New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. "Night" never quite coalesces into the forceful drama it hopes to be.
  2. It's a fascinating story, and too epic to be contained here. But the directors certainly capture our interest, even as they leave us wanting to know more.
  3. The film ends up wrestling itself into a corner, though it's saved by a corrosive central performance from Ryan Gosling and a disconcertingly hypnotic feel.
  4. I Love You Phillip Morris not only blasts gay stereotypes back decades, it could actually make people wish for a third "Ace Ventura" movie. Both of those are an accomplishment, though neither is a compliment.
  5. A psychosexual thriller that lures its viewers into a woozy nightmare.
  6. Without excessive emotion or drama, director Javier Fuentes-León's film - and Mercado's performance - gently captures the power of emotions whose silent rattle is even stronger than reality.
  7. As for that unpolished screenplay, the less said the better.
  8. You won't find a tale more true to our city than the extraordinary history of Pale Male. It's just unfortunate that Frederic Lilien's documentary is as clunky as his subject is graceful.
  9. Do not, in fact, go at all. Because aside from the actual nutcracker, most of the crucial elements are missing from Andrei Konchalovsky's bizarre miscalculation. Magic and joy top the list.
  10. Chico Colvard's tragic documentary is blunt and rather artless, but it does make for impactful, and deeply disturbing, viewing.
  11. The author of "Naked Lunch" and his words were funny, freaky and sometimes just Out There. Yet as "there" became "here," Leyser shows, Burroughs seemed to be everywhere.
  12. This full, sweet comedy, adapted by star Aasif Mandvi from an Off-Broadway play, has a city flavor and a wry take on familial obligations.
  13. A slow, solid movie that, like Rita, sneaks up on you with its intelligence and pluck.
  14. It's laughably, eye-rollingly absurd.
  15. It's finally here: The most boring alien-invasion movie ever.
  16. The final fate of Adolf ­Eichmann is certainly a compelling subject. But its dramatic impact is severely diminished here by stilted filmmaking and wooden performances.
  17. Spottiswoode relays this tragic story with respect and sadness. But Michael Donovan's script is stuffed with clichés, and Dupuis is unable to convey the depth of Dallaire's emotions.
  18. Every generation gets a "Big Chill," and this tired but well-meaning indie contains many clichés of the "pals-pondering-life" movies that came before.
  19. Director Jaak Kilmi's remembrance of growing up under Soviet rule never tries to be anything more than a curiosity.
  20. This often-witty baby-of-"Broadcast News" tries hard to be liked, like the TV fluff it's built around. The news is that, often, it succeeds.
  21. Though based on a true story with a well-known outcome, Doug Liman's Fair Game is as suspenseful as any fictional thriller -- and considerably more tragic.
  22. Gibney puts mystery back into a story we thought we knew.
  23. Once Franco's on his own, everything is played across this terrific actor's deceptively goofy face.
  24. "This is a woman's trip," it is announced in Tyler Perry's For Colored Girls, and how you respond to those words will likely determine how you respond to the film itself.
  25. The small moments loom large in this moving, bittersweet and often funny documentary.
  26. The script does boast a fair share of zingers, delivered with arch wit by a crack team of professionals.
  27. The tone veers wildly, from wacky indie to melodramatic soap opera. Like the other men in her life, Ireland adores Jolene without entirely understanding her.
  28. The Swedish edition, which ends with this bleak finale, is downright grim.
  29. The actual Taqwacore movement is distilled in blatantly simplistic fashion, but Zahra does capture the novel's adolescent excitement, in which a new generation rediscovers rebellion all over again.
  30. Every aspiring performer will appreciate Gregori Viens' unassuming comedy, which cheerfully skewers industry pretensions and media-fueled trends.

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