New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Among an excellent cast, Douglas truly is the nexus; he and Stone make this sequel pay off big-time.
  2. The script is merely serviceable and too reminiscent of similar fantasy tales. But kids will instantly relate to the gentle Soren, while watching wide-eyed as he faces each challenge.
  3. A movie with no clear narrative. It pushes boundaries and feels like one man's fever dream. But all those traits would certainly make Allen Ginsberg happy.
  4. You'd be hard-pressed to find a misfit loner as confident as Olive, who bears her considerable tortures with remarkable grace. But Stone is so funny, smart and sweet that we relate to her anyway.
  5. Affleck keeps the film as fluid as the "Mystic River," and never forgets that Renner is his ace in the hole. The "Hurt Locker" star charges up every scene he's in with feral power, and is rewarded with one of the most exciting sequences seen in any action movie this decade.
  6. Hoffman has a nice eye for detail, painting an empathetic portrait of lost souls that recalls 1955's still-powerful romance "Marty."
  7. A film more moving than most but not as devastating as it should be.
  8. The whole thing is such a tedious, foul-mouthed mess that it isn't even worth discussing as a riff on the Bob Dylan doc "Don't Look Back" or a meditation on slovenly semi-madness.
  9. While all four leads deserve better, it's especially galling to see Burstyn - still so lovely - wasting her time and talents on a film with so little wisdom to share.
  10. It's a shame, but perhaps no surprise, that Niederhoffer was unable to transfer her astute vision to the big screen.
  11. Paradis - Johnny Depp's real-life love - is as blank as she is beautiful. But Duris is so gung-ho that he turns each ridiculous premise into a masterpiece of comic mayhem.
  12. Richman's no-nonsense approach, which relies heavily on interviews with the eloquent, 98-year-old Gruber, feels more suited to a televised biography.
  13. Most of the acting is amateurish at best, and the tone is vintage "Afterschool Special." But it does aim to be family-friendly, and at least it succeeds there.
  14. Director John Scheinfeld's film, utilizing interviews with friends and collaborators, hits a high note on Nilsson's friendship with Ringo Starr and his fear of stage performance.
  15. So now we have a full-length Machete movie, and it turns out that, as usual, less is more.
  16. This empty, immature romantic comedy ultimately feels as if it's filled with all the hot air that separates New York and San Francisco, yet still manages to be a suffocating bore.
  17. The American, a movie as coiled as a snake and as still as a sleepy villa, is the rare grownup thriller that knows the link between peace and danger and the tension that comes from both.
  18. The Last Exorcism trods on previously stomped ground and has almost no good jump-outta-your-seat moments.
  19. There's enough action to keep us watching, but little incentive to return when the movie's second half - yep, another two hours - hits theaters next week.
  20. There are plenty of outrageous characters, several surfing celebrities and a few truly compelling stories.
  21. Marshall shows off the breathtaking landscape, but with interiors, he populates the ale houses and encampments with cliches - like dueling female warriors, one a mute and the other a white-haired vixen.
  22. This dour, hyperactive family film is joyless, overly busy and starchy.
  23. There are few real scares, though, and even fewer actual laughs. Despite several obvious gags, Aja never captures the spoofy fun of the 1978 original.
  24. Mary's search drives The Tillman Story, and throughout this taut, true epic, we see a smart, sometimes angry, always loving family find their destiny: to speak truth to power, to call wartime myths what they are and to show how the American character is not about blind obedience.
  25. It's easy to see the potential in Lottery Ticket, which boasts an entertaining idea and a game cast. But you only win big if every number hits.
  26. His (Bateman) performance is fun. Too bad The Switch is not.
  27. Noble but dull.
  28. "Vampires" doesn't suck, exactly, but the laziness and lack of imagination kinda bites.
  29. A kind of historical detective story made up of haunting montages, including a theater performance featuring a heartbroken musician that's absolutely chilling.
  30. Director Ryan Murphy achieved a major casting coup in landing Julia Roberts to play Gilbert - or Liz, as she's called here. As it turns out, though, a lesser star may have been a better choice.

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