New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
Comedy with a light-hearted flair. The cast is charming, and Garcia is especially easy on the eye.- New York Post
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Reviewed by
Lou Lumenick
Disappointingly routine kidnapping thriller with soap-opera trimmings.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
Tacky-looking, incoherent, badly acted and hopelessly directed disaster is easily the dullest adventure film of 2000.- New York Post
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Reviewed by
Jonathan Foreman
You have never seen a movie like Crouching Tiger, Hidden Dragon because there has never been a movie like it.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Jonathan Foreman
Despite the high quality of the acting, Spring Forward is for the most part sleepy, long-winded stuff.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
Worthwhile mainly because of "Inside Out," a 28-minute autobiographical film written, directed and starring Jason Gould, who not-so-incidentally is Barbra Streisand's son.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Resembles a period version of "The Rocky Horror Picture Show" - played dead straight.- New York Post
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Reviewed by
Lou Lumenick
"The Sixth Sense" was no fluke. Unbreakable, writer-director M. Night Shyamalan's dazzling reunion with Bruce Willis confirms he's one of the most brilliant filmmakers working today.- New York Post
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Reviewed by
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Reviewed by
Jonathan Foreman
There isn't a line you haven't heard or a stock character you haven't encountered before.- New York Post
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Reviewed by
Jonathan Foreman
By far the best and cutest thing about How the Grinch Stole Christmas is the dog Max.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
V.A. Musetto
Newcomer Akihiko Shiota shows talent as a director, but he allows Sasayaki to go on too long.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
This otherwise undistinguished thriller about cloning is the most entertaining movie from the aging action star for some time.- New York Post
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Reviewed by
Lou Lumenick
Seems more like a merchandising ploy than a successful attempt to entertain kids and their parents.- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
A gripping reminder of a brutal chapter of 20th-century history.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Boasts exceptionally attractive locations, but its painfully amateurish plotting, dialogue and acting -- combined with slack pacing -- make this Beijing-set indie romance something of a trial.- New York Post
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Reviewed by
Jonathan Foreman
Visually flat and uninteresting and too often feels like a (leisurely paced) filmed play.- New York Post
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Reviewed by
Jonathan Foreman
Even if this film may irritate some people who remember "the movement" differently, it's nevertheless a fascinating and often moving document of recent history.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Isn't as bad as the year's first abysmal Martian movie, "Mission to Mars," but it's pretty close.- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
In-depth performances by De Niro and Gooding Jr. provide the oxygen for this extremely shipshape biopic.- New York Post
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Reviewed by
Lou Lumenick
This intriguing film is the best variation on "Vertigo" since Brian DePalma's far more polished "Obsession" (1976), which ranks with the best Hitchcock knockoffs of all time.- New York Post
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