New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Before going off in conventional directions, "Circus" is terrifically weird, funny and garish. Bozo and Clarabelle it ain't.
  2. With the most growling and grunting of any movie this summer - and that includes those apes perched atop the box office - Conan the Barbarian seems at times to have actually been made by barbarians.
  3. Now CDL aficionados have One Day, though it is a tedious addition to this subspecies of rom-com, despite Anne Hathaway's efforts to make us fall for her regardless of the setting.
  4. You'll need a taste for nostalgia to really appreciate Fright Night, which knowingly blends Eighties cheese with Nineties snark - a combination that works better than it sounds.
  5. His years of success aren't as gripping as Kapadia, and Senna's legend, would have us believe. He had no demons besides fame, and no hurdles besides a recklessness that went with the territory.
  6. A lot of gleeful audience members are interviewed in Glee: The 3-D Concert Experience, though the source of their happiness could be a lot of things.
  7. Quale has brought this anemic franchise back to life, with an unexpected infusion of humor and energy.
  8. A darkly comic underachiever that manages to charm almost in spite of itself, Ruben Fleischer's 30 Minutes or Less is probably best watched as it was made: without much evident effort. In other words, wait until it hits DVD, order a pizza and Netflix it.
  9. Emma Stone, for example, is no one's idea of an ugly duckling. And though she offers a sincere effort, she never quite settles into the role of Skeeter.
  10. Those who go looking for tragic relevance in Scott Rosenbaum's debut indie won't find much to grasp onto.
  11. Though it remains a little too enigmatic, Marek Najbrt's Holocaust drama is atmospheric enough to keep us edgy on its heroine's behalf.
  12. The title's accurate; there are lots of minor but magical moments, like witnessing the accidental invention of tie-dye.
  13. Without pushing too heavily, Green makes the parallels between Enrique and Michael's situations genuine.
  14. The result is a dull, high-minded soap opera.
  15. Director Larysa Kondracki's fictionalized account of a true story is underserved by a melodramatic script; the result is like a film of a "60 Minutes" segment. Still, Weisz is strong and smart. And David Strathairn shows up in is-he-good-or-evil? mode.
  16. Like its antiheroes, this slacker tragedy has moments of calm and originality that are sadly obliterated by a tendency toward the extreme. Still, in a kind of reverse apocalypse, the movie's toughest stretch is its first two-thirds, a navel-gazing, semi-romantic nothing-a-thon that falls away in time for the movie to emerge from the ashes.
  17. This summer's best popcorn flick.
  18. There are dull spots, as with any other day, yet "Life" aims to be, and occasionally is, like a YouTube-y "Our Town," giving a sense of what it is to be alive on planet Earth.
  19. This is crucial work, evidenced by a line on a wall of R.I.P. graffiti that reads simply, "I am next." This film of common folks fighting the seemingly inevitable is just as moving.
  20. The twists and turns involve a high-level assassination, corrupt cops, squint-inducing violence and plenty of fearlessness.
  21. The cast is splendid, the script quick-witted and the action satisfying.
  22. Sometimes these characters say things worth hearing. But too often, and in contrast to her first feature, "Me and You and Everyone We Know," July's calculated delivery doesn't reveal the profundity required to elevate it beyond a self-conscious deadpan.
  23. McDonagh indulges in too many '90s affectations, from blaring chapter titles to philosophizing gangsters. But he captures his misty setting's insular atmosphere beautifully.
  24. Dominic Cooper gives a riveting dual performance in The Devil's Double, but the movie is a relentless one-note drama that loses its momentum halfway through.
  25. Azaria channels his inner Charles Nelson Reilly, which helps, as does an evil emoting cat. Kids under 7 will likely giggle at some too-harsh pratfalls, not care about a grown man's fear of procreation, not get all the tiny innuendos and possibly miss how the movie is a fairly successful tourism ad for New York.
  26. It's hard to ignore the fact that very little in the movie feels true - no one clicks as a couple, and there are carefully contrived coincidences around every corner.
  27. The sole treasure of Cowboys & Aliens is that director Jon Favreau ("Iron Man") has fashioned an actual rawhide ride from a graphic novel (that took six writers to wrangle to the screen).
  28. The real problem is that this eager-to-please debut never quite achieves its own, more modest ambitions.
  29. Alas, this learned woman of letters - her expertise became the work of Dostoyevsky, whose major novels Geier nicknames "the five elephants" - is ill served by a trudging approach and dry-as-dust, procedural style.
  30. Weithorn, a sitcom vet whose credits include "Ned and Stacey" and "The King of Queens," makes sure even the quiet moments in the unassuming "A Little Help" move things forward. And that every one of Laura's missteps is in the right direction.

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