New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Jackie Chan's cameo as a monastery cook is a tiny joy. To see Chan use his once-great physical skill on a hunk of bread dough is to see a giant work in miniature.
  2. Most of the actresses are appealing, but ultimately not even the gifted Mara can keep the film from feeling like a gauzy portrait of privilege.
  3. While Shepard and Tuck earn a few laughs spoofing the celebrity/enabler relationship, the high points come from the game cameos: Ashton Kutcher, Jon Favreau, and Bradley Cooper are drolly entertaining as A-listers who make it perfectly clear that they're doing their buddy a big favor by appearing in his movie.
  4. Has moments of power that push through a fake-out script.
  5. There's a sense of dread in Contagion, but it never spreads to us. When Day 1 is finally shown, it makes you want to eat better, which isn't the same as saying this is a great movie.
  6. Has no thrills, no chills, no scares and contains a villain, or several of them, actually, that will turn you to stone -- from boredom.
  7. More cold fish than cold-blooded, director Alain Correau keeps his movie buttoned up and predictable.
  8. Based on a true story, co-writer/director Claude Miller ("A Secret") gets points for using a bit of narrative sketchiness to good effect.
  9. Without a satisfying resolution, the movie ultimately sheds very little light on its own subject.
  10. To maximize your entertainment budget, look no further.
  11. What the movie lacks in depth it makes up for in surreal humor, and - just as he should - Gainsbourg look-alike Elmosnino seduces us effortlessly.
  12. There's a climactic putt, of course, but by then you wish Duvall would get one more "Tender Mercies" under his belt so you can forget about this tin cup of a family flick.
  13. This incredibly moving, touchingly honest and transcendent chronicle of how a handful of people coped after Sept. 11 is not only one of the best distillations of that day, but a monument to humanity lost and gained.
  14. The jokes are hit-and-miss, but the cast is uniformly game, with Labine stealing the show.
  15. The one crime a B-movie should never commit is boring its audience. By even these low standards, Shark Night 3D is dead in the water.
  16. Despite some early whispers of awards potential, The Debt is nothing more than a gritty thriller with a highbrow pedigree.
  17. Zoe Saldana makes being an action hero look so easy in Colombiana, you have to wonder why more actresses don't try it.
  18. This would be tricky territory for the most experienced director, but I can't remember the last time I saw organized religion handled in such an even-handed, thoughtful manner.
  19. Though he has a true appreciation for detail, Joffe has the scar-faced Pinkie so scurvy that Rose ought to run the minute she sees him.
  20. As clichés trot through their sessions - it's like "In Treatment" as bedroom farce - we check out. Huppert, though, is as fearless as ever.
  21. Keshavarz's vision is clear and heartfelt, and everyone has an urgency in their eyes.
  22. Despite a pleasantly laid-back demeanor, you wish it would just get focused.
  23. If you flinch at "boo," you'll find plenty to jump at here. Just don't expect striking originality, or even genuinely memorable eeriness. Still, every time "Dark" starts to feel like a generic thriller, it's saved by the distinctive stamp of co-screenwriter/producer Guillermo del Toro.
  24. There have been so many movies about aspiring superheroes in recent years, they practically constitute their own genre. Though hardly ground-breaking, this whimsical Australian entry is just endearing enough to stand out from the pack.
  25. Marie Féret struggles to hold the film's center throughout, but there's more than enough to distract us, from transcendent music to sumptuous costumes and sets.
  26. Writer/director Mona Achache adapts Muriel Barbery's novel, "The Elegance of the Hedgehog," loosely but skillfully, creating an intimate portrait that resounds with empathy. Comedy and tragedy are given equal respect, and even the quietest souls are valued.
  27. It's a mess from start to finish, but there's still fun to be had in Rob Minkoff's caper comedy.
  28. This thought-provoking but overlong doc wins points for being all-inclusive.
  29. Harlin even makes poor Kilmer go running about. Just like that image, "5 Days" is embarrassingly clumsy.
  30. Cooper, Torre and Dane DeHaan, as a soldier smitten with a local girl, stand out among a strong cast. With its big ideas on an intimate scale, this is Sayles' best in a decade.

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