New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
Prime date fare, but cotton-candy light and occasionally just a little too whimsical.- New York Post
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Reviewed by
Jonathan Foreman
Essentially a downscale TV movie about spousal and child abuse.- New York Post
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Reviewed by
Jonathan Foreman
If it weren't for a terrific central performance by the Icelandic pop singer Bjork, Dancer in the Dark would be all but unwatchable.- New York Post
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Reviewed by
Jonathan Foreman
After a dreadfully clunky start, Left Luggage picks up and becomes quite moving.- New York Post
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Reviewed by
Jonathan Foreman
There's some lumpy writing and uneasy acting, but it's easy to see why this charming, inventive film won prizes at festivals in Berlin, San Francisco and Newport, R.I.- New York Post
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Reviewed by
Jonathan Foreman
When it was first performed in theaters a couple of years after the L.A. riots took place, Twilight: Los Angeles must have been very powerful. Unfortunately, director Mark Levin's filmed version lacks that impact.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
A profound disappointment, given its cast and source material.- New York Post
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Reviewed by
Lou Lumenick
Rarely less than compelling, must-see entertainment, thanks to Farrell, Schumacher and company.- New York Post
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Reviewed by
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- New York Post
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- Critic Score
It is hard to dislike such a wholesome, well-meaning movie, which has some very funny moments and a lovable cast.- New York Post
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Reviewed by
Lou Lumenick
Offers highly effective performances by a cast of real-life employees without previous acting experience, who also collaborated on the intriguing screenplay.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
There have been many documentaries about the Holocaust in recent years, but this one really stands out.- New York Post
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Reviewed by
Jonathan Foreman
Less an updated version of the Dostoevsky novel than an unusually somber Hollywood teen love story.- New York Post
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Reviewed by
Jonathan Foreman
One of those thriller-comedy combos that never get the balance quite right.- New York Post
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Reviewed by
Lou Lumenick
Dark, morbidly funny and quite violent movie, which plays with audience members' heads in ways many people will find quite disturbing.- New York Post
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Reviewed by
Jonathan Foreman
Ed Radtke's film-fest favorite does at least boast some fine acting, excellent photography and an authentic feel for life on the highway.- New York Post
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Reviewed by
Lou Lumenick
The talented cast doesn't stand much of a chance in this rambling, pointless narrative.- New York Post
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Reviewed by
Lou Lumenick
A worthy addition to the growing canon of Holocaust documentaries.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
It's hoary and clunky even by the low standards of contemporary thrillers.- New York Post
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Reviewed by
Jonathan Foreman
There are times when the urban dialect is so thick, you wish the film came with subtitles.- New York Post
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Reviewed by
Jonathan Foreman
This oddly cheerful, decreasingly dark comedy actually works and can boast some of the most enjoyable performances of the year.- New York Post
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Reviewed by
Jonathan Foreman
A lovely, intelligent film from Spain about recognizable human beings with real-life problems.- New York Post
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