Sitting somewhere between Dead Cells and Blasphemous in terms of structure and gameplay, Dark Devotion lurks in their shadows, failing to stand out. It’s simply inferior to both, and while some ardent players may eke some grim enjoyment out of it, it’s hard to recommend, especially on Switch.

Within half a dozen hours, party members move from distant strangers to lifelong companions. These shifts feel completely unnatural and alienate the player from forming emotional connections.

Despite its initial allure, The Mage’s Tale just didn’t connect with me in the long run. PSVR has some incredibly high notes, and some pretty low lows, and this game sits comfortably in the middle. It doesn’t do anything exceptionally well, and its shortcomings are somewhat tied to the shortcomings of the format it’s presented on.

With the side-scrolling beat ’em up genre currently going through somewhat of a revival, it’s a shame that Samurai Riot: Definitive Edition disappoints. It’s unique in the space and genuinely does have some good ideas. But when it comes to the gameplay, it just can’t compete with the likes of Streets of Rage 4 and Teenage Mutant Ninja Turtle: Shredder’s Revenge. If you really like the game’s setting and art style it might be worth taking a gamble thanks to its budget price, but chances are you’ll find it overly repetitive, as well as a bit dull and frustrating.

Exploring every nook and cranny of dark, desolate environments in which grotesque creatures can be lurking around every corner very much appeals to me. What Space Hulk: Deathwing Enhanced Edition is lacking is finesse in its execution, however. And it's also lumbered with the fact that Space Marine Terminators are big, bulky things that surprisingly aren't much fun to play as.

Horse Tales: Emerald Valley Ranch is a lovely-looking game. Its art style and open world freedom engaged us right from the off, like a horse-centric, combat-free Breath of the Wild. Except it doesn’t take long for its design flaws to rear their ugly head. It’s such a shame that the act of playing isn’t anywhere near as fun as it should be, thanks to poor controls and bad design choices. Still, if you really love horses, some of its flaws may be easier to overlook. The fact is that it’s still better than many other horse games out there.

I actually like the idea of an RPG without the exploration bits, but such a game desperately needs to place more emphasis on engaging and enjoyable combat, which here, is severely lacking.

The issue is only being able to play for short bursts because your eyes hurt. Or because you’re sick of reaching over to the mouse to select a new game mode, even though your controller worked on the main screen. With friends, in short bursts, Kinetic Edge can be fun. But for the most part, it feels like rolling a ball uphill, rather than down: awkward and difficult.

If the gods of random generation line everything up in your favour, Windbound could be a truly captivating adventure. It’s unlikely to happen that way though, and sadly its many frustrations outweigh the beautiful game it could have been.

The biggest problem with Last Will is the amount of technical issues that plague it; it barely touches the line of what is acceptable in a game’s technical performance.

It’s a typical bullet hell game that doesn’t do much more than the bare minimum. It’s got a beautiful aesthetic, great sound, and a fantastically appropriate soundtrack. A solid upgrade system and ship selection will keep you going for a while, but that flame will burn out.

There’s a lot here that could be good, with a bit more work. But in its current state, its colourful, enjoyable world is wasted on poor gunplay and an unfathomable progression system. We do love the challenge of a roguelike, but this one gives us little reason to keep jumping back in.

Towaga: Among Shadows admittedly looks fantastic, but it just isn’t enough to pull it out from the realms of mediocrity. Its gameplay doesn’t excite in the way that it should and it grows stale too quickly, so it’s a struggle to recommended it even at its modest price. Still, if you ever spot it with a decent discount it might be worth picking up just for its sumptuous art and initial rush of unique gameplay.

Despite the glaring issues with Zenith, what kept me playing was the parody of other fantasy games, the really thinly veiled references to Final Fantasy and the dialogue dripping with sarcasm.

Colourful visuals and a nice soundtrack aren't enough to save G.I. Joe: Wrath of Cobra from being a disappointment overall. Thanks to your limited combat options, dull boss fights and overuse of grunt enemies, it's just not all that fun to play.

When stellar DualSense implementation really is the only highlight, however, it’s hard to fully recommend Timothy’s Night. Its visual style is commendable, and this is not a bad game by any means. But its gameplay – complete with sluggish movement, ho-hum gunplay and enemies that frequently spawn behind you – is just never particularly enjoyable. If you really dig the noir aesthetic you might get a kick out of it, but there are certainly better ways to spend your time.

