New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. Beautiful camerawork, some interesting scenes, but extraordinarily slow.
  2. More prettily photographed pretentious rubbish from the ridiculous Peter Greenaway.
    • New York Post
  3. Check your brains at the popcorn stand and hang on for a spectacular ride.
  4. An expensive demonstration that all the spectacular effects in the world aren't enough to make a great film - but it's worth seeing for that stunning half-hour alone.
    • New York Post
  5. The ugly, witless pair of clowns who flit through the movie are emblematic of everything that is wrong with this dull, monumentally pretentious mess.
    • New York Post
  6. Has its moments, but overall it's depressing.
    • New York Post
  7. A heartfelt, beautifully acted film that suffers from its similarity to countless other movies.
    • New York Post
  8. A stunningly intelligent look at how the founder of psychoanalysis and modern psychiatry developed his ideas.
  9. Petty larceny - but Allen's fans won't want to miss this lowbrow caper.
  10. A cheerfully crude, well-cast (and frequently uproarious) campus comedy in the tradition of "There's Something About Mary."
  11. This is a cheap-looking lowbrow comedy that likely would have gone straight to home video.
    • New York Post
  12. A compelling and beautifully photographed documentary.
  13. The best dance movie since "Flashdance."
    • New York Post
    • 7 Metascore
    • 25 Critic Score
    The real disappointment is Danny DeVito as a creepy coroner.
  14. Goes from being tediously terrible to downright gigglesome.
    • New York Post
  15. Too crude for serious audiences and too serious to be good exploitation, Coming Soon is a teen sex comedy that's predictably getting a token theatrical release prior to its imminent debut on home video.
    • New York Post
  16. May well be the dullest and most pointless version ever filmed, thanks to a stunningly bad lead performance by Ethan Hawke.
    • New York Post
  17. Though it contains some very funny, cleverly written comic sketches, Human Traffic shares with other drug movies the problem that watching other people on drugs is not interesting.
    • New York Post
  18. To paraphrase that old quip about slow-paced art films, it literally is watching paint dry.
    • New York Post
  19. Unpretentious and often witty, it's emotional punch is weakened by spotty performances, especially from Karin Viard in the lead role.
  20. There are a few interesting moments, but basically Up at the Villa is dangerously short of sympathetic characters.
  21. Ends up a nightmare of a star vehicle.
    • New York Post
  22. Just as spectacular as seeing the view from Everest or other natural wonders caught by the IMAX technology.
  23. Would be solid family entertainment if it weren't for the funereal pacing, which may kill its appeal among young audiences.
    • New York Post
  24. An exhilarating, sweeping epic that begs to be seen on the largest possible screen.
  25. A witty and quietly charming road comedy.
    • New York Post
  26. Comes off as nothing more than a TV soap opera, with overwrought acting, simplistic dialogue and a generic plot.
    • New York Post
  27. A flawed labor of love that's definitely worth a look.
    • New York Post
  28. Graham is funny and adorable in this endearing little romantic comedy.
    • New York Post
  29. Had me watching through misty eyes, at least for the first half.
    • New York Post

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