New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. Prime date fare, but cotton-candy light and occasionally just a little too whimsical.
  2. Essentially a downscale TV movie about spousal and child abuse.
    • New York Post
  3. If it weren't for a terrific central performance by the Icelandic pop singer Bjork, Dancer in the Dark would be all but unwatchable.
    • New York Post
  4. After a dreadfully clunky start, Left Luggage picks up and becomes quite moving.
    • New York Post
  5. There's some lumpy writing and uneasy acting, but it's easy to see why this charming, inventive film won prizes at festivals in Berlin, San Francisco and Newport, R.I.
    • New York Post
  6. When it was first performed in theaters a couple of years after the L.A. riots took place, Twilight: Los Angeles must have been very powerful. Unfortunately, director Mark Levin's filmed version lacks that impact.
  7. The documentary equivalent of a Southern Gothic novel.
  8. A profound disappointment, given its cast and source material.
  9. Rarely less than compelling, must-see entertainment, thanks to Farrell, Schumacher and company.
  10. Things rapidly go downhill in this pinch-penny production.
    • New York Post
    • 43 Metascore
    • 63 Critic Score
    It is hard to dislike such a wholesome, well-meaning movie, which has some very funny moments and a lovable cast.
  11. Offers highly effective performances by a cast of real-life employees without previous acting experience, who also collaborated on the intriguing screenplay.
  12. Pretty but tedious Euro-pap at its most self-indulgent.
  13. There have been many documentaries about the Holocaust in recent years, but this one really stands out.
  14. Less an updated version of the Dostoevsky novel than an unusually somber Hollywood teen love story.
    • New York Post
  15. One of those thriller-comedy combos that never get the balance quite right.
    • New York Post
  16. Dark, morbidly funny and quite violent movie, which plays with audience members' heads in ways many people will find quite disturbing.
  17. Ed Radtke's film-fest favorite does at least boast some fine acting, excellent photography and an authentic feel for life on the highway.
  18. The talented cast doesn't stand much of a chance in this rambling, pointless narrative.
    • New York Post
  19. A worthy addition to the growing canon of Holocaust documentaries.
    • New York Post
  20. An unqualified triumph, the year's best movie so far.
    • New York Post
  21. Falters seriously is its too-leisurely pacing.
  22. An impressive screen debut.
  23. Frantic and out of control - and great fun to watch.
  24. An amateurish, pointless exercise in filmmaking.
  25. Well worth seeing for the terrific performances.
    • New York Post
  26. It's hoary and clunky even by the low standards of contemporary thrillers.
    • New York Post
  27. There are times when the urban dialect is so thick, you wish the film came with subtitles.
    • New York Post
  28. This oddly cheerful, decreasingly dark comedy actually works and can boast some of the most enjoyable performances of the year.
  29. A lovely, intelligent film from Spain about recognizable human beings with real-life problems.

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