New York Post's Scores

  • Movies
  • TV
For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8355 movie reviews
  1. Branagh's attempt to meld Shakespeare's densely verbal early comedy with Broadway show tunes fails, thanks to stunt casting, poor singing and dancing, and the incompatibility of the two art forms.
  2. In monotonous narration, Rosette rants that the vendors' right to free speech should allow them to obstruct sidewalks, but the portrait of his subculture is so vaguely rendered, it will likely put audiences to sleep rather than change minds.
  3. Unfortunately, you really only hear about prostitution from the side of the pimp.
    • New York Post
  4. Her star billing notwithstanding, Jolie has perhaps the ninth-largest part in the movie (behind seven humans and a dog), playing Cage's ex-girlfriend.
    • New York Post
  5. Suffers from terminal hoof-in-mouth disease.
  6. A bad film with some oddly charming moments.
  7. Watching Thirteen is like spending an hour and a half with a poker-faced teen who's obviously unhappy but refuses to talk about what's wrong.
  8. Strident, unrepentantly one-sided but often entertaining.
    • New York Post
  9. Intermittently funny, often vulgar.
    • New York Post
  10. The most enjoyable western comedy since "Blazing Saddles."
  11. It's not much fun to watch people go to raves. And it's even less fun to listen to people talk about how much fun it is to go to raves.
    • New York Post
  12. A shallow, stilted romantic thriller.
  13. Beautiful camerawork, some interesting scenes, but extraordinarily slow.
  14. More prettily photographed pretentious rubbish from the ridiculous Peter Greenaway.
    • New York Post
  15. Check your brains at the popcorn stand and hang on for a spectacular ride.
  16. An expensive demonstration that all the spectacular effects in the world aren't enough to make a great film - but it's worth seeing for that stunning half-hour alone.
    • New York Post
  17. The ugly, witless pair of clowns who flit through the movie are emblematic of everything that is wrong with this dull, monumentally pretentious mess.
    • New York Post
  18. Has its moments, but overall it's depressing.
    • New York Post
  19. A heartfelt, beautifully acted film that suffers from its similarity to countless other movies.
    • New York Post
  20. A stunningly intelligent look at how the founder of psychoanalysis and modern psychiatry developed his ideas.
  21. Petty larceny - but Allen's fans won't want to miss this lowbrow caper.
  22. A cheerfully crude, well-cast (and frequently uproarious) campus comedy in the tradition of "There's Something About Mary."
  23. This is a cheap-looking lowbrow comedy that likely would have gone straight to home video.
    • New York Post
  24. A compelling and beautifully photographed documentary.
  25. The best dance movie since "Flashdance."
    • New York Post
    • 7 Metascore
    • 25 Critic Score
    The real disappointment is Danny DeVito as a creepy coroner.
  26. Goes from being tediously terrible to downright gigglesome.
    • New York Post
  27. Too crude for serious audiences and too serious to be good exploitation, Coming Soon is a teen sex comedy that's predictably getting a token theatrical release prior to its imminent debut on home video.
    • New York Post
  28. May well be the dullest and most pointless version ever filmed, thanks to a stunningly bad lead performance by Ethan Hawke.
    • New York Post
  29. Though it contains some very funny, cleverly written comic sketches, Human Traffic shares with other drug movies the problem that watching other people on drugs is not interesting.
    • New York Post

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