New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. Billy Elliot
    An uplifting, crowd-pleasing film in the tradition of "The Full Monty" that could easily win Oscar nominations for both its 11-year-old star, Jamie Bell, and first-time director, Stephen Daldry.
    • New York Post
  2. Followers
    Atrociously written.
  3. The Red Stuff
    The dramatic history of the Soviet space program deserves a far more competent documentary than this amateurish Dutch production.
  4. Just Looking
    Generic memoir of lower-middle-class "white ethnic" life in the '50s.
  5. Lost Souls
    Predictable, rarely scary.
  6. Ratcatcher
    Has its moments, but overall the effect is uneven.
    • New York Post
  7. One
    A rare dud in the Shooting Gallery series.
  8. The Contender
    Excellent performances in an entertaining if less than totally plausible story.
    • New York Post
  9. Get Carter
    Should you get Carter? Sure - but make it the Michael Caine classic Warner Bros. is releasing on video next week.
    • New York Post
  10. Two Family House
    A charming, (mostly) briskly unsentimental love story, written, directed and acted with remarkable assurance.
  11. CyberWorld
    Crippled by lame storytelling.
  12. Yi Yi
    Presents an intelligent, profound and at times heartrending slice of Taiwanese middle-class existence - as seen by characters at different stages of life.
  13. Taboo
    It's actually the surprisingly compelling plot and the often hilarious dialogue that keep you watching this tale of passion and murder in a Samurai militia unit - not the beautiful scenery or the elegant color palette.
    • New York Post
  14. Digimon: Digital Monsters
    After the monster is subdued, then there's a much less humorous, and more mindlessly violent second half.
    • New York Post
  15. Bamboozled
    Lee's incendiary and brilliant new film.
    • New York Post
  16. Meet the Parents
    Part sitcom, part comedy of manners - but it lacks the courage to deal honestly with class and ethnicity.
  17. Requiem for a Dream
    A powerful fable about love and addiction that manages to be darkly humorous when it isn't graphic or harrowing in the extreme.
  18. Bootmen
    There's 80 minutes of mawkish, overacted melodrama - laced with gratuitous violence and profanity - before we get to anything more than the briefest snippet of a dance number.
    • New York Post
  19. Girlfight
    Refreshing and surprising, the way independent movies are supposed to be.
    • New York Post
  20. The Broken Hearts Club: A Romantic Comedy
    Turns out to be a choppily written, unevenly acted exercise, no less shlocky and predictable than any of Hollywood's average second-string heterosexual comedies.
  21. Barenaked in America
    There's something oddly endearing about the Barenaked Ladies. And by the end of the movie, you begin to see just what it is that inspires such intense fan loyalty.
  22. Remember the Titans
    A civics lesson about integration very artfully - and entertainingly - disguised as an upbeat family sports movie.
  23. Beautiful
    Rarely does a movie go so thoroughly wrong in so many ways.
    • New York Post
  24. The Great Dance: A Hunter's Story
    The labor of love of South African brothers Craig and Damon Foster, who directed and photographed this intriguing documentary.
  25. Best in Show
    I was laughing so hard, tears were streaming down my cheeks.
    • New York Post
  26. The Tavern
    A worthwhile choice in a crowded marketplace.
    • New York Post
  27. Prince of Central Park
    Elaborate vanity production.
  28. The Specials
    Lame spoof.
  29. The Fantasticks
    A brave but ultimately futile attempt at adapting a piece that is so quintessentially theatrical that it defies translation to another medium.
    • New York Post
  30. Urban Legends: Final Cut
    You cease to care as they fall back on a catalogue of clichéd shocks, tired camera angles and an ever-mounting gore quotient.
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