For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Elizabeth Weitzman
Pure grindhouse, so committed to its own junkiness that it is, in its way, a pleasure to behold.- New York Daily News
- Posted Feb 26, 2011
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- New York Daily News
- Posted Feb 25, 2011
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Reviewed by
Joe Neumaier
Faith-based audiences may find comfort here, but the film's heavy-handedness is a burden it can't overcome.- New York Daily News
- Posted Feb 25, 2011
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Joe Neumaier
The emotions veer from bawdy to sweet and then to obvious, though the film is stylish, and Dolan's artfulness helps when the movie loses focus.- New York Daily News
- Posted Feb 25, 2011
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- New York Daily News
- Posted Feb 25, 2011
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Reviewed by
Elizabeth Weitzman
Ever catch yourself thinking, "Man, I wish beer commercials lasted just 104 minutes longer"? The Farrelly brothers are ready to make your dreams come true.- New York Daily News
- Posted Feb 25, 2011
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Reviewed by
Elizabeth Weitzman
A comedy with two left feet, Immigration Tango does have enthusiasm on its side. But it trips up under the awkward efforts of all involved.- New York Daily News
- Posted Feb 18, 2011
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Joe Neumaier
More serious-minded than expected, with a unique and savvy point of view.- New York Daily News
- Posted Feb 18, 2011
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Joe Neumaier
This gruesome, allegorical drama is dark and unsettling, but not so original that it begs to be let in.- New York Daily News
- Posted Feb 18, 2011
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Joe Neumaier
Riveting, especially since these animals' population has horrifyingly dropped from 450,000 to 20,000 in a half-century.- New York Daily News
- Posted Feb 18, 2011
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Reviewed by
Elizabeth Weitzman
It's a slow time at the cineplex, and the sinister scares served up by Brad Anderson are just spooky enough to freak out undemanding horror fans.- New York Daily News
- Posted Feb 18, 2011
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Joe Neumaier
I Am Number Four, with its gangly title, seems like a dimwitted cousin to those hipper properties - a Superman-come-lately tale of puppy love, extraordinary powers and puberty that's duller than a chalkboard and less powerful than an extraneous Jonas brother.- New York Daily News
- Posted Feb 18, 2011
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- New York Daily News
- Posted Feb 17, 2011
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Joe Neumaier
This rambling, unfocused, shuffling documentary paints the famous standup in broad strokes, only occasionally providing worthy examples of how Winters inspired generations.- New York Daily News
- Posted Feb 11, 2011
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Joe Neumaier
This rather elegant movie, like a bold new 'do, is both not what you'd expect and exactly what you feared.- New York Daily News
- Posted Feb 11, 2011
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- New York Daily News
- Posted Feb 11, 2011
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Joe Neumaier
This old-fashioned sword-and-sandal drama has all the bread and circuses we've come to know from the movies. It flirts with interesting story choices, but ultimately, all roads lead to boredom.- New York Daily News
- Posted Feb 11, 2011
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Elizabeth Weitzman
Its appeal comes almost entirely from the cast members, who appear genuinely excited to invite us to their party.- New York Daily News
- Posted Feb 11, 2011
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Elizabeth Weitzman
Bieber's world - at least as edited for mass consumption - is a refreshingly wholesome universe, where a young superstar is good-natured and grateful, says grace before every meal, and spends all his free time on the tour bus tweeting. He also likes to hug, a lot.- New York Daily News
- Posted Feb 10, 2011
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- New York Daily News
- Posted Feb 10, 2011
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Reviewed by
Elizabeth Weitzman
If ever a thriller were to inspire a collective "eh," it's got to be The Roommate. It's not a good movie, by any means, but it's also not bad enough to have fun hating on.- New York Daily News
- Posted Feb 4, 2011
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Joe Neumaier
Director James Keach's movie is so annoyingly dipsy-doodle that TV veteran Bilson, trying hard to look haunted and angsty, is boxed in.- New York Daily News
- Posted Feb 4, 2011
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Elizabeth Weitzman
So maybe this movie should serve as his introduction to a larger series, in which each artist gets the individual portrait Neville so clearly wants them all to have.- New York Daily News
- Posted Feb 4, 2011
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Joe Neumaier
More mournful than alarmist, Arthus-Bertrand's film goes beyond global warming to look at life out of balance, through a lens darkly.- New York Daily News
- Posted Feb 4, 2011
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Elizabeth Weitzman
Unfortunately, Madsen (a Danish filmmaker, not the American actor) has an approach to this rich topic that is repetitive and simplistic, as if he wasn't quite sure how to fill out even a brief feature.- New York Daily News
- Posted Feb 4, 2011
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Elizabeth Weitzman
Don't let the generic title fool you: David John Swajeski's documentary tells a story you're unlikely to forget.- New York Daily News
- Posted Feb 4, 2011
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Joe Neumaier
Unfortunately, the movie doesn't have enough going on to keep us engaged, but writer-director Aaron Katz has a confident style and a way with small moments.- New York Daily News
- Posted Feb 4, 2011
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Elizabeth Weitzman
The one person who does appreciate Emilia is Portman - which is what saves The Other Woman from the easy judgment toward which it so often appears to be edging.- New York Daily News
- Posted Feb 4, 2011
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Joe Neumaier
If you're able to think of characters as just air bubbles to get past, then dive in, the excitement's fine.- New York Daily News
- Posted Feb 4, 2011
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Joe Neumaier
To use carnival lingo: Thrilling? Not quite; since Levi's film has no clear goal for Stan to reach. Spectacular? Truth be told, those skeptical of Stan's abilities may still walk out as nonbelievers. Fascinating? Absolutely, because if you take time to listen, everyone's life is a three-ring circus.- New York Daily News
- Posted Jan 28, 2011
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