New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It doesn't dip much below the surface, but Tamra Davis' biography of her friend Jean-Michel Basquiat, who died in 1988, offers an informative introduction to one of contemporary art's most complex figures.
  2. When was the last time you had your mind blown by a movie? Because when Inception ends and the lights come up, you'll be sitting in your seat, staring at the screen, wondering what the hell just happened.
  3. A frenetic, overstuffed but imaginative fantasy.
  4. Granted, it's a far cry from the Pixar classics. But Pierre Coffin and Chris Renaud's nicely quirky, animated comedy has just enough edge to entertain every member of the family.
  5. Predators tries to spice up the hunt-or-be-hunted thesis, but from the get-go, director Nimrod Antal's movie has nowhere to run.
  6. This Spanish sequel to a 2007 cult hit uses the way-overdone conceit of videotaped terror.
  7. Every scene has its highlights, from amusing observations about sex to poignant truths about parenting and partnerships. But what you'll remember most is the exquisitely lovely final scene, in which Cholodenko reminds us that all we need is a single moment of perfection -in a family, or even in a film - to believe that somehow, things will always be all right.
  8. Those who've read and loved the book should be satisfied, but it's reasonable to hope for more from the final entry.
  9. To eavesdrop on Bernardo Bertolucci, Stephen Frears, Ken Loach and John Sayles, as they talk politics; David Lynch and Todd Haynes, discussing inspiration; and Catherine Breillat, Agnès Varda, Richard Linklater and Liliana Cavani as they riff on controversy and aspiration, even for a little while, is a real treat.
  10. A more probing exploration of the subjects' diverse challenges would have been welcome. But your heart connects to these young artists. When they soar - onstage and off - you feel it.
  11. Unfortunately, its positive attributes are thrown out of balance by its abundant negatives - including chintzy effects, lumbering storytelling and an overstylized, earnest incompetence that evokes "Speed Racer."
  12. The truth is, almost everyone planning to see Eclipse will know how things end before the opening credits even appear. So Slade and his cast can be proud that they consistently keep us involved anyway.
  13. This absorbing film isn't an apology or an explanation, but it nonetheless holds plenty of answers - including an amusing dissection of that infamously wiry hair-bear 'fro from the man who wore it.
  14. Though based in truth, Mark Jacobson's script is built on age-old clichés. And nobody knows how to end the film, so it just fizzles out.
  15. The movie devolves into a series of clichéd bits, none of which are that funny.
  16. Even after experiencing the film, what they've gone through - and how they deal with it - deliberately remains a mystery.
  17. The father is the only one who can leave the house to go to his factory job, and that seems like a paradise for viewers trapped watching this clinically shot claptrap.
  18. Unabashedly one-sided, this biography of Chávez - and several other Latin American politicians - does raise some valid concerns about what Stone calls the "manipulative power of the media." So it's too bad he's as guilty of partisanship as the right-wing outlets he reviles.
  19. Likely to draw a range of responses. Many will be transported by its gorgeous construction and breathless emotion. Others will find it patently ridiculous.
  20. Despite its impressive pedigree and unshakable assurance, Knight and Day is nothing more or less than an average popcorn flick.
  21. While the vocal performances of Hanks, Allen and company make up a perfect ensemble, and its visual leaps astound, TS3's real power sneaks up on you.
  22. If all you want is a bullets-and-bombs B-movie, you'll get your money's worth: Somehow, Hayward makes 82 minutes feel like hours.
  23. The comedy of discomfort that runs through Cyrus is often about several things at once. But the most prevalent emotion in this quirky yet genuine movie is the awkwardness that comes with trying to fit into someone else's life.
  24. Cowan, a gay Mormon himself, deftly melds facts with emotions, alternating between a history of the church's anti-gay drive and interviews with those directly affected by it.
  25. Though it's Swinton who grounds the film, Guadagnino is really telling the story of an entire family and their unquestioned way of life.
  26. It's all a little insular and very conversational, but the setting is cozy and the performances all pleasantly low-key.
  27. Though the mumblecore esthetic is familiar and the movie's ultimate impact slight, the filmmakers do find a fresh and modestly amusing twist by tossing their hipster out of his natural habitat.
  28. Many witnesses offer emotional recollections of the ensuing riots, but equally powerful moments come courtesy of old footage, in which anti-gay "experts" expound with a confident ignorance that sounds chillingly familiar even today.
  29. It has heart and a good kick.
  30. Both in name and spirit, The A-Team drags the Eighties into the 21st century, and you might be surprised to find -- if only briefly -- that you've missed them just a little.

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