A futuristic anime-inspired arcade racer featuring both cars and bikes, Neon Apex: Beyond the Limit sure plenty of modes. There's no online multiplayer though, and what's more problematic is that its core racing action has issues that will limit your enjoyment of the package overall.

Cosmic Leap could have been an excellent little game with a timeless and endearing art style and solid platforming levels. Unfortunately the controls just haven’t allowed the game to get off the launchpad.

If you’re a steampunk aficionado then Vaporum will doubtless hold some appeal for you; it’s smartly presented and tells a tantalisingly haunting tale of man’s folly. But for those who aren’t as taken with steam power, Vaporum is a rather average dungeon crawler.

If you’re a big fan of Captain Tsubasa, you might actually get a kick out of what’s on offer here. While its story scenes are a bit lifeless, they are genuinely entertaining, and there are plenty of twists and turns. You’ll have to grit your teeth and make your way through many unfulfilling football matches to enjoy them though. Captain Tsubasa: Rise of New Champions didn’t have to be FIFA, but it at least had to provide a game of football that felt dynamic, fair and fun. It doesn’t do that, unfortunately, and so for most it’s going to be a major disappointment.

The Path of Motus is a game with heart, but that’s not enough to make it an essential excursion. You’ll find some fun here if you take the trip but be prepared for an uneven and sometimes frustrating journey.

Offers mindless fun, sure, but there are a slew of other Musou titles also available on PS4, and nearly all of them are superior to this.

Make no mistake about it, Zone of the Enders: The 2nd Runner MARS is a game that will only really be appreciated by fans of the series. Even with its VR mode, there’s nothing here that newcomers will find particularly impressive.

If you are craving that Burnout action but can’t be arsed to pull out an old console, then sure, Danger Zone will at least remind you of those glory days. Unfortunately it’ll do little else.

NASCAR Arcade Rush isn’t a total disaster – there are worse arcade racing games out there. It does disappoint with its racing action that just isn’t as much fun as it should be, however, and there isn’t much content considering its asking price. Pick it up at a discount and you might have some fun with it, especially if you play it locally with friends, but otherwise there are other, cheaper, arcade racing games more worthy of your time and money.

Though pretty to look at, there is no depth to MOP: Operation Cleanup and that makes it feel like a hollow shell of a game.

It definitely has its moments, but the fun is spread so thinly that Iron Man VR soon wears out its welcome. Being Iron Man is fun for a few minutes, but it doesn’t last. The hero who kick-started the Marvel Cinematic Universe definitely deserves better.

If you’re desperate for a sleazy point and click adventure on Switch, you might get some enjoyment out of Leisure Suit Larry: Wet Dreams Don’t Dry. It’s certainly not unplayable. But as point and click games go, its lack of a compelling story and poor puzzles relegate it to the bargain bin. Larry Laffer may be back, but he’s going to need better moves if he wants to attract the attention of 21st century gamers. You can only ride the coattails of past success for so long.

It’s undeniable that Outward‘s combat is sub-par, and that its systems prove to be very punishing when combined.

Stick with Bunny Park past its opening moments, and you’ll probably have a decent time with it. Don’t expect any real depth, though, but if the idea of a very simple simulation game where you can design your own cute garden appeals to you, you’ll at least get two or three hours’ enjoyment here.

It’s hard to recommend Coffin Dodgers to anybody but the most ardent karting game fan who’s desperate for a new title.

I can’t help but wonder how much more fun the game would be if its enemies weren’t quite so numerous and resilient.

While it certainly has its moments as an engaging shooter, Sleep Tight might be better being slept through.

If you get a big kick of out having pages of stats to micro-manage, or finding a lot of loot, then you may gleam some enjoyment out of of playing Sadame, but for me, I appreciate its art and its classes, and that’s unfortunately all I can commend.

If you’re a massive Cobra Kai fan, you’ll find enough good here for it to provide you with some hours of entertainment. It’s just not quite the game that it could have been. Thanks to Streets of Rage 4, the side-scrolling beat ’em up bar has been raised this year, and while Cobra Kai: The Karate Kid Saga Continues is a fuller, more feature-packed entry in the genre, its core gameplay isn’t quite up to scratch. Maybe it’ll get patched and fulfil its potential? Until then, it’s an experience that most will find annoyingly mediocre.

