The direction is excellent. Frank Capra never lets his picture lag for a moment. It is never very exciting, but it moves along snappily and it is full of amusing situations.

A gloriously, heart-rendingly beautiful, stirring picture of a generation in British family life.

King Kong, as spectacular a bolt of celluloid as has thrilled audiences in a couple of sophisticated seasons, is the product of a number of vivid imaginations...We've got to admit that there's a certain tenseness about King Kong which defies you to glance away from the screen before the entire tale is told. It fascinates, to be sure.

Each and every performer in the screened Grand Hotel does a remarkable piece of work. To us, Garbo is the supreme of magnificence.

We're exhausted because we laughed so much and so heartily at City Lights that we feel considerably weakened. Here's praying that we fast regain our strength so that we may journey to the George M. Cohan theatre to see Charlie again - and again - in this new heart-breaking masterpiece of comedy which he offers pantomimically to a worldful of movie-goers...City Lights is excruciatingly funny and terribly, terribly sad. It makes you chuckle hysterically. You have the greatest time imaginable, and yet, occasionally you find little hurty lumps in your throat.

We can't describe the grandeur and the punch and the appeal of Cimarron. This is one picture you cannot afford to miss. It is 1931's first great contribution to the screen. We loved every minute of it!

This is melodrama with broad theatrical flourishes, but Dietrich's sensuality is still a natural wonder, and with a new print, the Film Forum run offers a rare opportunity to see it big-screen-size.

Zowie! What a picture! Humor, drama, romance, action, thrill! And how!