New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. "Dopey" is too good a word for it.
  2. Feels stagy and anti-visceral.
  3. The biggest trouble with "Bliss" is the way it wastes a cast that deserves so much more.
  4. In truth, Musical Chairs is so simplistic it almost feels like a first film.
  5. The special effects here are wiry martial artists grunting their way through fight after fight. It's exhausting but exhilarating.
  6. All In lays down some interesting hands but sometimes can't raise the stakes, though "Rounders" star Matt Damon lends a bit of celeb flash.
  7. While we're meant to feel claustrophobic, we're not supposed to fight boredom, which kicks in quickly.
  8. Weisz's meticulously crafted turn is certainly touching, but it lacks the immediacy of, say, Celia Johnson's in 1945's "Brief Encounter."
  9. As tough-spirited as fans would hope for - and exciting and thought-provoking in a way few adventure dramas ever are.
  10. The whole movie is about piecing together broken parts. It may not always come together, but what it makes, if you look at it the right way, is endearing.
  11. Through it all, Tatum and Hill are totally winning.
  12. It's miles away from big-budget, pop-culture entertainment, but you may be surprised by its impact.
  13. Gently sweet but unmemorable bonbon.
  14. It's nice to see righteous anger in a movie. If only the education drama Detachment knew what to do with it.
  15. Cage and the always-intense Pearce keep this thing going, but even they seem to know the ultimate destination is a bargain bin.
  16. It's an unfunny Spanish movie that worked best as a two-minute trailer.
  17. An extraordinary morsel of a movie, and yes, you'll want sushi afterward. But it won't taste like Jiro's.
  18. The cast gives it all a good go, and pip-pip and all that for noticeable intelligence and a bit of the old British satire. Yet Salmon Fishing takes patience and rewards with no bite.
  19. While "FWK" never challenges us, it does remain consistently engaging.
  20. The tricky camera moves that fill up Silent House make for one-half of a nerveracking horror film – before the movie's obviousness just gets on your nerves.
  21. What director Andrew Stanton has brought forth from Burroughs' limited, hoary source material is actually kind of fun.
  22. If only this Eddie Murphy flick had taken its own advice and spent a little more time being reflective instead of hyperactive, it might have overcome a trite script and awful, obvious excuses for comedy.
  23. Though the central blowout is as epic as advertised, so is the movie's self-congratulatory obnoxiousness.
  24. Appearances from Jeff Goldblum, Zach Galifianakis and John C. Reilly help some, but all the mincing from Heidecker and Wareheim, the wanna-be, gross-out humor and THE CONSTANT SCREAMING get tiring.
  25. Boy
    Waititi retains his quirky style, but it feels meaningful here, a valid effort to explore the difficulties in coming of age during tough times.
  26. A good-natured and highly enjoyable goof.
  27. It's irrefutably art, and undeniably vital.
  28. While softening Geisel's darker themes, they still meld a valuable message into catchy songs, bright images (nicely done in 3D) and funny characters.
  29. Weitz – who did a great job adapting Nick Hornby's "About a Boy" into an affecting 2002 movie – can't bring the pieces together here.
  30. This film - like all the Madea-free dramas - could use more humor. Still, every Perry movie has its highs and lows. This time, the highs are a little higher, and the lows not quite so low. There is no faith-based message, but the moral is obvious: persistence pays off.

Top Trailers