Manage to get through King’s Bounty II‘s battles, though, and you’ll be rewarded with engaging exploration and a decent narrative that leaves you wanting to find out more about the fate of the world you’re in. Despite not looking great, it truly is a world that begs to be explored. Unfortunately, many of the battles are simply too unforgiving and frustrating to encourage you to keep going. Reloading an old save again and again isn’t fun and ultimately, it’s hard to recommend King’s Bounty II – unless you genuinely do enjoy getting defeated again and again.

Sisters Royale: Five Sisters Under Fire isn’t a bad game by any means. It struggles to impress, however. It’s just too light on features and content, and its gameplay doesn’t excite on the same level that many of the other shooters currently available do. If you’ve exhausted every other shooter in your library and want something new to play, you’ll find some enjoyment here, but it’ll be short-lived. This a game best put on your ‘wait for sale’ list.

If you enjoyed Dynamite Fishing: World Games on mobile then no doubt you will like it here, although I would argue it’s better suited to the former.

To say Indivisible is a bit of a disappointment is an understatement. It’s not a bad game by any means, but it could have – and should have – given us a much more enjoyable journey than what we’ve ended up with. A bit more time fine-tuning combat and traversal would have gone a hell of a long way in making Indivisible worthwhile. As it is, its sumptuous graphics and excellent writing are let down by maddening gameplay elements – and that’s the most disappointing thing of all.

For most of us though, the frustrating world traversal, disappointing combat flourishes and all-too-generic gameplay will make it hard to find a reason to stick with Death end; re Quest.

If Valkyrie Drive -Bhikkhuni- sounds rather crazy, that’s because it is. And that’s why it astounds me how tedious it manages to be the majority of the time.

As beautiful as it is to look at, it’s a shame that Rugrats: Adventures in Gameland just isn’t more fun to play. It feels old and while I suppose that’s the intention, platforming games have move on for a reason. It’s the first Rugrats game in two decades, and while I’m glad it exists, I’m disappointed it’s not more enjoyable.

Despite an interesting premise, the game is not all that exciting and quickly becomes very repetitive.

There’s a lot to like about No Straight Roads, there really is. But ultimately, its gameplay is disappointing. It’s essentially a boss rush game that’s been stretched thin by repetitive platforming sections and a hub that’s just a mindless collectathon. The boss battles themselves are of varying quality too, and are laden with frustration. With a patch or two No Straight Roads could be a decent game, but as it stands it’s impossible to recommend to even those who are really into music-infused adventures.

If you’re a fan of Bakugan, there’s no doubt you’ll get a kick out of Bakugan: Champions of Vestroia. It’s a great-looking game, and seeing those huge beasties in battle for the first time is quite a thrill. But the game’s dull and repetitive combat quickly loses its excitement, and the fact you’ll be looking forward to completing a mindless side quest simply to get a reprieve surely tells you all you need to know.

Baboon! isn’t a bad game per se, but because of its flaws I can only really recommend it to the most die-hard of platform fans looking for a new quirky challenge.

Had this game come to Xbox One before Clockwork Tales, then it may have been a different story, but Artifex Mundi have set their bar rather high, and unfortunately this dated re-release just doesn’t hit the mark.

Unfortunately, Bloodshore is Wales Interactive and Good Gate Media’s most disappointing collaboration yet. We thought very highly of The Complex and Five Dates, and the recent Night Book weaved an enjoyable narrative, too. But Bloodshore never quite hits the mark. It doesn’t work as a black comedy, instead never quite deciding if it wants to be funny or horrifying. It’s a disparity that never redeems itself – not even by seeing terrible internet personalities meet their grizzly demise.

Perhaps I have been rather critical of Button City; there is something sweet in its cuddly art style and although its dialogue and narrative may be try-hard, it is effective at times. The real issue is that it feels like its developers have relied too hard on simply being cute rather than focusing on creating engaging gameplay. Regardless of how adorable the protagonist and their friends may be, there’s just not enough here to hold my attention.

Ultimately, it’s hard to recommend Akiba’s Trip: Hellbound & Debriefed to anyone but the most ardent of action RPG fans with a taste for Otaku culture. While its premise is genuinely interesting, as are the storylines that stem from it, the dated visuals and archaic combat will be big hurdles to overcome for most. For those who can see and work past them, however, there’s some fun to be had, albeit littered with some frustration. It’s just a shame that more hasn’t been done to bring this game up to today’s standards.

