodrama.
    • New York Post
  16. Red Planet
    Isn't as bad as the year's first abysmal Martian movie, "Mission to Mars," but it's pretty close.
  17. Men of Honor
    In-depth performances by De Niro and Gooding Jr. provide the oxygen for this extremely shipshape biopic.
  18. Suzhou River
    This intriguing film is the best variation on "Vertigo" since Brian DePalma's far more polished "Obsession" (1976), which ranks with the best Hitchcock knockoffs of all time.
    • New York Post
  19. Me & Isaac Newton
    Makes for fascinating viewing.
    • New York Post
  20. The Legend of Bagger Vance
    So slow the movie itself seems to be suffering from a hardening of the arteries.
  21. Boesman and Lena
    Awfully poky, even for an art film.
    • New York Post
  22. Kippur
    Undeniably powerful, grimly fascinating.
    • New York Post
  23. The Weekend
    You rarely see movies as dramatically uneven as The Weekend, which has a dreadful, one-star first half - followed by an interesting, three-star conclusion.
    • New York Post
  24. Charlie's Angels
    The film's tongue is so firmly in cheek that, without being a spoof like "Dragnet" or "The Brady Bunch Movie," it has more in common with the "Austin Powers" films.
    • New York Post
  25. George Washington
    For those willing to work a bit at it, this is the sort of artistry many American independent movies aspire to - but rarely achieve.
    • New York Post
  26. Vénus beauté (institut)
    Slight but entertaining and occasionally touching.
  27. A Room for Romeo Brass
    Fairly shapeless story.
  28. Once in the Life
    Basically it's an acting exercise - a one-set rendition of that old stage and movie standby, the ex-convict struggling to go straight who's tempted to attempt one last score.
  29. What's Cooking?
    Lighthearted and smart enough to be one of the best Altmanesque ensemble comedies of the last couple of years.
  30. Lucky Numbers
    As lifeless and unfunny as a corpse on a slab.
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