New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The parts are ultimately greater than the whole, but Adam Reid's offbeat debut suggests a talent worth watching.
  2. Like so much in this astounding, consistently beautiful and challenging movie, the answer depends on what you bring to it. Think of it as the Ultimate Anti-Summer-Blockbuster.
  3. Kung Fu Panda 2 plunks down squarely in the spot marked for "chop-socky action with heart."
  4. Phillips sticks so close to the formula of his original that even the characters are given to saying things like, "I can't believe this is happening again."
  5. There can never be too many stories of human grace and perseverance like those of Nova, or Nate, or Adam, all teens who've been encouraged to channel their resentments and desires into art.
  6. Though it's rough around the edges, it is also, undeniably, a nervy, confident debut.
  7. As in "Purple Rose," the film works best when tweaking the disparate worlds thrown together, though "Midnight" is frothier, and so Wilson shines.
  8. Despite Sparrow's ongoing flashes of charm, Depp himself seems to know he's coasting.
  9. It appears that turning the John Ford/John Wayne classic "The Searchers" into the church-vs-vampire adventure Priest was not an altogether god-awful idea. As long as we don't get "The Man Who Shot Liberty Valance" as an elegiac zombie drama, this adaptation of a graphic novel has some bite.
  10. Hey, isn't summer a good time for a salad?
  11. Murphy also reveals one more gem when she interviews the New York couple who gave their friend Nell Harper Lee a financial gift in the '50s that allowed her to quit her job and finish the book, an act of generosity that is also one more kindness surrounding this most humane of artworks.
  12. Director Justin Chadwick ("The Other Boleyn Girl") shows admirable restraint bringing this true story to the screen, and Litando does much with glimmers of emotion and wells of dignity.
  13. Any way you slice it, writer-director Spencer Susser's movie is bad company, full of wanna-be-outrageous anecdotes from the fringe.
  14. If this sounds like a typical date movie, worry not. It's very much an Apatow production-though the crasser additions, like his already-notorious food poisoning scene, feel painfully forced.
  15. Alba certainly tries her best at portraying not just a beauty but also a beautiful mind, yet very few things add up despite director Marilyn Agrelo's efforts.
  16. Nonetheless, if you're a Force completist, this is as crucial as a bootleg of 1978's "Star Wars Holiday Special." Which, by the way, was awesome.
  17. History can be an equalizer, so director Roland Joffe ("The Killing Fields," "The Mission") makes sure saints and sinners all get painted with the same uninteresting brush in this fact-based drama.
  18. Writer-director Michael Goldbach fills the story with too many distractions, but Dennings, known for "Nick and Nora's Infinite Playlist," is feline and fun.
  19. Knightley and Canet make a far more compelling pair. As they wander through the city after hours, doing nothing more than talking, they generate the kind of romantic heat that's all too rare onscreen.
  20. Director Salim Akil has found actors skillful enough to enhance Elizabeth Hunter and Arlene Gibbs' conventional screenplay.
  21. Oddly engrossing, off-kilter drama.
  22. Even if you've got a soft spot for silly rom-coms, know that this one is as empty-headed as it gets.
  23. No matter how the filmmakers move Heaven and Earth, this comic-book adaptation looks cool but contains very little thunder. The fault is a script by a five-headed beast which contains fateful missteps.
  24. A movie that's so anachronistically mushy and awkward, it earns extra credit simply for being so innocent.
  25. Director Werner Herzog's latest cinematic mind trip blows you away with its beauty.
  26. Though Bloom feels like he dropped in from another movie, it all spins on screenwriter Thornton's charismatic performance, which also accounts for the survival instinct inside the film.
  27. Perry's characters have always been drawn with broad strokes, as heroes or villains. In this case, all the villains are young women, and all the young women in this film-without exception--are monstrous.
  28. The story has heat, even if the movie is more entranced with its subjects than in what they're trying to achieve.
  29. This sweet if limited film has an agreeable attitude.
  30. Only the extremely naive will be shocked, shocked by director Morgan Spurlock's dissection of product placement in movies.

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