There’s a solid experience to be had underneath it all if you really, really want to find it, but unfortunately I feel that most people won’t have the patience nor inclination to bother. There are plenty more titles out there offering a much better experience of what Van Helsing attempts.

Metal Tales: Overkill is a fairly competent game; one that’s somewhat enjoyable but not remarkable in any way. You can have hours of fun with it, and can even play it with a friend or family member by your side thanks to couch co-op, but chances are you aren’t going to remember your time with it all that fondly. Still, if you’re into metal music and roguelikes, it might be worth picking up.

Doctor Who: The Edge of Time has flashes of excellence and, if you’re a hardcore Doctor Who fan, you’ll get something out of it. But for a show that’s had this long a run, there’s really nothing remarkable about Doctor Who: The Edge of Time.

It’s the frustrating sort of hard that comes about because of poor mechanics rather than elegant design. Despite your demon powers, the rules of this particular fight club start off by declaring that they’re going to be totally different for you and your enemies.

Trüberbrook isn’t without its charm, though. Despite the dull protagonist, the game’s story is engaging, and the smatterings of humour will occasionally raise a smile. Equally appealing is Trüberbrook’s graphical style, particularly when you’re able to behold the backdrops in all their glory. But considering how many logic-defying hoops you’ve got to jump through and the company you’ll be keeping, the journey to Trüberbrook is only for the patient.

Dariusburst: Another Chronicle EX+ is a bit of a disappointment, then. The core gameplay still shines, the visuals hold up despite their age, and the soundtrack kicks ass, as ever. Event mode pales in comparison to Chronicle Saviours mode though, and the whole affair being presented in the original arcade format does it no favours whatsoever. Throw in a steep asking price, and you have a game that you should think long and hard about before splashing your cash.

A story-driven adventure that holds your hand every step of the way, Detective – Rainy Night will disappoint those hoping to actually do some detective work. It has other issues, too, like poor localisation, but those who are intrigued by its narrative will get some enjoyment out of it while it lasts.

Despite what you might have seen or read on social media, WWE 2K20 isn’t unplayable or broken. Or at least not in my experience. But it also doesn’t push the series forward in any way, nor is it polished. MyCareer mode has an entertaining story to tell, but it’s not worth the price of the game alone, and other modes don’t really offer anything groundbreaking or truly new. So overall, while WWE 2K20 isn’t terrible, there’s no reason to pick it up if you already have WWE 2K19 in your games library.

Tales of Cosmos is a game which, with a little more thought and attention could be a joy to play. Its frustratingly obtuse puzzles and repetitive space travel eclipse the game’s enjoyable moments. Appealing as Tales of Cosmos may initially be, it remains disappointingly flawed and is best left to drift through the aether.

‘Disappointing’ is the best word to describe Rustler. It takes the original Grand Theft Auto template, plops it within a medieval world, then delivers ho-hum missions. Add to that an overall lack of polish, some mechanics that don’t entertain quite like they should, and the absence of voice acting, and you have a small open world adventure that never quite delivers on its promise. Still, chances are you’ll get some fun out of it if you pick it up. Just perhaps not as much as its introductory FMV would suggest.

ICY: Frostbite Edition is a distinctly average title. It definitely has its moments, particularly when you stumble into the game’s stranger locations and end up having to deal with a colossal mutant tree or similar horror. Plus, never knowing whether you’re “right” is a wonderfully unsettling sensation. But you’re still left with a narrative that fails to draw you in, an oddly out of place combat system and a superficial survival mechanic, making gameplay middling at best.

If you’re a hardcore shoot ’em up fan and are desperate for something new to play, Sisters Royale: Five Sisters Under Fire might scratch that itch. For a little while, anyway. Its gameplay is fine, but it doesn’t attempt to further the genre or do anything new in any way. Sure, it packs in a story, but its groanworthy quality perhaps detracts from the overall experience somewhat. It’s fun enough while it lasts, but there are plenty of other shmups out there that offer a much better experience than Sisters Royale, so we recommend you go for one of those instead.

I’m sure some WWII enthusiasts and military logisticians will appreciate the level of optimisable detail of armies and their behavior, but for a general audience, the managerial emphasis is in all the wrong places.

