Torchlight III doesn’t bring anything new to the looter dungeon crawler and that’s okay. It’s rather simplified and accessible, but most importantly fun and hard to stop playing. Hardcore fans of this style may be critical of the fact that it might be too simplistic and accessible, and that’s understandable since I have fond memories of working out complex character builds in other games of this nature and feeling pride when they worked out well. Comparing Torchlight III to other dungeon crawlers may come up lacking in those areas, but it’s an enjoyable game just taking it in as its own entity, making the return trip to Novastraia worthwhile.

With some of the strongest storytelling in its genre, now or in the past, a deep combat system and a top-notch presentation, Pier Solar HD is at the head of its class, easily sitting alongside some of the most cherished classics of its kind. It does have some flaws, though, namely its seeming disinterest in ever providing any real guidance to players, leaving them confused and wandering for longer than necessary.

Despite the lack of content at launch and the long waits to join matches, I still can’t seem to put Firewall Ultra down. The game is only $40 currently for the standard version, and it improves on the original quite a bit. The eye tracking needs polish, but it can also be turned off in the options. The quality-of-life also needs improvements, but there is quite a bit here. After doing PvP to start, I found myself enjoying PvE despite the AI being sneaky yet overwhelming. Finishing missions, which really equates to hacking different laptops on a map, started to happen. Firewall Ultra requires your time and effort and while the in-game rewards are minimal, the rewards of improving and playing in the social atmosphere is the hook.

Bokeh Game Studio’s Slitterhead shows a lot of promise in terms of its unique possession action gameplay, direction, music and overall plot. It’s fun, electric and unlike any other game. New IPs are the lifeblood of the industry and the game is a key example of keeping that saying alive.

It’s not that Conception Plus: Maidens of the Twelve Stars is a terrible game. In small bits, it can be fun to progress through the story and make the numbers get bigger. The problem is that, once the weirdness wears off, it’s an achingly average to below average JRPG. So much feels padded for the sake of prolonging the run time, the environments of the dungeons never feel interesting, and the challenge is to the player’s patience, not their brain. Spike Chunsoft have a concept here, but it’s one that needs a little more time gestating. Considering how great Spike Chunsoft is as a developer and publisher, we should hope for better than Conception Plus: Maidens of the Twelve Stars.

Betrayer faces interesting dilemmas. It has an intriguing story built from a great mystery and good gameplay to back it up, but feels unnecessarily punishing.

Color Guardians blends a variety of fast-paced genres together nicely. It controls perfectly and every set of stages changes things up enough to use the core runner/platformer/rhythm game template and keep it interesting.

Monster Rancher 1&2 DX is a blast from the past, letting fans re-experience a classic while introducing new players to the franchise. The big take away is that these games have not aged particularly well. Mechanically, it’s rough around the edges, at least within the battle system. Raising a monster is one of the more compelling components as fans of micromanaging time and effort will have a blast. The disc system, or lack thereof now, is disappointing as it becomes a gaccha reroll machine that takes out the fun of picking up what you have around and using it. Granted, it’s hard to actually simulate a system that cannot be done today, but it’s just not the same. In the end, Monster Rancher 1 & 2 DX has done enough to justify the revisit of two of the most memorable monster games.

Cooking mama's game design just doesn't carry its weight; it can't seem to decide if it wants to be a cooking sim for grown-up food geeks or a party game for kids, and the result is an excersize in frustration for both groups. [May 2007, p.63]

Gal Metal’s fun, silly story is a super-cute gateway to the driving rhythms of metal drumming, and once you’ve got a few rhythms in your head, it pays off in a way that makes you want to learn more.

Technical issues notwithstanding, Saints Row is not without its shortcomings, but it succeeds more often than it doesn’t. Even with the release date pushed back it still doesn’t feel finalized. The tech issues can hopefully be ironed out in a patch or two, but the characters could have also benefitted from further development and being more fleshed out. Santa Ileso is a great open sandbox to explore, but it seems like a greater emphasis was placed on repetitive criminal venture activities and less on the more exciting story missions. Still, what Saints Row does well is it does very well with memorable missions after the Saints have started to establish themselves. The banter between characters is generally entertaining and a lot of the humor is derived from this series never taking itself too seriously. There’s a lot of potential with this reboot and new cast of characters, but it doesn’t seem like it was fully realized in this title, making it a game that’s fun for Saints Row fans, but isn’t the spectacular reboot we were hoping for.

