New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
Branagh's attempt to meld Shakespeare's densely verbal early comedy with Broadway show tunes fails, thanks to stunt casting, poor singing and dancing, and the incompatibility of the two art forms.- New York Post
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Reviewed by
Lou Lumenick
In monotonous narration, Rosette rants that the vendors' right to free speech should allow them to obstruct sidewalks, but the portrait of his subculture is so vaguely rendered, it will likely put audiences to sleep rather than change minds.- New York Post
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Reviewed by
Jonathan Foreman
Unfortunately, you really only hear about prostitution from the side of the pimp.- New York Post
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Reviewed by
Lou Lumenick
Her star billing notwithstanding, Jolie has perhaps the ninth-largest part in the movie (behind seven humans and a dog), playing Cage's ex-girlfriend.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Hannah Brown
Watching Thirteen is like spending an hour and a half with a poker-faced teen who's obviously unhappy but refuses to talk about what's wrong.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
The most enjoyable western comedy since "Blazing Saddles."- New York Post
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Hannah Brown
It's not much fun to watch people go to raves. And it's even less fun to listen to people talk about how much fun it is to go to raves.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Beautiful camerawork, some interesting scenes, but extraordinarily slow.- New York Post
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Jonathan Foreman
More prettily photographed pretentious rubbish from the ridiculous Peter Greenaway.- New York Post
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Lou Lumenick
Check your brains at the popcorn stand and hang on for a spectacular ride.- New York Post
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Reviewed by
Lou Lumenick
An expensive demonstration that all the spectacular effects in the world aren't enough to make a great film - but it's worth seeing for that stunning half-hour alone.- New York Post
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Hannah Brown
The ugly, witless pair of clowns who flit through the movie are emblematic of everything that is wrong with this dull, monumentally pretentious mess.- New York Post
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Reviewed by
Hannah Brown
A heartfelt, beautifully acted film that suffers from its similarity to countless other movies.- New York Post
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Reviewed by
Hannah Brown
A stunningly intelligent look at how the founder of psychoanalysis and modern psychiatry developed his ideas.- New York Post
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Reviewed by
Lou Lumenick
Petty larceny - but Allen's fans won't want to miss this lowbrow caper.- New York Post
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Reviewed by
Lou Lumenick
A cheerfully crude, well-cast (and frequently uproarious) campus comedy in the tradition of "There's Something About Mary."- New York Post
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Lou Lumenick
This is a cheap-looking lowbrow comedy that likely would have gone straight to home video.- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Goes from being tediously terrible to downright gigglesome.- New York Post
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Reviewed by
Lou Lumenick
Too crude for serious audiences and too serious to be good exploitation, Coming Soon is a teen sex comedy that's predictably getting a token theatrical release prior to its imminent debut on home video.- New York Post
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Reviewed by
Jonathan Foreman
May well be the dullest and most pointless version ever filmed, thanks to a stunningly bad lead performance by Ethan Hawke.- New York Post
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Reviewed by
Jonathan Foreman
Though it contains some very funny, cleverly written comic sketches, Human Traffic shares with other drug movies the problem that watching other people on drugs is not interesting.- New York Post
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