If you’re not put off by its grave challenge that all too often feels unfair and its general rough-around-the-edges nature, you might have a good time with Wanted: Dead. Most, though, are likely to become disheartened and infuriated by it. It tries to do something new with the genre and we applaud it for that, but the execution isn’t quite there. We love its characters and its quirkiness, and even its mechanics, but they’re in a game that at the moment only sporadically feels fun to play.

It feels like a pointless endeavour to stick a score on something like this, really. Thanks to recent titles such as River City Girls and timeless classics such as Streets of Rage 2, I’ve found playing most of the titles in Double Dragon & Kunio-Kun: Retro Brawler Bundle to be painful, at best. To me, they’re now nothing more than curios; relics of the past that are good to be remembered but not to be played. But you might feel differently. It’s a costly gamble to find out.

We’d be lying if we said we weren’t disappointed by Operation Wolf Returns: First Mission VR. Our expectations weren’t outlandish; we just wanted another Operation Wolf game where the guns were our Sense controllers. While Operation Wolf Returns: First Mission VR somewhat fulfills that wish, it adds in needless complications and needs a little more fine-tuning and polish to really shine. If you have some love for the series this will serve up some entertainment, but it won’t replace the feelings you have for the classics.

TOHU is set in a beautiful world begging to be explored, with an adorable protagonist that we should be dying to learn more about. But its frustratingly difficult puzzles and the fact most players are going to have to rely on the built-in hint system quickly sucks any joy out of playing. Unless you’re a hardcore adventure game fan with the patience of a saint, you’re unlikely to enjoy your time with TOHU. The rest of us are better off basking in the beauty of its screenshots like they’re works of art.

If you have an Xbox One X and sit a fair distance away from your TV to play though, definitely give it a wide berth until you know its text has been enlarged via a patch. Assuming one is ever delivered, that is.

This console port of Lovecraftian adventure game The Shore fails to impress for various reasons. But ultimately, it's brought down by the fact that its story isn't particularly cohesive and its gameplay is unrewarding and clunky.

There’s a lot of promise here but it’s smothered by Claire de Lune’s insistence on punishing you for not being able to read its designers’ minds. If you were to take the game’s inside levels, pretend the outdoor areas don’t exist and halve the price accordingly, you’d have a real gem. Or just disabling all of its infuriating invisible walls would do the trick. As it is, Claire de Lune left me fighting to have fun and, missing daughter or not, that’s not a battle I have the stamina for.

I like the ambition of this game. I like the idea behind the game (we need more interactive stories). I even like elements of the execution of this game. But unfortunately, overall, this is a failed experiment. We need failed experiments, however, to pave the way for the successes. So here’s to Deer Man for trying, at least. Now, on to the next one.

There's definitely some joy to be had from Detroit, particularly if themes of artificial intelligence and sentience intrigue you. But there are other games and movies that do more with them (Soma, for example). For a game that relies so heavily on its narrative to carry it, Detroit: Become Human fails to excel.

Spiritual sequel to Void Bastards, Wild Bastards changes up the formula but isn't necessarily the better for it. Its board game-like maps introduce some strategy, but its basic first-person shooter Showdowns disappoint, as do some of its other underdeveloped elements.

If you’ve worn out your Diablo disc, Vikings: Wolves of Midgard may fill a tiny bit of the void but mostly, its painful similarities yet numerous missteps will likely just frustrate you.

Its unique power up system isn’t enough to save All-Star Fruit Racing from being any more than mediocre, however.

It’s a silly game about having fun – and pooping – and as long as you keep that in mind, you can’t go far wrong.

Woefully short and terribly unpolished is what Your Toy is then, but it shouldn’t stop you from checking it out if you want to test what’s between your ears under stressful conditions.

Soulblight isn’t built for everyone, even diehard rogue-like fans. One day I’ll venture back to the Soul Tree, I’m sure of it. Just don’t think it’ll be anytime soon.

It’s a completely fine and competent game that may satisfying someone who is less discerning or has some time to kill with it. However, if you’re a fan of Zelda or action RPGs in general, you can do much better than Oceanhorn: Monster of Uncharted Seas.

Fun can be had with ARK Park , but in small doses.

While the remake of the original The House of the Dead proved to be a fairly entertaining jaunt, this update of the sequel inexplicably comes off far worse. From horrible controls to poor visuals that are simply too dark at times, it's a big disappointment. Still, it's the only way to play this arcade classic on modern consoles, and it boasts some new modes and features.