The many unique twists of Magnetic: Cage Closed do so much to set it apart from the other first person physics puzzlers that have tried to dethrone the genre mainstay.

While ultimately not a disaster; Tharsis compares to getting to the final round and failing due to a slight miscalculation.

It is positive to note that Sixty Second Shooter Prime is extremely tough (and well-priced), but the lack of goals and a poor level system leave little to be accomplished after the first couple hours of gameplay.

We Are Doomed is a fantastic take on the twin-stick shooter, showing that you can take the basics of a genre and still make something fresh with enough creativity and style.

Despite not excelling at any single thing, the combined dungeon keeper with RTS approach does result in an interesting game that can be enjoyable once some time has been spent with it.

As pleased fans will be to see Gradius and company (most of said company anyway) return in pristine, faithful fashion in such a welcomingly retrospective admiration — add to this the barebones features and basic presentation — beyond the most embedded of shmup enthusiasts, the Konami Arcade Classics Anniversary Collection doesn’t quite come across as celebratory as you might think.

Players can absolutely see the incredible potential of Friday the 13th: The Game. When the game works without issue, it provides a fantastic, tense experience unlike other asymmetrical horror games on the market. It could just be so much better. Polishing off the bugs and expanding with additional content and modes would turn this into a title that becomes a longstanding favorite rather than something folks play for a hot minute before moving onto the next Early Access multiplayer title.

Hellbound may not be great but it’s a short, sweet thrill ride while it lasts. The action is nice and fast with the guns packing a solid punch, and all the weapons earn their place in the arsenal. The length of the game means its limits don’t have a chance to feel grating and the sameness of the enemies is nicely offset by the personality of the levels. Even after the game is over there are still a handful of arena levels to play in, trying to survive as long as possible to claim a spot on its leaderboards. Hellbound may be restrained by its limits but there’s no question it does a lot within them and it’s good bloody fun while the ride lasts.

Those who like Shadowrun or turn-based RPGs should still give Boston Lockdown a look, but anybody else need not apply.

With 60 brain-stumping levels, Globins is a must-play on the go.

Redux: Dark Matters on Steam isn’t worth getting excited about given the wealth of better alternatives, and even if you’re a Dreamcast collector, there are far better shooter releases for it in recent years.

A good, but not great, new IP, Poison Control skillfully harnesses NIS’s abilities to present a visually-striking, musically-engaging world with unique gameplay concepts. The biggest issue is the gameplay itself doesn’t feel as polished as it should be. The third-person shooter gameplay is functional, but the execution leaves something to be desired. Even so, it’s enjoyable enough to make quick work of each stage and uncover the storylines behind each. The unique factor wears off after a while, but as long as you don’t expect a Call of Duty-style shooter, you’ll be able to enjoy what Poison Control has to offer.

JETT: The Far Shore has an impressive world with well-crafted lore, an intriguing story and eye-catching visuals. Unfortunately, you actually have to play through the game to experience any of it, and that ends up being a slow, plodding mess in more ways than one. Maybe those with more patience will enjoy the trip more, but everyone else can rightfully skip JETT: The Far Shore and just remain grounded with better games instead.

While an undeniably beautiful game to look at, the underlying technical issues hamper the presentation. Godfall stands as a decent first attempt at a new IP with solid ideas and great combat, but doesn’t stick the whole landing.

Xenon Racer is a good game that so desperately wants to be great, but it falls short in too many areas to reach that status. Cars feel a bit too weighty while tracks lack life due to low-quality trackside details. The game’s tough learning curve won’t be for everyone, but does offer a greater sense of reward than most games when it comes to making a victory feel like a true accomplishment. Unfortunately, visual problems and a mundane soundtrack hurt the overall presentation. The end result is a game that comes as a mild recommendation for racing fans until some of its issues are hopefully fixed with patches down the line.

While it’s nice to have a game based on the television version of The Walking Dead that’s enjoyable, this aspect falls short in The Walking Dead Onslaught. While some of the voice acting and the face models are good, the rest feels tacked on. Being able to identify targets and pick your points using guns offer a fantastic feeling, but the motion detection on the PSVR has a lot of issues. These issues may be a bigger deal if this was a full-priced game, but it’s only $30 and completely worth it for that price. I feel this would be a better experience on other platforms, but the game is playable and still enjoyable on PSVR. While I prefer a horror title that creates an atmosphere, the frantic tone of Onslaught does a good job in creating something different.

