New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The only thing worse than bad horror is pretentiously bad horror. From title to finish, After.Life takes itself far more seriously than you will.
  2. The earnest attempt at family drama doesn't benefit from the abundance of movie-of-the-week cliches.
  3. Digs up familiar ground without adding any fresh dirt.
  4. The real reason to see the movie -- and it's reason enough -- is the trove of archival footage, which shows a star of almost impossible magnetism.
  5. The music will keep you in your seat, but there's so much more to this story. If only they'd gotten it right the second time around.
  6. The title of The Misfortunates ­really applies to any audiences unlucky enough to sit through it.
  7. Best of all is the well-used West Village setting, which feels like the perfect backdrop for a slightly offbeat love story.
  8. He definitely needs more experience, but writer/director Jake Goldberger displays an appealingly skewed sense of humor in his noir debut.
  9. Dignity dies a million deaths despite the best intentions.
  10. The connection they share is clear; the reason we're invited to sit in is foggy at best.
  11. You won’t find anything new here: the sequel is basically a retread of the original, in which Scott delivers the strongest emotional moments, while an amusingly over-the-top Smith perpetually breaks the tension.
  12. The scope of director Peter Chan's military drama is impressive, though this sometimes-rousing depiction of strategy and loyalty in mid-1800s China pales next to recent, similar historical epics like "Red Cliff" and "Mongol."
  13. Can't overcome mythic stupidity.
  14. So who was the movie really made for? Mostly, it seems, for Cyrus herself, who needed to take the first, hesitant step in another direction.
  15. Just as you need two hands to clap, explain frustrated young activists, the ­Dalai Lama requires a reasonable partner with whom to negotiate. And right now, it seems, the Tibetans may as well have their arms tied behind their backs.
  16. In Rob Corddry's hilariously manic turn, it has the most memorable showcase for a goofball co-star since Michael Keaton in 1981's "Night Shift."
  17. A tacky 'Fatal Attraction' for the lesbian set.
  18. Informative and flavorful, though lacking in surprise.
  19. The actors - including Aidan Quinn as Lena's lover - work hard to balance a mood that fluctuates between stillness and stagnancy.
  20. Makes the most of its format, soaring when its young hero rides on his winged reptilian pal, and full of heart and heroism even when its action is grounded.
  21. That truthfulness, along with the movie's emotional honesty and narrative polish, help tag this NY-grown indie as one to seek out.
  22. Watch for a cameo by young animator Tim Burton.
  23. This synthetic comedy is instantly grating.
  24. The big problem here is that dark sci-fi satire works best when it aims for several targets. Repo Men aims at corporate greed, which is good, but doesn’t fill in the details.
  25. The performances are absurdly broad, and each story line is more outlandish than the last. But De Felitta’s approach is so easygoing, and the waterside setting so irresistibly charming, you’re bound to walk out in a great mood. How many movies can do that for you?
  26. This year-in-the-life comedy will appeal mostly to its target audience -- the boys of middle school, USA -- and frankly, that's all it needs. Who else would appreciate the idiocy of social pressure,
  27. Director Niels Arden Oplev keeps the action relatively tight. But he revels in the story’s sadism to an uncomfortable degree, especially in a needlessly vile rape scene. Two more sequels are coming. Here’s hoping there’s just a little less hate in each.
  28. The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.
  29. If he has overlooked your favorites, have faith: There’s plenty left in the trunk for that promised encore.
  30. Fanning's Currie grabs the spotlight immediately, and never lets go.

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