Summary:1937, Spain is in the midst of the brutal Spanish Civil War. A "Happy" circus clown is interrupted mid-performance and forcibly recruited by a militia. Still in his costume, he is handed a machete and led into battle against National soldiers, where he single handedly massacres an entire platoon. Fast forward to 1973, the tail end of the1937, Spain is in the midst of the brutal Spanish Civil War. A "Happy" circus clown is interrupted mid-performance and forcibly recruited by a militia. Still in his costume, he is handed a machete and led into battle against National soldiers, where he single handedly massacres an entire platoon. Fast forward to 1973, the tail end of the Franco regime. Javier, the son of the clown, dreams of following in his father's career footsteps, but has seen too much tragedy in his life - he's simply not funny and is only equipped to play the role of the Sad Clown. He finds work in a circus where he befriends an outlandish cast of characters, but as the Sad Clown he must take the abuse of the brutish Happy Clown Sergio, who humiliates Javier daily in the name of entertainment. It is here that he meets Natalia, a gorgeous acrobat, and abused wife of Sergio. Javier falls deeply in love with Natalia and tries to rescue her from her cruel and violent husband, unleashing Sergio's jealousy. But Natalia is torn between her affection towards Javier and her lust for Sergio.With neither man willing to back down, this twisted love triangle evolves into a ferocious battle between Sad Clown and Happy Clown, escalating to unbelievable heights in this absurd, shocking, irreverent and unforgettable film. (Magnolia Pictures)…Expand
Conocida como Balada triste de trompeta en España, esta es una de las películas mas extrañas y perturbadoras del gran Álex de la Iglésia. No es mi favorita de este director, pero mantiene un tono lúgubre genial durante todo el metraje y los actores están sobresalientes.
Pan's Labyrinth meets Youtube's Italian Spiderman.[1] The resulting movie isn't quite stupid enough to be funny (except for the CGI), but easily enough to lose the audience. There is more tragedy in the actors' attempts at making this sensible than there is in the final scene where they fallPan's Labyrinth meets Youtube's Italian Spiderman.[1] The resulting movie isn't quite stupid enough to be funny (except for the CGI), but easily enough to lose the audience. There is more tragedy in the actors' attempts at making this sensible than there is in the final scene where they fall off of Spanish Christo Rendentor. It's sad because neither the concept nor the acting is at fault. With much better writing it could have worked. But the script is clearly in B movie territory.
[1] Yes, it's Spain and not Italy, but the coarse level of subtlety of this movie wouldn't distinguish the two.…Expand