For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Neumaier
Overlong but ambitious, Woo proves he's as good at tactical maneuvers as he is at close-quarters combat.- New York Daily News
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Elizabeth Weitzman
Doomsday views are a knockout, but the script is a real disaster.- New York Daily News
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Elizabeth Weitzman
The result is a visual treasure that successfully blends deadpan quirkiness with a wry realism rarely seen in any film, let alone one for children.- New York Daily News
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- New York Daily News
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Reviewed by
Joe Neumaier
Tries to capture that moment -- complete with air guitar-playing deejays -- and unapologetically rides a wave of nostalgia, but ultimately sinks due to a bloated, watery script.- New York Daily News
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Joe Neumaier
This doc, made by Kunstler's daughters Emily and Sarah, doesn't pretend to be unbiased, but it nonetheless has an unblinking view of its subject. They must have learned a thing or two from dad.- New York Daily News
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Joe Neumaier
Writer-director Sebastian Gutierrez seems to think his characters are oh-so-edgy, and maybe they would be -- if it were 1982.- New York Daily News
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Elizabeth Weitzman
The Box is its own kind of awful, a disconnected mess that never finds its reason for being.- New York Daily News
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Elizabeth Weitzman
The film's real strength is its cast, from an Oscar-bound Mo'Nique to a notably deglammed Mariah Carey.- New York Daily News
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Joe Neumaier
By the end of its way-too-long 98 minutes, there are four things audiences will be haunted by: Jovovich's annoying, whispery monotone; silly closeups of owls; Will Patton's Z-movie turn as a grizzled sheriff, and dialogue like "It's too late to forget what you already know." Ain't that the truth.- New York Daily News
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Joe Neumaier
Like a dime-store holiday card, this Christmas Carol is well-crafted but artless, detailed but lacking soul.- New York Daily News
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Reviewed by
Joe Neumaier
When the haze wears off and the movie grounds itself in reality, it's a bummer. Until then, though, what's weird here is gloriously weird.- New York Daily News
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Elizabeth Weitzman
It would have been helpful had Smith put his words into some sort of context, allowing others to assess his theories. Instead there's simply Ruppert, talking, raging and warning, as if his very life depended on it.- New York Daily News
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Joe Neumaier
Director Scott Teems' film is as quiet as untilled soil -- not always a good thing -- but Holbrook has a handle on where to dig.- New York Daily News
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Elizabeth Weitzman
Yep, Hess wrote and directed "Dynamite," and here's proof we shouldn't have rewarded him. The hollow "Broncos" is even more cruelly disdainful, designed primarily to scorn the pathetic lives within.- New York Daily News
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Joe Neumaier
A little more variation in the script, though, might have yielded something truly great.- New York Daily News
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Elizabeth Weitzman
The only truly ugly side to this self-consciously grimy movie is the streak of Neanderthal humor. Operatic overacting is funny. Racist and homophobic jokes? Not so much.- New York Daily News
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Reviewed by
Joe Neumaier
Heartening, and yet, a year after being filmed, unintentionally aggravating.- New York Daily News
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- New York Daily News
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Reviewed by
Elizabeth Weitzman
Looks so great, it may take a while to notice it's a clunky political parable wrapped in a tonally confused fairy tale.- New York Daily News
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Joe Neumaier
Tis embalmed drama is a ghost from the '80s, a decade that regularly produced surprise-free, caramelized biopics. The airless Amelia is missing practically everything.- New York Daily News
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- New York Daily News
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Reviewed by
Elizabeth Weitzman
While "Twilight" will make more money and get more attention, the darkly comic Cirque du Freak boasts the shaggy charm of the natural underdog.- New York Daily News
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Elizabeth Weitzman
In mistaking obvious observations for cutting insight, writer-director Jonathan Parker becomes what he lampoons.- New York Daily News
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Joe Neumaier
Von Trier ("Breaking the Waves," "Dogville") has no barriers, which absolutely can be a good thing. Here, though, his uninhibited nature is an omen of the pretentious butchery to come.- New York Daily News
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Joe Neumaier
Motherhood's litany of complaints and trite comedy-drama comes off as thin, and targeted, as a flyer for The Children's Place.- New York Daily News
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Reviewed by
Elizabeth Weitzman
The criterion couldn't be simpler: does a 20-minute martial arts battle featuring Thai superstar Tony Jaa sound like the ideal way to spend your time and money? If not, move on.- New York Daily News
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Reviewed by
Joe Neumaier
The film treats kids' inner lives as more than a fantasy, which is a rare and beautiful thing.- New York Daily News
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Reviewed by
Joe Neumaier
Such a lazy action-drama underachiever, it seems unfair to target stars Jamie Foxx and Gerard Butler for bringing their C game.- New York Daily News
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Reviewed by
Elizabeth Weitzman
Roth prefers sentimentality to subtlety and cutesiness to complexity. Fortunately, Molina balances Port's precocity, bringing a welcome gravitas to this simply told tale.- New York Daily News
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