New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A dramatic tale of survival and horrific memories struggles against distracting melodrama in Sarah's Key, and unfortunately, melodrama wins.
  2. It's cute and funny and sweet, which - as any woman can attest - puts it way ahead of most Friday night options.
  3. This muscular, red-blooded adventure has a decent heart and the stuff of Saturday afternoon serials running through its veins.
  4. Director Oliver Schmitz's rhythms take a while to ease into, and admittedly, there is never a bright moment.
  5. Unfortunately, its present-day tale, involving a career woman seeking to mend her 20-year bond with a girlfriend injured in an accident, is lax and clunky, and its story-within-a-story - a tale of two laotong, or soul sisters, in oppressive mid-1800s China - is gorgeous but simplistic.
  6. Falls short of being revelatory, yet has a mysterious, sturdy power that grows on you.
  7. There's no bells and whistles here, no 3-D or useless grey fluff, just Pooh as he's always been, silly and true.
  8. Loosely adapting Larry Beinhart's darker novel, Ratliff and co-writer Douglas Stone indulge in so many cheap shots and caricatures, their disdain drips off the screen.
  9. It's all compelling, in the way reading trashy gossip usually is. But without any new perspectives, what's the point?
  10. It's wonderful. Epic and heartbreaking and just as grand as it needs to be.
  11. But oy, such terrible jokes and choppy direction. Would it have killed her to share the credits with someone else?
  12. If only this were a media-fueled tall tale and not one poor creature's lifelong nightmare.
  13. Even those who never joined the cult of A Tribe Called Quest will find this clear-eyed chronicle of their career irresistible.
  14. Though Wilson tries hard, none of the actors - including Terrence Howard as the detective who unravels this story in flashback is able to overcome the script's considerable deficiencies.
  15. Breillat, seemingly inspired as much by C.S. Lewis and Hans Christian Andersen as by original author Charles Perrault, doesn't really make the most of her subversive premise.
  16. Carpenter's economical but mundane chiller is possessed more by previous ghoul-friend flicks than it is by his better work.
  17. A children's comedy about talking animals that feels as if it were written by children or, perhaps, by talking animals.
  18. All those who have to drag themselves to work every morning will surely find some comfort in Seth Gordon's cheerfully outrageous revenge comedy, Horrible Bosses.
  19. Has raw action and urgent performances, but loses power due to an amateur approach.
  20. This story doesn't go well with popcorn, and you won't be able to shake it off like so many blockbusters. That said, it's likely to be the most unforgettable film you see all summer.
  21. With all of the city available, she made the curious choice to follow couples who are neither unique nor especially memorable.
  22. Some of the shocks are way too broad, and the enclosed perspective suggests the material would better suit a play. But Crawford radiates charisma, and Pierce sells even the nuttiest moments.
  23. Maddeningly mundane, this Romanian drama aims for an antiseptic look at random violence and, unfortunately, achieves it.
  24. If one performance could tilt a movie the direction it needs to go, John C. Reilly's expertly left-of-center turn in Terri is it.
  25. If you are a 12-year-old girl, you are the perfect audience for Monte Carlo.
  26. It put-puts along like a moped in busy traffic, content to amble around but not go anywhere.
  27. Anyone hoping to engage even a single brain cell, however, is out of luck. Which is too bad, since popcorn blockbusters don't actually have to be mind-numbingly stupid or soul-suckingly empty.
  28. Riding in to save almost every scene, though, are recent Tony Awards host Harris and the wild and woolly Sedaris, who goes too far, but in a good way. Shelov could learn from them.
  29. Director Michel Leclerc's comedy plays like one of those foreign-movie spoofs Jerry and the gang would go to see on a "Seinfeld" episode. Only here, there's no "young girl's journey from Milan to Minsk" - just from madcap to moronic.
  30. It can sometimes be hard to sit through, but another song is coming soon, and anyway, close your eyes and imagine you're on vacation, sipping vino in a piazza, soaking in the street life.

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