New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. Scream 3
    It's the chemistry between the Arquettes (they met on the first film and married after the second) and their rapport with Campbell that sustains Scream 3 through its overly convoluted plot.
  2. Grizzly Falls
    A hapless family film that's too scary for little kids and too boring for everyone else.
    • New York Post
  3. The Big Tease
    Has its share of laughs.
    • New York Post
  4. The Cup
    So joyous it can actually shake viewers out of a bad mood.
    • New York Post
  5. Santitos
    The premise is so sad it's impossible to chuckle at the often heavy-handed humor.
  6. Isn't She Great
    Isn't great, but it's an enjoyable if overly discreet and romanticized look at a long-vanished show-business world.
  7. Eye of the Beholder
    Watchable even when what's going on makes no sense whatsoever.
    • New York Post
  8. Down to You
    Stinko movies often unwittingly critique themselves -- and the brain-dead romantic comedy Down to You (which Miramax understandably didn't screen in advance for critics) is no exception.
    • New York Post
  9. Wirey Spindell
    The latest vanity production by writer-director-star Eric Schaeffer, who still seems to think he's another Woody Allen -- despite a growing body of work that proves otherwise.
  10. Supernova
    A perfectly enjoyable sci-fi thriller.
  11. My Dog Skip
    Grows on you like kudzu.
  12. Next Friday
    The whole movie is so ineptly written and directed that its 90 minutes seem to take twice as long.
  13. Fantasia 2000
    More than lives up to its clever positioning as the first movie of the new millennium.
    • New York Post
  14. Close-Up
    For all its wit and intricacy, the film is often ponderous. [31 Dec 1999, p.038]
    • New York Post
  15. The Hurricane
    An expertly crafted, deeply moving film.
    • New York Post
  16. The Third Miracle
    A flawed drama offering a rare look at the Catholic Church's canonization process.
  17. Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.
    Morris' most gripping film since "The Thin Blue Line," is the year's scariest movie.
  18. Play It to the Bone
    It's bone tired.
  19. Titus
    Rescues a rarely performed tragedy and makes a brilliant case that it is the Shakespeare play for our time.
  20. Galaxy Quest
    An affectionate, often clever and unflaggingly funny satire.
    • New York Post
  21. The Talented Mr. Ripley
    This film of mistaken identity, murder, class envy and (bi)sexual tension doesn't live up to its own promise.
  22. Any Given Sunday
    A testosterone- and cliché-fueled epic that will have some hoping for sudden death as it stumbles toward the three-hour mark.
    • New York Post
  23. Angela's Ashes
    Lacks the humor and charm that fills the book and makes it so much more than a catalog of suffering.
    • New York Post
  24. Man on the Moon
    Less a conventional biography than a performance film - one that stuns and delights.
  25. Snow Falling on Cedars
    The year's most beautiful movie -- and surely one of the dullest.
  26. Girl, Interrupted
    It's an odd mixture of an unsentimental, darkly humorous take on mental illness with the usual Hollywood loony-bin cliches.
    • New York Post
  27. Topsy-Turvy
    Revels in the sensual pleasure of music while capturing brilliantly the tension that grips any theater company before the curtain goes up.
  28. Anna and the King
    The kind of unsophisticated family entertainment they supposedly don't make anymore.
    • New York Post
  29. Onegin
    The pace slackens a little after the first hour, but the photography by Remi Adefarasin and music by Magnus Fiennes keep the emotion stoked.
  30. Stuart Little
    Such astounding computer-generated effects you'll suspend disbelief and root for the hero, a 3-inch talking mouse.
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