Tales of the Shire: A The Lord of the Rings Game has the potential to be one of the best cozy games out there with a wonderful art style, engaging characters and an entertaining game loop. It struggles, however, with the lack of a fast travel system and overly repetitive game design. There's only so much running (or skipping) you can do before it gets grating. The mini-games like the cooking and fishing are fun, and collecting ingredients in the beautiful Shire is a great distraction to the stresses of real life. What ultimately kills the game right now, however, are how some bugs kill your progress.

If you’ve never played Indigo Prophecy before then you ought to give it a try, but you’d be better off digging up a PS2 copy than playing this mess.

The Crew is an overly ambitious project that just doesn’t go the full mile.

Broken Roads is a cult classic in the making. It hearkens to the best parts of games like Fallout 2, and many other CRPGs of the '90s, and it fits right in alongside classic Fallout and the Wasteland games. It’s flawed in some areas, with bugs in spots, but it offers tremendous role-playing and storytelling that make it more than worth your time to spend upwards of thirty or more hours in post-apocalyptic Australia.

SimCity: Cities of Tomorrow is a visually appealing addition that unfortunately only runs skin-deep.

Components blend in such a way to entice a new player to give it more than a few runs. After the honeymoon is over, though, a game that leans so heavy into the rogue-like trappings needs to do something to maintain player interest. Regrettably, that is where this title falters.

Katama Kami: A Way of the Samurai Story is a well-crafted adventure that mixes rogue-lites with sword play in interesting ways. The risk/reward system for the dungeon crawling is something that keeps you on your toes at all times, while carefully balancing equipment stashes with what you bring out in the field is trial and error at its best. The action is fast and never gets bogged down by having a lot of enemies on-screen, even if the graphics do have some detail-related shortcomings. The animations are solid and the soundtrack is exceptional even if it isn’t the most memorable. The woodland-finned soundtrack keeps you invested as you go from dungeon-to-dungeon and slay all manners of enemy to survive.

Double Dragon Revive doesn't quite hit the mark, but does do some things right. The combat gives glimpses of greatness, but there's a lot going on with that combat. Limited space and room within levels mixed with random platforming/puzzle sessions is part of the reason the genre moved on to greater things. These elements didn't necessarily need to be revisited especially when other recent Double Dragon titles didn't try to do this. Yuke's seemed to go for a more serious tone with this release, and while Streets of Rage 4 was able to get away with a serious tone, it doesn't completely work here. It may be due to the fact that it feels more like a modern anime rather than a ninja gang story from the late 1980s. Revive may have also stuck out more if there hadn't been so many chances at reviving the series in recent years.

Overall, Lost on Mars does have several moments of amusement, and while it might not achieve a true level of greatness it is entertaining enough to warrant a visit to Mars when someone needs a change of scenery from Montana.

Ryse: Son of Rome has the visual fidelity of the future, while its gameplay and storytelling are stuck in the past.

J-Stars Victory VS+ fumbles what should have been a glorious, celebratory experience. It’s combat is banal, its design is overcomplicated and its presentation is completely halfhearted.

F1 Race Stars isn't the worst choice for those desperate for a kart racing fix, but it's truly a title reserved for Formula 1 fans and their offspring. While the racing is enjoyable, its lack of polish and unique features make it play second fiddle to Mario Kart.

As a fan of Nippon Ichi Software’s output as a whole (these are the people behind the Ys and Xanadu series, after all), it’s hard not to be disappointed with The Witch and the Hundred Knight 2. Despite the knowledge gained from the previous outing, the developer released a title that plays like the place their unused ideas of other places got sent to die. Staying prepared for the action takes up a huge amount of time and the action itself isn’t exactly compelling.

The Metroidvania formula will forever remain one of gaming’s best, so whenever a modern 2D (or 2.5D in this case) version is announced, it’s cause for excitement. Blackgate doesn’t exactly do anything new and is derivative of practically every predecessor in its “genre,” but that doesn’t mean it’s not a whole lot of fun.

For those who love everything Hatsune Miku, it’s a great pickup and even for those who just don’t “get” it, check it out because it is something that can convert you into at least seeing the merit behind the concept.

Enjoying Ragnarok Odyssey: ACE hinges on enjoying the original, because this is the same game that was released in 2012 with more content.

