The once-funny Robin Williams is still stuck in his excruciating touchy-feely mode.

Meanders along in a confused, confusing way for what feels like hours.

Hands-down the best movie of the year.

A relentlessly grim, rather heavy-handed drama of family dysfunction.

A major disappointment, The Cider House Rules pales by comparison with the gutsier, more full-bodied adaptation of Irving's "The World According to Garp."

There is hardly a moment during this overlong, stunningly smug exercise in moral self-satisfaction when you actually care about a character, real or invented.

Thanks to (Douglas), Diamonds is quite affecting -- even if it's not a particularly good movie.

A reminder of just how good Hollywood storytelling can be.

It's not to say that the adolescent humor isn't funny; some of it is hilarious. It's just that this movie lacks the overarching comic sensibility that made "Mary" and even Adam Sandler comedies like "Happy Gilmore" and "The Waterboy" so satisfying.

This intense psycho-sexual drama doesn't easily lend itself to the camera.

Studded with potent fright scenes and built on a rock-solid performance by the ever-dependable Kevin Bacon.

A satisfying Irish stew made from very familiar ingredients.

It's hard to feel anything but disappointment and boredom by the time the picture grinds to a mystical ending.

All of the characters in this story of love, guilt and redemption feel like real people, facing real dilemmas, and you truly care about what happens to them

It lurches ineptly from lame comedy to hokey melodrama.

Isn't Allen's finest work by a long shot, but an undeniable part of its fascination is trying to figure out what -- if anything, even unconsciously -- he's trying to say about how he treated Farrow.

Worth seeing for McTeer's touching, funny and richly detailed performance, which should put her on the map in Hollywood.

A hokey, overblown and deeply unsatisfying movie.

Toy Story had a simpler, stronger story and the advantage of being the first of its kind. But it's quickly apparent that TS2 represents a major step forward in computer-animation artistry.

De Niro gives a technically brilliant performance as Walt, struggling with a body that will no longer obey him.

Comes closer to what a Bond movie should be and once was.

As a horror movie, even one inspired by the kitschy Hammer horror films of the 1950s, it's disappointing.

The year's best foreign-language movie an absolute must-see.

Easily one of the year's best movies.

The latest episode of this ongoing masterpiece of reality TV -- which every seven years revisits a group of English people first interviewed as 7-year-olds in 1964 -- is every bit as enthralling as the earlier ones.

Kevin Smith's attempt to combine sketchy low comedy with long-winded theological speculation results in a mostly unfunny and occasionally tedious mess.

But given the potentially gripping subject matter, the film is fatally underedited: Every scene feels too long.

Well worth seeing for the incandescent Portman.