New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
Downbeat and at times strangely slow-moving despite all its beautifully shot high-speed ambulance rides.- New York Post
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Reviewed by
Lou Lumenick
Its portrait of adolescence seems so authentic that it puts most Hollywood products to shame.- New York Post
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Reviewed by
Lou Lumenick
Not especially scary or funny, this lame comedy-thriller wastes a decent cast in a plodding tale.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Hannah Brown
Talky, overlong and, ultimately, just as predictable and repetitive as the maddening relationship it depicts.- New York Post
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Reviewed by
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- Critic Score
As a work of historical documentation, The Source suffers from Workman's wholly celebratory take on the movement.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Amateurishly written and directed, and so predictable that it hurts.- New York Post
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Reviewed by
Jonathan Foreman
Sucker bait for the sort of credulous cinast who'll buy anything ugly and boring that looks like it's avant-garde...rancid stew of cheap shocks, sleaze and phony artiness.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
Lynch's first G-rated feature, turns out to be one of the year's best films...a wonderful surprise.- New York Post
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Reviewed by
Lou Lumenick
Fight Club badly wants to be "A Clockwork Orange" for the millennium - and succeeds to a surprising extent until director David Fincher ends up sucker-punching the audience.- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
Undercut by funereal pacing and an ending that seems more than a little contrived.- New York Post
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Reviewed by
Lou Lumenick
The cinematic equivalent of enduring a cross-country airplane flight trapped in a seat next to a manic depressive.- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
A witless and vulgar romantic comedy wrapped inside a mock documentary.- New York Post
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Reviewed by
Lou Lumenick
Shallow and blatantly manipulative variation on "Awakenings" in which every plot development is telegraphed.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Without a real story to go with the notion of Farm Belt "wiggas," the humor wears thinner and thinner until it disappears.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
A haunting, superbly made film. But it's also an unrelentingly sad and depressing experience.- New York Post
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Reviewed by
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Reviewed by
Jonathan Foreman
It's moody and atmospheric. But with the exception of a few cool moments that remind you of Ferrara at his best, it's dull and written with little attention paid to basic storytelling.- New York Post
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Reviewed by
Lou Lumenick
Basically a feature-length rock video from Germany with appealing performers, decently written characters, a killer score, and an interesting premise.- New York Post
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Reviewed by
Lou Lumenick
Should entertain less jaded youngsters.- New York Post
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Reviewed by
Hannah Brown
The awkwardness and drama of finding and losing love has rarely been portrayed so gracefully on screen in recent years.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
Does offer solid laughs, engaging performances and a captivating setting.- New York Post
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Reviewed by
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Reviewed by
Jonathan Foreman
A noisy, amateurish mess that doesn't work on any level - an extended, clich-ridden MTV video set to anachronistic bad music.- New York Post
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Reviewed by
Jonathan Foreman
Recycles the teen romantic comedies of the last few years...and it's easily the worst of the lot.- New York Post
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Reviewed by
Jonathan Foreman
An extraordinary experience: an original and brilliant combination of comedy, action and sophisticated political comment -- the best American movie of the year thus far.- New York Post
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Reviewed by