Infinity Strash: Dragon Quest The Adventures of Dai is an interesting idea in bringing the anime to video game form that falls short in execution. It sounded great on paper, but nothing comes together in any way that makes this title rise above mediocrity. The basic repetitive gameplay that’s sparsely portioned out between story development prevents this from being the great action RPG it should have been. Fans of The Adventures of Dai or Dragon Quest in general might find enjoyment in this title. As critical as this review is there was fun had in playing it, but without the Dragon Quest name no one would give this a second thought. But despite its shortcomings it does still successfully convey the Dragon Quest charm, which might be enough to bring some enjoyment to a small segment of gamers, but most wouldn’t consider it worth the price of admission. As such, it’s difficult to recommend it to anyone but the most hardcore Dragon Questfans and even they should keep expectations low.

As it stands, Violett is a mess, and a disappointment on every level.

As it stands, FK Digital’s latest title feels like it simply needed more time in the oven. Because of that, Chaos Code will probably come off to most as a forgettable title amidst a genre that has far better games for one to spend their time and money on.

There’s a lot to enjoy in Lovely Planet, so long as you don’t actually have to play the game.

EA and Ghost Games set out to make the quintessential Need for Speed by bringing in aspects that worked in the past and has mostly succeeded. The unnecessary narrative ultimately holds the game back, but it’s a blast once the world is made available to the player. The off-road racing is addicting and the search for Derelicts could remain a mainstay with the franchise moving forward. This is much less of a CAR-PG than the previous game, as players will be able to build a great library of cars much quicker. Add to this an excellent livery editor and community features, and the core elements of Need for Speed Payback will keep fans playing for quite a while.

Mutant Mudds is a well-executed that falls short in some crucial areas. Given the relatively low price, Mutant Mudds is worth owning if you're seeking a tough platformer with some twists to it. Unfortunately, some may find its high difficulty more frustrating than fun. The old-school graphics work well, with the bold outlines making the far-off gameplay easier to make out, but the music and depth issues often suck enjoyment out of an otherwise breezy experience.

Evoland is a unique game in that it’s impressive to see the scale of references and care to detail that is present within it. Despite several surprising flaws, it’s not often in a game where one can relive some of the greatest game-playing experiences from Final Fantasy and Zelda in a couple of hours and the combination of the two games is almost seamless in their execution.

ITORAH is a fantastic Metroidvania and a must buy for those wanting an entry in the genre that tries new things. It’s a forgiving game and one that looks absolutely stunning. There’s nothing else in its class visually and more developers should look at what a unique, painted art style can do because it makes every action in both a character’s face and body language stand out more and that’s rare to see in a 2D game. It’s clear that a lot of care went into ITORAH and it’s paid off in spades with a rewarding and refreshing Metroidvania.

This title can only be recommended to those who have already polished these off and want something else set in the same world. Everyone else should just shamble past.

Sword Coast Legends is a solid loot crawl with more options than most games of its kind. It may not be the Dungeons & Dragons simulator many were hoping for, but it works well as just a straight video game.

In the end, Velvet Assassin is definitely worth a playthrough.

It's not demo material or a novelty release, but an uncompromising adventure game that weaves an engrossing story while utilizing the full potential of motion control. It doesn't always work flawlessly, but the sheer ambition alone makes it a must-own for Fable and Kinect fans alike.

If you played through the entirety of the first game and didn’t have a problem with it, this may be your thing. While the collision detection, and some other things have taken some serious hits, there’s still a good story to be found. Otherwise I would skip this and wait for the inevitable sale.

As it stands we’re left with a very fun beat-em-up – with very funny writing – that ultimately outstays its welcome.

Diehard fans of the series will get a kick out of this, but most others (including music game fans) can feel confident in skipping it over. There are both better rhythm games as well as better Senran Kagura titles available on Vita.

While it may not be the first of its kind or groundbreaking, RemiLore brings the potential of even more to come in the future and starts in a great place that makes it well worth giving a try as it’s the perfect balance of challenge without being frustrating. RemiLore: Lost Girl in the Lands of Lore is a fun adventure with enjoyable dialogue and characters in addition to some great combat that makes it fun to replay again and again.

Zoids Wild: Blast Unleashed has come to do one thing: fight. Battle techniques built into gameplay have come a long way since the last arcade Zoids title, but Blast Unleashed manages to bring a strong, technical fighting emphasis to a long-running franchise.

I Am Bread has novelty, but that novelty drains away quickly, leaving nothing but frustration in its wake. It’s YouTube bait and nothing more.

