New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. Comedy with a light-hearted flair. The cast is charming, and Garcia is especially easy on the eye.
    • New York Post
  2. Disappointingly routine kidnapping thriller with soap-opera trimmings.
    • 5 Metascore
    • 0 Critic Score
    Unbelievably awful celluloid-waster.
  3. Tacky-looking, incoherent, badly acted and hopelessly directed disaster is easily the dullest adventure film of 2000.
    • New York Post
  4. You have never seen a movie like Crouching Tiger, Hidden Dragon because there has never been a movie like it.
    • New York Post
  5. Very sentimental.
  6. Despite the high quality of the acting, Spring Forward is for the most part sleepy, long-winded stuff.
    • New York Post
  7. An indie gem.
    • New York Post
  8. Worthwhile mainly because of "Inside Out," a 28-minute autobiographical film written, directed and starring Jason Gould, who not-so-incidentally is Barbra Streisand's son.
    • New York Post
  9. The kind of movie that is beyond criticism.
    • New York Post
  10. Resembles a period version of "The Rocky Horror Picture Show" - played dead straight.
  11. "The Sixth Sense" was no fluke. Unbreakable, writer-director M. Night Shyamalan's dazzling reunion with Bruce Willis confirms he's one of the most brilliant filmmakers working today.
  12. There isn't a line you haven't heard or a stock character you haven't encountered before.
    • New York Post
  13. By far the best and cutest thing about How the Grinch Stole Christmas is the dog Max.
    • New York Post
  14. The most depressing date movie since "Random Hearts."
    • New York Post
  15. Newcomer Akihiko Shiota shows talent as a director, but he allows Sasayaki to go on too long.
  16. Engaging in a soap operatic, rather glib way.
    • New York Post
  17. When all is said and done, Lies is just good, dirty fun.
    • New York Post
  18. This otherwise undistinguished thriller about cloning is the most entertaining movie from the aging action star for some time.
    • New York Post
  19. Seems more like a merchandising ploy than a successful attempt to entertain kids and their parents.
  20. A gripping reminder of a brutal chapter of 20th-century history.
  21. It's funnier than "Bedazzled," which isn't saying much.
  22. Fresh, fast and funny movie.
  23. Boasts exceptionally attractive locations, but its painfully amateurish plotting, dialogue and acting -- combined with slack pacing -- make this Beijing-set indie romance something of a trial.
  24. Visually flat and uninteresting and too often feels like a (leisurely paced) filmed play.
  25. Even if this film may irritate some people who remember "the movement" differently, it's nevertheless a fascinating and often moving document of recent history.
    • New York Post
  26. Well-meant but rambling little indie melodrama.
    • New York Post
  27. Isn't as bad as the year's first abysmal Martian movie, "Mission to Mars," but it's pretty close.
  28. In-depth performances by De Niro and Gooding Jr. provide the oxygen for this extremely shipshape biopic.
  29. This intriguing film is the best variation on "Vertigo" since Brian DePalma's far more polished "Obsession" (1976), which ranks with the best Hitchcock knockoffs of all time.
    • New York Post

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