For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Neumaier
Filled with striking images and the ghosts of lives lived in hardship and war, Incendies is tough but impactful.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
An earnest but undeniably eye-rolling documentary about the denizens of this odd pocket of show business.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
African Cats, while often adorable and at times gripping, is more of a TV-ready experience.- New York Daily News
- Posted Apr 22, 2011
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Elizabeth Weitzman
The primary drawback is the lack of chemistry between the leads, Reese Witherspoon and "Twilight's" Robert Pattinson.- New York Daily News
- Posted Apr 22, 2011
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Elizabeth Weitzman
Rickards tries hard in a difficult role and Greg Germann offers nice support as an empathetic neighbor. But like her character, it's Broderick who keeps things from falling apart.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
Haroun is achingly conscious of day-to-day decisions that seem small when they're made but can suddenly loom large.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
Sometimes a bit of befuddlement is exactly what you need. That's the driving idea behind writer-director Steven Peros' off-kilter, off-the-beaten path comedy, which owes a lot to 1980s indie cinema.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
A streak of "Cinema Paradiso" runs through this Italian dramedy - and while it lacks that film's overflowing emotion, it's filled with its own artfulness and warmth.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
A twisty Italian thriller that takes some liberties with its now-you-see-'em/now-you-don't plot points, but no matter; the way director Giuseppe Capotondi keeps us guessing is deliciously, maliciously deft.- New York Daily News
- Posted Apr 15, 2011
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Elizabeth Weitzman
The cast and crew render every detail so exquisitely that there's almost too much to take in at once. Repeat viewings will be required.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
The main reason this gorgeous-looking, sweet-hearted but so-so movie remains grounded is a herky-jerky, cobbled-together story that squawks when it should sing.- New York Daily News
- Posted Apr 15, 2011
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Elizabeth Weitzman
After a promising start that uses Anna Paquin and Kristen Bell to perfection, they settle into their old stomping grounds as if they'd never left - and that turns out to be a letdown.- New York Daily News
- Posted Apr 15, 2011
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Elizabeth Weitzman
Like his 2007 political drama, "Lions for Lambs," Robert Redford's fictionalized chronicle of Mary Surratt's 1865 trial is high-minded and slow-moving. Some may chafe at his unsubtle sermonizing, but strong central performances will reward the patient.- New York Daily News
- Posted Apr 14, 2011
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Elizabeth Weitzman
Danhier backs all the memories with a collection of great clips, and it's extra fun to spot familiar faces (hi, Steve Buscemi!).- New York Daily News
- Posted Apr 8, 2011
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Elizabeth Weitzman
Narrator Morgan Freeman manages to be both soothing and somber, so it's not until the credits roll that we realize how much more we want to know.- New York Daily News
- Posted Apr 8, 2011
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- New York Daily News
- Posted Apr 8, 2011
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Elizabeth Weitzman
In this visually and emotionally severe landscape, Reichardt has created the sort of film that will inspire grad students to write passionate thesis papers - and casual moviegoers to feel as lost as her would-be settlers.- New York Daily News
- Posted Apr 8, 2011
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Joe Neumaier
Director Malcolm Venville, who made the British gangster flick "44 Inch Chest," has a strong handle on the tone, so even the familiar twists feel fresh.- New York Daily News
- Posted Apr 8, 2011
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Joe Neumaier
The deepest chord is hit by Cattrall, who almost manages to wipe away the memory of "Sex and the City 2."- New York Daily News
- Posted Apr 8, 2011
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Joe Neumaier
Dennis Quaid lends some needed saltiness as Hamilton's supportive dad.- New York Daily News
- Posted Apr 8, 2011
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Joe Neumaier
The forced coming-of-age parable that filmmaker Joe Wright laces with fairy-tale symbolism is heavy-handed from the get-go.- New York Daily News
- Posted Apr 8, 2011
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- New York Daily News
- Posted Apr 8, 2011
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Elizabeth Weitzman
It's Franco's straight-faced turn that grounds this proudly lowbrow caper from his "Pineapple Express" collaborators, David Gordon Green and Danny McBride.- New York Daily News
- Posted Apr 7, 2011
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Joe Neumaier
Trust - a drama about the dangers of teen sexting and online predators - plays as prurient, ham-handed and amateurish.- New York Daily News
- Posted Apr 1, 2011
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Joe Neumaier
Kline, who has done a lot of chewy character roles after several stage triumphs, is as sly and leonine as ever. His performance here obliterates that phony accent he used in "French Kiss."- New York Daily News
- Posted Apr 1, 2011
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Elizabeth Weitzman
Though John Stockwell's action comedy is shamelessly derivative, his enthusiastic cast propels it much further than it should go.- New York Daily News
- Posted Apr 1, 2011
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Elizabeth Weitzman
It's a tribute to Adrien Brody that Wrecked works as a modestly compelling thriller, since there's almost nothing to see but Brody himself.- New York Daily News
- Posted Apr 1, 2011
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Elizabeth Weitzman
As fake and forgettable as a marshmallow Peep, Hop goes down easy enough.- New York Daily News
- Posted Apr 1, 2011
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Joe Neumaier
World is grounded, offering up a rare case of well-earned hopefulness.- New York Daily News
- Posted Apr 1, 2011
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Elizabeth Weitzman
Super starts off feeling like a cult comedy you might catch during a midnight film festival. But since Gunn never nails his tone, the concept makes more sense than the execution.- New York Daily News
- Posted Apr 1, 2011
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