New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. There’s visual poetry here and haunted performances from Mezzogiorno and Timi -- who plays two roles, and is especially gripping as Dalser’s grown son.
  2. Though diligently paced and sharp to look at, the mysteries inside Mother are, finally, bloodless.
  3. The cast is strong, and Damon is a dependable center for all this, a classic American good guy wanting to know what's rotten and why.
  4. This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.
  5. Would like to think of itself as an extension of its lead character -- gangly, a bit uncouth, but ultimately sweet. Unfortunately, it's more like the best friend in a movie like this -- irritating, unfunny and something that hangs around longer than it should.
  6. Ferrera and Gross are the most appealing pair I've seen in awhile; their calm confidence is a welcome antidote to the unrealistic couples who've been cluttering our screens way too long.
  7. Hoping for a little emotional manipulation with your popcorn? Look no further.
  8. No one is able to make much of the disposable script, but Hamm is so limited by the period trappings that it seems as if he simply wandered onto the wrong set.
  9. His first-person perspective is unexpectedly frank as he shares some extremely dark moments -- spurred by increasing anger and doubt -- that civilians rarely get to see.
  10. It tends to get lost in its own delirium, which will enchant some and drive others bonkers.
  11. Hawke - continuing an evolution toward stronger, more intense acting than anyone might've predicted from him 20 years ago - drives the movie. He makes Sal a jangled, edgy presence, his conscience torn several ways.
  12. Has its moments, it's also regrettably ordinary.
  13. Has warmed-over chills and a muddled, zombie-like execution.
  14. Rahim and Arestrup are both so outstanding that if this were an English-language film, they'd probably be nominated for Oscars, too.
  15. Argott treats Barnes' story as an intellectual crime thriller, uncovering each new surprise -- and a seemingly endless parade of villains -- with a deadpan flourish.
  16. Only viewers wondering if James Van Der Beek has finally outgrown "Dawson's Creek" will be at all satisfied by this dreadful police procedural that contains good history lessons and bad TV-cop-show drama.
  17. If it were just Hurt's show, it'd be a helluva trip.
  18. Geraghty relies too heavily on facial expressions and mannerisms, but those who appreciate visible effort may be seduced. There's no denying he works hard to keep us on the line.
  19. For all the trickiness and bluster, Shutter Island is dead inside.
  20. Though it can't quite transcend its filmmaker's earnest intentions, this solemn history lesson offers several powerful moments.
  21. Despite the packed plot adapted by Polanski and Robert Harris from Harris' novel -- the pacing feels oddly slack.
  22. With its cash-flashing men and dirty-talking women, the movie already feels dated. But it wouldn't have been much fun five years ago, either.
  23. A cringe-inducing, self-consciously kooky indie comedy that's best enjoyed for its taste of Rip Torn.
  24. Wang tracks his guys like the documentarian he is, and if the movie feels a bit canned thanks to Adam Forgash's unoriginal script, classic NYC spots and a big heart make it feel like home.
  25. Engrossing, sad and heartbreaking.
  26. If you're going to pick the werewolf as your favorite monster, there's a lot to appreciate in the shaggy, imperfect but still fun new version of The Wolf Man.
  27. You don't even have to be familiar with the first book in Rick Riordan's popular fantasy series to enjoy Chris Columbus' energetic adaptation.
  28. Valentine's Day is sugary, sappy and totally predictable. It's also what a whole lot of women are likely to want.
  29. Italian prime minister Silvio Berlusconi is an ideal documentary subject, but Erik Gandini's jumbled take on Berlusconi's corrupting influence quickly shifts from good idea to wasted opportunity.
  30. If you're just hoping for a little easy escapism, bring your tissues and leave your high standards at home.

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