Even with fairly decent driving gameplay and a somewhat unique career progression system, Moto Racer 4 simply doesn’t do enough to wow veteran racing game fans or woo in newcomers who might be tempted to put pedal to the metal.

Bubsy in: The Purrfect Collection bundles up four games that are all varying degrees of bad, with Bubsy 3D being the worst of the lot. It is cheap, however, and has extras that fans of the bobcat will no doubt appreciate. Make of that what you will.

Being a Bad Cat is fun while it lasts in this little sandbox of mischief. There are far better games that let you step into the four paws of a cat, though, so unless you're hungry for some easy trophies, maybe play something else instead.

As a franchise, Geminose has potential. The range of animal creatures are adorable, and they’re impossible not to love. But Geminose Animal Popstars doesn’t provide them the best backdrop to truly shine. There are some nice original songs here, but many of the minigames are unoriginal and are let down further by poor motion controls. Kids under 10 will get a kick out of its cutesy presentation, but it’s not going to hold anyone’s attention for long.

It almost feels as though it was made for the mobile market in a way, with its small but plentiful maps and cut down features.

Theseus is a story brimming with excitement and wonder, thrown into an experience ripe for improvement. Developer Forge Reply picked a great myth to tackle, and one that works astoundingly well in VR. The shortcomings are too numerous, however, to be overlooked.

Once you’ve figured out what you’re supposed to be doing, Tools Up! is good for a few laughs with a friend or two. But don’t expect to take the game seriously; if you’re aiming for three-star success you’re likely to find it more frustrating than fun.

Mighty Morphin Power Rangers: Rita's Rewind combines beat 'em up action with arcade-style shooting, but neither element is particularly impressive. And so, this is an experience that only the most ardent and patient Power Rangers fans are likely to love.

Pick up Enchanted Portals and you’ll find that you can have some fun with it, especially if you get a friend in tow and play in co-op. But while it sports an attractive art style and a listenable soundtrack, the gameplay will frustrate you from time to time, and you’re likely to find its run ‘n’ gun stages a tad too repetitive. Throw in difficulty spikes, disjointed boss transitions and a lack of sound effects, and you have a game that’s ultimately a stylish disappointment.

Ary‘s problems largely overshadow everything there is to love about it. No-one wants be in the middle of exploring and fall through the world, or get stuck in a rock for no apparent reason. And no one wants to have that continuously happen for up to fifteen hours. With some patches to address the game’s issues, Ary and the Secret of Seasons might be worth recommending for its fun characters, engaging story and unique mechanics. But while ever those issues persist, it isn’t worth your time.

I applaud Indigo 7: Quest For Love for trying something different. It’s a fun enough puzzle game that fans of Tetris and Puyo will be interested in, and its presentation is charming and eye-catching. Sadly it’s let down by a poorly thought-out scoring system, which is likely to bring any enjoyment of the game to a premature halt.

For those of you out there who have friends across the country who are looking for a brutal throwback to the likes of Smash TV and Gauntlet to waste a few hours in, I suppose you could do worse. Just don’t expect too much from Kill To Collect as it’s certain to not deliver.

Perhaps in VR, wandering around in zero gravity will be a little more fun, but the combat will probably still disappoint. [Non-VR Version]

The Addams Family: Mansion Mayhem is a very average platform game. It plays it safe, and doesn’t try to do anything interesting – or in fact, anything at all – with its license. As such, it’s hard to recommend to Addams Family fans, as there’s very little here that evokes any kind of spooky, kooky mayhem. There are plenty of better platforming games out there, but it’s serviceable for younger players – and the minigames do at least add a bit more fun into the proceedings.

The Spell Brigade doesn't do anything wrong, but it also doesn't do anything to make itself stand out in a sea of survivors-like games. Its gameplay isn't all that exciting, its art and sound design is ho-hum, and any meaningful upgrades take far too long to unlock. There are plenty of other games in the genre that are far more rewarding to play.

Miko Mole offers a poor first impression with bad presentation, graphics and annoying menus. The most important feature of a game however is its gameplay – its mechanics – which, if you can get past the hitbox and movement, Miko Mole offers a pretty solid package with enough content and freshness that may just keep some around for a little under 10 hours.

I can’t recommend picking up Truth Quest unless you absolutely loved Maneater. It does nothing to advance or even mix up the formula in any way. It’s more of the same, but with increased emphasis on the more frustrating elements of the main game. At least Chris Parnell’s excellent narration remains on point.