The increased emphasis on delivering a high quality game makes Rivals the definitive entry in the series to date, even though it lacks the plethora of modes in the second installment.

It may not be refined enough for adult gamers to enjoy, but it’s a fine choice for a generation of gamers that are tragically growing up without games of this type.

Ultimately what kills the experience are the microtransactions. While the game might be $40, literally 80% of the Superstars are locked with some that you can’t even pay for (John Cena). There was a lot of potential here but it doesn’t come close to the arcade experience that WWE All-Stars had. It’s hard to tout WWE 2K Battlegrounds as a social game with the focus on variety coming from the single player portion.

This is the definition of a niche title. Fans of either series are going to dig it...other gamers, maybe not so much. It's fun for a little while, but not really that great. [Vol 3, Issue 2, p.66]

A lazy port of a set of lazy ports from six years ago, but it is technically the best way to play two fantastic games – and also Devil May Cry 2. There is absolutely no reason for any fan who already picked up the original HD Collection to give this one a go, but if you’re an old fan who doesn’t have access to the PlayStation 2 originals or a gamer that’s always been interested in the franchise, you can’t go wrong picking this collection up for $29.99 USD.

Touhou Double Focus is a quirky Metroidvania that offers fun and challenging gameplay. This isn’t the first game that requires the player to switch between two different play styles, but the simplicity in doing so does enhance the exploration aspect of the beautifully designed areas of the book world. While not incredibly long, this doesn’t feel incomplete since each area is filled with many nooks and crannies to explore with secrets to find. Time attack and replaying boss fights adds to the replay value and certain trophies need to only be attempted by the most masochistic of gamers.

Fight Crab is one of the more ridiculous games of 2020. The level of ridiculousness works to its advantage, as the game mechanics themselves are rather mediocre the absurdity makes it interesting. It’s not the deepest fighting experience by far, as the gameplay didn’t hold my interest so much as wanting to see what the next bizarre arena would look like. A game this ridiculous is best enjoyed with the company of friends to revel in the absurdity or may even be one of those rare games that might be more entertaining to watch a streamer play it. Fight Crab is a novelty title, and while it’s an amusing one, the gameplay doesn’t do much to prolong the enjoyment after the novelty wears off, but prior to that the game does provide many authentic chuckles.

Credit to Michelle Mylett and Al Weaver (who play Amy and Rees, respectively) for serving what material they’re given here, credit too to Wales Interactive for supporting the FMV genre still. But the pull of multiple branching endings (technically) as well as a shallow relationship mechanic mark The Complex down as, while not terrible, a safe, sterile and sadly under-utilized effort.

While Back To Bed is not a terrible puzzler by any stretch of the imagination, it is terribly underwhelming.

Ryse has an interesting dilemma. It contains a fun combat system, a fine story and beautiful visuals, yet fails to make an impact. It’s damaged by being painfully short (under six hours), linear and repetitive, the combination of which proves hard to overcome.

Spectra is a fantastic little track-racer with a killer beat and instantly accessible gameplay.

Dusk Diver 2 shows a notable improvement over the original by adding a second playable character to switch between in-battle at any point, but doesn’t improve the formula enough to be a must-have for anyone who didn’t love the original. The combat system has been beefed up, but variety is still in short-supply and the same environments being used throughout dungeons hurts things. The overworld exploration is the most pure fun the game offers up in its current form and it’s a shame some streamlining wasn’t done to dungeons to make them less laborious and more fun to complete.

This type of game that may not be of interest to everyone, but for anyone looking for something left of center and if the premise of wandering around an alien world sounds appealing, this is a good title to check out.

As expected, Resident Evil 6 — four years after its original release — remains one of the series’ most underbaked, underdeveloped and downright unappealing entries in a franchise that has claimed far greater heights in terms of gameplay and presentation.

We Are The Dwarves shouldn’t be completely dismissed, as it still at least has some neat ideas, controls nicely and looks pretty, but it comes across being so viciously unfair that it can only be recommended to the most hardcore fans of this genre.

It’s certainly passable, but you can find many Metroidvania games that fulfill their gaming ambitions much better.

Sonic Unleashed is a glorious return to true console form for Sonic.

While SNK Heroines: Tag Team Frenzy has the potential to be a fun hunk of cheese and fanservice, ultimately it relies too much on the game’s premise to carry things. The core tag team gameplay isn’t anything bad – rather fun and unique, even – but extremely short matches, a lack of variety and uneven AI means that said gameplay never achieves its full potential. Only the most diehard SNK fans may want to pick this one up, and even then, odds are you’ve seen these femme fatales done better in both gameplay and sex appeal in previous fighters.

