New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Though the Tickells' unabashedly partial, first-person approach is a liability, they present so much damning evidence that their case is - one hopes - impossible to ignore.
  2. These characters are stripped bare in every sense, reflecting an extreme degree of inner confusion, vulnerability and fear. Betrayed and broken as children, they now have to define and rebuild themselves as adults...Sissy turns a nightclub rendition of "New York, New York" into a heartbreaking plea.
  3. Here, in his best performance since "Spider," Fiennes plays the snarling, entitled general Caius Martius Coriolanus, whose bloody brow and bald head are stained with what's left of his soldiers.
  4. Harrelson though, is in every scene, and seeing him burn up Rampart is positively arresting.
  5. A Dangerous Method concerns itself primarily with sex, but what's most shocking is how conservative it turns out to be.
  6. Segel and Nicholas Stoller, who made "Forgetting Sarah Marshall" together, wrote the screenplay for The Muppets with obvious intent: to return these icons to their former glory.
  7. All of the actors' vocal performances are spot-on, including McAvoy's gentle Arthur, Nighy's salty GrandSanta and Ashley Jensen's cute stowaway elf Bryony, a chipper little pixie that would make Rudolph's pal Hermey proud.
  8. All the actors are wonderful, including Sacha Baron Cohen as a villainous Inspector.
  9. When Marilyn Monroe appears, things stop. She is, as portrayed by Michelle Williams, a strange and beautiful alien: Unpredictable, odd, magnetic.
  10. Westby's nervy story is like "Desperately Seeking Susan" played straight. Let's hope O'Grady's next film meets this one's potential.
  11. Its young heroine is proud to be herself; there's just not much for her to do beyond that.
  12. As a low-cost baby-sitter, this high-energy sequel definitely does the trick.
  13. Peter Mullan and Olivia Colman give such hard-as-nails, lived-in performances in this stark drama directed by Irish actor Paddy Considine ("In America," "Cinderella Man") that it's impossible not to be pulled in.
  14. It doesn't try too hard, but what The Lie is working at, in its unassuming, amusing way, is a mini-portrait of growing pains in a time of extended adolescence. The truth is, that kind of thing is never easy, no matter what age.
  15. It's Barkin, though, who holds everything together, even as her character is falling apart. Whether or not she took this role as a favor - Levinson's father, Barry, directed her in "Diner" decades ago - ultimately seems irrelevant. This isn't an invitation you should feel obliged to accept. But if you decide to stop by, she'll be the reason you stay.
  16. To outsiders, in fact, Breaking Dawn: Part I will probably look like the weirdest, most expensive chastity commercial ever created. But Meyer's massive fan base will see something else entirely. They'll see a faithful, well-made depiction of the most eventful book in a beloved series. They'll see the actors they adore embodying characters they cherish.
  17. Payne's observational humor and attention to detail yield something emotionally epic. Everything from beachfront jogs to hospital confessions reveals layers of humanity and absurdity.
  18. While some documentaries are broad enough in theme and creative enough in style to attract a wide-ranging audience, others remain best-suited to a smaller group of devotees. Such is the case for Peter Rosen's biography of violinist Jascha Heifetz.
  19. The story is never less than gripping, but the most important questions disappear into that unbearably bleak abyss.
  20. The movie's intensity is given crucial depth via Moura's somber and unshowy performance.
  21. A popcorn movie has one goal, and that's to entertain. Immortals meets this criteria handily, and serves as a splendid spectacle besides.
  22. Had the film stood still more often, its stylish gambit would have worked better.
  23. Lars von Trier's end-of-days drama Melancholia feels as if it's something from another world...but even by his standards this remote yet lovely funereal dirge is in its own orbit.
  24. There are moments in Jack and Jill that are genuinely funny - and, just like countless family reunions, there are moments when you can't wait for it to end.
  25. Though this family film is slick and well-intentioned, it comes off as shallow as a prom committee meeting.
  26. At least Leonardo DiCaprio, grounded and sure, has commitment to spare. His portrayal of Hoover is undeniably terrific.
  27. This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.
  28. Unfortunately, director Joe Maggio's film, despite showing real promise and an ear for threats delivered with a smile, runs out of gas.
  29. Director Nick Hamm's movie is sparky and fun, and full of affectionate pokes at the '80s music scene. It's also, in terms of music biopics, probably better than the real thing.
  30. Boasts an unusually strong cast of actors, who boost the slick screenplay into a satisfying popcorn picture.

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