New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Pure grindhouse, so committed to its own junkiness that it is, in its way, a pleasure to behold.
  2. Calculated Belgian crowd-pleaser.
  3. Faith-based audiences may find comfort here, but the film's heavy-handedness is a burden it can't overcome.
  4. The emotions veer from bawdy to sweet and then to obvious, though the film is stylish, and Dolan's artfulness helps when the movie loses focus.
  5. Quiet, soulful and wrenching.
  6. Ever catch yourself thinking, "Man, I wish beer commercials lasted just 104 minutes longer"? The Farrelly brothers are ready to make your dreams come true.
  7. A comedy with two left feet, Immigration Tango does have enthusiasm on its side. But it trips up under the awkward efforts of all involved.
  8. More serious-minded than expected, with a unique and savvy point of view.
  9. This gruesome, allegorical drama is dark and unsettling, but not so original that it begs to be let in.
  10. Riveting, especially since these animals' population has horrifyingly dropped from 450,000 to 20,000 in a half-century.
  11. It's a slow time at the cineplex, and the sinister scares served up by Brad Anderson are just spooky enough to freak out undemanding horror fans.
  12. I Am Number Four, with its gangly title, seems like a dimwitted cousin to those hipper properties - a Superman-come-lately tale of puppy love, extraordinary powers and puberty that's duller than a chalkboard and less powerful than an extraneous Jonas brother.
  13. Twisty, engaging thriller.
  14. This rambling, unfocused, shuffling documentary paints the famous standup in broad strokes, only occasionally providing worthy examples of how Winters inspired generations.
  15. This rather elegant movie, like a bold new 'do, is both not what you'd expect and exactly what you feared.
  16. This is perhaps for Shakespeare completists only.
  17. This old-fashioned sword-and-sandal drama has all the bread and circuses we've come to know from the movies. It flirts with interesting story choices, but ultimately, all roads lead to boredom.
  18. Its appeal comes almost entirely from the cast members, who appear genuinely excited to invite us to their party.
  19. Bieber's world - at least as edited for mass consumption - is a refreshingly wholesome universe, where a young superstar is good-natured and grateful, says grace before every meal, and spends all his free time on the tour bus tweeting. He also likes to hug, a lot.
  20. A witless rom-com that is only marginally watchable.
  21. If ever a thriller were to inspire a collective "eh," it's got to be The Roommate. It's not a good movie, by any means, but it's also not bad enough to have fun hating on.
  22. Director James Keach's movie is so annoyingly dipsy-doodle that TV veteran Bilson, trying hard to look haunted and angsty, is boxed in.
  23. So maybe this movie should serve as his introduction to a larger series, in which each artist gets the individual portrait Neville so clearly wants them all to have.
  24. More mournful than alarmist, Arthus-Bertrand's film goes beyond global warming to look at life out of balance, through a lens darkly.
  25. Unfortunately, Madsen (a Danish filmmaker, not the American actor) has an approach to this rich topic that is repetitive and simplistic, as if he wasn't quite sure how to fill out even a brief feature.
  26. Don't let the generic title fool you: David John Swajeski's documentary tells a story you're unlikely to forget.
  27. Unfortunately, the movie doesn't have enough going on to keep us engaged, but writer-director Aaron Katz has a confident style and a way with small moments.
  28. The one person who does appreciate Emilia is Portman - which is what saves The Other Woman from the easy judgment toward which it so often appears to be edging.
  29. If you're able to think of characters as just air bubbles to get past, then dive in, the excitement's fine.
  30. To use carnival lingo: Thrilling? Not quite; since Levi's film has no clear goal for Stan to reach. Spectacular? Truth be told, those skeptical of Stan's abilities may still walk out as nonbelievers. Fascinating? Absolutely, because if you take time to listen, everyone's life is a three-ring circus.

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