Its biggest issue is how safe it plays everything, but anyone wanting a straightforward approach to the JRPG genre will leave more than likely impressed by Alphadia‘s endearing simplicity and nostalgic allure.

There are just too many issues to make this a worthwhile purchase.

My Night Job is an entertaining homage to older video games and the horror genre, but its repetitive nature and lack of replay value hold it back.

Skeleton Boomerang is a challenging 2D platformer with a lovely variety of levels, weapon variations and goofy enemies to battle against. There are times when design decisions negatively impact play, such as the choice to work with a cramped square screen resolution in the widescreen era. There are a few glitches as well, though nothing that likely can’t be ironed out with a patch or two. With that out of the way, you’re left with a charming — and tough — game with an awesome weapon to use in Hunter’s quest against evil.

RWBY: Arrowfell is not a title we would necessarily call wholly bad, but it feels lacking especially when considering that the teams behind it have such a great track record for platformers and fighting titles. It’s hard to tell where things ended up to make it feel so “bleh.” The repetitive nature quickly becomes apparent, the lack of innovation in combat keeping anything from feeling fresh after the first few stages and it just feels like a series so focused around combat would deliver a more fleshed-out experience. RWBY: Arrowfell is a title that will only appeal to fans of the franchise, but even then it won’t offer a stunning gameplay experience or make it worth picking up for the story. At the very least it’s nice to see new interactions between characters, but it’s just a shame the gameplay loop just couldn’t pull through.

Those simply looking for a great game of virtual hockey will find some enjoyment here, but dedicated players who enjoy digging deep into the various modes EA has introduced over the years will be sorely disappointed.

The game isn’t the visual masterpiece one would expect from a AAA production, but it isn’t without its charm. It’s with Wrecking Zone that Sumo Digital stretches their wings thanks to the chaos of destructible environments, but the glaring lack of content and missing features makes it more of a curiosity rather than a fully fleshed out mode.

It's a unique experiment with a lot of depth for those willing to donate the time. [Vol 3, Issue 2, p.64]

For series fans, Corpse Party: Blood Drive is simply a must play.

All the clever levels in the world won't do much good, though, after the dozenth aggravating death by hidden trap makes you toss the game aside. [July 2007, p.60]

Sure, it's only $20 for retail, but downloadable services offer beat'm'up experiences much more exciting and varied for a fraction of Pirates Plundarrr's price.

Dark Void winds up being less than the sum of its parts.

Sadly, its invasive microtransaction structure and otherwise lack of engagement as a Metal Gear/stealth entrant is what will likely stand as its greatest downfall — inevitably cancelling out all the goodwill the game creates in its shorter spells. Metal Gear Survive as a whole isn’t the utter abomination many had suspected it would be, but it doesn’t push itself beyond the still-waning status of being tepidly average.

Fans of Neptune and Friends will likely have a great time here. Those who already hate it should run away. For those who aren’t sure? Well, despite its warts, it’s a decent introduction to the series, and a great way to see which side of the line they will fall on.

This is a two-and-a-half-year-old title brought to current-gen consoles with minimum effort at close to full price.

Suicide Squad: Kill the Justice League works on a surface level, but look beneath the surface and there isn’t enough for story, live service, shooter or DC fans to properly enjoy long-term.

The game itself does work as an introduction to the series, giving the briefest of glimpses as to why it’s so popular, and piling on the fan service with countless playable and support characters. Neither good nor bad, it exists. That will be enough for many fans.

Dontnod are capable of so much more than what this latest outing provides — it’s not terrible, but Twin Mirror is a misfire from a developer whose experience and past achievements would have you presume they should know better.

Taxi Chaos is a fun, flawed game that takes a lot of inspiration from Crazy Taxi, but does genuinely improve upon the formula in impressive ways. Freeroam allows players to learn the city to do a better job in the arcade and GPS-less modes, while having NPC fetch quests keeps things fresh and further rewards exploration. The available car selection is hit or miss, but most of the vehicles are fun to use and allow you to have a blast while darting around NYC. The soundtrack and voice work need work, and with post-launch updates planned, we’ll see how all of the issues related to the audio work out in due time. Taxi Chaos needs more polish, but still offers a lot of fun and it’s a must-play for anyone looking for a more modern-feeling version of Crazy Taxi.